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- A music scout gets fired from his corporate job and gets a job at a smaller indie label.
- Colm is a Catholic, and George is a poetry-loving Protestant. In Belfast, Northern Ireland in the 1980s, they could have been enemies, but instead, they became business partners. After persuading a mad wig salesman known as the Scalper to sell them his leads, the two embark on a series of house calls, always in neighborhoods that are dangerous for one or the other partner. Then they find out they might lose their exclusive wig distributorship to competitors. Through a series of comic twists, the pair are given large orders for wigs by both sides of the Protestant and Catholic conflict. Should they compromise their principles in order to keep their business? Will it destroy their friendship? Could one of their wigs in the hands of the I.R.A. actually put one or both of them in jail, or even get them killed?
- Tom Farrell, a music executive, looks for love in the big apple. In the process of signing a very talented young singer, Wayne, Tom is fired from his record company so attempts to start his own. Meanwhile, Tom's girlfriend pressures him to get married to her.
- Tom gets the chance to buy the catalogue of a singer who cracked under the pressure of the music business years ago and never completed his long-awaited sophomore album.
- True Vinyl has one spot left for an artist to launch this year. Tom believes in his pizza man, singer-writer-keyboard rock talent Ray, who is still bitter because his demo was discarded years ago. The alternative is classical violist Joshua Bell, a Grammy winner, whose contract expired. Lame busker Annette follows Tom around, insisting he should listen to her demo CD. Mike's street mugging complaint is ridiculed by the mates just because he isn't bruised black and blue, but he's terrified for himself and his expanding family. Tom helps out in Ray's late father's business, hoping to prove it can survive if Ray goes on tour. And thus meets a girl.
- Tom discovers he still has feelings for his ex-girlfriend when he must represent her band.
- Tom promises to get a famous singer he once represented to play at a benefit concert, but her label company will not let her even though she wants to. Meanwhile, Mike and Karen look for a nanny for their child.
- Tom deals with a tight budget, quirky director and looming deadline as the record company films Wayne's first video.
- Tom does his best to promote a wild band's new album.
- Now Wayne is a real success, Tom's old boss wants them back at Goliath, so he offers Tom and each of his key colleagues a transfer, a fat raise and one's own label, provided Wayne signs up for it. Now Karen is finally about to deliver their baby, Mike is determined to plan for every contingency, fitting all mates with cellphones-walkie-talkies and detailed assignment. Alas, nothing goes according to plan, except the actual birth.