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1-8 of 8
- Amidst turmoil and racial conflict in a Francophone African state, a white French woman fights for her coffee crop, her family and ultimately for her life.
- When a woman shelters a group of girls from suffering female genital mutilation, she starts a conflict that tears her village apart.
- Cameroonian filmmaker Bassek ba Kobhio provides a fascinating revisionist perspective on Albert Schweitzer, Noble Peace Prize winner and secular saint of the colonial era. Like FRANTZ FANON: BLACK SKIN, WHITE MASK, this film begins to rewrite the history of colonialism from the point of view of the colonized. LE GRAND BLANC DE LAMBARÉNÉ is not, however, a facile exercise in iconoclasm but rather a deeply-felt lament for a missed opportunity, for a cross-cultural encounter between Africa and Europe which never happened. The film reveals that the ultimate tragedy of colonialism may have been its refusal to see and value the colonized as autonomous, creative human beings. The film's epigraph, ironically, is a famous remark by Schweitzer himself: "All we can do is allow others to discover us, as we discover them."
- Sango Malo contrasts two views of education. The traditional headmaster represents a rigid, "Eurocentric." curriculum designed to produce docile colonial administrators. Malo, the radical young teacher, emphasizes the practical skills needed to build a self-reliant rural community. The film illustrates Brazilian educator Paolo Freire's celebrated distinction between an education which the ruling class uses to inculcate its values in students' minds and one which empowers students to shape their own destiny.
- A film about the difficulty for even the most well-intentioned person to know and respect another culture. In this case, the problem is so acute that there is even heated debate over what to call that 'other.' The subtitles in the film use the familiar word 'pygmies,' a relatively pejorative European term; the Bantu or villagers' expression for the same group, Babingas, carries similar negative connotations. These highly specialized, tropical rain forest hunter-gatherers should perhaps be called by their own ethnonym, Aka, MoAka (sing.) and BaAka (pl.)
- A widowed professor begins to find his way out of grief when he meets a young refugee from the Central African Republic.