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1-8 of 8
- Emilio lives in the countryside, away from the hectic city life. One day he discovers that someone has invaded his land and sets a trap to catch the intruder. Emilio recognizes himself in the visitor and finds in him a part of the life that had been taken from him.
- An essay on grief.
- An evangelical priest is forced to question the true reason why God has placed him on earth. With this in mind, the priest is invited to give a religious service in the state prison of Guatemala City, where he meets Beto, a young fisherman accused of killing a thirteen-year-old girl. The priest sees in Beto a chance to redeem himself and once Beto is released from prison, the priest decides to help him. The priest gives Beto job and shelter in the church, causing his family and congregation to turn against him. Convinced of Beto's innocence and affirmed only in his faith, the priest decides to help him at all costs. Until one day, an unexpected crime occurs in the surroundings of the church.
- Puerto Limon, Costa Rica, 1948. Four days before Christmas, Setico a 12-year-old boy must take a train in search of his father. A trip that will reveal the forgotten memories of this banana enclave and the murder of six political prisoners in a place known as Devil's Elbow.
- Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.
- Margarita has a tumor in the base of the brain that made her blind, although the doctors assure that with an operation the girl could recover her sight. Blanca, her mother, will do anything she can to gather the money for the operation even put in risk the security of her community.
- Qak'aslemal (our existence) presents the diverse worlds that form the multicultural and multiethnic complex Guatemala. Through the personal view of its director, we see a knitting of images of Guatemalan people, the surroundings, jobs and traditions in four musical movements: Genesis, Cultures, Religion and Death. The arid view of the sandstone pillars of Momostenango, the hands of the women weavers of San Juan la Laguna, the huge kites of Sumpango and the ruins of the Mayan civilization are some of the images registered to make an analogy with the cycle of life, in a perfect balance of beauty and reality.