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Aaron Edward Eckhart is an American actor. Born in Cupertino, California, Eckhart moved to the United Kingdom at an early age, when his father relocated the family. Several years later, he began his acting career by performing in school plays, before moving to Australia for his high school senior year. He left high school without graduating, but earned a diploma through a professional education course, and graduated from Brigham Young University (BYU) in 1994 with a Bachelor of Fine Arts (BFA) degree in film. For much of the mid-1990s, he lived in New York City as a struggling, unemployed actor.- Actress
- Producer
- Soundtrack
Born in 1979 in London, England, actress Rosamund Mary Elizabeth Pike is the only child of a classical violinist mother, Caroline (Friend), and an opera singer father, Julian Pike. Due to her parents' work, she spent her early childhood traveling around Europe. Pike attended Badminton School in Bristol, England and began acting at the National Youth Theatre. While appearing in a National Youth Theatre production of "Romeo and Juliet", she was first spotted and signed by an agent, although she continued her education at Wadham College, Oxford, where she read English Literature, eventually graduating with an upper second class honors degree.
Pike appeared in a number of UK television series, including Wives and Daughters (1999), before scoring an auspicious feature film debut as the glacial beauty "Miranda Frost" in the James Bond film, Die Another Day (2002); when the film was released, she was only 23. Though her debut was a big-budget action film, the film work that followed was primarily in smaller, independent films, including Promised Land (2004), The Libertine (2004), (for which she won the Best Supporting Actress award at The British Independent Film Awards), and Pride & Prejudice (2005), as one of the Bennet daughters. A brief foray into Hollywood film followed with the action flick, Doom (2005), and the thriller, Fracture (2007), but she returned to smaller films with exceptional performances in three films: An Education (2009), Made in Dagenham (2010), and the lead opposite Paul Giamatti in Barney's Version (2010).
As she continued her stage work in England, Pike appeared in the spy spoof, Johnny English Reborn (2011), and inhabited the role of "Andromeda" in the sci-fi epic, Wrath of the Titans (2012). She returned to action films with the female lead opposite Tom Cruise in Jack Reacher (2012).
Pike entered into a relationship with a mathematical researcher named Robie Uniacke in 2009. She gave birth to their first son, named Solo, in May 2012. She returned to acting and landed the coveted title role in Gone Girl (2014). The film became a critical and box-office hit, with Pike earning the film's sole Academy Award nomination as Best Actress. She also earned nominations as Best Actress from Screen Actor's Guild, Golden Globes, and BAFTA. She gave birth to her second son with Uniacke in December 2014.- Actor
- Soundtrack
Jack Alexander Huston is a British actor. He appeared as Richard Harrow in the HBO television drama series Boardwalk Empire. He also had a supporting role in the 2013 film American Hustle, portrayed the eponymous Ben-Hur in the 2016 historical drama, and appeared as one of the main characters in the fourth season of the FX anthology series Fargo (2020).- Actor
- Producer
- Soundtrack
British actor Clive Owen is one of a handful of stars who, though he is best known for his art house films, can handle more mainstream films with equal measures of grace and skill. Owen is typically cast as characters whose primary traits are a balance of physical strength, intellect, conflicting soul but forceful will. He is best known to film audiences for his work in Children of Men (2006), Closer (2004) and his breakout part in Croupier (1998).
Born in Coventry, in England's West Midlands county, on 3 October 1964, Owen is the fourth of five brothers. He is the son of Pamela (Cotton) and Jess Owen, a country and western singer. His father abandoned the family when he was three years old, and Owen was subsequently raised by his mother and stepfather. He attended Binley Park Comprehensive School and joined the youth theater at 13 after playing the scene-stealing role of the Artful Dodger in a production of "Oliver!"
Acting was not his first choice as a profession, but he changed his mind and went on to graduate from the Royal Academy of Dramatic Art in 1987. Owen proceeded to join the Young Vic Theatre Company, where he honed his craft while performing in a number of Shakespearean productions.
Clive made his film debut in the British-made Vroom (1990) co-starring with David Thewlis as two fellows who restore a classic American car and take off on the road. Within two years, Clive became a full-fledged TV star playing devilish rogue Stephen Crane in Chancer (1990). However, the now-sought-after Clive abandoned the star-making part at the height of the show's popularity because of unwanted invasion of privacy and his fear of typecasting. His next project raised more than a few eyebrows when he filmed Close My Eyes (1991) in which he played a brother who acts on his incestuous desires for his older sister. Clive's reputation as a lovable shyster was completely shattered and he lost profitable commercial endorsements following the film's release. Offers fell off for the next two years as a result. But the persistent Clive carried on with stage work, including the role of a bisexual in a production of Noël Coward's "Design For Living." He returned to TV at that time as well and played a number of roles in both mini-movies and series.
In 1997, Clive had a huge hit on the London stage with "Closer," a cynical, contemporary ensemble piece about relationships. Controversy surrounded him again in the film role of Max in Bent (1997) playing a brash, reckless homosexual lothario in decadent pre-war Germany who finds unconditional love while interned in a Nazi war camp. His biggest film break, however, was in Mike Hodges' Croupier (1998), as a struggling writer-turned-casino employee who gets in over his head with a femme fatale scam artist. English audiences stayed away in droves but the U.S. embraced the film and Hollywood took notice of Clive, who was virtually unknown outside of England. Despite playing detective Ross Tanner in a series of successful "Second Sight" mini-movies and finding critical acclaim on stage with "The Day in the Death of Joe Egg" in 2001, Clive has focused primarily on film, including the offbeat Brit romantic comedy Greenfingers (2000), the classy and popular Robert Altman period piece Gosford Park (2001), the Matt Damon star-vehicle The Bourne Identity (2002), and the title role in King Arthur (2004). He has since reached the top rungs of the Hollywood ladder with the film version of his stage smash Closer (2004), in which he received an Academy Award nomination and won both the Golden Globe and BAFTA awards for "Supporting Actor." He also had noteworthy roles opposite Denzel Washington in Inside Man (2006); and Julianne Moore and Michael Caine in Children of Men (2006), as well as handling a few biopics, playing Sir Walter Raleigh opposite Cate Blanchett's Elizabeth I in the film Elizabeth: The Golden Age (2007) and Ernest Hemingway (Emmy nomination) in Hemingway & Gellhorn (2012) also starring Nicole Kidman.
More recent films include starring roles in The International (2009), Duplicity (2009), The Boys Are Back (2009), Trust (2010), Intruders (2011), Blood Ties (2013), Last Knights (2015), The Confirmation (2016) and Anon (2018). He also played Claudius in a retelling of "Hamlet" per Ophelia's perspective in Ophelia (2018); and played in support to Will Smith in the sci-fi thriller Gemini Man (2019).
Owen is married to former actress Sarah-Jane Fenton, who played Juliet to his Romeo at the Young Vic in 1998. The couple has two daughters.- Actor
- Director
- Writer
Nadir Saribacak was born on September 14, 1977 in Ankara, Turkey. He studied Turkish Literature at the University of Canakkale and worked as a teacher in Istanbul in order to be in a big city to develop his acting career. It was there that he joined the Semaver Kumpanya theater company. Saribacak continued his training at Bahcesehir University, where he received his Masters in Acting. His career took-off after he starred in the film Uzak Ihtimal (2009), for which he received many Best Actor awards in festivals including the International Film Festival TOFIFEST and the Istanbul International Film Festival. He appeared in the film Winter Sleep which won the Palme d'Or award at the 2014 Cannes Film Festival. For his role in the Sundance World Cinema nominated film Ivy (2015), he received the Best Actor award at the Antalya Golden Orange film festival, as well as many others.
Nadir moved to the New York City in 2017 and continuing his acting career in theater and films.- Actor
- Director
- Writer
Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actress
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- Producer
Multi-talented, multi-award-winning actress Kathleen (Doyle) Bates was born on June 28, 1948, and raised in Memphis, Tennessee. She is the youngest of three girls born to Bertye Kathleen (Talbot), a homemaker, and Langdon Doyle Bates, a mechanical engineer. Her grandfather was author Finis L. Bates. Kathy has English, as well as Irish, Scottish, and German, ancestry, and one of her ancestors, an Irish emigrant to New Orleans, once served as President Andrew Jackson's doctor.
Kathy discovered acting appearing in high school plays and studied drama at Southern Methodist University, graduating in 1969. With her mind firmly set, she moved to New York City in 1970 and paid her dues by working everything from a cash register to taking lunch orders. Things started moving quickly up the ladder after giving a tour-de-force performance alongside Christopher Walken at Buffalo's Studio Arena Theatre in Lanford Wilson's world premiere of "Lemon Sky" in 1970, but she also had a foreshadowing of the heartbreak to come after the successful show relocated to New York's off-Broadway Playhouse Theatre without her and Walken wound up winning a Drama Desk award.
By the mid-to-late 1970s, Kathy was treading the boards frequently as a rising young actress of the New York and regional theater scene. She appeared in "Casserole" and "A Quality of Mercy" (both 1975) before earning exceptional reviews for her role of Joanne in "Vanities". She took her first Broadway curtain call in 1980's "Goodbye Fidel," which lasted only six performances. She then went directly into replacement mode when she joined the cast of the already-established and highly successful "Fifth of July" in 1981.
Kathy made a false start in films with Taking Off (1971), in which she was billed as "Bobo Bates". She didn't film again until Straight Time (1978), starring Dustin Hoffman, and that part was not substantial enough to cause a stir. Things turned hopeful, however, when Kathy and the rest of the female ensemble were given the chance to play their respective Broadway parts in the film version of Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). It was a juicy role for Kathy and film audiences finally started noticing the now 34-year-old.
Still and all, it was the New York stage that continued to earn Kathy awards and acclaim. She was pure textbook to any actor studying how to disappear into a role. Her characters ranged from free and life-affirming to downright pitiable. Despite winning a Tony Award nomination and Outer Critic's Circle Award for her stark, touchingly sad portrait of a suicidal daughter in 1983's "'night, Mother" and the Obie and Los Angeles Drama Critics Award for her powerhouse job as a romantic misfit in "Frankie and Johnny in the Claire de Lune," Kathy had no box-office pull, however, and was never a strong consideration when the roles transferred to the screen. Her award-winning stage went to established film stars. First Sissy Spacek took over her potent role as the suicidal Jessie Cates in 'night, Mother (1986), then Michelle Pfeiffer seized the moment to play her dumpy lover character in Frankie and Johnny (1991). It would take Oscar glory to finally rectify the injustice.
It was Kathy's fanatical turn as the drab, chunky, porcine-looking psychopath Annie Wilkes, who kidnaps her favorite author (James Caan) and subjects him to a series of horrific tortures, that finally turned the tide for her in Hollywood. With the 1990 shocker Misery (1990), based on the popular Stephen King novel, Bates and Caan were box office magic. Moreover, Kathy captured the "Best Actress" Oscar and Golden Globe award, a first in that genre (horror) for that category. To add to her happiness she married Tony Campisi, also an actor, in 1991.
Quality film scripts now started coming her way and the 1990s proved to be a rich and rewarding time for her. First, she and another older "overnight" film star, fellow Oscar winner Jessica Tandy, starred together in the modern portion of the beautifully nuanced, flashback period piece Fried Green Tomatoes (1991). She then outdid herself as the detached and depressed housekeeper accused of murdering her abusive husband (David Strathairn) in Dolores Claiborne (1995). Surprisingly, she was left out of the Oscar race for these two excellent performances. Not so, however, for her flashy political advisor Libby Holden in the movie Primary Colors (1998), receiving praise and a "Best Supporting Actress" nomination.
Kathy has continued to work prolifically on TV as a 14-time Emmy winner or nominee thus far. She has also taken to directing a couple of TV-movies on the sly. As most actors, she has been in hit and miss TV shows. On the hit side, she has earned a Golden Globe and Emmy nomination for her portrayal of Jay Leno's manager playing tough politics in The Late Shift (1996) and played to the hilt the cruel-minded orphanage operator, Miss Hannigan, in Annie (1999) for which she also earned an Emmy nom. She has done some eye-catching, offbeat turns on regular series such as Six Feet Under (2001) (for which she also earned a DGA award for helming an episode), The Office (2005), Harry's Law (2011) and especially American Horror Story (2011) for which she won an Emmy as Ethel Darling. She also won an Emmy for a guest episode on the hit sitcom Two and a Half Men (2003).
Interesting millennium filming have included a Catholic school's Mother Superior in the comic drama Bruno (2000); Jesse James' mother in American Outlaws (2001); a quirky, liberal mom in About Schmidt (2002) for which she earned another "Best Supporting Actress" Oscar nomination; a brief but potent turn as Gertrude Stein in Woody Allen's Midnight in Paris (2011); Queen Victoria in the adventurous remake of Around the World in 80 Days (2004); wacky parent types in the comedies Failure to Launch (2006) and Relative Strangers (2006); Mother Claus in the seasonal farce Fred Claus (2007); an over-gushy foster mother in the dramedy The Great Gilly Hopkins (2015); and a wrenching performance as the mother of a suspected terrorist in Richard Jewell (2019) for which she earned her third "Best Supporting Actress" Oscar nomination.
Divorced from husband Campisi since 1997, Kathy has been the Executive Committee Chair of the Actors Branch of the Academy of Motion Picture Arts and Sciences Board of Governors.- Actress
- Producer
- Soundtrack
Julianne Moore was born Julie Anne Smith in Fort Bragg, North Carolina on December 3, 1960, the daughter of Anne (Love), a social worker, and Peter Moore Smith, a paratrooper, colonel, and later military judge. Her mother moved to the U.S. in 1951, from Greenock, Scotland. Her father, from Burlington, New Jersey, has German, Irish, Welsh, German-Jewish, and English ancestry.
Moore spent the early years of her life in over two dozen locations around the world with her parents, during her father's military career. She finally found her place at Boston University, where she earned her Bachelor of Fine Arts (B.F.A.) degree in acting from the School of the Performing Arts. After graduation (in 1983), She took the stage name "Julianne Moore" because there was another actress named "Julie Anne Smith". Julianne moved to New York and worked extensively in theater, including appearances off-Broadway in two Caryl Churchill plays, Serious Money and Ice Cream With Hot Fudge and as Ophelia in Hamlet at The Guthrie Theatre. But despite her formal training, Julianne fell into the attractive actress' trap of the mid-1980's: TV soaps and miniseries. She appeared briefly in the daytime serial The Edge of Night (1956) and from 1985 to 1988 she played two half-sisters Frannie and Sabrina on the soap As the World Turns (1956). This performance later led to an Outstanding Ingénue Daytime Emmy Award in 1988. Her subsequent appearances were in mostly forgettable TV-movies, such as Money, Power, Murder. (1989), The Last to Go (1991) and Cast a Deadly Spell (1991).
She made her entrance into the big screen with 1990's Tales from the Darkside: The Movie (1990), where she played the victim of a mummy. Two years later, Julianne appeared in feature films with supporting parts in The Hand That Rocks the Cradle (1992) and the comedy The Gun in Betty Lou's Handbag (1992). She kept winning better and more powerful roles as time went on, including a small but memorable role as a doctor who spots Kimble Harrison Ford and attempts to thwart his escape in The Fugitive (1993). (A role that made such an impression on Steven Spielberg that he cast her in the Jurassic Park (1993) sequel without an audition in 1997). In one of Moore's most distinguished performances, she recapitulated her "beguiling Yelena" from Andre Gregory's workshop version of Chekhov's Uncle Vanya in Louis Malle's critically acclaimed Vanya on 42nd Street (1994). Director Todd Haynes gave Julianne her first opportunity to take on a lead role in Safe (1995). Her portrayal of Carol White, an affluent L.A. housewife who develops an inexplicable allergic reaction to her environment, won critical praise as well as an Independent Spirit Award nomination.
Later that year she found her way into romantic comedy, co-starring as Hugh Grant's pregnant girlfriend in Nine Months (1995). Following films included Assassins (1995), where she played an electronics security expert targeted for death (next to Sylvester Stallone and Antonio Banderas) and Surviving Picasso (1996), where she played Dora Maar, one of the numerous lovers of Picasso (portrayed by her hero, Anthony Hopkins). A year later, after co-starring in Spielberg's The Lost World: Jurassic Park (1997), opposite Jeff Goldblum, a young and unknown director, Paul Thomas Anderson asked Julianne to appear in his movie, Boogie Nights (1997). Despite her misgivings, she finally was won over by the script and her decision to play the role of Amber Waves, a loving porn star who acts as a mother figure to a ragtag crew, proved to be a wise one, since she received both Golden Globe and Academy Award nominations. Julianne started 1998 by playing an erotic artist in The Big Lebowski (1998), continued with a small role in the social comedy Chicago Cab (1997) and ended with a subtle performance in Gus Van Sant's remake of Psycho (1960). 1999 had Moore as busy as an actress can be.
As the century closed, Julianne starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune (1999) , in which she was cast as the mentally challenged but adorable sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband (1999) with a number of critics asserting that Moore was the best part of the movie. She then enjoyed another collaboration with director Anderson in Magnolia (1999) and continued with an outstanding performance in The End of the Affair (1999), for which she garnered another Oscar nomination. She ended 1999 with another great performance, that of a grieving mother in A Map of the World (1999), opposite Sigourney Weaver.- Actor
- Producer
- Director
Sean Penn is a powerhouse film performer capable of intensely moving work, who has gone from strength to strength during a colourful film career, and who has drawn much media attention for his stormy private life and political viewpoints.
Sean Justin Penn was born in Los Angeles, California, the second son of actress Eileen Ryan (née Annucci) and director, actor, and writer Leo Penn. His brother was actor Chris Penn. His father was from a Lithuanian Jewish/Russian Jewish family, and his mother is of half Italian and half Irish descent.
Penn first appeared in roles as strong-headed or unruly youths such as the military cadet defending his academy against closure in Taps (1981), then as fast-talking surfer stoner Jeff Spicoli in Fast Times at Ridgemont High (1982).
Fans and critics were enthused about his obvious talent and he next contributed a stellar performance alongside Timothy Hutton in the Cold War spy thriller The Falcon and the Snowman (1985), followed by a teaming with icy Christopher Walken in the chilling At Close Range (1986). The youthful Sean then paired up with his then wife, pop diva Madonna in the woeful, and painful, Shanghai Surprise (1986), which was savaged by the critics, but Sean bounced back with a great job as a hot-headed young cop in Colors (1988), gave another searing performance as a US soldier in Vietnam committing atrocities in Casualties of War (1989) and appeared alongside Robert De Niro in the uneven comedy We're No Angels (1989). However, the 1990s was the decade in which Sean really got noticed by critics as a mature, versatile and accomplished actor, with a string of dynamic performances in first-class films.
Almost unrecognisable with frizzy hair and thin rimmed glasses, Penn was simply brilliant as corrupt lawyer David Kleinfeld in the Brian De Palma gangster movie Carlito's Way (1993) and he was still in trouble with authority as a Death Row inmate pleading with a caring nun to save his life in Dead Man Walking (1995), for which he received his first Oscar nomination. Sean then played the brother of wealthy Michael Douglas, involving him in a mind-snapping scheme in The Game (1997) and also landed the lead role of Sgt. Eddie Walsh in the star-studded anti-war film The Thin Red Line (1998), before finishing the 1990s playing an offbeat jazz musician (and scoring another Oscar nomination) in Sweet and Lowdown (1999).
The gifted and versatile Sean had also moved into directing, with the quirky but interesting The Indian Runner (1991), about two brothers with vastly opposing views on life, and in 1995 he directed Jack Nicholson in The Crossing Guard (1995). Both films received overall positive reviews from critics. Moving into the new century, Sean remained busy in front of the cameras with even more outstanding work: a mentally disabled father fighting for custody of his seven-year-old daughter (and receiving a third Oscar nomination) for I Am Sam (2001); an anguished father seeking revenge for his daughter's murder in the gut-wrenching Clint Eastwood-directed Mystic River (2003) (for which he won the Oscar as Best Actor); a mortally ill college professor in 21 Grams (2003) and a possessed businessman in The Assassination of Richard Nixon (2004).
Certainly Sean Penn is one of Hollywood's most controversial, progressive and gifted actors.- Actor
- Producer
- Director
Christoph Waltz is an Austrian-German actor. He is known for his work with American filmmaker Quentin Tarantino, receiving acclaim for portraying SS-Standartenführer Hans Landa in Inglourious Basterds (2009) and bounty hunter Dr. King Schultz in Django Unchained (2012). For each performance, he won an Academy Award, a BAFTA Award, and a Golden Globe Award for Best Supporting Actor. Additionally, he received the Best Actor Award at the Cannes Film Festival and a Screen Actors Guild Award for his portrayal of Landa.
Christoph Waltz was born in Vienna, Austria, into a theatrical family, his mother Elisabeth Urbancic, an Austrian-born costume designer, and Johannes Waltz, a German-born stage builder. He has three siblings. His maternal grandmother was Viennese Burgtheater actress Maria Mayen, and his step-grandfather was fellow Burgtheater actor Emmerich Reimers. His maternal grandfather, Rudolf von Urban, was a psychologist and psychiatrist who wrote the 1949 book "Sex Perfection and Marital Happiness".
Waltz attended the Theresianium and Billrothstrasse in Vienna. Upon graduation, he attended the Max-Reinhardt-Seminar before going to New York to the Lee Strasberg Institute. While in New York, Christoph met his first wife, and moved back to Vienna, then to London.
During the 80s, Christoph worked primarily in theatre, commuting from his home in London to Germany. Slowly Waltz began to work in TV, taking one-off roles in series, and TV movies. Film roles soon followed. Attempts to break into English-speaking film and TV were, however, unsuccessful. Waltz has expressed his gratitude to have been able to make a living and support his family through acting. For thirty years he worked steadily, tirelessly, in this manner.
It was not until he met Quentin Tarantino that his career in Hollywood took off. The role of Colonel Hans Landa in Inglourious Basterds (2009) catapulted Waltz from a lifetime working in German TV/film to the new life of an international superstar and Academy Award-winning actor. He won 27 awards for his performance as Hans Landa, including the Cannes prix d'interpretation Masculin for 2009, the Golden Globe for Best Supporting Actor, the BAFTA Best Supporting Actor award, and the Academy Award for Best Supporting Actor (which he won again for 2012's Django Unchained (2012)).
He also has portrayed computer genius Qohen Leth in the film The Zero Theorem (2013), American plagiarist Walter Keane in the biographical film _Big Eyes (2014), and 007's nemesis and head of SPECTRE Ernst Stavro Blofeld in _Spectre (2015)_. In Quentin Tarantino's 2009 film Inglourious Basterds, Waltz portrayed SS-Standartenführer Hans Landa, aka "The Jew Hunter". Clever, courteous, and multilingual - but also self-serving, cunning, implacable, and murderous. Waltz played gangster Benjamin Chudnofsky in The Green Hornet (2011). That same year, he starred in Water for Elephants (2011), Roman Polanski's Carnage (2011), and a remake of The Three Musketeers (2011). He played German bounty hunter Dr. King Schultz in Quentin Tarantino's Django Unchained (2012), a role Tarantino wrote specifically for Waltz.
Waltz resides in Berlin and Los Angeles. His wife is costume builder Judith Holste.- Actor
- Director
- Producer
Actor Ralph Nathaniel Twisleton-Wykeham-Fiennes was born on December 22, 1962 in Suffolk, England, to Jennifer Anne Mary Alleyne (Lash), a novelist, and Mark Fiennes, a photographer. He is the eldest of six children. Four of his siblings are also in the arts: Martha Fiennes, a director; Magnus Fiennes, a musician; Sophie Fiennes, a producer; and Joseph Fiennes, an actor. He is of English, Irish, and Scottish origin.
A noted Shakespeare interpreter, he first achieved success onstage at the Royal National Theatre. Fiennes first worked on screen in 1990 and then made his film debut in 1992 as Heathcliff in Emily Brontë's Wuthering Heights (1992), opposite Juliette Binoche. 1993 was his "breakout year". He had a major role in the controversial Peter Greenaway film The Baby of Mâcon (1993), with Julia Ormond, which was poorly received. Later that year he became known internationally for portraying the amoral Nazi concentration camp commandant Amon Goeth in Steven Spielberg's Schindler's List (1993). For this he was nominated for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor. He did not win, but did win the Best Supporting Actor BAFTA Award for the role, as well as Best Supporting Actor honors from numerous critics groups, including the National Society of Film Critics, and the New York, Chicago, Boston, and London Film Critics associations. His portrayal as Göth also earned him a spot on the American Film Institute's list of Top 50 Film Villains. To look suitable to represent Goeth, Fiennes gained weight, but he managed to shed it afterwards. In 1994, he portrayed American academic Charles Van Doren in Quiz Show (1994). In 1996, he was nominated for the Academy Award for Best Actor for his performance as Count Almásy the World War II epic romance, and another Best Picture winner, Anthony Minghella's The English Patient (1996), in which he starred with Kristin Scott Thomas. He also received BAFTA and Golden Globe nominations, as well as two Screen Actors Guild (SAG) Award nominations, one for Best Actor and another shared with the film's ensemble cast.
Since then, Fiennes has been in a number of notable films, including Strange Days (1995), Oscar and Lucinda (1997), the animated The Prince of Egypt (1998), István Szabó's Sunshine (1999), Neil Jordan-directed films The End of the Affair (1999) and The Good Thief (2002), Red Dragon (2002), Maid in Manhattan (2002), The Constant Gardener (2005), In Bruges (2008), The Reader (2008), co-starring Kate Winslet, Kathryn Bigelow's Oscar®-winning The Hurt Locker (2008), Clash of the Titans (2010), Mike Newell's screen adaptation of Charles Dickens'Great Expectations (2012), with Helena Bonham Carter and Jeremy Irvine, and Wes Anderson's The Grand Budapest Hotel (2014).
He is also known for his roles in major film franchises such as the Harry Potter film series (2005-2011), in which he played the evil Lord Voldemort. His nephew, Hero Fiennes Tiffin played Tom Riddle, the young Lord Voldemort, in Harry Potter and the Half-Blood Prince (2009). Ralph also appears in the James Bond series, in which he has played M, starting with the 2012 film Skyfall (2012).
In 2011, Fiennes made his directorial debut with his film adaptation of Shakespeare's tragedy political thriller Coriolanus (2011), in which he also played the title character, opposite Gerard Butler and Vanessa Redgrave. Fiennes has won a Tony Award for playing Prince Hamlet on Broadway.
In 2015, Fiennes played a music producer in Luca Guadagnino's A Bigger Splash (2015), starring opposite Tilda Swinton and Matthias Schoenaerts, and in 2016, Fiennes starred in Joel and Ethan Coen's Hail, Caesar! (2016).
Since 1999, Fiennes has served as an ambassador for UNICEF UK.- Actor
- Producer
- Editorial Department
Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Actor
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Casey Affleck is a renowned American actor, filmmaker, and producer recognized for his captivating performances and commitment to independent cinema. With an Academy Award under his belt and a reputation as a powerful leading man, Casey Affleck has established himself as one of the most compelling and versatile actors in contemporary cinema. Throughout his career, he has consistently delivered performances of exceptional depth and nuance in a wide range of film genres.
Affleck's breakout role came in Andrew Dominik's critically acclaimed character drama, "The Assassination of Jesse James by the Coward Robert Ford" (2007). His performance as Robert Ford, a young man consumed by a complex cocktail of admiration and resentment for the notorious outlaw Jesse James (portrayed by Brad Pitt), earned him widespread recognition, including Academy Award, Golden Globe, and Screen Actors Guild Award nominations.
He solidified his critical acclaim with a starring role in his brother Ben Affleck's directorial debut, "Gone, Baby, Gone" (2007). This gripping neo-noir followed two Boston-based private detectives searching for an abducted young girl. Affleck's performance, showcasing both vulnerability and determination, further cemented his reputation as a rising dramatic force.
The following decade saw Affleck continue to diversify his roles, venturing outside the realm of independent drama to blockbuster productions. He was seen in Christopher Nolan's ambitious sci-fi epic "Interstellar" (2014) alongside an ensemble cast including Matthew McConaughey and Anne Hathaway. Affleck also appeared in Scott Cooper's gritty crime thriller, "Out of the Furnace" (2013), where he shared the screen with Christian Bale.
His versatility continued to shine with his performance in the independent film "Ain't Them Bodies Saints" (2013), showcasing a quieter, more brooding side to his acting talents. That same year, Affleck turned his attention to production, establishing The Affleck/Middleton Project with John Powers Middleton as a platform to develop and produce a diverse array of film and television projects.
Affleck's directorial work came to fruition with the release of the mockumentary "I'm Still Here" (2010), which he directed, wrote, and produced, featuring Joaquin Phoenix in a performance art piece that blurred the lines between fiction and reality. This experimental project demonstrated Affleck's willingness to challenge conventional storytelling formats.
In 2016, Affleck returned to the spotlight with his career-defining performance in Kenneth Lonergan's profoundly moving drama, "Manchester by the Sea." His portrayal of Lee Chandler, a grief-stricken man coping with immense loss, earned him the Academy Award for Best Actor. This raw and unforgettable performance cemented Affleck's status as one of the industry's finest dramatic actors.
2016 also saw Affleck star in several other notable films, including the action thriller "Triple 9" (2016) and Disney's historical drama, "The Finest Hours." He further expanded his range with roles in independent films like David Lowery's "A Ghost Story" (2017), a meditative exploration of loss and the passage of time.
Affleck has continued to take on challenging projects that have pushed his boundaries as an actor. Most recently, he starred opposite Elisabeth Moss in the psychological thriller "Light of My Life" (2019), which he also wrote and directed.
His upcoming projects include a pivotal role in Christopher Nolan's highly-anticipated "Oppenheimer" (2023), where he portrays theoretical physicist Robert Oppenheimer himself. Affleck is also slated to star in "Slingshot" (2024), a science fiction thriller set in space.
Casey Affleck's talent for embodying complex, flawed characters with profound authenticity has made him one of the most sought-after actors in the industry. With his captivating performances, dedication to his craft, and his discerning eye for unique storytelling projects, the future remains bright for this remarkable actor.- Swedish-born Lena Olin already had a successful career as an actress before she came to Hollywood. She acted at the Royal Theatre in Stockholm and was directed by Ingmar Bergman. She was born in Stockholm, to actors Britta Holmberg and Stig Olin, who appeared in six of Bergman's films. Lena also belongs to the Bergman "family". As a young actress, she played in the great classics of William Shakespeare, Henrik Ibsen and August Strindberg. She made her international debut as a movie actress in After the Rehearsal (1984) (aka "After the Rehearsal"), directed by Bergman. In western Europe, she became well-known in the political movie The Unbearable Lightness of Being (1988) as "Sabina", in a story about the Prague spring (1968). After coming to the US, she played mostly distinguished, exotic temptresses, intelligent women and crude vamps. Bergman had developed Lena's artistic gift to play different human emotions and express them in a subtle way. Sydney Pollack, director of Out of Africa (1985), rewrote the screenplay for Havana (1990) especially for her. This explains why this film recalls associations with the classic Casablanca (1942), starring Ingrid Bergman, also from Sweden. Olin received an Academy Award nomination for Best Supporting Actress for her role in Enemies, A Love Story (1989). She went on to have a choice role in Chocolat (2000), which received a Best Picture Oscar nomination, and received a Screen Actors Guild Award nomination. She made a move to the smaller screen and played the role for one season as the deliciously evil "Irina Derevko", the mother to Jennifer Garner's "Sydney Bristow" in the series Alias (2001). Olin received an Emmy nomination for Outstanding Supporting Actress in a Drama Series.
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Moura was born in Salvador, a city located in Northeast Region of Brazil, but grew up in the small town of Rodelas, Bahia. His mother, Alderiva, was a housewife, and his father, José Moura, was a Sergeant in the Brazilian Air Force. At the age of 13, he moved with his family to Salvador, Bahia.
Besides his acting career, Moura is a lyricist and the vocalist of a band named Sua Mãe ("Your Mum"). In 2012, he guest performed as lead vocalist for some Legião Urbana tribute shows, featuring surviving members Marcelo Bonfá and Dado Villa-Lobos.- Actor
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Pedro Pascal is a Chilean-born actor. He is best known for portraying the roles of Oberyn Martell in the fourth season of the HBO series Game of Thrones (2011), Javier Peña in the Netflix series Narcos (2015), the titular character in the Disney+ series The Mandalorian (2019) and Joel Miller in the HBO series The Last of Us (2023).
He's long-time friends with Triple Frontier (2019) co-star Oscar Isaac.- Actor
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Gabriel Macht is an American actor. He was born in the Bronx, New York, to Suzanne, a museum curator and archivist, and actor Stephen Macht. Gabriel has three siblings, and moved with his parents to California when he was young.
Gabriel had his first success on screen when he was 8-years-old. He was nominated for a Best Young Motion Picture Actor Award for his performance in the movie Why Would I Lie? (1980). Briefly withdrawing from the business as a child, he returned as an adult with favorable roles that further developed his talents. After high school, Macht studied theatre at Carnegie Mellon School of Drama in Pittsburgh. Macht remains active in the theater and is involved with the Mad Dog Theater Company in New York where he performed the play "To Whom It May Concern" for the company at the Belgrade International Theatre Festival in 1997. His other theater credits include "Steve Martin's Picasso at the Lapin Agile" at Promenade Theater Off Broadway and Theater on the Square in San Francisco; Roger Kumble's "Turnaround" at the Coast Playhouse in Los Angeles; "La Ronde" directed by Joanne Woodward at Williamstown Theater Festival; "What the Butter Saw" directed by Joe Dowling at Arena Stage in Washington DC. On the big screen, Macht was seen in Edward Zwick's highly acclaimed, "Love & Other Drugs" where he starred opposite Jake Gyllenhaal and Anne Hathaway who were both nominated for Golden Globes® for their performances. Macht also starred in the comic book inspired film, "The Spirit" as the titular character opposite Samuel Jackson, Scarlett Johannson, and Eva Mendes directed by Frank Miller. He was previously seen in Robert De Niro's critically acclaimed film, "The Good Shepherd" with Matt Damon and Angelina Jolie. Macht's additional screen credits include the comic drama "Middle Men" with Giovanni Ribisi and Luke Wilson, the arctic thriller "Whiteout" with Kate Beckinsale, the romantic comedy "Because I Said So" with Diane Keaton; Joel Schumacher's "Bad Company" opposite Anthony Hopkins; "The Recruit" opposite Al Pacino and Colin Farrell; "Behind Enemy Lines" with Owen Wilson and Gene Hackman and "American Outlaws" where he first starred opposite Colin Farrell. His role in "A Love Song for Bobby Long" garnered Macht critical acclaim for his performance as the tormented writer, Lawson Pines' starring opposite John Travolta and Scarlett Johansson in the 2004 film. On television, Macht had guest starring roles on "Sex and the City," and "Spin City" and was a regular on Steven Spielberg's supernatural drama for NBC "The Others," and starred as William Holden in ABC's "The Audrey Hepburn Story".
Macht is best known for his role as Harvey Specter in USA drama Suits (2011). He resides in New York, Los Angeles, and the Sunshine Coast, Australia. He is of Ashkenazi Jewish descent on both sides of his family.- Actor
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Adan Canto is a Mexican-American actor and director. He left home at the age of 16 to pursue a career as a musician. Canto wrote for and produced several songs for film and television while living in Mexico City. He began acting in a handful of commercials in Mexico City and was soon cast in a television series called Estado de Gracia. Canto eventually turned to the stage after being cast as a lead for the adaptation of Pedro Almodovar's All About My Mother.
In 2013, Canto made his debut in American television, playing the role of Paul Torres on the Fox drama series, The Following. In 2015 Canto played real life politician Rodrigo Lara Bonia in Netflix drama series Narcos. In 2016, he was cast in the ABC political drama series, Designated Survivor, playing White House Chief of Staff Aaron Shore opposite Kiefer Sutherland, Natascha McElhone, and Maggie Q. Canto wrote and directed his first short film Before Tomorrow in 2014. His short film The Shot earned several festival awards for Best Narrative Short Film in 2020.- Actor
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Curly haired and with a fast-talking voice, Jesse Eisenberg is a movie actor, known for his Academy Award nominated role as Mark Zuckerberg in the 2010 film The Social Network. He has also starred in the films The Squid and the Whale, Adventureland, The Education of Charlie Banks, 30 Minutes or Less, Now You See Me and Zombieland. Additionally, he played Lex Luthor in the 2016 film Batman v Superman: Dawn of Justice.
Jesse Adam Eisenberg was born on October 5, 1983 in Queens, New York, and was raised in East Brunswick Township, New Jersey. His mother, Amy (Fishman), is a professional dressed-up clown who performed at children's birthday parties for a living in their hometown of East Brunswick for 20 years. His father, Barry Eisenberg, ran a hospital before moving on to become a college professor. Jesse has two sisters, Kerri and Hallie Eisenberg, who was a popular child star. His family is Jewish (his ancestors came to the U.S. from Poland, Russia, and Ukraine).
He attended East Brunswick High School, but he didn't really enjoy school. From age 10, he performed in children's theater. Jesse had his first professional role in an off-Broadway play, "The Gathering". Before fame, he made his first television appearance role that came in 1999 when he was 16 with a show on Fox's Get Real (1999), but the show was canceled in 2000. In his senior year of high school, he had landed his first film leading role in the 2002 film Roger Dodger (2002). He won an award for "Most Promising New Actor" at the San Diego film festival.
Jesse attended the New School University, New York, where he was a liberal arts major, with a focus on Democracy and Cultural Pluralism. He also studied at The New School in New York City's Greenwich Village. He applied and was accepted to New York University but declined enrollment to complete a film role. He has been playing the drums since he was age 8.
His breakthrough role came in Zombieland (2009). In 2010, he was nominated for Best Actor at the Golden Globes and Academy Awards for his role of Facebook's creator, Mark Zuckerberg, in the film, The Social Network (2010). He also voiced Blu, a rare blue macaw, in the film Rio (2011), and its sequel Rio 2 (2014). He starred alongside Aziz Ansari in the 2011 comedy 30 Minutes Or Less, and played himself in the 2013 comedy film He's Way More Famous Than You (2013).- Actor
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Michael Fassbender is an Irish actor who was born in Heidelberg, Germany, to a German father, Josef, and an Irish mother, Adele (originally from Larne, County Antrim, in Northern Ireland). Michael was raised in the town of Killarney, Co. Kerry, in south-west Ireland, where his family moved to when he was two years old. His parents ran a restaurant (his father is a chef).
Fassbender is based in London, England, and became known in the U.S. after his role in the Quentin Tarantino's Inglourious Basterds (2009). In 2011, Fassbender debuted as the Marvel antihero Magneto in the prequel X-Men: First Class (2011); he would go on to share the role with Ian McKellen in X-Men: Days of Future Past (2014). Also in 2011, Fassbender's performance as a sex addict in Shame (2011) received critical acclaim. He won the Volpi Cup for Best Actor at the Venice Film Festival and was nominated for Golden Globe and BAFTA Awards. In 2013, his role as slave owner Edwin Epps in slavery epic 12 Years a Slave (2013) was similarly praised, earning him his first Oscar nomination, for Best Supporting Actor. 12 Years a Slave marked Fassbender's third collaboration with Steve McQueen, who also directed Hunger and Shame. In 2013, Fassbender appeared in another Ridley Scott film, The Counselor (2013). In 2015, he portrayed Steve Jobs (2015) in the Danny Boyle-directed biopic of the same name, and played Macbeth (2015) in Justin Kurzel's adaptation of William Shakespeare's play. For the former, he has received Academy Award, BAFTA, Golden Globe and SAG nominations for Best Actor. As well as acting, Fassbender produced the 2015 western Slow West (2015), which he also starred in.- Actor
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Brazilian actor and poet born in Rio de Janeiro. Son of singer Olivia Byington and musician Edgar Duvivier. At 9 years old began acting in theater through the drama class Tablado. At 17, he formed the group responsible for the play Z.É., Zenas Emprovisadas. Over the period studied drama in which he was involved in several works quite well known in the Brazilian cultural scene, including the films "Apenas O Fim (2009), À Deriva (2009), Mulher Invisível (2009) and the series "Mandrake (2007 )." In 2008 he graduated in Letras from PUC-Rio and in the same year he launched a book of poetry, "A partir de amanhã eu juro que a vida vai ser agora (7 Letras, 2008)", being very well received by critics. His works are always marked by a comic tone, either in interpretation, the theme of the stories.- Erdal Besikcioglu was born on January 5, 1970 in Ankara. He is the nephew of Genclerbirligi Sports Club President Ilhan Cavcav. His father was a manager at Vakiflar Bankasi. Due to his father's appointments, he started primary school in Ankara, then continued in Kayseri and Izmir. He completed high school at Izmir Private Turkish College and continued at Izmir Narlidere Mehmet Seyfi Eraltay High School. He finished high school in Ankara.
He entered Hacettepe University State Conservatory in 1989. During his conservatory education, he participated in workshops on creative drama with "William Guskill". He graduated in 1993 and started working at the State Theaters in the same year. During the 95-96 season, he served as the deputy director of the Diyarbakir State Theater. He continued his duty at the Ankara State Theatre.
He portrayed Governor Recep Yazicioglu between 2006 and 2008 in a series of films based on the novel of the same name written by writer Ayse Kulin and about the Baspinar Bridge, which Governor Recep Yazicioglu made great efforts to build during his Erzincan Governorship.
In 2014, Erdal Besikcioglu, Ibrahim Celikkol, Selen Soyder, Nehir Erdogan, Ismail Demirci and Yurdaer Okur played the leading roles in the TV series "Code Name Reaction / Kod Adi Reaksiyon".
He still continues his duty at Ankara State Theatre.
Erdal Besikcioglu has been married to his classmate from the conservatory, actress Elvin Besikcioglu, since 1991. He has a daughter named Derin and a son named Ömer. - Actor
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Jon Hamm is an American actor and producer from St. Louis, Missouri who is known for playing Don Draper in Mad Men. He also played Mister Sinister in a deleted scene of The New Mutants and Legion, Brogan from Shrek Forever After, and other films and shows including Sucker Punch, Million Dollar Arm, Black Mirror and Good Omens.- Actress
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Academy Award-winning actress Marion Cotillard was born on September 30, 1975 in Paris. Cotillard is the daughter of Jean-Claude Cotillard, an actor, playwright and director, and Niseema Theillaud, an actress and drama teacher. Her father's family is from Brittany.
Raised in Orléans, France, she made her acting debut as a child with a role in one of her father's plays. She studied drama at the Conservatoire d'Art Dramatique in Orléans. After small appearances and performances in theater, Cotillard had occasional and minor roles in TV series such as Highlander (1992) and Extrême limite (1994), but her career as a film actress began in the mid-1990s. While still a teenager, Cotillard made her cinema debut at the age of 18 in the film L'histoire du garçon qui voulait qu'on l'embrasse (1994), and had small but noticeable roles in films such as Arnaud Desplechin's My Sex Life... or How I Got Into an Argument (1996) and Coline Serreau's comedy The Green Planet (1996).
In 1996, she had her first lead role in the TV film Chloé (1996), playing the title role - a teenage runaway who is forced into prostitution. Cotillard co-starred opposite Anna Karina, the muse of the Nouvelle Vague.
In 1997, she won her first film award at the Festival Rencontres Cinématographiques d'Istres in France, for her performance as the young imprisoned Nathalie in the short film Affaire classée (1997). Her first prominent screen role was Lilly Bertineau in Gérard Pirès's box-office hit Taxi (1998), a role which she reprised in two sequels: Taxi 2 (2000) and Taxi 3 (2003), this role earned her first César award nomination (France's equivalent to the Oscar) for Most Promising Actress in 1999.
In 1999, Cotillard starred as Julie Bonzon in the Swiss war drama War in the Highlands (1998). For her performance in the film, she won the Best Actress award at the Autrans Film Festival in France. In 2001, Marion starred in Pretty Things (2001) as the twin sisters Marie and Lucie, and was nominated for her second César award for Most Promising Actress.
Cotillard's breakthrough in France came in 2003, when she starred in Yann Samuell's dark romantic comedy Love Me If You Dare (2003), in which she played Sophie Kowalsky, the daughter of Polish immigrants who lives a love-hate relationship with her childhood friend. The film was a box-office hit in France, became a cult film abroad and led Cotillard to bigger projects.
Her first Hollywood movie was Tim Burton's Big Fish (2003), in which she played Joséphine, the wife of William Bloom (played by Billy Crudup). A few years later, Marion starred in Ridley Scott's A Good Year (2006) playing Fanny Chenal, a French café owner who falls in love with Russell Crowe's character. In 2004, she won the Chopard Thophy of Female Revelation at the Cannes Film Festival. In 2005, Cotillard won the César award for Best Supporting Actress for her performance of Tina Lombardi in Jean-Pierre Jeunet's A Very Long Engagement (2004).
In 2007, Cotillard received international recognition for her iconic portrayal of Édith Piaf in La Vie En Rose (2007). Director Olivier Dahan cast Cotillard to play the legendary French singer because to him, her eyes were like those of "Piaf". The fact that she can sing also helped Cotillard land the role of "Piaf", although most of the singing in the film is that of Piaf's. The role won Cotillard the Academy Award for Best Actress along with a César, a Lumière Award, a BAFTA Award, and a Golden Globe. That made her only the second actress to win an acting Oscar performing in a language other than English next to Sophia Loren (Two Women (1960)). Only two male performers (Roberto Benigni for Life Is Beautiful (1997) and Robert De Niro for The Godfather Part II (1974)) have won an Oscar for solely non-English parts. Trevor Nunn called her portrayal of "Piaf" "one of the greatest performances on film ever". At the Berlin International Film Festival, where the film premiered, Cotillard was given a 15-minute standing ovation. When she won the César, Alain Delon presented the award and announced the winner as "La Môme Marion" (The Kid Marion), he also praised her at the stage saying: "Marion, I give you this César. I think this César is for a great great actress, and I know what I'm talking about".
Cotillard has worked much more frequently in English-language movies following her Academy Award recognition. In 2009, she acted opposite Johnny Depp in Michael Mann's Public Enemies (2009), and later that year played Luisa Contini in Rob Marshall's musical Nine (2009) and received a Golden Globe nomination for her performance. Time magazine ranked her as the fifth best performance by a female in 2009. The following year, she took on the main antagonist role, Mal, in Christopher Nolan's Inception (2010), and in 2011 she had memorable parts in Midnight in Paris (2011) and Contagion (2011) and reteamed with Christopher Nolan in The Dark Knight Rises (2012).
In 2011 and 2012 respectively, Cotillard appeared on the top of Le Figaro's list of the highest paid actors in France, it was the first time in nine years that a female topped the list. Cotillard was also the highest paid foreign actress in Hollywood.
In 2012, Cotillard received wide-spread critical acclaim for her role as the legless orca trainer Stéphanie in Rust and Bone (2012). The film was a box office hit in France and received a ten-minute standing ovation at the end of its screening at the 65th Cannes Film Festival. Cotillard won the Globe de Cristal (France's equivalent to the Golden Globe), the Étoile d'Or award and was nominated for the Golden Globes, SAG, BAFTA, Critics' Choice and César Awards for her performance in the film. Cate Blanchett wrote an op-ed for Variety praising Cotillard's performance in "Rust and Bone", the two actresses competed for the Academy Awards for Best Actress in 2008, Cate was nominated for her performance in Elizabeth: The Golden Age (2007) and Marion for her performance in La Vie En Rose (2007) and Cotillard won the Oscar.
She had her first leading role in an American movie in 2013, in James Gray's The Immigrant (2013), in which she played Ewa Cybulska, a Polish immigrant who wants to experience the American dream. Cotillard received wide-spread acclaim for her performance in the film at the 66th Cannes Film Festival, where the film premiered, and also won several critics awards. In 2014, Cotillard played Sandra in the Belgian film Two Days, One Night (2014) by the Dardenne brothers. Her performance was unanimously praised at the 67th Cannes Film Festival, earned several critics awards, Cotillard won her first European Award for Best Actress and also received her second Oscar nomination and her sixth César award nomination.
In 2015, she played Lady Macbeth opposite Michael Fassbender in Justin Kurzel's Macbeth (2015) and voiced two animated movies: The Little Prince (2015) in which she voiced The Rose, and April and the Extraordinary World (2015), in which she voiced the lead role, Avril. Her 2016 included Nicole Garcia's From the Land of the Moon (2016), Xavier Dolan's It's Only the End of the World (2016), Justin Kurzel's Assassin's Creed (2016), in which she worked again with her Macbeth co-star Michael Fassbender; and Robert Zemeckis's Allied (2016), with Brad Pitt.- Actress
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Nadine Labaki was born on 18 February 1974 in Beirut, Lebanon. She is an actress and director, known for Where Do We Go Now? (2011), Capernaum (2018) and Caramel (2007). She has been married to Khaled Mouzanar since October 2007.- Actress
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New Yorker Claire Catherine Danes was born in Manhattan, the daughter of Carla (Hall), a day-care provider and artist, and Christopher Danes, a computer consultant and photographer. She has an older brother, Asa. Her paternal grandfather, Gibson Andrew Danes, was a Dean of the Yale School of Art and Architecture. She is of mostly German and British Isles descent.
Claire was educated at Dalton School, New York, The New York City Lab School for Collaborative Studies, The Professional Performing Arts School and Lycée Français de Los Angeles. From 1998, she attended Yale University, studying psychology, but dropped out after two years to concentrate on her acting career.
Danes first came to major public attention when she appeared as "Angela Chase" in My So-Called Life (1994). She won an Emmy nomination and a Golden Globe award for this performance. A successful film career followed, including the role of "Juliet", opposite Leonardo DiCaprio, in Baz Luhrmann's Romeo + Juliet (1996). She continued acting in such varied project as The Hours (2002), Terminator 3: Rise of the Machines (2003) and Stardust (2007).
In 2010, she appeared in the HBO Production, Temple Grandin (2010), playing the title character. She received huge critical acclaim for the role, and won an Emmy, Golden Globe and Screen Actors Guild Award for her performance. Since 2011, she has starred on the SHOWTIME series Homeland (2011), receiving great critical acclaim and winning Emmys and Golden Globes.- Matthew William Goode (born 3 April 1978) is an English actor. His films include Chasing Liberty (2004), Match Point (2005), Imagine Me and You (2006), Brideshead Revisited (2008), Watchmen (2009), A Single Man (2009), Leap Year (2010), Stoker (2013) and The Imitation Game (2014). Goode also starred in in the final season of Downton Abbey and in the CBS legal drama The Good Wife as Finley "Finn" Polmar from 2014 to 2015. Goode was born in Exeter, Devon. His father is a geologist and his mother, Jennifer, is a nurse and amateur theatre director. Goode is the youngest of five children with a brother, two half brothers, and a half sister, television presenter Sally Meen, from his mother's previous marriage. He grew up in the village of Clyst St. Mary, near Exeter.
- Dan Spielman was born in 1979 in Melbourne, Victoria, Australia. He is an actor, known for The Code (2014), The Hunter (2011) and Tom White (2004). He was previously married to Yael Stone.
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Widely considered as one of the greatest stage and screen actors of his generation both in his native Scotland and internationally, David Tennant was born David John McDonald in West Lothian, Scotland, to Essdale Helen (McLeod) and Sandy McDonald, who was a Presbyterian minister. He is of Scottish and Ulster-Scots descent. When he was about 3 or 4 years old, he decided to become an actor, inspired by his love of Doctor Who (1963).
He was brought up in Bathgate, West Lothian and Paisley, Renfrewshire, Scotland and was a huge fan of the band The Proclaimers. He attended Paisley Grammar school and while there he wrote about how he wanted to become a professional actor and play the role of the Doctor in Doctor Who (1963).
He made his first television appearance (which was also his first professional acting job) when he was 16, after his father sent some photos of him to a casting director at Scottish television. He also attended a youth theatre group at weekends run by the Royal Scottish Academy of Music and Drama (now renamed the Royal Conservatoire of Scotland). When he was 16 he auditioned for and won a place at the academy; the youngest student to ever do so, and started as a full time drama student when he was 17.
He worked regularly in theatre and TV after leaving drama school, and his first big break came in 1994 when he was cast in a lead role in the Scottish drama Takin' Over the Asylum (1994). He then moved to London where his career thrived. Among other significant factors of his prolific artistic course, he spent several years as a member of the Royal Shakespeare Company, and became famous from his lead roles in TV dramas Blackpool (2004) and Casanova (2005).
In 2005, his childhood wish came true. David was cast to play the role of the Doctor in Doctor Who (2005) alongside Billie Piper, after Christopher Eccleston decided to leave. Playing the Doctor made him a household name and a sex symbol, being voted "Sexiest Man in the Universe" by readers of The Pink Paper and 16th Sexiest Man in the World by a Cosmopolitan survey. Since leaving the series in 2010 his career has continued to rise, with lead roles in films, TV series and theatre.- Actress
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Olivia Colman was born on 30 January 1974 in Norwich, Norfolk, England, UK. She is an actress and producer, known for The Favourite (2018), Tyrannosaur (2011) and The Lost Daughter (2021). She has been married to Ed Sinclair since August 2001. They have three children.- Actor
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Martin Freeman is an English actor, known for portraying Bilbo Baggins in Peter Jackson's The Hobbit film trilogy, Tim Canterbury in the original UK version of sitcom mockumentary The Office (2001), Dr. John Watson in the British crime drama Sherlock (2010) and Lester Nygaard in the dark comedy-crime drama TV series Fargo (2014).
His other notable film roles include the romantic comedy Love Actually (2003) and the comic science fiction film The Hitchhiker's Guide to the Galaxy (2005).- Actress
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Irem Sak was born on 9 February 1986 in Sivas, Turkey. She is an actress, known for Mortal World (2018), Almost Famous (2012) and Marti (2017).- Actress
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Sarah Paulson was born on December 17, 1974 in Tampa, Florida, to Catharine Gordon (Dolcater) and Douglas Lyle Paulson II. She spent most of her early years in New York and Maine, before settling in Manhattan to attend the American Academy of Dramatic Arts and the High School for Performing Arts. Although she made her Broadway debut in "The Sisters Rosensweig" and performed in the off-Broadway "Talking Pictures", she debuted on the small screen in late 1994 in a guest shot on NBC's Law & Order (1990), then, in the following spring, landed her first TV-movie role in CBS' Friends at Last (1995) and finally became a TV series regular by fall 1995.
Best known for her amazing performance in CBS' supernatural drama American Gothic (1995) as the benevolent spiritual guide to her young brother, she was also a regular on the WB series Jack & Jill (1999) as "Elisa Cronkite", the former girlfriend of David "Jill" Jillefsky (Ivan Sergei) as well as the main character in the TV series Leap of Faith (2002), "Faith Wardwell", and as "Audrey" in the TV movie Metropolis (2000). She was also part of the cast of Shaughnessy (1996), The Long Way Home (1998) (as "Leanne Bossert") and Path to War (2002) as Luci Baines Johnson, as well as making notable appearances in Touched by an Angel (1994) playing "Zoe" in Manhunt (2001), 20 October 2001, and Cracker: Mind Over Murder (1997) playing "Nina" in True Romance: Part 1 (1997), 18 September 1997.
Sarah has now played in movies with such stars as Mel Gibson in the romantic comedy What Women Want (2000) (as "Annie", Gibson's secretary), Diane Keaton in the romantic drama The Other Sister (1999) (as "Heather Tate", Keaton's lesbian eldest daughter), Jamie Foxx in Held Up (1999) (as "Mary", a developmentally disabled young woman with an unfaithful boyfriend) and David Hyde Pierce in the romantic comedy Down with Love (2003) (as "Vicky Hiller", Pierce's crush). She also had two major roles in the comedy Bug (2002) and the drama, Levitation (1997), where she starred as a pregnant teenager who searches for her biological mother, with the help of a guardian angel.- Binnur Kaya was born on 19 April 1972 in Ankara, Turkey. She is an actress, known for My Father and My Son (2005), Vavien (2009) and Aramizda Kalsin (2013).
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Robin Gayle Wright was born in Dallas, Texas, to Gayle (Gaston), a national director at Mary Kay, and Freddie Wright, a pharmaceutical executive. She grew up in San Diego, California. She started her professional career as a model in 1980 at age 14, and worked both in Paris and Japan. After finishing high school she decided to become an actress. She got a role on the soap opera Santa Barbara (1984), for which she was nominated three times for a Daytime Emmy. During the first season of the show, she fell in love with fellow cast member Dane Witherspoon, whom she married in 1986. Meanwhile, she starred in The Princess Bride (1987), playing the title role. After leaving the cast of Santa Barbara, she got the starring role in Denial (1990) alongside Jason Patric. In 1990, she was in State of Grace (1990), where she met actor Sean Penn, by whom she had a daughter, Dylan Frances, and a son, Hopper Jack. After taking some time off, Robin was back to Hollywood with one the best roles of her career: She played Tara in The Playboys (1992). She was extremely stunning and brilliant. Then, she acted in Toys (1992) with Robin Williams, and she gave a funny performance. In 1994, Wright was in the blockbuster hit Forrest Gump (1994), with Tom Hanks. For her performance as Jenny, she got a nomination for a Golden Globe Award. She got a small role in The Crossing Guard (1995), which starred Jack Nicholson. After turning down 14 roles, she played the title role of MGM/UA's Moll Flanders (1996), directed by Pen Densham, and co-starring Morgan Freeman and Stockard Channing. She then starred in Erin Dignam's Loved (1997), with William Hurt.- Actress
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Multi-talented, multi-award-winning actress Kathleen (Doyle) Bates was born on June 28, 1948, and raised in Memphis, Tennessee. She is the youngest of three girls born to Bertye Kathleen (Talbot), a homemaker, and Langdon Doyle Bates, a mechanical engineer. Her grandfather was author Finis L. Bates. Kathy has English, as well as Irish, Scottish, and German, ancestry, and one of her ancestors, an Irish emigrant to New Orleans, once served as President Andrew Jackson's doctor.
Kathy discovered acting appearing in high school plays and studied drama at Southern Methodist University, graduating in 1969. With her mind firmly set, she moved to New York City in 1970 and paid her dues by working everything from a cash register to taking lunch orders. Things started moving quickly up the ladder after giving a tour-de-force performance alongside Christopher Walken at Buffalo's Studio Arena Theatre in Lanford Wilson's world premiere of "Lemon Sky" in 1970, but she also had a foreshadowing of the heartbreak to come after the successful show relocated to New York's off-Broadway Playhouse Theatre without her and Walken wound up winning a Drama Desk award.
By the mid-to-late 1970s, Kathy was treading the boards frequently as a rising young actress of the New York and regional theater scene. She appeared in "Casserole" and "A Quality of Mercy" (both 1975) before earning exceptional reviews for her role of Joanne in "Vanities". She took her first Broadway curtain call in 1980's "Goodbye Fidel," which lasted only six performances. She then went directly into replacement mode when she joined the cast of the already-established and highly successful "Fifth of July" in 1981.
Kathy made a false start in films with Taking Off (1971), in which she was billed as "Bobo Bates". She didn't film again until Straight Time (1978), starring Dustin Hoffman, and that part was not substantial enough to cause a stir. Things turned hopeful, however, when Kathy and the rest of the female ensemble were given the chance to play their respective Broadway parts in the film version of Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). It was a juicy role for Kathy and film audiences finally started noticing the now 34-year-old.
Still and all, it was the New York stage that continued to earn Kathy awards and acclaim. She was pure textbook to any actor studying how to disappear into a role. Her characters ranged from free and life-affirming to downright pitiable. Despite winning a Tony Award nomination and Outer Critic's Circle Award for her stark, touchingly sad portrait of a suicidal daughter in 1983's "'night, Mother" and the Obie and Los Angeles Drama Critics Award for her powerhouse job as a romantic misfit in "Frankie and Johnny in the Claire de Lune," Kathy had no box-office pull, however, and was never a strong consideration when the roles transferred to the screen. Her award-winning stage went to established film stars. First Sissy Spacek took over her potent role as the suicidal Jessie Cates in 'night, Mother (1986), then Michelle Pfeiffer seized the moment to play her dumpy lover character in Frankie and Johnny (1991). It would take Oscar glory to finally rectify the injustice.
It was Kathy's fanatical turn as the drab, chunky, porcine-looking psychopath Annie Wilkes, who kidnaps her favorite author (James Caan) and subjects him to a series of horrific tortures, that finally turned the tide for her in Hollywood. With the 1990 shocker Misery (1990), based on the popular Stephen King novel, Bates and Caan were box office magic. Moreover, Kathy captured the "Best Actress" Oscar and Golden Globe award, a first in that genre (horror) for that category. To add to her happiness she married Tony Campisi, also an actor, in 1991.
Quality film scripts now started coming her way and the 1990s proved to be a rich and rewarding time for her. First, she and another older "overnight" film star, fellow Oscar winner Jessica Tandy, starred together in the modern portion of the beautifully nuanced, flashback period piece Fried Green Tomatoes (1991). She then outdid herself as the detached and depressed housekeeper accused of murdering her abusive husband (David Strathairn) in Dolores Claiborne (1995). Surprisingly, she was left out of the Oscar race for these two excellent performances. Not so, however, for her flashy political advisor Libby Holden in the movie Primary Colors (1998), receiving praise and a "Best Supporting Actress" nomination.
Kathy has continued to work prolifically on TV as a 14-time Emmy winner or nominee thus far. She has also taken to directing a couple of TV-movies on the sly. As most actors, she has been in hit and miss TV shows. On the hit side, she has earned a Golden Globe and Emmy nomination for her portrayal of Jay Leno's manager playing tough politics in The Late Shift (1996) and played to the hilt the cruel-minded orphanage operator, Miss Hannigan, in Annie (1999) for which she also earned an Emmy nom. She has done some eye-catching, offbeat turns on regular series such as Six Feet Under (2001) (for which she also earned a DGA award for helming an episode), The Office (2005), Harry's Law (2011) and especially American Horror Story (2011) for which she won an Emmy as Ethel Darling. She also won an Emmy for a guest episode on the hit sitcom Two and a Half Men (2003).
Interesting millennium filming have included a Catholic school's Mother Superior in the comic drama Bruno (2000); Jesse James' mother in American Outlaws (2001); a quirky, liberal mom in About Schmidt (2002) for which she earned another "Best Supporting Actress" Oscar nomination; a brief but potent turn as Gertrude Stein in Woody Allen's Midnight in Paris (2011); Queen Victoria in the adventurous remake of Around the World in 80 Days (2004); wacky parent types in the comedies Failure to Launch (2006) and Relative Strangers (2006); Mother Claus in the seasonal farce Fred Claus (2007); an over-gushy foster mother in the dramedy The Great Gilly Hopkins (2015); and a wrenching performance as the mother of a suspected terrorist in Richard Jewell (2019) for which she earned her third "Best Supporting Actress" Oscar nomination.
Divorced from husband Campisi since 1997, Kathy has been the Executive Committee Chair of the Actors Branch of the Academy of Motion Picture Arts and Sciences Board of Governors.- Actor
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English actor Sam Claflin was born in Ipswich, England, to Susan A. (Clarke), a classroom assistant, and Mark J. Claflin, a finance officer. As a child, he was football-mad, often going to see his favorite team, Norwich City. He was a talented footballer, playing for Norwich schools at city level and Norfolk county level. However, he suffered two broken ankles and at 16 gave up thinking about a footballing career. He took up performing arts and a teacher from Costessey High School was impressed with his performance in a school play, and encouraged him to take up drama. He joined the local youth group at Norwich's Theatre Royal and went on to gain entry to LAMDA drama school in 2006 graduating with a 3 year acting degree in 2009. He is the 3rd eldest of 4 boys, his older brothers Dan and Ben are not involved in drama but his younger brother Joe Claflin commenced at the same drama school in 2009 also doing a 3 year acting degree.
In 2010, Clafin made his debut screen performances in two award-winning series, The Pillars of the Earth (2010) and Any Human Heart (2010). His film debut came playing footballer Duncan Edwards, one of the 'Busby Babes', in United (2011). Clafin then came to the attention of cinemagoers across the world when he was cast as Philip in Pirates of the Caribbean: On Stranger Tides (2011). Various roles followed, including Jack in White Heat (2012) and Prince William in Snow White and the Huntsman (2012). He played Finnick Odair in the sequels The Hunger Games: Catching Fire (2013), The Hunger Games: Mockingjay - Part 1 (2014), and The Hunger Games: Mockingjay - Part 2 (2015).- Actor
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Çaglar Çorumlu was born on 4 December 1977 in Amasya, Turkey. He is an actor, known for Coming Soon (2014), Arif V 216 (2018) and Güldür Güldür Show (2013). He has been married to Gaye Çorumlu since 2012.- Actor
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Osman Sonant was born on 1 March 1979 in Istanbul, Turkey. He is an actor, known for Yangin Var (2011), Pandora'nin Kutusu (2008) and Leyla and Mecnun (2011).- Onur Bayraktar is known for Seddülbahir 32 Saat (2016).
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Laura Leggett Linney was born in New York City on February 5, 1964, into a theatre family. Her father was prominent playwright Romulus Linney, whose own great-grandfather was a congressman from North Carolina. Her mother, Miriam Anderson (Leggett), is a nurse. Although she did not live in her father's house (her parents having divorced when she was an infant), Linney's world revolved, in part, around his profession from the earliest age. She graduated from Brown University in 1986 and studied acting at Juilliard and the Arts Theatre School in Moscow and, thereafter, embarked on a career on the Broadway stage receiving favorable notices for her work in such plays as "Hedda Gabler" and "Six Degrees of Separation".
Linney's film career began in the early 1990s with small roles in Lorenzo's Oil (1992) and Dave (1993). She landed the role of Mary Anne Singleton in the PBS film adaptations of Armistead Maupin's "Tales of the City" series, playing her in Tales of the City (1993), More Tales of the City (1998) and Further Tales of the City (2001). Linney's first substantial big-screen role was as the ex-girlfriend of Richard Gere's character in Primal Fear (1996) and her superb performance brought her praise and a better selection of roles. Clint Eastwood chose Linney to play his daughter, another prominent role, in 1997's Absolute Power (1997), followed by another second billing in the following year's The Truman Show (1998).
Always a strong performer, Linney truly came into her own after 2000, starting the decade auspiciously with her widely-praised, arguably flawless performance in You Can Count on Me (2000). She found herself nominated for an Academy Award for this, her first lead role, for which her salary had been $10,000. Linney won numerous critics' awards for her role as Sammy, a single mother whose life is complicated by a new boss and the arrival in town of her aimless brother. On the heels of this success came her marvelous turn as Bertha Dorset in The House of Mirth (2000), clearly the best performance in a film of strong performances. Since then, Linney has frequently been offered challenging dramatic roles, and always rises to the occasion, such as in Mystic River (2003) and Kinsey (2004), for which she received another Academy Award nomination.- Actress
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Müjde Ar (born Kâmile Suat Ebrem, 21 June 1954 in Istanbul) is a Turkish film actress.
She is the oldest daughter of the dramaturge and song writer Aysel Gürel. She left school at the age of 20, while she was doing a German Language and Literature M.A. at the Istanbul University. At the age of 21, she married TV director Samim Deger and started to work as a model before taking part in Turkish B movies. After making about 100 B films & family comedy films between early 70s and early 1980s, her breakthrough came with the 1984 Yavuz Turgul film Fahriye Abla (Sister Fahriye). Fahriye Abla was the screen adaptation of Ahmed Muhip Dranas' poem of the same name.
Her portrayal of modern, sensual, independent, rebel woman in her films after Fahriye Abla won the hearts of Turkish film-goers. It was considered a revolution in the relatively conservative mainstream Turkish cinema at that time, when females played mostly second fiddle roles. Mujde Ar then became the cult object of women cinema and the lead of many films by renowned Turkish directors Atif Yilmaz, Halit Refig, Basar Sabuncu, Ertem Egilmez. Her filmography includes Dul Bir Kadin (Widow), Daginik Yatak (Messy Bed), Ahhh Belinda, Adi Vasfiye (Her Name Was Vasfiye), Asiye Nasil Kurtulur (Who Can Save Asiye?), Asilacak Kadin (Woman to Be Hanged), Teyzem (Auntie), Karsilasma (Encounter), Agir Roman (Heavy Fiction).
Müjde Ar has received several major Turkish cinema awards, such as the Golden Orange in Antalya Film Festival and the Turkish Cinema Critics Association Best Actress Award. She has recently come into the public spotlight. Müjde Ar was the opening night presenter of Ankara Flying Broom Women's Film Festival in May 2005. She was reported recently to be working on a new film project to act along with Turkish pop music diva Sezen Aksu. This project seems to be frozen for the time being, however.
Through the late 1970s, she was the girlfriend of director Ertem Egilmez. In 1980, she started her relationship with composer Atilla Özdemiroglu that would last until 1995. Müjde Ar married politician Ercan Karakas in 2005.- Writer
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Jordan Klepper was born on 9 March 1979 in Kalamazoo, Michigan, USA. He is a writer and producer, known for Bathroom Party (2012), Poop Brunch (2013) and Bone Dry (2011). He has been married to Laura Grey since 22 September 2013.- Actor
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Timothée Hal Chalamet was born in Manhattan, to Nicole Flender, a real estate broker and dancer, and Marc Chalamet, a UNICEF editor. His mother, who is from New York, is Jewish, of Russian Jewish and Austrian Jewish descent. His father, who is from Nîmes, France, is of French and English ancestry. He is the brother of actress Pauline Chalamet, a nephew of director Rodman Flender, and a grandson of screenwriter Harold Flender.
He grew up in an artistic family, appearing in commercials and the New York theatre scene, and attending the LaGuardia High School of Music, Art and Performing Arts, where his classmate and friend was actor Ansel Elgort (the two later received their first Golden Globe nominations in the same year, 2017). For a time, Timothée also attended Columbia University.
He made his film debut in 2014, as a high school student in Jason Reitman's Men, Women & Children (2014) and Matthew McConaughey's character's teenage son in Interstellar (2014). He subsequently had sizable roles in several indie films, playing the younger version of writer Stephen Elliott in The Adderall Diaries (2015), the male lead, Zac, in the drama One and Two (2015), and Billy in the road trip drama Miss Stevens (2016). On stage, he has appeared in the plays The Talls, by Anna Kerrigan, and John Patrick Shanley's autobiographical Prodigal Son, while on television, he has had a minor role in the film Loving Leah (2009), a big part in Law & Order (1990), and meatier roles on the shows Royal Pains (2009) and Homeland (2011), among other work.
He broke out in 2017, appearing in notable supporting roles, as a soldier in the western Hostiles (2017) and a high school crush of the title character in Lady Bird (2017), and in a leading role as Elio, an Italian Jewish seventeen year-old who romances his father's older assistant, played by Armie Hammer, in the Luca Guadagnino drama Call Me by Your Name (2017). Timothée's role as Elio received significant critical acclaim, and he was nominated for the Academy Award for Best Actor, and the Golden Globe Award for Best Actor, Drama, and won many critics' groups' awards for Best Actor of the Year.
In 2018, he starred as Nic Sheff, who suffers from substance abuse problems, in the drama Beautiful Boy (2018). In 2019, he will headline the Woody Allen comedy A Rainy Day in New York (2019), with Selena Gomez, play Henry V of England, King from 1413 to 1422, in the historical drama The King (2019), and embody love interest Laurie in Greta Gerwig's take on Little Women (2019).