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Born in the Australian rural town of Griffith, New South Wales, Phillip Noyce moved to Sydney with his family at the age of 12. As a teenager, he was introduced to underground films produced on shoestring budgets as well as mainstream American movies. He was 18 when he made his first film, the 15-minute Better to Reign in Hell (1969) utilizing a unique financing scheme selling roles in the movie to his friends.
In 1973 he was selected to attend the Australian National Film School in its inaugural year. Here, he made Castor and Pollux (1973) a 50 minute documentary which won the award for best Australian short film of 1974.
Noyce's first professional film was the 50-minute docudrama God Knows Why, But It Works (1976) in 1975. This helped pave the way for his first feature, the road movie Backroads (1977) which starred Australian Aboriginal activist Gary Foley and iconic Australian actor Bill Hunter who would go on to appear in 2 other Noyce films. In 1978, he directed and co-wrote Newsfront (1978), which won Best Film, Best Director and Best Original Screenplay at the Australian Film Awards, as well as proving a huge commercial hit in Australia. In addition to opening the London Film Festival, Newsfront was the first Australian film to screen at the New York Film Festival.
In 1982, Heatwave (1982), co-written and directed by Noyce and starring Judy Davis, was chosen to screen at the Director's Fortnight at the Cannes Film Festival.
The success of the Australian produced Dead Calm (1989), starring Nicole Kidman, Sam Neill and Billy Zane brought Noyce to Hollywood, where he directed 6 films over the next decade, including Patriot Games (1992) and Clear and Present Danger (1994) starring Harrison Ford, and The Bone Collector (1999), starring Oscar© winners Denzel Washington and Angelina Jolie.
In 2002 Noyce returned to his native Australia, where released two films worldwide at almost the same time. The Quiet American (2002) starred Michael Caine in an Academy nominated Best Actor performance and appeared on over 20 top ten lists for 2002, including the National Board of Review and the American Film Institute. Rabbit-Proof Fence (2002) was based on the true story of three Aboriginal girls abducted from their families by Australian authorities in 1931 as part of an official government policy. The film won Best Picture at the Australian Film Awards, and together with The Quiet American garnered Noyce numerous best director awards including National Board of Review in the US and UK's London Film Critics Circle.
In 2006 Noyce directed Tim Robbins and Derek Luke in the South African set political thriller Catch a Fire (2006).
2010 Saw Noyce re-teaming with Angelina Jolie for his biggest box-office hit, the spy thriller Salt (2010), which grossed $295 million worldwide.
In Spring 2011, Noyce directed and executive produced the pilot for the ABC series Revenge (2011), which ended a four-season run on May 10, 2015.
In 2013 Noyce directed and executive produced the NBC pilot Crisis (2014), which went to series. Later that year, he returned to South Africa to film The Giver (2014), starring Jeff Bridges, Meryl Streep, and Brenton Thwaites, which opened in the US on August 15, 2014 from The Weinstein Company.
In 2016 Noyce directed the first night of the Emmy nominated miniseries Roots (2016).
In 2017 Noyce directed the pilot and first episode of Fox Network's medical show The Resident (2018) reuniting him with Emily VanCamp, who starred in Revenge.
In 2018 Noyce directed the feature Above Suspicion (2019), starring Emilia Clarke and Jack Huston. In 2018 he also directed the pilot and first episode of the 10-part series What/If (2019), starring Renée Zellweger and created by Revenge creator Mike Kelley, to be released in June 2019 by Netflix.- Producer
- Director
- Production Designer
Described by film producer Michael Deeley as "the very best eye in the business", director Ridley Scott was born on November 30, 1937 in South Shields, Tyne and Wear. His father was an officer in the Royal Engineers and the family followed him as his career posted him throughout the United Kingdom and Europe before they eventually returned to Teesside. Scott wanted to join the British Army (his elder brother Frank had already joined the Merchant Navy) but his father encouraged him to develop his artistic talents instead and so he went to West Hartlepool College of Art and then London's Royal College of Art where he helped found the film department.
In 1962, he joined the BBC as a trainee set designer working on several high profile series. He attended a trainee director's course while he was there and his first directing job was on an episode of the popular BBC police series Z Cars (1962), Error of Judgement (1965). More TV work followed until, frustrated by the poor financial rewards at the BBC, he went into advertising. With his younger brother, Tony Scott, he formed the advertising production company RSA (Ridley Scott Associates) in 1967 and spent the next 10 years making some of the best known and best loved TV adverts ever shown on British television, including a series of ads for Hovis bread set to the music of Dvorak's New World Symphony which are still talked about today ("'e were a great baker were our dad.")
He began working with producer David Puttnam in the 1970s developing ideas for feature films. Their first joint endeavor, The Duellists (1977) won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d'Or, more than successfully launching Scott's feature film career. The success of Star Wars: Episode IV - A New Hope (1977) inspired Scott's interest in making science fiction and he accepted the offer to direct Dan O'Bannon's low budget science fiction horror movie Alien (1979), a critical and commercial success that firmly established his worldwide reputation as a movie director.
Blade Runner (1982) followed in 1982 to, at best, a lukewarm reception from public and critics but in the years that followed, its reputation grew - and Scott's with it - as one of the most important sci-fi movies ever made. Scott's next major project was back in the advertising world where he created another of the most talked-about advertising spots in broadcast history when his "1984"-inspired ad for the new Apple Macintosh computer was aired during the Super Bowl on January 22, 1984. Scott's movie career has seen a few flops (notably Legend (1985) and 1492: Conquest of Paradise (1992)), but with successes like Thelma & Louise (1991), Gladiator (2000) and Black Hawk Down (2001) to offset them, his reputation remains solidly intact.
Ridley Scott was awarded Knight Bachelor of the Order of the British Empire at the 2003 Queen's New Year Honours for his "substantial contribution to the British film industry". On July 3, 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London. He was awarded the BAFTA Fellowship in 2018. BAFTA described him as "a visionary director, one of the great British film-makers whose work has made an indelible mark on the history of cinema. Forty years since his directorial debut, his films continue to cross the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent."- Director
- Producer
- Additional Crew
Chris Eyre was born in 1969 in Portland, Oregon, USA. He is known for Smoke Signals (1998), Dark Winds (2022) and Skins (2002).- Camera and Electrical Department
- Cinematographer
- Director
Pierre Morel was born on 12 May 1964 in France. He is a cinematographer and director, known for District B13 (2004), Taken (2008) and The Gunman (2015).- Writer
- Producer
- Director
Luc Besson spent the first years of his life following his parents, scuba diving instructors, around the world. His early life was entirely aquatic. He already showed amazing creativity as a youth, writing early drafts of The Big Blue (1988) and The Fifth Element (1997), as an adolescent bored in school. He planned on becoming a marine biologist specializing in dolphins until a diving accident at age 17 which rendered him unable to dive any longer. He moved back to Paris, where he was born, and only at age 18 did he first have an urban life or television. He realized that film was a medium which he could combine all his interests in various arts together, so he began taking odd jobs on various films. He moved to America for three years, then returned to France and formed Les Films de Loups - his own production company, which later changed its name to Les Films de Dauphins. He is now able to dive again.- Writer
- Producer
- Additional Crew
Paul Haggis established himself over twenty years with an extensive career in television, before his big break into features arrived when he became the first screenwriter to garner two Best Film Academy Awards back-to-back for his scripts: "Million Dollar Baby" (2004) directed by Clint Eastwood, and "Crash" (2005) which Paul directed himself.
In 2006, among others, Haggis penned two Clint Eastwood productions, "Flags of our Fathers" and "Letters from Iwo Jima," for which he earned his third Best Screenplay Oscar nomination. He also co-wrote "Casino Royale," which garnered considerable acclaim for reinvigorating the James Bond spy franchise.
In 2007, Haggis wrote, directed, and produced "In the Valley of Elah." The film starred Tommy Lee Jones, Charlize Theron, and Susan Sarandon, and earned Jones a Best Actor Oscar nomination for his performance.
In 2010, his film "The Next Three Days" was released, starring Russell Crowe, Liam Neeson, and Elizabeth Banks.
And in 2013 he wrote and directed the romantic, personal drama "Third Person," which starred Liam Neeson, Olivia Wilde, Mila Kunis, Adrien Brody, James Franco, and Kim Basinger.
Most recently, Haggis directed and executive produced all six episodes of the HBO mini-series "Show Me A Hero," starring Oscar Isaac, Catherine Keener, Winona Ryder, James Belushi, and Alfred Molina.
Currently, Haggis is co-directing a feature length documentary on the AIDS crisis in San Francisco, called "5B."
Equally committed to his private and social concerns, Haggis is the founder of Artists for Peace and Justice. Under this umbrella, many of his friends in the film business have come forward to major build schools and clinics serving the children of the slums of Haiti (www.APJNow.org).- Director
- Producer
- Writer
Daniel Francis Boyle is a British filmmaker, producer and writer from Radcliffe, Greater Manchester. He is known for directing 28 Days Later, 127 Hours, Trainspotting, T2 Trainspotting, Slumdog Millionaire, Millions, Shallow Grave, The Beach, Yesterday, and Steve Jobs. He won many awards for Slumdog Millionaire. He was in a relationship with Gail Stevens and had three children.- Writer
- Director
- Producer
Guy Ritchie was born in Hatfield, Hertfordshire, UK on September 10, 1968. After watching Butch Cassidy and the Sundance Kid (1969) as a child, Guy realized that what he wanted to do was make films. He never attended film school, saying that the work of film school graduates was boring and unwatchable. At 15 years old, he dropped out of school and in 1995, got a job as a runner, ultimately starting his film career. He quickly progressed and was directing music promos for bands and commercials by 1995.
The profits that he made from directing these promos was invested into writing and making the film The Hard Case (1995), a 20-minute short film that is also the prequel to his debut feature Lock, Stock and Two Smoking Barrels (1998). Sting's wife, Trudie Styler, saw The Hard Case (1995) and invested in the feature film. Once completed, 10 British distributors turned the film down before it eventually was released in the UK in 1998 and in the US in 1999; the film put Ritchie on the map as one of the hottest rising filmmakers of the time, and launched the careers of actors Jason Statham, Jason Flemyng, and Vinnie Jones, among others.
Lock, Stock and Two Smoking Barrels (1998) was followed by Snatch (2000), this time with a bigger budget and a few more familiar faces such as Brad Pitt, Dennis Farina, Benicio Del Toro alongside returning actors Jason Statham, Vinnie Jones and Jason Flemyng. At the end of 2000, Ritchie married the pop superstar Madonna in Scotland, and proceeded to work with his famous wife on a variety of film and video projects, including the short Star (2001), made for BMW and co-starring Clive Owen, and the controversial video "What It Feels Like for a Girl," which was called out for its violence. In 2002, the couple embarked on a remake of the 1974 Lina Wertmüller film Swept Away (2002); the new film was a critical and commercial flop, winning five Razzie Awards. Ritchie followed up with the Vegas heist film Revolver (2005), which was panned, but won favor with the crime thriller RocknRolla (2008), which featured a game, energetic cast and brought American attention to rising stars Gerard Butler and Tom Hardy.
The next year saw the release of Sherlock Holmes (2009), starring Robert Downey Jr. in the title role and Jude Law as his cohort Dr. Watson. The film received mostly good reviews but, more important for Ritchie's career, was a solid blockbuster hit that grossed more than $520 million dollars worldwide and spawned a sequel, Sherlock Holmes: A Game of Shadows (2011). Ritchie is tentatively scheduled to direct an adaptation of Robert Louis Stevenson's Treasure Island.
Ritchie has two sons with Madonna: Rocco, born in 2000, and an adopted son, David, born in 2005. In late 2008, the couple confirmed reports that they were splitting up, and agreed to a divorce settlement that was finalized in December of that year. In September 2011, Ritchie's girlfriend, model Jacqui Ainsley, gave birth to a son, Rafael, and in July 2012 the couple announced they were expecting their second child.- Director
- Writer
- Producer
Peter Weir was born on 21 August 1944 in Sydney, New South Wales, Australia. He is a director and writer, known for Master and Commander: The Far Side of the World (2003), The Way Back (2010) and Witness (1985). He has been married to Wendy Stites since 1966. They have two children.- Director
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- Producer
Director. Writer. Producer. Actor. Poet. He studied history, literature and theatre for some time, but didn't finish it and founded instead his own film production company in 1963. Later in his life, Herzog also staged several operas in Bayreuth, Germany, and at the Milan Scala in Italy. Herzog has won numerous national and international awards for his poetic feature and documentary films.- Director
- Producer
- Writer
John McTiernan was born on 8 January 1951 in Albany, New York, USA. He is a director and producer, known for Die Hard (1988), Rollerball (2002) and Last Action Hero (1993). He has been married to Gail Sistrunk since 2012. He was previously married to Kate Harrington, Donna Dubrow and Carol Land.- Director
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- Writer
Born in Hamburg, Germany, in 1957. In his teens he left high school and worked as a cooker in a boat.
Then he studied painting and graphism in the Academy of arts in Hamburg where he also started experimenting with video and photography. Those experimental movies attracted the attention of some producers of the German TV.
Hirschbiegel became popular thanks to his tv movies (especially dramas and thrillers). In 2001 he shot his first movie for cinema: "Das Experiment" that won several awards in many festivals all around the world. That movie is an intense investigation of the aggressive behaviour in a simulated prison environment.
His second movie, "Mein letzter Film", released in 2002, is a 90 minutes' monologue about a woman in her fifties who wants to re-start his life.
In 2004 "Downfall" was released, his third movie, and till now his greatest success. "Downfall" is about the last 12 days of life of Adolf Hitler narrated out of the sight of her young secretary, Traudl Junge. That movie has stirred up much controversy because it portrays Hitler and the Nazis as human beings and not just as evil.
Hirschbiegel has demonstrated in all his movies to be an specialist of dramas set in claustrophobic environments.- Writer
- Director
- Producer
Writer, director, and producer Nicolas Winding Refn was born in Copenhagen, Denmark, in 1970, to Anders Refn, a film director and editor, and Vibeke Winding (née Tuxen), a cinematographer. Just before he turned 11, in 1981, he moved to New York with his parents, where he lived out his teen years. New York quickly became his city and soon began to shape Nicolas' future.
At seventeen, Nicolas moved back to his native Copenhagen to complete his high-school Education. After graduation, he swiftly flew back to New York, where he attended the American Academy of Dramatic Arts. However, this education was cut short when Nicolas threw a desk at a classroom wall and was expelled from the Academy. Consequently, he applied to the Danish Film School and was readily accepted. This education too was to be short-lived, though, as one month prior to the start of the semester, Nicolas dropped out.
A short film Nicolas had written, directed, and starred in was aired on an obscure cable TV channel and lead to the offer of a life-time. Nicolas was spotted and offered 3.2 million kroners to turn the short into a feature. At only twenty-four, Nicolas had written and directed the extremely violent and uncompromising Pusher (1996), which became a cult phenomenon and won Nicolas instant international critical acclaim. The success of his debut spurred him to push the boundaries of his creative filmmaking further, which resulted in the close-to-the-edge and intricately gritty Bleeder (1999). Highly stylized and focused on introverted reactions to outward situations, this film was a marking point for the shaping of Nicolas's future career. The movie was selected for the 1999 Venice International Film Festival as well as winning the prestigious FIPRESCI Prize in Sarajevo.
Nicolas's fourth feature, the much-anticipated Fear X (2003) was also his first foray into English-language movies. Starring the award-winning actor John Turturro, "Fear X" made its world premiere at the Sundance Film festival. However, Fear X divided critics and it flopped, which made Nicolas Winding Refn broke and in debt.
Having to provide for his family and paying his debt, he returned to Denmark to revisit "Pusher." Refn was reluctant to revisit his past success but decided that he could both make commercially viable and artistically pleasing films. In just two years he managed to write, direct and produce the two sequels. Pusher II (2004) and Pusher III (2005) sealed the box and success of the internationally renowned "Pusher" trilogy. In 2005, the Toronto Film Festival held a "Pusher" retrospective showing all three features cementing its worldwide phenomenon.
In 2006 Nicolas embarked on a second English-language (and first digital) feature called Valhalla Rising (2009), which was inspired by a story his mother read to him at the age of five about a father and son who embark on a trip to the moon. Not recalling the ending of this story has been a long time fascination of Nicolas's with the unknown. During the pre-production on "Valhalla Rising," his long time collaborator and friend, Rupert Preston, urged him into accepting an offer to write and direct Bronson (2008), an ultra-violent, surreal, and escapist film following the real-life landmarks and self-entrapment of Charles Bronson, Britain's most notorious criminal. Before its cinematic release, "Bronson" was making waves inside and outside the film industry. The 2009 Sundance Film Festival selected the blistering film for its World Cinema Dramatic Competition and it soon became the talk of the festival. With such a prestigious premiere, "Bronson" went on to be selected for other major international film festivals and reap strong box-office rewards. But, even with such a buzz surrounding the film, no one could predict how the British press would bite at "Bronson's" bit. The content was close to the knuckle, the subject matter controversial, but Nicolas's take on this was even more inspired leading him to be labeled by the British media as the next great European auteur.
With such critical acclaim, Nicolas's reputation as a producer, writer and director was solidly reaffirmed. Nicolas and his wife Liv Corfixen were the subjects of an acclaimed documentary, Gambler (2006), which premiered at the Rotterdam International Film Festival in 2005. In addition, Nicolas already received two lifetime-achievement awards (one from the Taipei International Film festival in 2006 and the second from the Valencia International Film Festival in 2007), and it was the winner of the Emerging Master Award from the Philadelphia International Film Festival 2005.- Director
- Producer
- Actor
Louis Leterrier is a French film director and producer. He notably directed the first two Transporter films, Unleashed, The Incredible Hulk, Clash of the Titans, Now You See Me, Tower of Strength and The Brothers Grimsby. He also directed episodes of The Dark Crystal: Age of Resistance on Netflix and three episodes of Lupin.- Writer
- Script and Continuity Department
- Director
Anders Thomas Jensen was born on 6th April 1972 in Frederiksværk on Sjælland in Denmark to Carl Benny Jensen and Kirsten Jensen (born Sørensen). He attended the high school in Frederiksværk from 1988 to 1991. In 1990 while still in high school, he wrote and directed 10 år på bagen - 3 år i skyggen (1990) (TV).
He made his film debut in 1996 with the short films Café Hector (1996), Davids bog (1996), Hvileløse hjerte (1996) and the Academy Award nominated Ernst & Lyset (1996), which he also directed. The following year Jensen wrote and directed Wolfgang (1997), which also earned an Academy Award nomination for best short film. He also made a rare appearance in front of the camera in Royal Blues (1997). Baby Doom (1998) and Albert (1998), both released in 1998, were the first feature films with screenplay co-written by Jensen.
After being nominated two previous years Jensen finally won in 1999 an Oscar for best short film with Election Night (1998). He followed it with writing the screenplay for two successful films in 1999, Mifune (1999) and In China They Eat Dogs (1999). Jensen was nominated for a Robert for the both films, but neither won. Mifune, directed by Søren Kragh-Jacobsen was the third dogme film. I Kina spiser de hunde (In China They Eat Dogs), directed by Lasse Spang Olsen and starring Kim Bodnia, was the first of typical Jensen screenplays with an original mixture of humour and action. The formula was very effective and the film was a huge hit in Denmark. In a way it created a new genre, Danish action comedies, as it spawned several imitations as well as a prequel three years later. In 2000 Jensen co-wrote the screenplay for Dykkerne (2000) and The King Is Alive (2000), the fourth dogme-film which is a story about a group of people who decides to stage Shakespeare's King Lear in the desert.
After having written screenplays for films in various genres, in 2000 he also his feature film debut as a director with Flickering Lights (2000). Blinkende lygter (Flickering Lights) tells the story of four small time crooks from Copenhagen who steal 4,000,000 DKR from a gangster boss. Unfortunately their escape route won't take them further than the countryside before the car breaks down. That leads them to renovate an old guesthouse while tring to lay low. With Denmark's best talents Søren Pilmark, Ulrich Thomsen, Mads Mikkelsen, Nikolaj Lie Kaas and Iben Hjejle, it was a huge blockbuster hit in Denmark and also gained interest abroad. Blinkende lygter also gained a Bodil nomination for the best picture of the year, a Robert nomination for best screenplay and won the audience award at the Robert festival. By now already an established name on the Danish movie scene he wrote the screenplays to Count Axel (2001), made an uncredited contribution to Fukssvansen (2001), Lone Scherfig's Wilbur Wants to Kill Himself (2002) and Susanne Bier's celebrated Open Hearts (2002) highlighted by strong performances from Mads Mikkelsen, Nikolaj Lie Kaas and Paprika Steen. The screenplay of Elsker dig for evigt (Open Hearts) also showed a completely different side of him. In 2002 he also wrote the screenplay for Lasse Spang Olsen's Gamle mænd i nye biler (2002), the prequel to In China They East Dogs. Jensen received his fourth Robert nomination for the screenplay of Gamle mænd i nye biler (Old Men In New Cars).
Jensen then wrote and directed The Green Butchers (2003). With outstanding performances by Nikolaj Lie Kaas and Mads Mikkelsen, Jensen contributed yet another characteristic story of two butchers with very unorthodox methods. This time Jensen was for De Grønne slagtere (The Green Butchers) nominated for both screenplay and direction at the Robert Festival. He also wrote the screenplays for Søren Kragh-Jacobsen's Skagerrak (2003) and Rembrandt (2002). Skagerrak tells the story of Danish Marie (Iben Hjejle) who finds happiness when she least expects it as she is offered to be a surrogate mother in Northern Scotland. Rembrandt on the other hand continues the adventures of Danish small time crooks, as they by mistake steal a painting by Rembrandt which causes them more problems that they ask for. In 2004 Jensen wrote the screenplay for Susanne Bier's Brothers (2004). Brødre (Brothers), starring Connie Nielsen, Ulrich Thomsen and Nikolaj Lie Kaas is a story of two brothers whose lives alter in many ways when one is sent to war in Afghanistan and the other one takes his place in the brother's family. For Brothers Jensen finally won a Robert for best screenplay. In February 2005 premiered Solkongen (2005), directed by Tomas Villum Jensen, and followed by Adam's Apples (2005) in April 2005. Jensen's third directorial effort Adams æbler is written and directed by himself and stars once again Mads Mikkelsen, Nikolaj Lie Kaas and Ulrich Thomsen. His next contribution will be After the Wedding (2006) (After the Wedding), which will be directed by Susanne Bier and with Mads Mikkelsen and Rolf Lassgård in leading roles. Efter brylluppet is due to be released in March 2006.- Producer
- Writer
- Director
As a director, screenwriter, and producer, four-time Academy Award nominee Michael Mann has established himself as one of the most innovative and influential filmmakers in American cinema. After writing and directing the Primetime Emmy Award-winning television movie The Jericho Mile (1979), Mann made his feature-film directorial debut with Thief (1981), followed by executive producing the television series Miami Vice (1984). He went on to direct Manhunter (1986), The Last of the Mohicans (1992), Heat (1995), and The Insider (1999), Ali (2001), Collateral (2004), a film adaptation of Miami Vice (2006), Public Enemies (2009), and Blackhat (2015).
As a producer, Mann's work includes Martin Scorsese's The Aviator (2004), Hancock (2008), Texas Killing Fields (2011), and the HBO series Luck (2011) and Witness (2012). He has been a member of the Directors Guild of America since 1977 and has served on the DGA's National Board.- Writer
- Producer
- Actor
Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).- Producer
- Writer
- Director
Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.- Actor
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Kevin Spacey Fowler, better known by his stage name Kevin Spacey, is an American actor of screen and stage, film director, producer, screenwriter and singer. He began his career as a stage actor during the 1980s before obtaining supporting roles in film and television. He gained critical acclaim in the early 1990s that culminated in his first Academy Award for Best Supporting Actor for the neo-noir crime thriller The Usual Suspects (1995), and an Academy Award for Best Actor for midlife crisis-themed drama American Beauty (1999).
His other starring roles have included the comedy-drama film Swimming with Sharks (1994), psychological thriller Seven (1995), the neo-noir crime film L.A. Confidential (1997), the drama Pay It Forward (2000), the science fiction-mystery film K-PAX (2001)
In Broadway theatre, Spacey won a Tony Award for his role in Lost in Yonkers. He was the artistic director of the Old Vic theatre in London from 2004 until stepping down in mid-2015. Since 2013, Spacey has played Frank Underwood in the Netflix political drama series House of Cards. His work in House of Cards earned him Golden Globe Award and Emmy Award nominations for Best Actor.
As enigmatic as he is talented, Kevin Spacey for years kept the details of his private life closely guarded. As he explained in a 1998 interview with the London Evening Standard, "the less you know about me, the easier it is to convince you that I am that character on screen. It allows an audience to come into a movie theatre and believe I am that person". In October 2017, he ended many years of media speculation about his personal life by confirming that he had had sexual relations with both men and women but now identified as gay.
There are, however, certain biographical facts to be had - for starters, Kevin Spacey Fowler was the youngest of three children born to Kathleen Ann (Knutson) and Thomas Geoffrey Fowler, in South Orange, New Jersey. His ancestry includes Swedish (from his maternal grandfather) and English. His middle name, "Spacey," which he uses as his stage name, is from his paternal grandmother. His mother was a personal secretary, his father a technical writer whose irregular job prospects led the family all over the country. The family eventually settled in southern California, where young Kevin developed into quite a little hellion - after he set his sister's tree house on fire, he was shipped off to the Northridge Military Academy, only to be thrown out a few months later for pinging a classmate on the head with a tire. Spacey then found his way to Chatsworth High School in the San Fernando Valley, where he managed to channel his dramatic tendencies into a successful amateur acting career. In his senior year, he played "Captain von Trapp" opposite classmate Mare Winningham's "Maria" in "The Sound of Music" (the pair later graduated as co-valedictorians). Spacey claims that his interest in acting - and his nearly encyclopedic accumulation of film knowledge - began at an early age, when he would sneak downstairs to watch the late late show on TV. Later, in high school, he and his friends cut class to catch revival films at the NuArt Theater. The adolescent Spacey worked up celebrity impersonations (James Stewart and Johnny Carson were two of his favorites) to try out on the amateur comedy club circuit.
He briefly attended Los Angeles Valley College, then left (on the advice of another Chatsworth classmate, Val Kilmer) to join the drama program at Juilliard. After two years of training he was anxious to work, so he quit Juilliard sans diploma and signed up with the New York Shakespeare Festival. His first professional stage appearance was as a messenger in the 1981 production of "Henry VI".
Festival head Joseph Papp ushered the young actor out into the "real world" of theater, and the next year Spacey made his Broadway debut in Henrik Ibsen's "Ghosts". He quickly proved himself as an energetic and versatile performer (at one point, he rotated through all the parts in David Rabe's "Hurlyburly"). In 1986, he had the chance to work with his idol and future mentor, Jack Lemmon, on a production of Eugene O'Neill's "Long Day's Journey Into Night". While his interest soon turned to film, Spacey would remain active in the theater community - in 1991, he won a Tony Award for his turn as "Uncle Louie" in Neil Simon's Broadway hit "Lost in Yonkers" and, in 1999, he returned to the boards for a revival of O'Neill's "The Iceman Cometh".
Spacey's film career began modestly, with a small part as a subway thief in Heartburn (1986). Deemed more of a "character actor" than a "leading man", he stayed on the periphery in his next few films, but attracted attention for his turn as beady-eyed villain "Mel Profitt" on the TV series Wiseguy (1987). Profitt was the first in a long line of dark, manipulative characters that would eventually make Kevin Spacey a household name: he went on to play a sinister office manager in Glengarry Glen Ross (1992), a sadistic Hollywood exec in Swimming with Sharks (1994), and, most famously, creepy, smooth-talking eyewitness Verbal Kint in The Usual Suspects (1995).
The "Suspects" role earned Spacey an Oscar for Best Supporting Actor and catapulted him into the limelight. That same year, he turned in another complex, eerie performance in David Fincher's thriller Se7en (1995) (Spacey refused billing on the film, fearing that it might compromise the ending if audiences were waiting for him to appear). By now, the scripts were pouring in. After appearing in Al Pacino's Looking for Richard (1996), Spacey made his own directorial debut with Albino Alligator (1996), a low-key but well received hostage drama. He then jumped back into acting, winning critical accolades for his turns as flashy detective Jack Vincennes in L.A. Confidential (1997) and genteel, closeted murder suspect Jim Williams in Midnight in the Garden of Good and Evil (1997). In October 1999, just four days after the dark suburban comedy American Beauty (1999) opened in US theaters, Spacey received a star on the Hollywood Walk of Fame. Little did organizers know that his role in Beauty would turn out to be his biggest success yet - as Lester Burnham, a middle-aged corporate cog on the brink of psychological meltdown, he tapped into a funny, savage character that captured audiences' imaginations and earned him a Best Actor Oscar.
No longer relegated to offbeat supporting parts, Spacey seems poised to redefine himself as a Hollywood headliner. He says he's finished exploring the dark side - but, given his attraction to complex characters, that mischievous twinkle will never be too far from his eyes.
In February 2003 Spacey made a major move back to the theatre. He was appointed Artistic Director of the new company set up to save the famous Old Vic theatre, The Old Vic Theatre Company. Although he did not undertake to stop appearing in movies altogether, he undertook to remain in this leading post for ten years, and to act in as well as to direct plays during that time. His first production, of which he was the director, was the September 2004 British premiere of the play Cloaca by Maria Goos (made into a film, Cloaca (2003)). Spacey made his UK Shakespearean debut in the title role in Richard II in 2005. In 2006 he got movie director Robert Altman to direct for the stage the little-known Arthur Miller play Resurrection Blues, but that was a dismal failure. However Spacey remained optimistic, and insisted that a few mistakes are part of the learning process. He starred thereafter with great success in Eugene O'Neill's A Moon for the Misbegotten along with Colm Meaney and Eve Best, and in 2007 that show transferred to Broadway. In February 2008 Spacey put on a revival of the David Mamet 1988 play Speed-the-Plow in which he took one of the three roles, the others being taken by Jeff Goldblum and Laura Michelle Kelly.
In 2013, Spacey took on the lead role in an original Netflix series, House of Cards (2013). Based upon a British show of the same name, House of Cards is an American political drama. The show's first season received a Primetime Emmy Award nomination to include Outstanding lead actor in a drama series. In 2017, he played a memorable role as a villain in the action thriller Baby Driver (2017).- Producer
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Jonas Pate was born on 15 January 1970 in Raeford, North Carolina, USA. He is a producer and director, known for Outer Banks (2020), Deceiver (1997) and Good vs Evil (1999). He has been married to Jennifer Fishman since 2001. They have two children.- Director
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Ted Demme was born on 26 October 1963 in New York City, New York, USA. He was a director and producer, known for Blow (2001), Beautiful Girls (1996) and A Decade Under the Influence (2003). He was married to Amanda Scheer-Demme. He died on 13 January 2002 in Santa Monica, California, USA.- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Director
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David L. Cunningham is an international filmmaker known for striking visuals, authentic performances and dynamic subject matters.
For more than two decades, Cunningham has directed big budget Studio films (Fox, Disney, ABC), experimental and pioneering independent features, as well as hard hitting documentaries. He is also an entrepreneur having founded more than a dozen companies in the creative industries including the award-winning content machine Global Virtual Studio (GVS). Cunningham is known for his social impact initiatives as the creator of several nation changing campaigns with focuses on indigenous rights, human trafficking and orphans with special needs.
David was born in Lausanne, Switzerland to American parents, Loren and Darlene Cunningham, who are pioneers of the University of the Nations (also known as YWAM) with over 600 campuses around the world in 160 nations. At age three David's family moved to Hawai'i Island to open a University of the Nations campus in Kailua-Kona which became David's long time home. Cunningham is a graduate of Konawaena High School and studied film at the University of Southern California (USC) .
Cunningham has had the privilege to direct a wide range of today's finest actors including Harvey Keitel, Edward James Olmos, Mark Strong, Robert Carlyle, Kiefer Sutherland, Ian McShane, Christopher Eccleston, Idris Elba, Donnie Wahlberg and Alexander Ludwig. Cunningham is best known for the gritty WW2 Drama, To End All Wars (20th Century Fox), and the Primetime Emmy Winning and controversial miniseries on ABC, Path to 9/11. With a budget of $45M and total viewership of approximately 23 million, Path to 9/11 was considered a breakthrough in the miniseries format.
Based out of Kona, Hawai'i, Cunningham founded Honua Studios in partnership with the County and State of Hawai'i. Honua Studios is the second largest studio in the State and includes the state's largest green screen stage, sound, post and VFX facilities. Honua Studios is also the main hub of Global Virtual Studio (GVS).
Global Virtual Studio is a content creation machine. Under Cunningham's leadership GVS develops and produces content for a variety of platforms from graphic novels to major feature films. GVS has key hubs in Kona, Honolulu and Los Angeles with a network of artists and facilities in 15 countries.- Director
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Steve McQueen was born on 9 October 1969 in London, England, UK. He is a director and producer, known for 12 Years a Slave (2013), Shame (2011) and Hunger (2008). He is married to Bianca Stigter. They have two children.- Director
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Craig Lahiff was born on 23 April 1947 in Adelaide, South Australia, Australia. He was a director and producer, known for Fever (1988), Swerve (2011) and Heaven's Burning (1997). He died on 2 February 2014 in Adelaide, South Australia, Australia.- Director
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Unlike virtually all his contemporaries, Ken Loach has never succumbed to the siren call of Hollywood, and it's virtually impossible to imagine his particular brand of British socialist realism translating well to that context.
After studying law at St. Peter's College, Oxford, he branched out into the theater, performing with a touring repertory company. This led to television, where in alliance with producer Tony Garnett he produced a series of docudramas, most notably the devastating "Cathy Come Home" episode of The Wednesday Play (1964), whose impact was so massive that it led directly to a change in the homeless laws.
He made his feature debut Poor Cow (1967) the following year, and with Kes (1969), he produced what is now acclaimed as one of the finest films ever made in Britain. However, the following two decades saw his career in the doldrums with his films poorly distributed (despite the obvious quality of work such as The Gamekeeper (1968) and Looks and Smiles (1981)) and his TV work in some cases never broadcast (most notoriously, his documentaries on the 1984 miners' strike).
He made a spectacular comeback in the 1990s, with a series of award-winning films firmly establishing him in the pantheon of great European directors - his films have always been more popular in mainland Europe than in his native country or the US (where Riff-Raff (1991) was shown with subtitles because of the wide range of dialects). Hidden Agenda (1990) won the Special Jury Prize at the 1990 Cannes Film Festival; Riff-Raff (1991) won the Felix award for Best European Film of 1992; Raining Stones (1993) won the Cannes Special Jury Prize for 1993, and Land and Freedom (1995) won the FIPRESCI International Critics Prize and the Ecumenical Jury Prize at the 1995 Cannes Film Festival - and was a substantial box-office hit in Spain where it sparked intense debate about its subject matter. This needless to say, was one of the reasons that Loach made the film!- Writer
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As both writer and director, David Twohy has contributed much to the film world, helping to elevate movies in such a way that Entertainment Weekly was prompted to name him "one of the 100 most creative people in Hollywood." In his career, Twohy has worked with on-screen notables like Harrison Ford, Judi Dench, Kevin Costner, Vin Diesel, Thandie Newton, Tommy Lee Jones, Jeff Daniels, Richard E. Grant, Chris Hemsworth, Demi Moore, Bruce Greenwood, Olivia Williams, Tim Olyphant and Milla Jovovich. To name a few.
Twohy struck gold early with his screenplay for the Harrison Ford and Tommy Lee Jones vehicle "THE FUGITIVE," nominated in 1993 for Best Screenplay Previously Produced or Published. Other writing-only credits include "WATERWORLD," "TERMINAL VELOCITY," and Ridley Scott's "G.I. JANE."
As a director, Twohy made his debut with "THE GRAND TOUR," which he adapted from Henry Kuttner and C. L. Moore's haunting novella "Vintage Season." The movie received the Grand Prix at the Festival Du Film Fantastique and a Golden Scroll from the Academy of Science Fiction, Fantasy and Horror. Twohy was honored again with a Saturn Award for his follow-up directing effort, "THE ARRIVAL."
Twohy's next effort became one of 2000's most unexpected films, "PITCH BLACK." Released by Universal Studios, this modestly budgeted movie shot in the Australian outback startled critics and audiences alike with its chilling mood and unexpectedly deep characters. The success of "PITCH BLACK" would launch a new film franchise for Universal. Its sequels were the sweeping "CHRONICLES OF RIDDICK" and the spartan survival movie "RIDDICK."
Between franchise movies, Twohy found time to write and direct two stand-alone thrillers: "BELOW," co-written with Darren Aronofsky ("REQUIEM FOR A DREAM"), follows a series of eerie occurrences on a claustrophobic submarine during World War II. Twohy then turned to the wide open vistas of Hawaii to film "A PERFECT GETAWAY," a twisted tale that shocked audiences around the world.
Next up for Twohy is "RUNNING WITH LIONS," a contemporary story about the world of Formula One.- Director
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After training as a fine artist before working as a director in Theatre and Opera, Australian writer, director, and producer Greg McLean's filmmaking career began when he wrote and directed the horror smash hit 'Wolf Creek.' The film played at the Sundance and Cannes Film Festivals before going onto worldwide 'cult film' status. After this success, he established Emu Creek Pictures, a production company based in Melbourne, Australia. He then wrote, directed, and produced the thrillers 'Rogue' and 'Wolf Creek 2', before directing, 'The Darkness', 'The Belko Experiment', and the survival thriller; 'Jungle'. Greg Executive Produced and directed episodes on two seasons of the 'Wolf Creek TV series and recently directed episodes for series including; 'The Gloaming', 'Bloom', 'Jack Irish', 'La Brea' (Seasons 1 and 2), 'The Twelve and was the series director for 'Scrublands' in 2023.- Director
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Bille August was born on 9 November 1948 in Brede, Denmark. He is a director and writer, known for The House of the Spirits (1993), Pelle the Conqueror (1987) and Les Misérables (1998). He is married to Sara-Marie Maltha. He was previously married to Pernilla August, Masja Dessau and Annie Munksgaard.- Producer
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Daniel Alfredson was born on 23 May 1959 in Stockholm, Stockholms län, Sweden. He is a producer and director, known for The Girl Who Played with Fire (2009), The Girl Who Kicked the Hornet's Nest (2009) and Varg (2008). He is married to Stina. They have three children.- Writer
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Guillermo del Toro was born October 9, 1964 in Guadalajara, Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films. At the age of 21, del Toro executive produced his first feature, Dona Herlinda and Her Son (1985). Del Toro spent almost 10 years as a makeup supervisor, and formed his own company, Necropia in the early 1980s. He also produced and directed Mexican television programs at this time, and taught film.
Del Toro got his first big break when Cronos (1992) won nine Ariel Awards (the Mexican equivalent of the Oscars), then went on to win the International Critics Week Prize at Cannes. Following this success, del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino.
Del Toro had some unfortunate experiences working with a demanding Hollywood studio on Mimic (1997), and returned to Mexico to form his own production company, The Tequila Gang.
Next for del Toro, was The Devil's Backbone (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002).
On a roll, Del Toro followed up Blade II (2002) with another successful comic-book inspired film, Hellboy (2004), starring one of Del Toro's favorite actors, Ron Perlman.
Del Toro is divorced, has a daughter and a son and lives in Los Angeles and Toronto.- Director
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Darren Lynn Bousman was born on 11 January 1979 in Overland Park, Kansas, USA. He is a director and producer, known for Repo! The Genetic Opera (2008), Saw II (2005) and Abattoir (2016). He has been married to Laura Bousman since 2 January 2010. They have two children.- Director
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- Editor
The twin brothers Oxide and Danny Pang started their career in Hong Kong, where Oxide worked as colourist and Danny as editor. After moving to Bangkok, Oxide made the experimental film Who's Running. Bangkok Dangerous (2000) is the first film in which the brothers combine their talents.- Director
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Oxide Chun Pang was born in 1965 in Hong Kong. He is a director and writer, known for The Eye (2002), Bangkok Dangerous (2000) and The Messengers (2007). He has been married to Angelica Lee since 6 February 2010. They have two children.- Director
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Brad Anderson was born in 1964 in Madison, Connecticut, USA. He is a director and producer, known for Session 9 (2001), The Machinist (2004) and Transsiberian (2008).- Producer
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- Actor
Tony Scott was a British-born film director and producer. He was the youngest of three brothers, one of whom is fellow film director Ridley Scott. He was born in North Shields, Northumberland, England to parents Jean and Colonel Francis Percy Scott. As a result of his father's career in the British military, his family moved around a lot. Their mother loved the going to the movies and instilled a love of cinema in her children. At age 16, Tony made his first appearance on screen as 'the boy' in his brother's directorial debut, the short film Boy and Bicycle (1965). In 1969, Tony directed his own short film One of the Missing (1969) about a soldier in the American civil war.
Tony had a talent for art and painting. He spent a year in Leeds College of Art and Design and went on to study for a fine arts degree at the School of Art at the University of Sunderland. He won a scholarship to study for his Masters of fine arts at the Royal College of Art. Following university, he spent several years as a painter. But life as a painter proved a struggle, so he decided to forge a different career path and partnered with Ridley in advertising at Ridley Scott Associates. It was there that he began shooting commercials. In 1971 he wrote, produced and directed Loving Memory however his vampire movie The Hunger (1983) starring Susan Sarandon, David Bowie and Catherine Deneuve wasn't a critical success but it attracted attention from Hollywood. He was asked by producers Don Simpson and Jerry Bruckheimer to direct Top Gun (1986) starring Tom Cruise. He would work again with Cruise on another high adrenaline film Days of Thunder (1990), which proved less successful. He followed the success of Top Gun with the sequel Beverly Hills Cop II (1987) with Eddie Murphy, which was well received.
In 1993, he directed True Romance (1993), which was written by emerging director Quentin Tarantino. Scott had a lot of control over the film and received some great reviews.
Tony has worked five times with actor Denzel Washington with Crimson Tide (1995), The Taking of Pelham 123 (2009), Deja Vu (2006), Man on Fire (2004) and Scott's final film in the director's chair Unstoppable (2010).
Tony Scott passed away at age 68 on August 19, 2012 in California, USA.- Director
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- Actor
Jan Kounen was born on 2 May 1964 in Utrecht, Utrecht, Netherlands. He is a director and writer, known for Renegade (2004), Vibroboy (1994) and 8 (2008).- Director
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John Hillcoat was born on 14 August 1961 in Queensland, Australia. He is a director and producer, known for The Proposition (2005), The Road (2009) and Lawless (2012).