Cinematographer
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- Cinematographer
- Camera and Electrical Department
- Additional Crew
Robert Richardson has won three Academy Awards and earned seven Academy Award nominations for his cinematography. His work on director Oliver Stone's JFK earned him his first Oscar. His second and third came with The Aviator and Hugo directed by Martin Scorsese. These two films also garnered him BAFTA nominations for Best Cinematographer.
Prior to regularly collaborating with well-known directors like Oliver Stone and Quentin Tarantino, Richardson served an apprenticeship shooting second unit on Repo Man while filming television documentaries for PBS and the BBC. His work in television led Stone to hire Richardson to shoot both Salvador and Platoon. From there, he worked almost exclusively with Stone, filming Wall Street, Born on the Fourth of July and The Doors, while occasionally branching out to shoot films like John Sayles' Eight Men Out and City of Hope.
Richardson also shot Stone's Natural Born Killers, Nixon and U-Turn. He then began collaborating with Martin Scorsese and Quentin Tarantino. Scorsese chose him as DP on 1999's Bringing Out the Dead, while Tarantino snapped him up for Kill Bill, Vol. 1 and Kill Bill, Vol. 2.
Richardson continued to make his mark as Tarantino's DP on 2012's Django Unchained and 2015's The Hateful Eight, as well as on Ben Affleck's 2016 film Live By Night. He shot Director Andy Serkis's 2017 Breathe starring Andrew Garfield and Claire Foy; 2018's Adrift for Director Balthasar Kormakur starring Shailene Woodley and Sam Claflin for STX, and 2018's A Private War for Director Matthew Heineman starring Rosamund Pike. Richardson then shot Tarantino's 2020 hit Once Upon a Time in Hollywood, which starred Leonardo DiCaprio and Brad Pitt, and 2021's Venom 2 for Sony/Director Andy Serkis.
Recent credits include 2022's Emancipation again with Fuqua for Apple Studios, 2023's Air directed by Ben Affleck for Amazon Studios, and The Equalizer 3 for Director Antoine Fuqua and for Columbia Pictures.- Cinematographer
- Camera and Electrical Department
- Actor
Vittorio Storaro, the award-winning cinematographer who won Oscars for "Apocalypse Now (1979)", "Reds (1981)" and "The Last Emperor (1987)". He was born on June 24, 1940 in Rome, where his father was a projectionist at the Lux Film Studio. At the age of 11, he began studying photography at a technical school. He enrolled at C.I.A.C (Italian Cinemagraphic Training Centre) and subsequently continued his education at the state cinematography school Centro Sperimentale di Cinematografia. When he enrolled at the school at the age of 18, he was one of its youngest students ever.
At the age of 20, he was employed as an assistant cameraman and was promoted to camera operator within a year. Storaro spent several years visiting galleries and studying the works of great painters, writers, musicians and other artists. In 1966, he went back to work as an assistant cameraman on Before the Revolution (1964), one of the first films directed by Bernardo Bertolucci. Storaro earned his first credit as a cinematographer in 1968 for "Giovinezza, giovinezza". His third film was "The Spider's Stratagem (1970)" which began his long collaboration with Bertolucci. He also shot "The Conformist (1970)", "Last Tango in Paris (1972)", "Luna (1979)", "The Sheltering Sky (1990)_", "Little Buddha (1993)," for Bertolucci.
He won his first Oscar for the cinematography of "Apocalypse Now (1979)", for which director Francis Ford Coppola gave him free rein to design the visual look of the picture. Storaro originally had been reluctant to take the assignment as he considered Gordon Willis to be Coppola's cinematographer, but Coppola wanted him, possibly because of his having shot "Last Tango in Paris (1972), which had starred Marlon Brando. Brando's performance in the film had been semi-improvised, and Coppola has planned on a similar tack for his scenes in the jungle with Brando's character Colonel Kurtz.
The results of their collaboration were masterful, and he later shot the 3-D short "Captain EO (1986)", the feature films "One from the Heart (1981)" and "Tucker: The Man and His Dream (1988)," and the "Life without Zoe" segment of "New York Stories (1989)" for Coppola. He won his second Oscar as the director of photography on Warren Beatty's "Reds (1981)" and subsequently shot "Dick Tracy (1990)" and "Bulworth (1998)" for Beatty He won his third Oscar as the director of photography on Bertolucci's Best Picture Academy Award-winner "The Last Emperor (1987)".
"All great films are a resolution of a conflict between darkness and light," Storaro says. "There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art."
According to Storaro, "Some people will tell you that technology will make it easier for one person to make a movie alone but cinema is not an individual art." Storaro disagrees. "It takes many people to make a movie. You can call them collaborators or co-authors. There is a common intelligence. The cinema never has the reality of a painting or a photograph because you make decisions about what the audience should see, hear and how it is presented to them. You make choices which super-impose your own interpretations of reality."
Storaro believes that, "It is our obligation to defend the audiences' rights to see the images and to hear the sounds the way we have expressed ourselves as artists,".
During the 1970s, the metaphor of cinematography as 'painting with light' took hold. Storaro, however, adds motion to the mix. Cinematography, to the great D.P., is writing with light and motion, the literal translation of the word cinematography, which derives from Greek
"It describes the real meaning of what we are attempting to accomplish," Storaro says. "We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings."
As a cinematographer, he is highly innovative. He had Rosco International fabricate a series of custom color gels for his lighting, which he used to implement his theories about emotional response to color. The "Storaro Selection" of color gels is available for other cinematographers from Rosco.
He created the "Univision" film system, which is a 35mm format based on film stock with three perforation that provides an aspect ratio of 2:1, which Storaro feels is a good compromise between the 2.35:1 and 1.85:1 wide-screen ratios favored by most filmmakers. Storaro developed the new technology with the intention of 2:1 becoming the universal aspect ratio for both movies and television in the digital age. He first shot the television mini-series "Dune" with the Univision system.
Storaro is the youngest person to receive the American Society of Cinematographer's Lifetime Achievement Award, and only the second recipient after Sven Nykvist not to be a U.S. citizen.- Cinematographer
- Director
- Producer
Lubezki began his career in Mexican film and television productions in the late 1980s. His first international production was the 1993 independent film Twenty Bucks (1993), which followed the journey of a single twenty-dollar bill.
Lubezki is a frequent collaborator with fellow Mexican filmmaker Alfonso Cuarón. The two have been friends since they were teenagers and attended the same film school at the National Autonomous University of Mexico. Together they have worked on six motion pictures: Love in the Time of Hysteria (1991), A Little Princess (1995), Great Expectations (1998), And Your Mother Too (2001), Children of Men (2006), and Gravity (2013). His work with Cuarón on Children of Men (2006), has received universal acclaim. The film utilized a number of new technologies and distinctive techniques. The "roadside ambush" scene was shot in one extended take utilizing a special camera rig invented by Doggicam systems, developed from the company's Power Slide system. For the scene, a vehicle was modified to enable seats to tilt and lower actors out of the way of the camera. The windshield of the car was designed to tilt out of the way to allow camera movement in and out through the front windscreen. A crew of four, including Lubezki, rode on the roof. Children of Men (2006) also features a seven-and-a-half-minute battle sequence composed of roughly five seamless edits.
Lubezki has been nominated for eight Academy Awards for Best Cinematography, winning three, for Gravity (2013), Birdman or (The Unexpected Virtue of Ignorance) (2014), and The Revenant (2015). He is the first cinematographer in history to win three consecutive Academy Awards.- Cinematographer
- Camera and Electrical Department
- Director
Janusz Kaminski is a Polish cinematographer and film director. He has established a partnership with Steven Spielberg, working as a cinematographer on his movies since 1993. He won the Academy Award for Best Cinematography for his work on Schindler's List (1993) and Saving Private Ryan (1998).
His other film's as an cinematographer includes Amistad (1997), A.I. Artificial Intelligence (2001), Catch Me If You Can (2002), The Diving Bell and the Butterfly (2007), War Horse (2011), Lincoln (2012), Bridge of Spies (2015), The BFG (2016), and Ready Player One (2018).- Cinematographer
- Camera and Electrical Department
- Additional Crew
Roger Deakins is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve.
He is a member of both the American and British Society of Cinematographers.
Deakins' first feature film in America as cinematographer was Mountains of the Moon (1990). He began his collaboration with the Coen brothers in 1991 on the film Barton Fink. He received his first major award from the American Society of Cinematographers for his outstanding achievement in cinematography for the internationally praised major motion picture The Shawshank Redemption (1994).
He is also known for his work in The Assassination of Jesse James by the Coward Robert Ford (2007), No Country for Old Men (2007), True Grit (2010), Skyfall (2012), Sicario (2015), and Blade Runner 2049 (2017).
Deakins also worked as one of the visual consultants for Pixar's animated feature WALL-E.
In 2018 he won an Oscar for best cinematographer for his work in Blade Runner 2049.- Cinematographer
- Actor
- Camera and Electrical Department
Michael Chapman is an American cinematographer. He is best known for Taxi Driver (1976), Raging Bull (1980), The Fugitive (1993), and Primal Fear (1996).
Chapman began his film career as a camera operator before making the leap to cinematographer. As a cinematographer, he became famous for his two collaborations with Martin Scorsese.
He was also cinematographer for the hit remake of Invasion of the Body Snatchers (1978).
In 1987, Chapman collaborated again with Martin Scorsese on the 18-minute short film that served as the music video for Michael Jackson: Bad (1987).- Cinematographer
- Director
- Actor
Sven Nykvist was considered by many in the industry to be one of the world's greatest cinematographers. During his long career that spanned almost half a century, Nyvist perfected the art of cinematography to its most simple attributes, and he helped give the films he had worked on the simplest and most natural look imaginable. Indeed, Mr. Nykvist prided himself on the simplicity and naturalness of his lighting schemes. Nykvist used light to create mood and, more significantly, to bring out the natural flesh tones in the human face so that the emotion of the scene could be played out on the face without the light becoming intrusive.
Nykvist entered the Swedish film industry when he was 19 and worked his way up to becoming a director of photography. He first worked with the legendary Swedish director Ingmar Bergman on the film Sawdust and Tinsel (1953), but his collaboration with Bergman began in earnest with The Virgin Spring (1960). From that point on, Nykvist replaced the great Gunnar Fischer as Bergman's cameraman, and the two men started a collaboration that would last for a quarter of a century. The switch from Fischer to Nykvist created a marked difference in the look of Bergman's films. In many respects, it was like the difference between Caravaggio and Rembrandt. Fischer's lighting was a study in light and darkness, while Nykvist preferred a more naturalistic, more subtle approach that in many ways relied on the northern light compositions of the many great Scandinavian painters.
Nykvist's work with Bergman is one of the most glorious collaborations in movie history. Nykvist created a markedly different look for each installment of Bergman's Faith Trilogy. Through a Glass Darkly (1961) had an almost suffocating quality to it, and The Silence (1963) hearkened back to the days of German Expressionism. Winter Light (1963), the middle part of the trilogy, may very well be the most perfect work of Nykvist's repertoire. Having studied the light in a real provincial church carefully, he then recreated the subtle changes in the light as the day went on on a Stockholm sound stage. Indeed, it's hard to believe that the film was shot on a stage and not in a real church in Northern Sweden. For Persona (1966), Nykvist relied heavily on Sweden's famous Midnight Sun. In The Passion of Anna (1969), Nykvist was able to capture the chilly, soggy, and melancholy look of Faro, one of Nykvist's first color films. Both Nykvist and Bergman were both very reluctant to film in color. He created a fascinating study of white and red in Cries & Whispers (1972), for which Nykvist won an Oscar. He won an Oscar again for the last feature-length theatrical film that Bergman made, Fanny and Alexander (1982).
During the late 1970s, Nykvist began making films elsewhere in Europe and in the United States, working for directors such as Louis Malle (Pretty Baby (1978)), Philip Kaufman (The Unbearable Lightness of Being (1988)), Bob Fosse (Star 80 (1983)), Nora Ephron (Sleepless in Seattle (1993)), Woody Allen (Another Woman (1988), Crimes and Misdemeanors (1989)), Richard Attenborough (Chaplin (1992)), and fellow Swede Lasse Hallström (What's Eating Gilbert Grape (1993)). The documentary Ljuset håller mig sällskap (2000) paid homage to Nykvist, although it does not grant us any real secrets about his working methods. Nykvist died in 2006.- Cinematographer
- Camera and Electrical Department
- Producer
John Toll is an American cinematographer. His filmography spans a wide variety of genres, including epic period drama, comedy, science fiction, and contemporary drama. He won the Academy Award for Best Cinematography in both 1994 and 1995 for Legends of the Fall and Braveheart respectively.
He has collaborated with several noteworthy directors, including Francis Ford Coppola, Edward Zwick, Terrence Malick, Mel Gibson, John Madden, The Wachowskis, and Ang Lee. Outside of film, he has shot several commercials, the pilot episode of Golden Globe-winning drama series Breaking Bad, and has served as chief cinematographer on the Netflix original series Sense8.
Toll was also nominated for an Academy Award for his work on The Thin Red Line (1998).- Cinematographer
- Director
- Camera and Electrical Department
Gordon Willis was an American cinematographer. He's best known for his work on Francis Ford Coppola's Godfather films, as well asWoody Allen's Annie Hall (1977) and Manhattan (1979).
His work on the first two Godfather films turned out to be groundbreaking in its use of low-light photography and underexposed film, as well as in his control of lighting and exposure to create the sepia tones that denoted period scenes in The Godfather Part II (1974).
In the seven-year period up to 1977, Willis was the director of photography on six films that received among them 39 Academy Award nominations, winning 19 times, including three awards for Best Picture. During this time he did not receive a single nomination for Best Cinematography.
He directed one film of his own, Windows (1980). His last film as a cinematographer was The Devil's Own (1997), directed by Alan J. Pakula.
Willis died of cancer on May 18, 2014, ten days before his 83rd birthday, at the age of 82.- Cinematographer
- Camera and Electrical Department
- Director
Director of photography Shane Hurlbut, ASC works at the forefront of cinema as a storyteller, innovator, and discerning collaborator, who brings more than three decades of experience to his art.
Most recently, Hurlbut worked on the Netflix film Love Hard starring Nina Dobrev and Jimmy O. Yang. The story follows an unlucky LA writer who falls for an East Coast guy on a dating app and decides to surprise him for the holidays, only to discover that she's been catfished.
In addition, Hurlbut lensed the Disney+ original film Safety, along with Holidate for Netflix, starring Emma Roberts and Luke Bracey, and the pilot episode for SyFy's Resident Alien, starring Alan Tudyk.
Hurlbut frequent joins forces: with director Scott Waugh (on Need for Speed and Act of Valor); with McG (on Rim of the World, Netflix's The Babysitter, Terminator: Salvation and We Are Marshall); and with Gabriele Muccino (on There Is No Place Like Home and Fathers and Daughters).
His additional film credits include: Semi-Pro; The Greatest Game Ever Played; Into the Blue (2005); Mr 3000; Drumline; 11:14, which earned Hurlbut a DVDX nomination; and The Skulls. Notably, his television credits include the first season of AMC's Into the Badlands (2015).
Earlier in his career, Hurlbut photographed iconic music videos including Guns N' Roses' November Rain and collaborated with artists Smashing Pumpkins, Stone Temple Pilots, The Rolling Stones, and Nirvana. His debut feature film, The Rat Pack, received critical acclaim and earned him a nomination from the American Society of Cinematographers, making him the youngest nominee to date.
Hurlbut is based in Los Angeles, where he lives with his wife Lydia, who runs Filmmakers Academy, a platform dedicated to educating the next wave of great filmmakers. He is a member of the American Society of Cinematographers, the International Cinematographers Guild/Local 600, and The Academy of Motion Picture Arts and Sciences.
He is represented by Worldwide Production Agency (WPA).- Cinematographer
- Camera and Electrical Department
- Director
PJ Dillon is a cinematographer born in Listowel, Co. Kerry, Ireland. He is best know for his work on Game of Thrones, The Alienist, Vikings, Penny Dreadful and Strangerland.
An Emmy nominee for his work on The Alienist, he has also been nominated for Outstanding Achievement in Cinematography by the American Society of Cinematographers and for Best Cinematography by the British Society of Cinematographers on two occasions. He has also been awarded the Irish Film and Television Academy Award for Best Cinematography three times.
He conceived and co-wrote the screenplay for Black '47.- Cinematographer
- Visual Effects
- Camera and Electrical Department
Robert Elswit is an American cinematographer. He is best known for Boogie Nights (1997), Magnolia (1999), Good Night, and Good Luck (2005), There Will Be Blood (2007), Mission: Impossible - Ghost Protocol (2011), Inherent Vice (2014), and Nightcrawler (2014).
Elswit frequently works with director Paul Thomas Anderson and has worked with George Clooney several times. He shot Clooney's black and white, multiple-Oscar nominated film Good Night, and Good Luck. Notably, Elswit shot the film in color, then converted the film into black and white in post production.
He received his first Academy Award nomination for Best Cinematography in 2006 for his work on the movie Good Night, and Good Luck. Two years later, he would again be nominated and this time win the Oscar for Best Cinematography, for his work on There Will Be Blood.- Cinematographer
- Director
- Actor
Rodrigo Prieto is a Mexican cinematographer. He is best known for Brokeback Mountain (2005), Babel (2006), Argo (2012), The Wolf of Wall Street (2013), and Silence (2016).
He also worked with Alejandro González Iñárritu on the acclaimed Amores perros (2000), 21 Grams (2003), and Biutiful (2010).
Pietro was nominated for two Academy Award for Best Cinematography, first in Brokeback Mountain and later in Silence.- Cinematographer
- Camera and Electrical Department
- Composer
Hoyte Van Hoytema was born in Horgen, Switzerland. Van Hoytema is a Dutch-Swedish director of photography known for his work on The Fighter (2010), Her (2013), Interstellar (2014), and Dunkirk (2017). Van Hoytema always wanted to be a filmmaker, therefore he wished to attend a film school in The Netherlands, but was rejected twice. After the rejection, Van Hoytema worked in a soap factory, carpentry factory and even played in a band. Hoyte and his brother decided to go to Poland to visit their roots, considering their grandpa was Polish. He eventually went on to attend the Polish film school in Lodz, which has been attended by other notable film makers, with the most notable being Andrzej Wajda, Roman Polanski, and Krzysztof Kieslowski. At the later stages of Hoyte's education at the Lodz film school, Kieslowski was a professor there, who even supervised one of Hoyte's last projects. Hoyte left the Lodz film school early without having received a degree, but with many credentials. He started out with making documentaries. He later met someone who asked him to shoot a very low-budget film in Norway, which he accepted to do. This let Hoyte to film another film in Norway which was led by a a producer who was very active in Sweden. The producer offered Hoyte to work on a television show and another feature film. This started off Hoyte's career. He started to become a notable film maker in Sweden. His film 'Let the right one in' made him more known internationally.- Cinematographer
- Camera and Electrical Department
- Director
Born in Illinois in 1904, the only child of Jennie and Frank Toland, Gregg and his mother moved to California several years after his parents divorced in 1910. Through Jennie's work as a housekeeper for several people in the movie business, Gregg may had gotten a $12-a-week job at age 15 as an office boy at William Fox Studios. Soon he was making $18 a week as an assistant cameraman. When sound came to movies in 1927, the audible whir of movie cameras became a problem, requiring the cumbersome use of soundproof booths. Toland helped devise a tool which silenced the camera's noise and which allowed the camera to move about more freely. In 1931, Toland received his first solo credit for the Eddie Cantor comedy, "Palmy Days." In 1939 he earned his first Oscar for his work on William Wyler's "Wuthering Heights." In the following year he sought out Orson Welles who then hired him to photograph "Citizen Kane." (Toland was said to have protected the inexperienced Welles from potential embarrassment by conferring with him in private about technical matters rather than bringing these up in front of the assembled cast and crew.) For "Kane" Toland used a method which became known as "deep focus" because it showed background objects as clearly as foreground objects. (Film theorist Andre Bazin said that Toland brought democracy to film-making by allowing viewers to discover what was interesting to them in a scene rather than having this choice dictated by the director.) Toland quickly became the highest paid cinematographer in the business, earning as much as $200,000 over a three year period. He also became perhaps the first cinematographer to receive prominent billing in the opening credits, rather than being relegated to a card containing seven or more other names. Tragically, Toland's career was cut short in 1948 by his untimely death at age 44. Toland had a daughter, Lothian, by his second wife and two sons, Gregg jr. and Timothy, by his third. Lothian became the wife of comic Red Skelton.- Cinematographer
- Camera and Electrical Department
- Director
Freddie Young was a British cinematographer. He is best known for his work on David Lean's films Lawrence of Arabia (1962), Doctor Zhivago (1965) and Ryan's Daughter (1970), all three of which won him Academy Awards for Best Cinematography.
Young was an cinematographer on 130 films, including Goodbye, Mr Chips (1939), 49th Parallel (1941), Ivanhoe (1952), Lust for Life (1956), The Inn of the Sixth Happiness (1958), Lord Jim (1965), You Only Live Twice (1967) and Nicholas and Alexandra (1971).
He was also the first British cinematographer to film in CinemaScope.
Young died from natural causes in 1998 at the age of 96.
In 2003, a survey conducted by the International Cinematographers Guild placed Young among the ten most influential cinematographers in history.- Cinematographer
- Camera and Electrical Department
- Writer
Born in Tahiti, the son of writer James Norman Hall, author of "Mutiny on the Bounty," Conrad Hall studied filmmaking at USC. He and two classmates formed a production company and sold a project to a local television station. Hall's company branched out into making industrial films and TV commercials. They were hired to shoot location footage for several feature films, including's Disney's The Living Desert (1953). In the early 1960s, Hall was hired as a camera assistant on several features and worked his way up to camera operator. He received his first cinematographer credit in 1965. Hall won acclaim for his rich and complex compositions, especially for In Cold Blood (1967) and won an Academy Award for Butch Cassidy and the Sundance Kid (1969). He won two more Oscars, for American Beauty (1999), in 2000, and Road to Perdition (2002).- Cinematographer
Simon Duggan was born in Wellington, New Zealand. He is a cinematographer, known for The Great Gatsby (2013), Hacksaw Ridge (2016) and I, Robot (2004).- Cinematographer
- Camera and Electrical Department
- Producer
Russell Carpenter was born on 9 December 1950 in Van Nuys, California, USA. He is a cinematographer and producer, known for Avatar: The Way of Water (2022), Titanic (1997) and Ant-Man (2015).- Cinematographer
- Actor
- Camera and Electrical Department
John A. Alonzo was born on 12 June 1934 in Dallas, Texas, USA. He was a cinematographer and actor, known for Chinatown (1974), The Magnificent Seven (1960) and Star Trek: Generations (1994). He was married to Suzanne L. Heltzel and Jan Murray. He died on 13 March 2001 in Beverly Hills, California, USA.- Cinematographer
- Director
- Camera and Electrical Department
Caleb Deschanel is an American film cinematographer and film/television director. He has been nominated for six Academy Awards, each time in the field of cinematography. The first nomination came in 1983 for the film The Right Stuff (1983). His second was in 1984 for The Natural (1984), the third in 1996 for Fly Away Home (1996), the fourth in 2000 for The Patriot (2000), the fifth for The Passion of the Christ (2004), and the sixth for Never Look Away (2018).
He is the father of actresses Emily Deschanel and Zooey Deschanel.- Producer
- Writer
- Director
Alfonso Cuarón Orozco was born on November 28th 1961 in Mexico City, Mexico. From an early age, he yearned to be either a film director or an astronaut. However, he did not want to enter the army, so he settled for directing. He didn't receive his first camera until his twelfth birthday, and then immediately started to film everything he saw, showing it afterwards to everyone. In his teen years, films were his hobby. Sometimes he said to his mother he would go to a friend's home, when in fact he would go to the cinema. His ambition was to know every theatre in the city. Near his house there were two studios, Studios Churubusco and Studios 212. After finishing school, Cuarón decided to study cinema right away. He tried to study at C.C.C. (Centro de Capacitación Cinematográfica) but wasn't accepted because at that time they weren't accepting students under twenty-four years old. His mother didn't support that idea of cinema, so he studied philosophy in the morning and in the afternoon he went to the C.U.E.C. (Centro Universitario de Estudios Cinematográficos). During that time he met many people who would later become his collaborators and friends. One of them was Luis Estrada. Cuaron also became good friends with Carlos Marcovich and Emmanuel Lubezki. Luis Estrada directed a short called "Vengance is Mine", on which Alfonso and Emmanuel collaborated. The film was in English, a fact which bothered many teachers of the C.U.E.C. such as Marcela Fernández Violante. The disagreement caused such arguments that in 1985, Alfonso was expelled from the university.
During his time studying at C.U.E.C. he met Mariana Elizondo, and with her he had his first son, Jonás Cuarón. After Alfonso was expelled, he thought he could never be a director and so went on to work in a Museum so he could sustain his family. One day, José Luis García Agraz and Fernando CáMara went to the museum and made an offer to Cuarón. They asked him to work as cable person in "La víspera (1982)", a job which was to prove to be his salvation. After that he was assistant director in Garcia Agraz's "Nocaut (1984)", as well as numerous other films.
He was also second unit director in "Gaby: A True Story (1987)", and co-wrote and directed some episodes in the series "A Hora Marcada (1967)". One New Year's Eve, he decided he would not continue to be an assistant director, and with his brother Carlos started writing what would be his first feature film: "Love in the Time of Hysteria (1991)" (Love in the time of Hysteria). After the screenplay was written, the problem became how to get financial backing for the movie. I.M.C.I.N.E. (Instituto Mexicano de Cinematografia), which supports movies financially, had already decided which projects it would support that year, much to Alfonso's initial chagrin. However, the director of one of those already-chosen projects was unable to direct it, so his project was canceled, and "Sólo con tu pareja" took its place. Despite this being chosen, there was a lot of tension between Alfonso and the I.M.C.I.N.E. executives. Nevertheless, after the movie was finished, it was a huge success. In Toronto festival the films won many awards, and Alfonso started to be noticed by Hollywood producers. Sydney Pollack was the first one to invite him to shoot in Hollywood. He proposed a feature film to be directed by Alfonso, but the project didn't work and was canceled. Alfonso moved to Los Angeles without anything concrete, and stayed with some friends, as he had no money. Soon after that, Pollack called him again to direct an episode called "Murder, Obliquely (1993)" of the series "Fallen Angels (1993)", that was the first job he had in U.S., and also the first time he worked with Alan Rickman.
After a while, and no real directing jobs, Alfonso wanted to direct something as he needed money. He finally signed a contract with Warner Brothers to direct the film Addicted to Love (1995). However, one night, he read the screenplay for another film, A Little Princess (1995) and fell in love with it. He talked to Warner Brothers and after some meetings he gave up directing "Addicted to Love" in order to do "A Little Princess". Even thought it wasn't a great box office success, the film received two nominations for the Oscars, and won many other awards. After "A Little Princess" Alfonso developed a project with Richard Gere starring. The project was canceled, but Cuarón got an offer from Twentieth Century Fox to direct the modern adaptation of the Charles Dickens' classic Great Expectations (1998). He initially didn't want to direct it but the studio insisted, and in the end he accepted it. The experience was very painful and difficult for him mainly because there was never a definitive screenplay.
He then reunited with producer Jorge Vergara and founded both Anhelo Productions and Moonson Productions. Anhelo's first picture was also Alfonso's next film, the erotic road movie "And Your Mother Too (2001)", which was a huge success. During the promotion of the film in Venice, Alfonso met the cinema critic Annalisa Bugliani. They started dating and married that same year. "Children of Men (2006)" was to be Alfonso's next film, a futuristic, dystopian story. During the pre-production of the film, Warner Brothers invited Alfonso to direct the third Harry Potter film, "Harry Potter and the Prisoner of Azkaban (2004)", an offer which he accepted after some consideration. The film would prove to be the greatest box office success of his career.
In 2003, he had a daughter named Bu Cuaron, and in February 2005 another son, called Olmo Teodoro Cuarón. Alfonso Cuarón signed a three-year first-look deal with Warner Brothers, which allowed his films to be distributed world-wide. He directed one five-minute segment of the anthology film Paris, I Love You (2006) with Nick Nolte and Ludivine Sagnier. His next project, the futuristic film Children of Men (2006) with Clive Owen, Julianne Moore and Michael Caine premiered at the Venice Film Festival in 2006 having been nominated for three Academy Awards. After his youngest son was diagnosed with autism and the divorce from Annalisa Bugliani he took a break from directing and settled in London where he plans to work on his next projects.
In 2013, Alfonso directed the space thriller Gravity (2013), which would go win 7 academy awards.
Alfonso is the only filmmaker to have ever won twice for a clean sweep for the awards, for "Gravity" and "Roma", for Best Director at the Oscars, Golden Globes, BAFTAs, and DGA Awards.- Cinematographer
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Michael Ballhaus was a German cinematographer. He worked on many American films, including Baby It's You (1983), Old Enough (1984), After Hours (1985), The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Dracula (1992), The Age of Innocence (1993), Gangs of New York (2002), and The Departed (2006).
Ballhaus was nominated three times for the Academy Award for Best Cinematography, for Broadcast News (1987), The Fabulous Baker Boys (1989), and Gangs of New York (2002), but never won.
His son Florian Ballhaus is also a cinematographer who worked on Flightplan (2005) and The Devil Wears Prada (2006).
Ballhaus died on 11 April 2017, at the age of 81.- Cinematographer
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Robert D. Yeoman was born on 10 March 1951 in Philadelphia, Pennsylvania, USA. He is a cinematographer and actor, known for The Grand Budapest Hotel (2014), Asteroid City (2023) and Moonrise Kingdom (2012).- Cinematographer
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One of the highest appraised contemporary cinematographers. He was born in Spain but moved to Cuba by age 18 to join his exiled anti-Franco father. In Havana, he founded a cineclub and wrote film reviews. Then, he went on to study in Rome at the Centro Sperimentale. He directed six shorts in Cuba and two in New York. After the 1959 Cuban revolution, he returned and made several documentaries for the Castro-regime. But after two of his shorts (Gente en la playa (1960) and La Tumba Francesca) had been banned, he moved to Paris. There he became the favourite cameraman of Éric Rohmer and François Truffaut. In 1978, he started his impressive Hollywood-career. In his later years, he co-directed two documentaries about the human rights situation in Cuba: Improper Conduct (1984) (about the persecution of gay people) and Nadie escuchaba (1987). He shot several prestigious commercials for Giorgio Armani and Calvin Klein. Nestor Almendros died of cancer.- Cinematographer
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Dick Pope was born in August 1947 in Bromley, Kent, England, UK. He is a cinematographer and actor, known for The Illusionist (2006), Mr. Turner (2014) and Vera Drake (2004).- Cinematographer
- Camera and Electrical Department
- Producer
Jayson Crothers is known for Cruel Summer (2021), Chicago Fire (2012) and The Thing About Harry (2020).- Camera and Electrical Department
- Cinematographer
- Director
Lukasz Zal is an Academy Award-nominated cinematographer based in Poland. Cold War, directed by Pawel Pawlikowski, landed Lukasz Zal not only the Oscar nomination but also ASC Award, the Silver Frog Award for cinematography at the 2018 Camerimage Festival in Poland, as well as a nomination for BAFTA Award.
For the first time, Lukasz was nominated for the Academy Award in 2016 for Pawlikowski's Ida and was one of two cinematographers of an Oscar- nominated animation Loving Vincent (dir. Dorota Kobiela, Hugh Welchman) in 2017.
Cinematographer on Dovlatov (dir. Aleksiej German Jr.), which premiered at the Berlinale 2018 and The Here After (dir. Magnus von Horn), which premiered at Quinzaine des Réalisateurs (Directors' Fortnight) at Cannes Film Festival in 2015.
Most recently, Lukasz was responsible for the cinematography in Charlie Kaufman's film I'm Thinking of Ending Things, available on Netflix.- Cinematographer
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Aitor Mantxola is known for Aunque tú no lo sepas (2000), Take Me Somewhere Else (2004) and Skin Deep (2003).- Cinematographer
- Camera and Electrical Department
Santiago Benet Mari Was born in Santurce Puerto Rico on April 13 1981. Studied in a Escuela Central de Artes Visuales, then on the Drama Department of the University of Puerto Rico. Started his career as a Lighting designer for theatre, modern dance and ballet. Then found deep interest in film and thru the path of lighting department became a cinematographer.- Cinematographer
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John Mathieson came up through the traditional camera ranks. Before his start as a cinematographer in feature films he shot many music videos, documentaries and TV commercials. He also worked in cutting rooms and has always considered himself as a film maker, interested in all areas of the process, rather than a dedicated cinematographer.- Camera and Electrical Department
- Cinematographer
- Editor
Heixan Robles was born on 7 July 1978 in Bayamon, Puerto Rico. Heixan is a cinematographer and editor, known for The Resort (2022), La última gira (2021) and Trail of Ashes (2020).- Cinematographer
- Director
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Willie Berríos, is one of the most experienced and versatile directors of photography in the film and advertising industries in Puerto Rico. From a very early age he discovered his passion for creative work and images. The first steps with cameras and images took place in the photo development room of Luis Ramos, a photojournalist for the newspaper El Nuevo Día, with whom Berríos spent hours while he worked. This outstanding photographer was his inspiration and he transmitted his love for photography and for this profession.
Berríos studied photography and advertising at the University of Puerto Rico. Later, he obtained a bachelor's degree in Communications from the Universidad del Sagrado Corazón in Puerto Rico. Later, he participated in several cinematography seminars and workshops endorsed by the Film Industry in the United States. He also attended one of the specialized courses on the art of cinematography given by director of photography Enrique Chediak, ASC from New York.
The beginnings of his professional career were forged in the camera and lighting departments of the renowned Puerto Rican production company Paradiso Films. One of the most important film and advertising production companies in Puerto Rico. There he met, around the nineties, the director and photographer Jochi Melero, who became his mentor. By collaborating with him on various projects, as well as with other cinematographers, such as Frank Elías, Sonnel Velázquez, Pedro Juan López, Lalo Martínez Solares, Ammir Mokri, David Stockton and the photographer Omar Cruz; Berríos, was acquiring the experiences and developing the technique that have made him one of the most outstanding directors of contemporary photography on the island. Other sources of inspiration and influence include the work of cinematographers Emmanuel Lubezki, Rodrigo Prieto, Christopher Doyle, James Cameron, Gregg Toland, Roger Deakins, and Harris Savides.
Willie Berríos, has forged his career between the world of cinema, the creation of music videos and advertising. He is a cinematographer who stands out for his photographic sensitivity and for his ability to achieve impressive images guided by his creativity, even in the absence of great lighting resources. As a photographer, he is recognized for his excellent knowledge in lighting and technical instruments. With the use of filters and lights, as well as a great intuition to suggest interesting frames, Berríos has become the most important collaborator of many local and international film directors. The aesthetics of his work enjoys a pictorial character, in which light, rhythm, shape and color always stand out. This style has its origin in his sensibility for plastic arts and the study of various works of classical art and contemporary Puerto Rican painting. It could be said that Berríos is a "philosopher of light" or an artist who creates images with light. His cheerful and humble character, and his extreme respect for his peers on and off the set, add to the virtues of this cinematographer. This makes him one of the most beloved and valued cinematography professionals in Puerto Rico.
As director of photography, he has shot 12 feature films. Some are: Thieves and Liars (2006), by Ricardo Méndez Matta (shared cinematography credit with Jaime Costas); The Escape (2010), from Pasadena Films; América (2011), directed by Sonia Fritz for Isla Films and executive directed by Frances Lausell and Edward James Olmos; Hugo, Paco and Luis and the three girls in pink (2012), from Pasadena Films under the direction of Edmundo Rodríguez. El Chata (2017) under the direction of Gustavo Ramos, Amores que matan (2019) under the direction of Benjamín Lopéz, Mix Tape 2019 by the same Director, A Story to Keep You from Sleeping by Kacho Santiago, Pies en la Arena by Gustavo Ramos, the "Lady of las Camelias" by Paloma Suau, "Ginayei" 2021, a series for Disney channel under the direction of Javier Solart, Raúl García, and "Erase una vez en el Caribe" by Ray Figueroa. In addition, he has filmed an infinity of short films, both documentaries and fiction. Some of them are Julia all in me (2004), (shared cinematography credit with Jochi Melero) from Paradiso Films; Isla Chatarra (2006), winner of an Emmy Award, from ROKA Productions for Doc Tv Latin America; White Bear (2007), Tamgram Films Cuba Film Festival Award; and Finding Yourself (2011), from NB&M Atlanta Productions.
In the field of advertising, he has filmed countless pieces for renowned firms such as Rums of PR, Heineken, Coca Cola, Pepsi, AT&T, Stella Artois, Plaza las Américas, American Airlines, P&G, Ford, Toyota, Hyundai, Suzuki, Kia Motors, Puerto Rico Tourism, Centennial, Medalla, Coors Light, Budweiser, Corona, Polar Venezuela, Subway, Bacardi, El Vocero, McDonald's, El Nuevo Día, Popular Bank, Doral Mortgage, Puerto Rico Government, California Beef Counseling, Hydrience, Cerveza Presidente, Listin Diario Dominican Republic, Dewar's, HBO Inc., Dominican Republic Tourism, Santander, Palo Viejo, Universal Music, BMG Latino, Sony Music and Machete Music, Pina Records.
In the competitive music industry, he has contributed with his creativity and ingenuity as director of photography in dozens of music videos, which have added to his career the award of obtaining three Latin Grammy awards, among which the most recent productions of the controversial urban music duo Calle 13: Willie Berríos, won recognition at the Grammy Awards for best Latin video with his video recording Calma Pueblo por Calle 13 for Crema Batida Films. Video La perla de Calle 13 together with Rubén Blades and this was filmed under the production of Rojo Chiringa and in it he shares photography credits with his colleague Sonnel Velázquez, video Latin America of Calle 13 Co-production with Peru, video Death in Hawaii Calle 13, video for the 2006 World Cup in Berlin, Germany, video You forgot for Pablo Montero, video Angelito flies by Don Omar (winner of a Latin Grammy Award), El Abayarde, by Tego Calderón, video Pegao for Wisin and Yandel, video Where they will stay , by Christian Daniel, directed by Emilio Estefan, Robi Draco Rosa Concert at the PR Museum of Art and video Sácala, by Wisin y Yandel, for Sangre Nueva Music. (This last video marked a shift in the style of filming for urban music videos in Latin America and gave credibility to the investment of better budgets for the video industry).
In addition, the Association of Professional Relationists awarded with an Excel Award to the documentary 125th Anniversary of the Auxilio Mutuo Hospital, for which Berríos took the photograph. Similarly, the documentary Isla Chatarra, which Berríos worked on together with the filmmaker Karen Rossi, was awarded an Emmy. At the 2017 Short Film Festival of the prestigious Alianza Francesa firm, Berríos collaborates with the filmmaker Ray Figueroa, obtaining the award for best cinematography for the short film "Desagravio". In addition, the Short Film "Nébula", by Kemel Jamis, wins the People's Choice Awards of that edition. Then he collaborates as a cinematographer in Mundo Breve by Yamara Rodríguez and Omar Camilo, a circuit of short films produced for channel 6 of PR, taking one of these shorts "We are going to Paris", to be awarded at the New York Films Fest, as the best short of the Festival, directed by David Norris.
At present, Willie Berríos is developing innovative and challenging projects that challenge what has been created and that, without a doubt, will become a great photographic legacy in the future.- Cinematographer
- Camera and Electrical Department
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Gunnar Fischer was born on 18 November 1910 in Ljungby, Sweden. He was a cinematographer and director, known for Wild Strawberries (1957), The Seventh Seal (1957) and Smiles of a Summer Night (1955). He was married to Gull Söderblom. He died on 11 June 2011 in Stockholm, Stockholms län, Sweden.- Cinematographer
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Wally Pfister is an American cinematographer and film director, who is best known for his work with Christopher Nolan. He is also known for his work on director F. Gary Gray's The Italian Job (2003) and Bennett Miller's Moneyball (2011).
He made his directorial debut with the film Transcendence (2014), starring Johnny Depp.
His first collaboration with Nolan was on the neo-noir thriller Memento (2000). The success of this collaboration resulted in Pfister taking over as director of photography for Nolan's subsequent films: Insomnia (2002), Batman Begins (2005), The Prestige (2006), The Dark Knight (2008), which he partially shot with IMAX cameras, and Inception, which was shot partially in 5-perf 65 mm. He is the only cinematographer that has worked with director Christopher Nolan between Memento and Dark Knight Rises.
Pfister won an Academy Award for Best Cinematography for Inception (2010).- Cinematographer
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Raoul Coutard was born on 16 September 1924 in Paris, France. He was a cinematographer and director, known for Hoa Binh (1970), Alphaville (1965) and Z (1969). He died on 8 November 2016 in Labenne, Nouvelle-Aquitaine, France.- Camera and Electrical Department
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- Cinematographer
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Aleksandr Knyazhinskiy was born on 24 January 1936 in Moscow, RSFSR, USSR [now Russia]. He was a cinematographer and director, known for Stalker (1979), Zakat (1990) and The World in Another Dimension (1990). He died in 1996 in Moscow, Russia.- Cinematographer
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Born in Berlin (West), Fred Kelemen studied painting, music, philosophy, science of religions and theatre sciences and worked in different theatres as a director's assistant before he began his studies at the German Film & TV Academy Berlin (dffb) in 1989. Since that time, he has made a number of films and videos as director and collaborated as Director of Photography and Cameraman with several film directors like Béla Tarr (Utazás az Alföldön (1995), The Man from London (2007), The Turin Horse (2011)), Gisa Schleelein (Tatau Samoa (2000)) and Gariné Torossian (Stone Time Touch (2007)). In 2000 and 2001 he directed several plays at different theaters in Germany. Since 1995 he is working as a guest lecturer at the Centre of Cinematographic Studies of Catalania (C.E.C.C.) in Barcelona/Spain, at the School of Visual Arts (ESBAG) in Geneva/Switzerland, at the Latvian Cultural Academy (LKA) in Riga, at the Tel Aviv University, at the Film and TV Academy Berlin (dffb), at the Ecole des Beaux Arts in Lyon etc. Retrospectives of his work had been presented in Lisbon/Portugal, Belgrade/Yugoslavia, Cambride/U.S.A, Athens/Greece, Brussels/Belgium, Oslo/Norway, Hannover/Germany, New York City/U.S.A., Buenos Aires/Argentina, Berlin/Germany, Barcelona/Spain, Bern/Switzerland, Ankara/Turkey, London/England, Potsdam/Germany, Bankok/ThailandHamburg/Germany. Fred Kelemen is member of the European Film Academy, the German Film Academy and the European Culture Parliament.- Cinematographer
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Bradford Young is an American cinematographer. His feature films as director of photography include White Lies, Black Sheep (2007), Pariah (2011), Restless City (2011), Middle of Nowhere (2012), Ain't Them Bodies Saints (2013), Mother of George (2013), and Arrival (2016).
In January 2017, Young became the first African-American cinematographer to be nominated for an Academy Award, for his work on Arrival. He is also the first person of color to be nominated in the Academy Award cinematography category since 1998 when Remi Adefarasin was nominated for Elizabeth.- Cinematographer
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Greig Fraser was born on 3 October 1975 in Melbourne, Australia. He is a cinematographer and producer, known for Dune (2021), Rogue One: A Star Wars Story (2016) and Zero Dark Thirty (2012). He is married to Jodie Fried. They have three children.- Cinematographer
- Camera and Electrical Department
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Reed Morano was born on April 15, 1977 in Omaha, Nebraska, USA. She is known for directing and executive producing the pilot as well as episodes 2 & 3 of 'The Handmaid's Tale' (2017) and directing the feature film, 'Meadowland' (2015), which she also served as her own DP on. She also did double duty as director/DP on her second feature, 'I Think We're Alone Now' (2018). As a cinematographer, Reed is known for her work on Lemonade (2016), the Oscar nominated feature 'Frozen River' (2008) and 'The Skeleton Twins' (2014).- Cinematographer
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Mihai Malaimare Jr. was born in 1975 in Bucharest, Romania. He is a cinematographer and director, known for The Master (2012), Jojo Rabbit (2019) and The Harder They Fall (2021).- Cinematographer
- Camera and Electrical Department
- Director
Barry Ackroyd was born on 12 May 1954 in Oldham, Lancashire, England, UK. He is a cinematographer and director, known for The Hurt Locker (2008), Captain Phillips (2013) and United 93 (2006).- Cinematographer
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Rob Hardy ASC BSC is a British Cinematographer known for his ground breaking work on Mission Impossible: Fallout, and his ongoing collaboration with Alex Garland: Ex-Machina, Annihilation, Devs, Men and most recently, the visceral epic Civil War.
He also won the BAFTA for cinematography on the beautiful and controversial drama Boy A which was swiftly followed by the influential & hallucinatory Red Riding 1974.
Other credits include James Marsh's atmospheric Shadow-Dancer and the beautiful period piece Invisible Woman for Ralph Fiennes.- Cinematographer
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Karl Walter Lindenlaub was born on 19 June 1957 in Bremen, Germany. He is a cinematographer and writer, known for Independence Day (1996), Stargate (1994) and Moon 44 (1990).- Cinematographer
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Two-time Academy Award-winning cinematographer Haskell Wexler was adjudged one of the ten most influential cinematographers in movie history, according to an International Cinematographers Guild survey of its membership. He won his Oscars in both black & white and color, for Who's Afraid of Virginia Woolf? (1966) (1966) and Bound for Glory (1976) (1976). He also shot part of Days of Heaven (1978) (1978), for which credited director of photography Nestor Almendros -- won a Best Cinematography Oscar that Wexler initially felt should have been jointly shared by both. Later he admitted he was just finishing the work of Almendros and when Bert Schneider offer him more credit in the Criterion Dvd release of the film, he turned down the offer. In 1993, Wexler was awarded a Lifetime Achivement award by the cinematographer's guild, the American Society of Cinematographers. He received five Oscar nominations for his cinematography, in total, plus one Emmy Award in a career that has spanned six decades.
In addition to his masterful cinematography, Wexler directed the seminal late Sixties film Medium Cool (1969) and has directed and/or shot many documentaries that display his progressive political views. He was the subject of a 2004 documentary shot by his son Mark Wexler, Tell Them Who You Are (2004).- Cinematographer
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Polly Morgan was born in London and worked internationally as a Camera Assistant before attending The American Film Institute in 2010. Polly was named as one of Variety's Ten Cinematographers to Watch in 2016 and has since become the only woman to be invited to become both an ASC and BSC member.- Cinematographer
- Camera and Electrical Department
Dan Laustsen is a Danish cinematographer. He is best known for Crimson Peak (2015), John Wick: Chapter 2 (2017) and The Shape of Water (2017) for which he received an Academy Award nomination.
He studied at the National Film School of Denmark from 1976 to 1979, to pursue a career of cinematography. Laustsen has been involved in the production of feature films, documentaries, and advertisements, and is a member of the Danish Society of Cinematographers.- Cinematographer
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Guillermo Navarro was born in 1955 in Mexico City, Distrito Federal, Mexico. He is a cinematographer and director, known for Pan's Labyrinth (2006), Cronos (1992) and I Am Number Four (2011).- Cinematographer
- Camera and Electrical Department
- Actor
Jarin Blaschke was born on 28 September 1978 in Westminster, California, USA. He is a cinematographer and actor, known for The Lighthouse (2019), The Northman (2022) and The Witch (2015).- Cinematographer
- Camera and Electrical Department
Yves Bélanger was born on 7 July 1960 in Montréal, Québec, Canada. He is a cinematographer, known for Brooklyn (2015), Dallas Buyers Club (2013) and Wild (2014).- Cinematographer
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László Kovács was born on May 14, 1933 in Cece, Hungary. He is known for his work on Easy Rider (1969), Five Easy Pieces (1970), Ghostbusters (1984) and Copycat (1995). He won the Lifetime Achievement Award from the ASC in 2002. He was married to Audrey. He died on July 22, 2007 in Beverly Hills, Los Angeles, California, USA.- Cinematographer
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Along with László Kovács, a fellow student who fled Hungary in 1956, Zsigmond rose to prominence in the 1970s. He is known for his use of natural light and vivid use of color on features such as The Long Goodbye (1973) and Close Encounters of the Third Kind (1977).- Cinematographer
- Camera and Electrical Department
Gabriel Figueroa was born on 24 April 1907 in Mexico City, Distrito Federal, Mexico. He was a cinematographer, known for The Pearl (1947), The Young and the Damned (1950) and Maria Candelaria (1944). He died on 27 April 1997 in Mexico City, Distrito Federal, Mexico.- Cinematographer
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Chediak was born in Quito, Ecuador. He studied communication science in Santiago de Chile and photography in Madrid before studying film at New York University from 1992 to 1996. He participated in the production of American Southern-released in 1995 and directed by John Joshua Clayton-as a Cameraman. Another film he worked on in 2010, the drama 127 Hours, was based on a true story. Chediak collaborated with the British cinematographer Anthony Dod Mantle and was subsequently nominated for several awards, including the 2011 British Academy Film Award for the Best Cinematography.- Cinematographer
- Camera and Electrical Department
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Aleksey Rodionov was born on 26 April 1947 in Moscow, RSFSR, USSR [now Russia]. He is a cinematographer and production designer, known for Come and See (1985), Admiral (2008) and Generation P (2011).- Camera and Electrical Department
- Cinematographer
- Director
Tom Stern was born on 16 December 1946 in Palo Alto, California, USA. He is a cinematographer and director, known for Changeling (2008), Flags of Our Fathers (2006) and Mystic River (2003). He was previously married to Françoise Combadière.- Cinematographer
- Director
- Camera and Electrical Department
Bill Pope was born on 19 June 1952 in Bowling Green, Kentucky, USA. He is a cinematographer and director, known for The Matrix (1999), The Jungle Book (2016) and Bound (1996). He is married to Sharon Oreck. They have one child.- Cinematographer
- Camera and Electrical Department
- Actor
Claudio Miranda was born in March 1965 in Valparaíso, Chile. He is a cinematographer and actor, known for Top Gun: Maverick (2022), Life of Pi (2012) and The Curious Case of Benjamin Button (2008). He has been married to Kelli Bean since February 2009.- Cinematographer
- Camera and Electrical Department
- Producer
Pawel Pogorzelski was born on 30 July 1979 in Wloclawek, Kujawsko-Pomorskie, Poland. He is a cinematographer and producer, known for Hereditary (2018), Midsommar (2019) and Nobody (2021).- Cinematographer
- Actor
- Director
Christopher Doyle was born on 2 May 1952 in Sydney, New South Wales, Australia. He is a cinematographer and actor, known for Paranoid Park (2007), Hero (2002) and 2046 (2004).- Cinematographer
- Camera and Electrical Department
- Editor
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- Actor
Robby Müller was born on 4 April 1940 in Willemstad, Curaçao, Netherlands Antilles. He was a cinematographer and actor, known for Breaking the Waves (1996), Paris, Texas (1984) and Repo Man (1984). He died on 3 July 2018 in Amsterdam, Noord-Holland, Netherlands.- Cinematographer
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- Camera and Electrical Department
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Rachel Morrison is an American cinematographer. She is best known for the films Fruitvale Station (2013), Cake (2014), Dope (2015), Mudbound (2017) and Black Panther (2018).
She began her career working on series and TV movies for a number of networks.
The independent film Palo Alto (2007) marked Morrison's debut as the primary cinematographer on a feature film.
For her work on Mudbound she earned a nomination for an Academy Award for Best Cinematography, making her the first woman ever recognized in the category.- Cinematographer
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Marcell Rév was born on 30 December 1984 in Hungary. He is a cinematographer and writer, known for Euphoria (2019), Malcolm & Marie (2021) and The Story of My Wife (2021).- Cinematographer
- Camera and Electrical Department
- Actress
Ari Wegner was born on 3 May 1984 in Melbourne, Victoria, Australia. She is a cinematographer and actress, known for The Power of the Dog (2021), The Wonder (2022) and Lady Macbeth (2016).- Cinematographer
- Camera and Electrical Department
- Location Management
Björn Charpentier is known for Fractured (2019), About the Boy Who Ate an Oakwood Chair (2016) and Beirut (2018).- Cinematographer
- Camera and Electrical Department
- Additional Crew
Eric Gautier was born on 2 April 1961 in Paris, France. He is a cinematographer, known for The Motorcycle Diaries (2004), Into the Wild (2007) and Ash Is Purest White (2018).- Cinematographer
- Producer
Cao Yu (born August 15, 1974) is a Chinese cinematographer and the founder of Bad Rabbit Pictures. He is a member of both the American and Chinese Society of Cinematographers.
Cao Yu began his cinematic career after graduating from the Department of Film Photography at the Beijing Film Academy in 1997. He won the Young Artist Fund of the 54th Cannes Film Festival for his graduation work, Waiting to Dodge. He was the Director of Photography of the film, Flying like a Feather, which won the Locarno International Film Festival Committee Special Award in 2001.
Cao has worked with Chinese filmmaker Lu Chuan on multiple titles, including Kekexili: Mountain Patrol (2004), a drama inspired by a true story, City of Life and Death (2009) a war film that re-creates a tragic chapter in Chinese history, and the Chronicles of the Ghostly Tribe (2015), an adventure action film adapted from Tianxia Bachang's 2006 best-selling novel Ghost Blows Out the Light. In 2004, Kekexili won the Golden Rooster and Golden Horse for Best Picture. In the same year, it also won the Special Jury Prize at the 17th Tokyo International Film Festival. City of Life and Death has been invited to be screened at numerous film festivals, winning Best Film Awards at the 2009 Asia Pacific Screen Awards and the 2009 San Sebastian International Film Festival. Also, it earned him multiple Best Cinematography Awards at festivals aforementioned as well as the 2010 Asian Film and Golden Horse awards. In 2016, See You Tomorrow, a 2016 Chinese-Hong Kong romantic comedy film produced by Wong Kar-wai garnered him the Best Cinematography Award at the 36th Hong Kong Film Awards. In recent years, Cao has collaborated with film director Chen Kaige on the 2017 fantasy mystery film Legend of the Demon Cat.- Cinematographer
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Cinematographer Natasha Braier was born December 11th, 1974 in Buenos Aires, Argentina, where both her parents practiced psychiatry and where she did her first studies including, as a child, dancing.Her family moved to Europe when she was 18, and where she lived in both Spain and England.She completed her degree at that time at the National Film and Television School in London ,and later moved once again, this time to Los Angeles, California, where she has been active in the industry.- Cinematographer
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James Friend is known for All Quiet on the Western Front (2022), The Acolyte (2024) and Patrick Melrose (2018).- Cinematographer
- Camera and Electrical Department
- Actor
Darius Khondji was born on 21 October 1955 in Tehran, Iran. He is a cinematographer and actor, known for Amour (2012), Se7en (1995) and Delicatessen (1991). He is married to Marianne Khondji. They have three children.- Cinematographer
- Camera and Electrical Department
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Augustin Cubano is known for El beso que me diste (2000), What Happened to Santiago (1989) and Sankofa (1993).- Cinematographer
- Camera and Electrical Department
- Editor
Hugo Colace was born on 3 December 1953 in Buenos Aires, Argentina. He is a cinematographer and editor, known for Empty Nest (2008), The Swamp (2001) and Intimate Stories (2002).- Cinematographer
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- Art Department
Linus Sandgren is an Academy Award winning Swedish cinematographer. He is best known for his work with Damien Chazelle on La La Land (2016) and his collaboration with David O Russell on the films American Hustle (2013) and Joy (2015).
He also worked with Gus Van Sant on Promised Land where he shot the film in a unique format, Super 35mm 1.3x anamorphic.
In La La Land he shot in the classic Cinemascope ratio 2.55:1.