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- Set at the RSS headquarters in Nagpur, India, this is a film about the indoctrination of young Hindu boys by the Rashtriya Swayamsevak Sangh (the RSS), India's foremost Hindu fundamentalist organization. Juxtaposing the activities of two different RSS 'shakhas' or branches, the film documents the stories and the games, the rituals and the play that socialize the young RSS recruit.
- What does it mean to perform socialist 'agit-prop' theatre in India in a globalized era of increasing intolerance and inequality? Natak Jari Hai is a documentary about JANAM (The People's Theatre Front), the little theatre group that never stopped performing in the face of dramatic political transformation and personal tragedy. The film explores the motivations and ideals of the JANAM actors and their vision of resistance and change as they perform their 'People's Theatre' in diverse parts of India. It brings to life the world of socialist theatre through the words of JANAM's members, and through a reflective portrayal of the group's greatest tragedy - the assassination of its convener Safdar Hashmi in 1989.
- In October 1992, Lalit Vachani and the Wide Eye Film team were filming The Boy in the Branch. At the time, Kali, the central character of the film, was nine years old. He had joined the RSS branch because it was a fun place where children could play games after school every day.Sandeep, twenty-one years old, spoke about his devotion to the Hindu nationalist cause, and how he would spend his life serving the RSS. Sripad, an RSS martial arts expert (nineteen at the time) was passionate about building his own body and building the Hindu nation. And Lalit, age eighteen, was a gentle, atypical volunteer who disliked the physical program of the RSS, even though he was assigned to train the younger boys in Karate. We had entered RSS territory expecting to confirm our received images of fascism. Instead, what we found was far more ingenious and unsettling in its simplicity: the lure of a playground where young boys played games and the hopes and dreams, fears and anxieties of ordinary young people as the banal face of fundamentalism. On December 6th, 1992, 45 days after the shoot when the film was near completion, members of the RSS and its affiliates destroyed the Babri mosque at Ayodhya. Where were Lalit, Kali, Sripad, and Sandeep when the mosque was razed to the ground? What did they think about the deaths of at least 1500 people (mostly Muslim) in the riots that followed the demolition? What had happened to them since that time, as the RSS and Hindu nationalism moved from the margins to the center of Indian politics, from an oppositional movement to the ideology of the government presently in power? --- Eight years later, we returned to Nagpur in search of Kali, Sandeep, Sripad and Lalit. Combining the conventions of the political documentary and the personal 'revisit', The Men in the Tree is a documentary in four parts: Part I, Memories (22 min.) is a personal reflection on the making of the earlier film, The Boy in the Branch. (please link to this film here) Part II, Buildings (24 min.) builds on the characters of The Boy in the Branch, in that we meet Sandeep, Sripad and Kali in the present, after a gap of eight years. However, it is primarily about the making and the breaking of various buildings, the most prominent one being the Babri mosque, destroyed in December 1992. Part III, Stories (32 min.) is the talking heads/information section of the film. It is about the kind of stories that circulate within the RSS branch and broader RSS culture and the attempts by RSS ideologues to rewrite and Hinduize a secular Indian history. Former RSS volunteers, D.R. Goyal and Purshottam Agarwal provide an internal critique and a framework to understand the ambivalence of the RSS to national leaders like Mahatma Gandhi and contextualize the RSS hostility towards Muslim and Christian minorities in India. Part IV, Branches (20 min.) is about the state of RSS branches in contemporary India in the form of a return to the branches that the team filmed in 1992. The film ends with an epilogue concerning the events of March 2002. At the time, The Men in the Tree was almost complete. The RSS affiliate, the VHP launched a new agitation to build the Ram temple at Ayodhya. This resulted in the horrifying genocide in Gujarat, where estimates suggest that over two thousand Muslims were killed by members of the Hindu right.
- In 1930, a group of Indians led by a frail, elderly man marched a distance of 241 miles. They marched for salt. Mahatma Gandhi was able to craft an anti-colonial, nationalist movement around the most basic issue of livelihood: the right of Indians to make and consume their own salt. 77 years later, the Wide Eye Film team followed the trail of the famous Dandi salt march, stopping at the same villages and towns, in search of Gandhi's legacy. Set against the backdrop of Gandhi's original journey, this is a road-movie about issues of livelihood in modern, globalizing India. It is a documentary about 'the salt stories' of our times.
- A new politics of hope and change flickers in the world's largest democracy, as a rank outsider makes an audacious bid for political power. A tiny new political party prepares to take on the mighty political establishment in the capital city: the Aam Aadmi Party, the party of the Common Man. Like its counterparts from Greece to Spain, this anti-establishment party promises to vanquish political corruption and bring power back to ordinary people. An Ordinary Election tells the extra-ordinary story of the Aam Aadmi Party's debut election campaign in the constituency of RK Puram, Delhi. From the campaign war room to the streets, from the narrow lanes of urban slums to the manicured parks of upper-class neighbourhoods, the crew follows the charismatic candidate Shazia Ilmi and the ordinary men and women of the AAP fighting to change the terms of Indian democracy in an election campaign where victory seems impossible.