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1-6 of 6
- Portrays the work of the motion picture soundman in arranging the set and recording acceptable sync-sound on location. Contrasts the features that make a sound studio ideal for recording to the problems inherent in recording on location. Emphasizes three major recording problems and their solutions--acoustical treatment of set, choice and placement of microphone, and controlling unwanted noise. Some of the sources of "electrical hum" in recording equipment and ways to eliminate them are indicated.
- Views the problems of overcrowded cities, air pollution, and the danger of losing our food and water supply. Reveals that most of these problems are caused by unplanned, unwise uses of our natural environment, and the fact that suburban developments are being constructed with little regard for the natural life around them. Explains how 82% of midtown Manhattan's population exhibits various degrees of mental illness thought to be partially caused by overcrowding, and that man must use ecological planning to seek a unity with nature. Features ecologist Ian McHarg.
- Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.
- Illustrates key elements of feature film narrative. Views classic feature film extracts in order to show various cinematic conventions, basic assumptions audiences make about how a movie is shot and the role of viewers during a screening.
- Discusses and demonstrates the laboratory procedures involved in the production of a 16mm, color, sound film. Follows the camera original film and a quarter inch audio tape through the following procedures: processing the original, dubbing the sound to 16mm magnetic film, making a work print, and edge numbering the original and the work print. Observes the edited work print and magnetic sound track going through the processes of conforming, transferring to optical sound, and color balancing in order to make the composite answer print.