Celebrity Guests at Cinecon
Note: this list is a work in progress
List activity
306 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
162 people
- Actress
- Producer
- Writer
Debbie Reynolds was born Mary Frances Reynolds in El Paso, Texas, the second child of Maxine N. (Harmon) and Raymond Francis Reynolds, a carpenter for the Southern Pacific Railroad. Her film career began at MGM after she won a beauty contest at age 16 impersonating Betty Hutton. Reynolds wasn't a dancer until she was selected to be Gene Kelly's partner in Singin' in the Rain (1952). Not yet twenty, she was a quick study. Twelve years later, it seemed like she had been around forever. Most of her early film work was in MGM musicals, as perky, wholesome young women. She continued to use her dancing skills with stage work.
She was 31 when she gave an Academy Award-nominated performance in The Unsinkable Molly Brown (1964). She survived losing first husband Eddie Fisher to Elizabeth Taylor following the tragic death of Mike Todd. Her second husband, shoe magnate Harry Karl, gambled away his fortune as well as hers. With her children as well as Karl's, she had to keep working and turned to the stage. She had her own casino in Las Vegas with a home for her collection of Hollywood memorabilia until its closure in 1997. She took the time to personally write a long letter that is on display in the Judy Garland museum in Grand Rapids, Minnesota and to provide that museum with replicas of Garland's costumes. The originals are in her newly-opened museum in Hollywood.
Nearly all the money she makes is spent toward her goal of creating a Hollywood museum. Her collection numbers more than 3000 costumes and 46,000 square-feet worth of props and equipment.
With musician/actor Eddie Fisher, she was the mother of filmmaker Todd Fisher and actress Carrie Fisher. Debbie died of a stroke on December 28, 2016, one day after the death of her daughter Carrie. She was survived by her son and granddaughter, up-and-coming actress Billie Lourd.- Actress
- Soundtrack
Ruby Keeler started as a dancer on Broadway. After her marriage to Al Jolson she moved to Hollywood and become a star in Warners musicals opposite Dick Powell. After her divorce from Jolson she retired for almost 30 years, until she appeared in "No No Nanette" on Broadway in 1971 under the direction of Busby Berkeley.- Producer
- Actor
- Director
Norman Lloyd was born Norman Perlmutter in Jersey City, New Jersey, to Sadie (Horowitz), a housewife and singer, and Max Perlmutter, a furniture store manager. His family was Jewish (from Hungary and Russia). He began his acting career in the theater, first "treading the boards" at Eva Le Gallienne's Civic Repertory in New York. Aspiring to work as a classical repertory player, he gradually shed his Brooklyn accent and became a busy stage actor in the 1930s; he next joined the original company of the Orson Welles-John Houseman Mercury Theatre. Lloyd was brought to Hollywood to play a supporting part (albeit the title role) in Alfred Hitchcock's Saboteur (1942). Hitchcock, who later used the actor in Spellbound (1945) and other films, made him an associate producer and a director on TV's long-running Alfred Hitchcock Presents (1955) (then in its third year). In the course of his eight years on the series, Lloyd became a co-producer (with Joan Harrison) and then executive producer. He has since directed for other series (including the prestigious Omnibus (1952)) and for the stage, produced TV's Tales of the Unexpected (1979) and Journey to the Unknown (1968), and played Dr. Auschlander in TV's acclaimed St. Elsewhere (1982).- Actress
- Additional Crew
- Soundtrack
Stardom somehow eluded this vastly gifted actress. Had it not perhaps been for her low-level profile compounded by her McCarthy-era blacklisting in the early 1950s, there is no telling what higher tier Marsha Hunt might have attained. Perhaps her work was not flashy enough, or too subdued, or perhaps her intelligence too often disguised a genuine sex appeal to stand out among the other lovelies. Two studios, Paramount in the late 1930s and MGM in the early 1940s, failed to complete her star. Nevertheless, her talent and versatility cannot be denied. This glamorous, slimly handsome leading lady offered herself to well over 50 pictures during the 1930s and 1940s alone.
Christened Marcia Virginia Hunt, the Chicago-born actress was the younger of two girls born to an attorney and voice teacher/accompanist. The family relocated to New York when she was quite young and she attended such schools as PS #9 and Horace Mann School for Girls. She developed an interest in acting at an early age (3), performing around and about in school plays and at church functions. Following her high school graduation the young beauty found work as a John Powers model and as a singer on radio, a gift obviously inherited from her mother. Marcia (she later changed the spelling of her first name to Marsha) studied drama at the Theodora Irvine Drama School (one of her fellow students was Cornel Wilde).
Encouraged to try Hollywood by various New York people in the business, the young photogenic hopeful moved there in 1934. She was only 17 but was accompanied by her older sister. It didn't take long for the studios to take an interest in her and she was signed up by Paramount not long after. Marsha's very first movie was in a featured role opposite Robert Cummings and Johnny Downs in the old-fashioned The Virginia Judge (1935). Displaying an innate, fresh-faced sensitivity, she moved directly into her second film, playing the title role in Gentle Julia (1936), this time with Tom Brown as her romantic interest.
Marsha continued to show promise but these well-acted roles were, more often than not, overlooked in mild "B"-level offerings. Appearing in co-starring roles in everything from westerns (Desert Gold (1936) and Thunder Trail (1937)) to folksy or flyweight comedy (Easy to Take (1936) and Murder Goes to College (1937)), she could not find decent enough scripts at Paramount. Though she was once deemed one of the studio's promising starlets, one of her last films there was another prairie flower role--[error]--with cowboys John Wayne and Johnny Mack Brown vying for her attention. At about this time (1938) she married Jerry Hopper, a Paramount film editor who turned to directing in the 1950s. This marriage lasted but a few years.
Freelancing for a time for many studios, Marsha's more noticeable war-era work in sentimental comedy and staunch war dramas came from MGM, and she finally signed with the studio in 1939. The roles offered, which included a featured part as one of the sisters in Pride and Prejudice (1940) starring Greer Garson, and again as a sister to Garson in Blossoms in the Dust (1941), which showed much more promise. Some of her better war-era roles came in the films Cheers for Miss Bishop (1941), Kid Glove Killer (1942) and The Affairs of Martha (1942). During this time she also sang on extended USO tours and stayed busy on radio. Her best known film is arguably The Human Comedy (1943) but she wasn't the star. Other film roles had her in support of others, such as Margaret Sullavan in Cry 'Havoc' (1943), little Margaret O'Brien in Lost Angel (1943) and Garson again in The Valley of Decision (1945). Leading roles did not come in "A" pictures.
Her MGM contract was allowed to lapse in 1945 and a second marriage in 1946, to screenwriter Robert Presnell Jr., became a higher priority. The marriage was long and happy (exactly 40 years) and lasted until his passing in June of 1986. The few pictures she made were, again, uneventful or in support of the star, although she did have a catchy, unsympathetic role in the Susan Hayward starrer Smash-Up: The Story of a Woman (1947) as a scheming secretary. In Raw Deal (1948), starring Dennis O'Keefe, she got the "raw deal" being overshadowed as a "good girl" by the "bad girl" posturings of Claire Trevor. At this point of her career she decided to try the stage and made her Broadway debut in "Joy to the World" (1948). Other plays down the road would include "The Devil's Disciple" with Maurice Evans, "The Lady's Not for Burning" with Vincent Price and "The Little Hut" with Leon Ames. She even had a chance to return to her beloved singing as Anna in a production of "The King and I" and (much later) in productions of "State Fair" and "Meet Me in St. Louis". TV also yielded some new work opportunities, including a presentation of "Twelfth Night" in which she portrayed Viola.
The seams of her film career fell apart in the early 1950s. During the late 1930s and into the 1940s she signed a number of petitions promoting liberal ideals, and was a member of the Committee for the First Amendment. A strong supporter of freedom of speech, these associations led to her name appearing in the pamphlet "Red Channels", a McCarthy-era publication that "exposed" alleged Communists and "subversives". Although she and her husband were never called before the House Un-American Activities Commission, their names were nevertheless smeared all over Hollywood as "Reds". While she still found film work on occasion, it was rare. Although she had worked steadily from 1935 until 1949, appearing in over 50 films, she made only three films in the next eight years. Her screenwriter husband would be credited for only one film from 1948 to 1955.
Semi-retired by the early 1960s, stage and TV became Marsha's focal points. She also devoted herself to civil rights causes and such humanitarian efforts as UNICEF, The March of Dimes and The Red Cross. She became actively involved with the United Nations. On the acting front she appeared only in smaller roles in five films but in numerous TV programs and made-for-TV movies, playing everything from judges to grandmas. She became the Honorary Mayor of Sherman Oaks, California, in 1983, and published a book on fashion entitled "The Way We Wore" in 1993. Widowed in 1986, the ever-vibrant Marsha, in her 90s, continues to serve on the Advisory Board of Directors for the San Fernando Valley Community Mental Health Center, a large non-profit that advocates for adults and children affected by homelessness and mental illness. As recently as 2006, she appeared to good advantage in the movie Chloe's Prayer (2006) and, at age 91, was seen in Empire State Building Murders (2008).- Actor
- Soundtrack
"America's Joyboy," beefy, plump-faced comedian Jack Oakie, was one of the funniest top and second banana jokesters of stage, radio and especially film's "Golden Age." He would accomplish so much despite the fact that he was "functionally deaf" throughout his career and performed primarily with the aid of lip reading or vibrations.
The stories vary on how he became deaf -- scarlet fever at age 9, a Wall Street building explosion where he worked -- but, whatever the case, it seems a minor miracle that he managed to become a performing success not only for his famous "triple take" comedy but also for his work in Broadway and Hollywood musicals, which could not have been an easy task! A slapstick inspiration to future comedians like Jackie Gleason, Oakie's lightweight foolery and participation in films was pretty much standard cornball with a lot of mugging to boot, but then he surprised audiences by topping it all off in the hands of the legendary Charles Chaplin with a scene-stealing Oscar-nominated support role in a political satire masterpiece.
Jack was born Lewis Delaney Offield in Sedalia, Missouri on November 12, 1903, the son of a grain dealer (who died while Jack was quite young) and a teacher of psychology (Mary Evelyn Oakie Offield). His family moved to moved to Muskogee, Oklahoma. He was raised at times with his grandmother in Kansas City, Missouri, and made extra money there as a paperboy for The Kansas City Star.
Moving eventually to New York, Jack first worked as a runner for a brokerage firm on Wall Street, and nearly lost his life when a nearby Wall Street building was bombed on September 16, 1920. Interested in comedy and mime by this point, he began building up confidence on the amateur stage and giving himself a new name, Jack Oakie, which was comprised of the first character he ever played on stage and his mother's maiden name.
Jack took his first professional curtain call on Broadway in 1923 as a chorus boy in George M. Cohan's production of "Little Nellie Kelly." From there he found employment in a number of comedies, as well as musicals throughout the mid to late 1920s, including "Sharlee" (1923), the revues "Innocent Eyes" (1924) and "Artists and Models" (1925), and the musical "Peggy-Ann" in 1926. He also appeared in a couple of unbilled film parts in 1923 and 1924.
Films came calling toward the end of the silent era in 1927, and he relocated to Los Angeles where he made several non-talkies on his arrival, including Finders Keepers (1928) starring Laura La Plante and John Harron (Bobby's little brother) and directed by Wesley Ruggles; Clara Bow's The Fleet's In (1928); and the western Sin Town (1929). With the advent of sound, Oakie was signed, with the help of director Ruggles, to a contract by Paramount and appeared in his first talkie, the Ruth Chatterton/Fredric March starrer The Dummy (1929). Jack went on to support Wallace Beery in Chinatown Nights (1929); Dorothy Mackaill in Hard to Get (1929); Betty Compson and John Harron in Street Girl (1929); and Nancy Carroll in the musical Sweetie (1929). Settling in, he never returned to the Broadway stage.
Jack finally shared top billing with Evelyn Brent in the comedy film Fast Company (1929) as Elmer Kane, a character based on the George M. Cohan Broadway show "Elmer the Great." This led to top billing in the film version of the Broadway hit musical Hit the Deck (1929), as well as the early talking comedy vehicles The Social Lion (1930), The Sap from Syracuse (1930), Let's Go Native (1930), Sea Legs (1930), The Gang Buster (1931), June Moon (1931), Dude Ranch (1931), Once in a Lifetime (1932), Madison Square Garden (1932), Uptown New York (1932), Sitting Pretty (1933) and Shoot the Works (1934). Occasional dramas came his way with Dancers in the Dark (1932) co-starring Miriam Hopkins and Sky Bride (1932) co-starring Richard Arlen.
Throughout the 1930s, the 30-year-old plus actor appeared in a host of light college-themed comedies and was lovingly dubbed "The World's Oldest Freshman" while adding to the humor of such films as College Humor (1933), College Rhythm (1934) and Collegiate (1935). Elsewhere, in Too Much Harmony (1933), his mother Evelyn was featured as his mother, and he played Tweedledum to Roscoe Karns' Tweedledee in the all-star version of Alice in Wonderland (1933).
Oakie's contract ended with Paramount in 1934 and he continued as a freelancing agent until an RKO contract came his way a couple of years later. Starting to now gain a bit in girth, Oakie went back into support roles in musicals, adventures and comedies. Among the better known films were Call of the Wild (1935) with Clark Gable and Loretta Young; Colleen (1936) with Dick Powell and Ruby Keeler; The Toast of New York (1937) with Edward Arnold and Frances Farmer; Tin Pan Alley (1940) with Alice Faye and Betty Grable and Iceland (1942) with Sonja Henie and John Payne.
In the late 1930s, Jack traveled to Europe for some work and suffered a huge career setback when he returned to Hollywood and found himself unwanted. The draught lasted nearly two years until a major comeback thanks to Charles Chaplin. While such film highlights must include Million Dollar Legs (1932), King of Burlesque (1936), The Affairs of Annabel (1938) and Rise and Shine (1941), Oakie will in all probability be best remembered for his lip-smacking parody of Benito Mussolini ("Il Duce")in Chaplin's classic The Great Dictator (1940). As Benzino Napaloni, the dictator of the fictional country of Bacteria, Jack earned his only Oscar nomination in the "Supporting Actor" category. Throughout his lead career, he worked with a quality number of diverse leading ladies on film from Carole Lombard to Lily Pons.
Oakie also found work on radio, hosting his own show, "Jack Oakie's College," between 1936 and 1938. His deafness did not affect the output of his work, and, as a pro, seldom were there problems in accommodating his disability. Director Jules Dassin, in fact, once made it a point to state that Oakie never caused any delays in the filming of his film noir Thieves' Highway (1949).
Into the 1950s and 1960s, his career slowed down quite a bit, primarily due to his disability. He appeared to good advantage in the films The Rat Race (1960) and Lover Come Back (1961) and with TV comedy and drama on such popular shows as "The Real McCoys," "Daniel Boone," "Bonanza" and, his last, "Night Gallery" in 1972.
Jack Oakie was married twice. His first marriage (1936-1945) was to Venita Varden, who perished in the 1948 air crash of United Airlines Flight 624 at Mount Carmel, Pennsylvania. Oakie's second marriage was to actress Victoria Horne in 1950; they moved to an estate in Northridge and lived there until his death. The USC School of Cinematic Arts continues its durable ties with Hollywood history in the form of The Jack Oakie and Victoria Horne Oakie Charitable Foundation, which provides scholarships.
The comic actor died on January 23, 1978, in Los Angeles, California at the age of 74 from an aortic aneurysm. His remains were interred at Forest Lawn Memorial Park, in the Los Angeles area.- Actor
- Producer
- Soundtrack
"America's Boyfriend" Buddy Rogers was born in Olathe Kansas and became a talented musician on several instruments. He began acting in Hollywood in the 1920's and is probably best remembered as Clara Bow's love interest in "Wings". He also made several appearances in the "Mexican Spitfire" series with Lupe Velez, as well as being the nominal bandleader for several radio shows. He was married to Mary Pickford for forty-two years, until her death, and adopted two children. He appeared as a secondary character in scores of movies, and later became a frequent guest star on TV. Rogers died at age ninety-two in California. NOTE: The Charles Rogers whose biography also appears in this section is that of "Charley Rogers" a comedian and gagman for Hal Roach in the '20's and '30's. He is not the same Charles Rogers whose information is listed here.- Actress
- Soundtrack
In 'Some Day We'll Laugh: An Autobiography', she says, "In 1902 the family moved to Bar Harbor, Maine. (...) At 9 p.m. on Wednesday, September 17, 1902, I was born at No. 1 Eden St. and Papa immediately dubbed me, 'Maid of Bar Harbor!'"
The child "born in a trunk" of parents who graced the carnival and vaudeville circuits, was christened Esther Worth, but at age 2 she became part of the family act (with her four brothers and her parents) with the billing now extended to "The Ralston Family with Baby Esther, America's Youngest Juliet."
The wholesome but fun-loving teen Esther broke into silent films in several uncredited roles. Her first appearance in a motion picture was in The Deep Purple (1915), filmed at the World Studios, New Jersey. She also appeared in the serial Phantom Fortunes (1916). Afterwards, she appeared with her family in live theatre productions at the smaller venues, eventually crossing the continent and finding themselves in Los Angeles. As early as 1918 she and her brothers began finding extra work at Universal City.
At her peak, she she became one of the industry's highest-paid silent stars in scores of dramas, comedies and westerns, notably opposite Hoot Gibson and Tom Mix. Her more familiar earlier silent roles were as Mrs. Darling in the silent classic Peter Pan (1924), as the Fairy Godmother in A Kiss for Cinderella (1925), and as Mary Jane Wilks in the film version of Mark Twain's Huckleberry Finn (1920). She was publicized as "The American Venus" by none other than showman Florenz Ziegfeld Jr. after appearing as a dazzling beauty queen in the film of the same name (The American Venus (1926)).
Appearing in close to 100 films over a 30-year period, she made several for Paramount and MGM come the advent of sound, including her first talkie The Sawdust Paradise (1928); the title role in The Case of Lena Smith (1929) a "lost" film directed by Josef von Sternberg; Betrayal (1929) starring Emil Jannings and Gary Cooper, and the romantic musical The Prodigal (1931) opposite Metropolitan opera star Lawrence Tibbett.
In England, she appeared opposite Basil Rathbone in After the Ball (1932) and Conrad Veidt in Rome Express (1932). Esther wanted Paramount Studios to up her contract to $100,000 when talkies came in; the company did not agree, and let her go. She went free lance in small productions. After supporting roles in Tin Pan Alley (1940) and San Francisco Docks (1940), and 7th billing in a B film in 1940 (San Francisco Docks (1940)), she retired from the screen at 38.
She earned a fortune from investments but eventually lost it due to the stock market crash of 1929. Forced to find work outside of the world of entertainment in the 1950s and 1960s she appeared on radio shows and TV commercials. In the ensuing years she was employed as a department store salesperson and talent executive.
Esther Ralston was married and divorced three times, and had three children - one from the first marriage, and two from the third.
She was given a star on the Hollywood Walk of Fame for her film work.- Actor
- Director
- Producer
Lew Ayres was born in Minneapolis, Minnesota and raised in San Diego, California. A college dropout, he was found by a talent scout in the Coconut Grove nightclub in Los Angeles and entered Hollywood as a bit player. He was leading man to Greta Garbo in The Kiss (1929), but it was the role of Paul Baumer in All Quiet on the Western Front (1930) that was his big break. He was profoundly affected by the anti-war message of that film, and when, in 1942, the popular star of Young Dr. Kildare (1938) and subsequent Dr. Kildare films was drafted, he was a conscientious objector. America was outraged, and theaters vowed never to show his films again, but quietly he achieved the Medical Corps status he had requested, serving as a medic under fire in the South Pacific and as a chaplain's aid in New Guinea and the Phillipines. His return to film after the war was undistinguished until Johnny Belinda (1948) - his role as the sympathetic physician treating the deaf-mute Jane Wyman won him an Academy Award nomination as Best Actor. Subsequent movie roles were scarce; an opportunity to play Dr. Kildare in television was aborted when the network refused to honor his request for no cigarette sponsorship. He continued to act, but in the 1970s put his long experience into a project to bring to the west the philosophy of the East - the resulting film, Altars of the World (1976), while not a box-office success, won critical acclaim and a Golden Globe Award. Lew Ayres died in Los Angeles, California on December 30, 1996, just two days after his 88th birthday.- Actress
- Writer
- Soundtrack
During the early times of the Depression when life was more famine than feast, child stars became the blue plate special of the day, served up by Hollywood to help nourish a nation besieged with troubles. Following 20th Century-Fox monumental success with Shirley Temple in the early 1930s, every studio was out searching for its own precocious little commodity who could pack 'em in the aisles despite the lean times. While Paramount whipped up "Little" Mitzi Green, MGM offered Jackie Cooper in the hopes of finding a similar box office jingle. Wildly talented Janie Withers fit the bill, too, and although she earned pint-sized prominence just like the others, it was also for Temple's Fox Studios. As such, Jane remained somewhat of a side course to Temple's main dish (what child star didn't?) throughout much her young "B" level reign. Nevertheless, she became a major bright star in her own right.
The freckled, dark-haired hellraiser was born in Atlanta, Georgia, on April 12, 1926. The daughter of Walter and Lavinia Ruth (Elble) Withers, her parents wasted no time in prodding little Jane quickly into the world of entertainment. Jane was a natural--performing by the time she could walk and talk. By age three, she was taking singing and dancing lessons and at age 4, was starring on her own radio program in Atlanta. A spot-on mimic, she was simply uncanny when it came to impersonating the superstars of her day (W.C. Fields, Marie Dressler, Charles Chaplin) and was a veteran pint-sized performer by the time her family moved to Los Angeles after her father was transferred by his company. Jane was enrolled in Lawlor's Professional School and was soon modeling in shows, entertaining at benefits and making the usual rounds of the studios nabbing extra work while waiting for that one big film break.
She found it at age 8 when she won the plum role of the spoiled, obnoxious, doll-ripping, bicycle-riding brat who terrorizes sweet Shirley Temple in Twentieth Century-Fox's Bright Eyes (1934). The infamy earned Jane a sweet contract at Fox and for the next seven years she did it her way as the tyke star of close to 50 "B" level films. Where Shirley was cuddly and ultra huggable, brunette-banged Jane was fun, rambunctious and full of kinetic energy--a scrappy little tomboy who could take on any boy at any time. Her lively vehicles took full advantage of her talents for impersonating movie stars, too. Her first major success came in the form of the title role in Ginger (1935) in which Jane imitated the balcony scene from Romeo and Juliet and was rewarded by the studio with a contract of $125 weekly for six months. Her singing and dancing skills were utilized in such vehicles as This Is the Life (1935) and Paddy O'Day (1936). As the star, she was toned down, of course, from the all-out brat she played against Temple. Jane kept filmgoers entertained throughout the late 1930s with pictures like Pepper (1936) and Angel's Holiday (1937), in which she did an hilarious impression of Martha Raye. She ended 1937 with a bang when she was named one of Motion Picture's Poll's "Top Ten" (#6) box office favorites. Guess who was #1?
The early 1940s would tell the story as to whether Jane could survive the dreaded awkward teen transition that haunted every popular child star. She received her first screen kiss at age 13 in Boy Friend (1939) and was singled out for her work in The Ritz Brothers' Pack Up Your Troubles (1939), but Jane's antics simply didn't play as well and the studio began to lose interest. In fact, both Shirley and Jane felt the pressures of growing up and Darryl F. Zanuck let both of them go in July of 1942. Jane signed a three-year picture deal with Republic Pictures with lukewarm results. Her best dramatic role at that time came with The North Star (1943).
In 1947, the same year as her last picture of the decade, Jane married a wealthy Texas oil man, William Moss, and had three children by him--William, Wendy, and Randy. The marriage was not a happy one and lasted only six years. She also was suffering from rheumatoid arthritis. In 1955, she remarried, this time to Kenneth Errair, one-quarter of the harmonizing group "The Four Freshmen." They had two children, Ken and Kendall Jane. At the same time, she attempted a Hollywood comeback. While studying directing at the USC film school, she met producer/director George Stevens who cast her in an enviable character role in the epic-sized Giant (1956) supporting Rock Hudson, Elizabeth Taylor, and James Dean. Other film roles followed with The Right Approach (1961) and Captain Newman, M.D. (1963).
It was TV, however, that would turn Jane into a wealthy woman as a friendly household pitchwoman. Her decades-long job as the dress-downed Josephine the Plumber pushing Comet cleanser made her one popular gal when working in films became a non-issue. From time to time she made guest appearances on such fun, lightweight shows as The Munsters (1964), The Love Boat (1977), Murder, She Wrote (1984), and Hart to Hart (1979). Known for her strong spiritualism and charitable contributions, Jane's buoyant, indefatigable nature was still, at age 90+, highly infectious. She not only did voiceover work for Disney's animated features but still popped up here and there for interviews and convention signings--as bright-eyed and bushy-tailed as she was in her childhood heyday. A widow in 1968, (her second husband perished in a June 14th plane crash in California), she also lost one of her five children, Randy, to cancer when he was only 33.- Actress
- Writer
- Soundtrack
Born Angela Maxine O'Brien on January 15, 1937 in San Diego, California. Her film debut was one-minute shot in MGM's Babes on Broadway (1941). Her big moment came when she was cast in Journey for Margaret (1942). This film shot her into instant stardom and also resulted in Angela changing her name to Margaret. Throughout the 1940s Margaret was a major child star. Her unforgettable performance as "Tootie" in Vincente Minnelli's Meet Me in St. Louis (1944) won her an Academy Award as "Outstanding Child Actress" of her day. She gave brilliant performances in such films as The Canterville Ghost (1944), Our Vines Have Tender Grapes (1945), The Secret Garden (1949) and Little Women (1949). By the early 1950s Margaret had made a mint for MGM and earned a personal fortune. Then she brilliantly graduated into adolescent roles and she never retired from the screen. She also remained active on TV and on the dinner-theater circuit. She frequently is appearing at prestigious events as Celebrity Host or Guest Star and popular Public Speaker.- Actress
- Writer
- Additional Crew
Silent moppet star Jackie Coogan, immortalized as Charles Chaplin's The Kid (1921), had only one screen rival during the early 1920s, and that was none other than Baby Peggy. She was "discovered" while visiting the Century Studios lot on Sunset Boulevard with her mother when she was a mere 19 months old and went on to appear in nearly 150 shorts (between 1920 and 1923) and nine feature films during her silent heyday. Often considered a precursor to Shirley Temple, Baby Peggy's most popular film vehicle was the child classic Captain January (1924), which would be made a decade later as a vehicle for Temple.
She was born Peggy-Jean Montgomery in 1918 in San Diego, California, of acting stock. She was the daughter of Marian (Baxter), from Wisconsin, and Jack Montgomery, a Nebraska-born cowboy for years all over the western states. He ended up in the movies as a stuntman and extra, driving stagecoaches and buckboards. He supported himself as Tom Mix's double, but never achieved the rugged stardom he yearned for. In fact, his daughter was the one who became the celebrity and chief breadwinner for the family.
Many of Baby Peggy's popular comedies were parodies of movies that grown-up stars had made, and she delightfully imitated such legends as Rudolph Valentino, Pola Negri, Mary Pickford and Mae Murray. Her first feature-length film was Penrod (1922); her first film with Universal, The Darling of New York (1923), shot when she was 3-1/2 years old, was a solid hit. A few more, including Helen's Babies (1924), were also certifiable winners. However, by the age of 8, she was finished.
Her fortune reportedly was depleted by her father Jack's stepfather, a banker to whom she had entrusted all her money. Within a short time, she was forced to turn to the vaudeville circuit for survival. A comeback in early talkies with the new moniker Peggy Montgomery was very short-lived. Her credits, as a result, are often mixed up with another actress named Peggy Montgomery, who was a western ingénue for many years.
The former child star lived in dire straits and suffered from nervous breakdowns and near poverty for many years until she found a new and unexpectedly successful career as a book publisher and writer, using the pseudonym "Diana Serra Cary". As the author of "Hollywood Posse" (1975) and (later) "Hollywood's Children", she wrote about her youthful career, post-stardom years, child stars in general, and Hollywood history in all its fascinating glory. Her own autobiography, "Whatever Happened to Baby Peggy?", was released in 1996.
In 2016, Diana was inducted into the Classic Film Hall of Fame at the Rheem Theater in Moraga, CA. Diana was present, at age 98, to receive the honor and answer questions. She is considered to have been the last living star of the silent film era. Per Robert Garfinkle, a board member of the Niles Essanay Silent Film Museum in Fremont, CA, Diana now has the longest acting career of all time, from 1920 to 2015. Her last film was a silent film she made at the above-referenced museum. The film was actually made using one of their antique hand-cranked cameras!
Baby Peggy died on February 24, 2020 in Gustine, California. She was 101.- Actress
- Producer
- Soundtrack
Actress and producer Eva Marie Saint was born on July 4, 1924 on Newark, New Jersey. She is known for starring in Elia Kazan's On the Waterfront (1954), for which she won an Academy Award for Best Supporting Actress, and Alfred Hitchcock's North by Northwest (1959). Her film career also includes roles in Raintree County (1957), Exodus (1960), The Russians Are Coming the Russians Are Coming (1966), Grand Prix (1966), Nothing in Common (1986), Because of Winn-Dixie (2005), Superman Returns (2006) and Winter's Tale (2014).
Saint made her feature film debut in On the Waterfront (1954), starring Marlon Brando and directed by Elia Kazan - a performance for which she won the Academy Award for Best Supporting Actress. The film was a major success and launched her movie career. She starred in the pioneering drug-addiction drama A Hatful of Rain (1957) with Don Murray and Anthony Franciosa. She also starred in lavish the Civil War epic Raintree County (1957) with Elizabeth Taylor and Montgomery Clift.
Director Alfred Hitchcock surprised many by choosing Saint over dozens of other candidates for the femme fatale role in what was to become a suspense classic North by Northwest (1959) with Cary Grant and James Mason. Written by Ernest Lehman, the film updated and expanded upon the director's early "wrong man" spy adventures of the 1930s, 1940s and 1950s, including The 39 Steps (1935), Young and Innocent (1937), and Saboteur (1942). North by Northwest (1959) became a box-office success and an influence on spy films for decades.- Actress
- Soundtrack
Cora Sue Collins was born in Beckley, West Virginia. A chubby-cheeked, curly-haired child actress, she was nudged (or, rather, propelled) into show business by her ambitious mother. Though she was heavily in demand during the 1930s, Cora never posed a serious threat as a rival to Shirley Temple. Much of her popularity stemmed from an uncanny histrionic talent in being able to cry on demand. Cora Sue appeared in her first film, The Strange Case of Clara Deane (1932), at the age of five. Clark Gable's first wife, Josephine Dillon, was her voice coach.
Cora enjoyed a succession of small acting parts throughout the first half of the decade, by 1934 earning a respectable $250 a week. That year, she appeared in eleven films. Hand-picked by Greta Garbo to play the star's younger self in Queen Christina (1933), she developed a long-standing friendship with Garbo, as well as with Lucille Ball and other established stars, later saying "I was never intimidated by them because they were all actors, just like me".
One of Cora's notable performances was as the illegitimate daughter of Colleen Moore in The Scarlet Letter (1934). New York Times reviewer Andre Sennwald found her performance in the crime drama Evelyn Prentice (1934) 'agreeable', "in spite of the pretty-pretty lines with which the script writers have loaded her." She also commanded a rare leading role as the juvenile delinquent daughter of a court judge in Youth on Trial (1945). However, soon after, she left showbiz at the tender age of 18 in the wake of a small supporting part in Week-End at the Waldorf (1945).
The reason for her premature retirement from the screen came to light decades later, elicited through interviews with the former child star. The casting couch had always been an open secret in 1930s and 40s Hollywood. Dare to refuse and the message might well be that classic line "you'll never work in this town again!" In 2020, Cora Sue revealed that she had rebuffed the sexual advances of a screenwriter (33 years her senior) whom she had previously regarded as both friend and mentor. She later confronted MGM studio boss Louis B. Mayer, whose response was "nonchalant and dismissive". So she quit. In 2014, Cora reflected "To this day, I do think it's the best single decision of my life. I could have still been working in films or on the Broadway stage, but I learned the luxury of anonymity at a very early age; it's fun to be a housewife from Phoenix, I like it."
Post-Hollywood, Cora studied architecture and then lived the life of a socialite in Mexico for some years, hosting lavish parties. She was married three times, respectively to Ivan Stauffer, wealthy owner of a ranch in Nevada, to a James Morgan Cox and to a Phoenix theatre owner named Harry Nace.- Actress
- Soundtrack
Woefully misused while in her prime screen years at Paramount during the late '30s and '40s, Patricia Morison, lovely and exotic with Rapunzel-like long, dark hair, nevertheless became a star in her own right -- as a supremely talented diva on the singing stage.
Born on March 19, 1915, in New York City, her father, William Morison, was a playwright and occasional actor who billed himself under the name Norman Rainey. Patricia's mother worked for British Intelligence during WWI. Graduating from Washington Irving High School in New York, Patricia studied at the Art Students League and proceeded to take acting classes at the Neighborhood Playhouse while also studying dance with the renowned Martha Graham. She earned a steady check at the time as a dress shop designer.
At age 19 Patricia made her Broadway debut in the short-lived play "Growing Pains" and proceeded to understudy the legendary Helen Hayes in her classic role of "Victoria Regina". She never went on. In 1938, shortly after opening in the musical "The Two Bouquets" opposite musical star Alfred Drake, Paramount talent scouts, looking for exotic, dark-haired glamour types then to rein in their star commodity, Dorothy Lamour, scoped Patricia out and tested her. The blue-eyed beauty who indeed resembled Lamour was signed and made her film debut the following year, showing bright promise in the "B" film Persons in Hiding (1939).
Patricia's stock did not improve, however, despite such promise, and she was relegated to such second-string westerns as I'm from Missouri (1939), Rangers of Fortune (1940), Romance of the Rio Grande (1940), and The Round Up (1941). When things didn't improve with such stilted fare as Night in New Orleans (1942), Beyond the Blue Horizon (1942), and Are Husbands Necessary? (1942), she left Paramount. She freelanced in 'other woman' roles which included the Tracy/Hepburn vehicle Without Love (1945) and The Fallen Sparrow (1943), and played Empress Eugenie in The Song of Bernadette (1943), but the focus was seldom on her. Overlooked when cast in top leads at 'poverty row' programmers, her best chance at film stardom came as Victor Mature's despairing wife who takes her own life (which was to have been shown on screen) in Kiss of Death (1947), but her juicy role was excised from the film by producers (or, more likely, the Breen Commission) who felt audiences weren't ready for such shocking displays.
During the war years, Patricia had trained her voice and performed in USO tours. Cole Porter heard her sing in Hollywood one evening and decided she had the right tenacity, feistiness and vocal expertise to play the female lead in his new show. In 1948, over the objections of both the producer and director, stardom was clenched in the form of Porter's classic musical-within-a-musical "Kiss Me Kate." As the sweeping, vixenish Lilli Vanessi, a severe-looking stage diva whose own volatile personality coincided with that of her onstage role (Kate from "The Taming of the Shrew"), Patricia found THE role of her career, giving over 1,000 performances in all. Playing again alongside her former Broadway co-star Alfred Drake, Patricia basked in the multitude of glowing reviews, and such songs as "I Hate Men," "Wunderbar" and "So In Love" rightfully became signature songs. Following this triumph, film work never became a top priority again.
Patricia continued on successfully in the London version of "Kate" and went on to conquer other classic leads in the musicals "The King and I," "Kismet," "The Merry Widow," "Song of Norway" and Pal Joey," among others. Her last movie role was a cameo part as writer George Sand in the mildly received biopic Song Without End (1960) starring Dirk Bogarde as composer Franz Liszt.
On TV Patricia recreated her Kate role with Mr. Drake and made a few scattered but lively appearances over the years. One of her later guest shots was on a 1989 episode of "Cheers" and a 1991 episode of "Gabriel's Fire." In later years the never-married actress devoted herself to painting (an early passion) and enjoyed many showings in the Los Angeles area. The lovely lady with the trademark long hair died in L.A. at the age of 103, on May 20, 2018.- Actress
- Soundtrack
Her father was Irish Philadelphian newspaperman, Benny McNulty. He was related to Jim Farley, Roosevelt's campaign manager and later U.S. Postmaster General. As a child, she sang songs at a silent movie theater. After the sixth grade she joined a touring vaudeville act called "The Kiddie Kabaret." Billed as Penny McNulty, she sang and danced with Milton Berle and Gene Raymond. Her first speaking part was in a Jack Benny Broadway show, "Great Temptations".
Moving to Hollywood, she took a new name after marrying dentist Lawrence Singleton. Her first name derived from having saved large amounts of penny coins. She played a tough nightclub dancer in After the Thin Man (1936) and acted/sang/danced in Swing Your Lady (1938), one of the movies Humphrey Bogart regarded as his worst. Though naturally a brunette, she bleached her hair blonde ever since she got the role of Blondie in that long-lived series.- In 1931, a one-day effort by Marilyn Knowlden's attorney father led to an interview, a next-day screen test and a large part for four-year-old Marilyn in one of the early "talkies", Women Love Once (1931). A ten-year movie career followed, where she played the daughter of such stars as Claudette Colbert, Katharine Hepburn, Allan Jones and Norma Shearer.
She appeared in some of the screen's great classics, including Angels with Dirty Faces (1938), David Copperfield (1935) and Les Misérables (1935), in which she played the child Cosette. She appeared in six films nominated by the Academy for Best Production of the Year and performed with such distinguished actors as Fredric March, Charles Laughton, Tyrone Power, Greta Garbo and Bette Davis.
College, marriage and four children followed. A composer and playwright as well as an actress, she wrote the music and lyrics for ten produced musicals, including three for which she also wrote the scripts. The latter included her musical, "I'm Gonna Get You in the Movies!" for which she drew heavily on her own early experience.
After a 50-year hiatus, Marilyn returned to acting in 1994. She appeared in over 20 plays and musicals in San Diego County, including the role of Aunt Abby in "Arsenic and Old Lace," the leads in "Sorry, Wrong Number" and "Quilters," and Prof. Higgins' mother in "My Fair Lady." In 2011 Bear Manor published Marilyn Knowlden's autobiography "Little Girl in Big Pictures." - Actor
- Music Department
- Soundtrack
Actor, songwriter ("Christmas Eve"), composer and author Carleton Carpenter, was educated at Bennington (VT) High School. He appeared on Broadway, in "Bright Boy", "Three to Make Ready", and "John Murray Anderson's Almanac," and on television, and made many records. Carpenter wrote special material for Debbie Reynolds, Kaye Ballard, Marlene Dietrich and Hermione Gingold, and also scripts for films and television. Joining ASCAP in 1955, his other popular-song compositions include "I Wouldn't Mind," "Ev'ry Other Day," "Cabin In the Woods," "A Little Love" and "Come Away."- Actor
- Soundtrack
William Bakewell was born on 2 May 1908 in Los Angeles, California, USA. He was an actor, known for All Quiet on the Western Front (1930), Gone with the Wind (1939) and Romance on the High Seas (1948). He was married to Diane Virginia Griffiths (June DeMent) and Jennifer Holt. He died on 15 April 1993 in Los Angeles, California, USA.- Actress
- Soundtrack
One of Hollywood's more talented and watchable stars on screen was sullen and thin 50s actress Jan Sterling who didn't quite reach the top echelon of stardom but certainly ensured audiences of a real good time with her sexy pout and flashy style in soaps, film noir and saucy comedy.
Jan was born Jane Sterling Adriance in Manhattan in 1921 to a well-to-do family. Her father was a prominent advertising executive who divorced her mother when the girl was only eight years old. Her mother remarried (to an oilman) when Jan was still a youngster and the family relocated abroad where Jan was schooled by private tutors in Brazil, then later in London and Paris.
Although both sets of parents disapproved, Jan, who by this time possessed a strong British accent, set her sites on acting and was eventually enrolled in Fay Compton's dramatic school in London. A strong-minded young lady with a heartfelt passion for the arts, she returned to Manhattan to conquer Broadway and by the age of 17 had found her first ingénue role in "Bachelor Born," playing (naturally) a young British lady. Over the next 11 years, Jan dominated Broadway as proper British ladies while billing herself as "Jane Adrian."
One of her highlights was working with the legendary Ruth Gordon in 1942 in Gordon's first play entitled "Over 21." As Billie Dawn in the Chicago company of "Born Yesterday," Jan bowled over the critics and seemed almost a shoo-in to do the 1950 film version but she lost out in the end to Judy Holliday. The ash-blonde broke quickly into films supporting Oscar-winning Jane Wyman in Johnny Belinda (1948) in a key, emotional role.
To her absolute delight, she left the docile, ladylike image behind her and was allowed to dig her nails into a florid array of cheap floozies, hard-bitten dames, and lethal schemers and stood out well with 'bad girl' parts in the films Caged (1950), Ace in the Hole (1951), Flesh and Fury (1952), The Human Jungle (1954), and Female on the Beach (1955). In between she occasionally made a nicer, or at least a more sympathetic, impression in the movies Sky Full of Moon (1952) and The High and the Mighty (1954), the latter earning her an Oscar nomination.
Married to and divorced from actor John Merivale in the 1940s, Jan later married gruff film star Paul Douglas in 1950. The couple moved away from the Hollywood scene in Burlington, Vermont. The couple appeared together professionally on occasional TV shows and Douglas revived his "Born Yesterday" Harry Brock role with a stage tour starring Jan in the Billie Dawn part. It and they were a solid hit.
Jan's career slowed down considerably after the sudden death of her 52-year-old second husband in 1959. He suffered a massive heart attack at their Hollywood home. She refocused on stage and TV but at a slower step. Incidental filming occurred on occasion, including support roles in Love in a Goldfish Bowl (1961) and The Incident (1967). She also involved herself in humanitarian causes. In the late 1960s she moved to London, England and in the 1970s, she entered into a strong personal relationship with actor Sam Wanamaker. An isolated film role came her way with a small part in First Monday in October (1981). They never married but stayed together until his death in 1993.
Inactive for nearly two decades, Jan made an appearance at the Cinecon Film Festival in Los Angeles in the fall of 2001, still charming audiences at the age of 80. On 26 March 2004, she passed away at the Motion Picture and Television Hospital in Woodland Hills, California. She was 82.- Director
- Writer
- Second Unit Director or Assistant Director
Brilliant, distinguished American director, particularly of Westerns, whose simple, bleak style disguises a complex artistic temperament. The adopted son of a wealthy hardware retailer, Boetticher attended Culver Military Academy and Ohio State University, where he excelled in football and boxing.
Following his schooling Boetticher, something of an adventurer, went to Mexico and transformed himself into a formidable professional matador. His school chum, Hal Roach Jr., used his film connections to get Boetticher minor jobs in the film industry, most importantly the job of technical adviser on the bullfighting romance Blood and Sand (1941). By studying the work of the film's director, Rouben Mamoulian, and from editor Barbara McLean, he gained a thorough grounding in filmmaking.
After an apprenticeship as a studio messenger and assistant director, he was given a chance to direct, first retakes of scenes from other directors' films, then his own low-budget projects. For producer John Wayne Boetticher filmed his first prominent work, a fictionalization of his own experiences in Mexico, Bullfighter and the Lady (1951), although the work was re-edited without Boetticher's approval by his mentor, John Ford (the director's cut was restored several decades later).
Following a number of sprightly but inconsequential programmers in the early 1950s, Boetticher formed a partnership with actor Randolph Scott which, with the participation of producer Harry Joe Brown and writer Burt Kennedy, led to a string of the most memorable Western films of the 1950s, including 7 Men from Now (1956) and The Tall T (1957). He directed a sharp gangster film, The Rise and Fall of Legs Diamond (1960), then, with his wife Debra Paget, left for Mexico to film a monumental documentary on famed matador Carlos Arruza. The travail of the next seven years, which Boetticher detailed in his autobiography "When In Disgrace", included near-fatal illness, divorce, incarceration in jails, hospitals and an insane asylum, and the accidental deaths of Arruza and most of the film crew. The film, Arruza (1972), was both an exquisite documentary and a testament to Boetticher's immutable drive. Though he returned to Hollywood to form a partnership with Audie Murphy, they completed only one film together before Murphy's death in 1971.
Since then Boetticher completed another documentary and had announced several feature films in preparation. He died at age 85.- Producer
- Director
- Additional Crew
Kevin Brownlow was born on 2 June 1938 in Crowborough, Sussex, England, UK. He is a producer and director, known for It Happened Here (1964), American Masters (1985) and Unknown Chaplin (1983). He has been married to Virginia Keane since August 1969.- Actress
- Producer
- Soundtrack
Ernestine Jane Geraldine Russell was born on June 21, 1921, in Bemidji, Minnesota. Her father was a United States Army lieutenant and her mother had been a student of drama and an actress with a traveling troupe. Once Mr. Russell was mustered out of the service, the family took up residence in Canada but moved to California when he found employment there. The family was well-to-do and although Jane was the only girl among four brothers, her mother saw to it that she took piano lessons. In addition to music, Jane was interested in drama much as her mother had been and participated in high school stage productions. Upon graduation, Jane took a job as a receptionist for a doctor who specialized in foot disorders. Although she had originally planned on being a designer, her father died, and she had to go to work to help the family. Jane modeled on the side and was very much sought-after especially because of her figure.
She managed to save enough money to go to drama school, with the urging of her mother. She was signed by Howard Hughes for his production of The Outlaw (1943) in 1941, the film that was to make Jane famous. The film was not a classic by any means but was geared through its marketing to show off Jane's ample physical assets rather than acting abilities. Although the film was made in 1941, it was not released until two years later and then only on a limited basis due to the way the film portrayed Jane's assets. It was hard for the flick to pass the censorship board. Finally, the film gained general release in 1946. The film was a smash at the box office.
Jane did not make another film until 1945 when she played Joan Kenwood in Young Widow (1946). She had signed a seven-year contract with Hughes, and it seemed the only films he would put her in were those that displayed Jane in a very flattering light due to her body. Films such as His Kind of Woman (1951) and The Las Vegas Story (1952) did nothing to highlight her true acting abilities. The pinnacle of her career was in Gentlemen Prefer Blondes (1953) as Dorothy Shaw, with Marilyn Monroe. This film showed Jane's comedic side very well. Jane did continue to make films throughout the 1950s, but the films were at times not up to par, particularly with Jane's talents being wasted in forgettable movies to show off her sexy side. Films such as Gentlemen Marry Brunettes (1955) and The Revolt of Mamie Stover (1956) did do Jane's justice and were able to show exactly the fine actress she was.
After The Fuzzy Pink Nightgown (1957) (a flop), Jane took a hiatus from films, to dabble a little in television, returning in 1964 to film Fate Is the Hunter (1964). Unfortunately, the roles were not there anymore as Jane appeared in only four pictures during the entire decade of the 1960s. Her last film of the decade was The Born Losers (1967). After three more years away from the big screen, she returned to make one last film called Darker Than Amber (1970). Her last play before the public was in the 1970s when Jane was a spokesperson for Playtex bras. Had Jane not been wasted during the Hughes years, she could have been a bigger actress than what she was allowed to show. Jane Russell died at age 89 of respiratory failure on February 28, 2011, in Santa Maria, California.- Actor
- Producer
- Writer
A graduate of the University of Minnesota, Eddie Albert was a circus trapeze flier before becoming a stage and radio actor. He made his film debut in 1938 and has worked steadily since, often cast as the friendly, good-natured buddy of the hero but occasionally being cast as a villain; one of his most memorable roles was as the cowardly, glory-seeking army officer in Robert Aldrich's World War 2 film, Attack (1956).- Actor
- Producer
- Soundtrack
"Straight Shooting" -- whether skeet shooting, or portraying Eliot Ness -- Robert Stack always told it like it was, and shot straight. Born in Los Angeles, California, the younger son of James Langford Stack (1860-1928), the owner of an advertising agency, and Mary Elizabeth Modini Wood (1891-1975), he was originally named Charles Langford Modini Stack at birth by his mother but his father soon changed the name to Robert Langford Stack. (The name Robert reportedly referred to no one in particular.) His elder brother and only sibling was James Langford Stack (1916-2006).
His parents had divorced when he was one-year-old, and his mother took him to Europe when he was three. He did not learn to speak English until he was six years old. His brother, James Langford Stack Jr., stayed in the United States with their father. Young Robert spoke fluent Italian and French, but had to learn English when they returned to Los Angeles. His mother and father remarried in 1928. Robert took drama courses at USC. He was not interested in team sports, so he took up skeet shooting. In 1935, he came in second in the National Skeet Shooting Championship (held in Cleveland) and, in 1936, his 5-man team broke the standing record at the National Skeet Championships (held in St. Louis).
Stack arrived at Universal City Studios in 1939, when the movie studio (once riding high on the successes of movies such as Dracula (1931) and Frankenstein (1931)) was in financial trouble, and looking for a superstar. That superstar was Deanna Durbin (acquired from MGM), and Stack made his screen debut as her lover in First Love (1939). At first, he did not want to listen to the makeup man who had told him, "no blond has ever made it as a leading man", and insisted on dyeing his hair black and uncurling it. That makeup man was genius and Oscar winner, Jack P. Pierce (who had done all the monsters for Universal), and Stack became a matinee idol, overnight. After two more movies, he was teamed with Durbin again, in Nice Girl? (1941). he was now a bona-fide star, but Universal was still only paying him $150 a week. For the next 10 years, Stack did Westerns, war movies and romantic comedies.
Stack had fond memories for Bullfighter and the Lady (1951), a movie produced by his friend, John Wayne, which meant 12 weeks filming in sunny Mexico. The movie had a great script; unfortunately, two bullfighters were gored while filming. There were several weeks of delays, they could not get a crew or a sound stage, until they realized that, in Mexico, it is necessary to bribe the local union; some money was passed and filming started, immediately. There were wild times, and lots of tequila. Robert became a local legend; when some Mexicans asked him what he did in the War, Robert said: "I taught machine gun." The rumor spread: "Roberto teaches chingas!" (that's Spanish for "hookers"). In 1952, he made movie history (much like Al Jolson had done in 1927, being in the first "talkie") -- he starred in Bwana Devil (1952), the first 3-D movie. This gave startling effects to the story, which was based on real-life lion attacks in Africa.
Stack attended the premiere, and recalled people's reactions to the 3-D lion scenes: "People in the audience jumped out of their seats, some even fainted." The movie broke box office records, and immediately started the demand to film more movies in 3-D (such as House of Wax (1953)). Around 1955, Robert (Hollywood's most eligible bachelor) was introduced to Rosemarie Bowe, by mutual agent Bill Shiffrin. Rosemarie had been under contract to MGM and Columbia, making such movies as Million Dollar Mermaid (1952) and The Golden Mistress (1954). The couple wed two years later and had two children: Elizabeth Stack and Charles Stack. The former perennial bachelor found out he liked being married and being a father. His onscreen fame had grown and, for Written on the Wind (1956), he received an Academy Award nomination. Unfortunately, this did not sit well with 20th-Century Fox, which had him under contract, and had lent him to Universal for this picture. His contract with Fox came to an end. Stack made the transition to the new medium that was sweeping the country: television. He delivered breakout performances in his signature role as T-man (Treasury agent) Eliot Ness on The Untouchables (1959) which, after the pilot, ran for four seasons (118 episodes). And there was also the television movie, The Scarface Mob (1959).
There were some funny behind-the-scenes anecdotes, such as this one: there is no scene which stood out more as the most potentially evil, and risky in terms of audience acceptance, as the "bacio di morte" ("kiss of death"), the Sicilian gesture whenever a Capo (Neville Brand) kissed a Mafia soldier (Frank DeKova) to send him out as an executioner. The two actors were nervous enough about this scene (two guys had never kissed on television before), but then some crewman decided to be a prankster and told each star, in private, just before filming, "look out -- your co-star likes kissing guys" (a complete deception, of course). There were some unfortunate anecdotes: Joseph Wiseman was a fine actor, but trained to work on the New York stage with props; he was not accustomed to real Hollywood sets. In a 1960 episode of "The Untouchables", Stack was supposed to take an axe and smash up a brewery. He hit a real pipe, the axe ricocheted off the metal, and cut through his Achilles tendon. "I never felt so sorry for anyone in my life", Stack commented. They wrote a role for Wiseman as a crippled, renegade chemist a few weeks later in "The Antidote", which Stack noted, "was one of our half-dozen top shows". Stack went on to do television series, such as The Name of the Game (1968) alternating lead with Gene Barry and Anthony Franciosa, then later Most Wanted (1976), and he pleasantly surprised everyone with his flair for comedies in movies like 1941 (1979) and Airplane! (1980).
Stack hosted Unsolved Mysteries (1987) and did more zany humor in Caddyshack II (1988), Beavis and Butt-Head Do America (1996) and BASEketball (1998). He also provided the voice of the character Ultra Magnus in The Transformers: The Movie (1986). He portrayed the no-nonsense G-man Ness again in The Return of Eliot Ness (1991). Stack was being treated for prostate cancer when he died at age 84 on May 14, 2003 at his home in Bel Air, Los Angeles, after suffering a heart attack.- Producer
- Director
- Actor
Roger William Corman was born April 5, 1926, in Detroit, Michigan. Initially following in his father's footsteps, Corman studied engineering at Stanford University, but, while in school, he began to lose interest in the profession and developed a growing passion for film. Upon graduation, he worked a total of three days as an engineer at US Electrical Motors, which cemented his growing realization that engineering wasn't for him. He quit and took a job as a messenger for 20th Century Fox, eventually rising to the position of story analyst.
After a term spent studying modern English literature at England's Oxford University and a year spent bopping around Europe, Corman returned to the US, intent on becoming a screenwriter/producer. He sold his first script in 1953, "The House in the Sea," which was eventually filmed and released as Highway Dragnet (1954).
Horrified by the disconnect between his vision for the project and the film that eventually emerged, Corman took his salary from the picture, scraped together a little capital and set himself up as a producer, turning out Monster from the Ocean Floor (1954). Corman used his next picture, The Fast and the Furious (1954), to finagle a multi-picture deal with a fledgling company called American Releasing Corp. (ARC). It would soon change its name to American-International Pictures (AIP) and with Corman as its major talent behind the camera, would become one of the most successful independent studios in cinema history.
With no formal training, Corman first took to the director's chair with Five Guns West (1955) and over the next 15 years directed 53 films, mostly for AIP. He proved himself a master of quick, inexpensive productions, turning out several movies as director and/or producer in each of those years--nine movies in 1957, and nine again in 1958. His personal speed record was set with The Little Shop of Horrors (1960), which he shot in two days and a night.
In the early 1960s, he began to take on more ambitious projects, gaining a great deal of critical praise (and commercial success) from a series of adaptations of Edgar Allan Poe stories, most of them starring Vincent Price. His film The Intruder (1962) was a serious look at racial integration in the South, starring a very young William Shatner. Critically praised and winning a prize at the Venice Film Festival, the movie became Corman's first--and, for many years, only--commercial flop. He called its failure "the greatest disappointment in my career." As a consequence of the experience, Corman opted to avoid such direct "message" films in the future and resolved to express his social and political concerns beneath the surface of overt entertainments.
Those messages became more radical as the 1960s wound to a close and after AIP began re-editing his films without his knowledge or consent, he left the company, retiring from directing to concentrate on production and distribution through his own newly formed company, New World Pictures. In addition to low-budget exploitation flicks, New World also distributed distinguished art cinema from around the world, becoming the American distributor for the films of Ingmar Bergman, Akira Kurosawa, Federico Fellini, François Truffaut and others. Selling off New World in the 1980s, Corman has continued his work through various companies in the years since--Concorde Pictures, New Horizons, Millenium Pictures, New Concorde. In 1990, after the publication of his biography "How I Made A Hundred Movies in Hollywood And Never Lost A Dime"--one of the all-time great books on filmmaking--he returned to directing but only for a single film, Frankenstein Unbound (1990)
With hundreds of movies to his credit, Roger Corman is one of the most prolific producers in the history of the film medium and one of the most successful--in his nearly six decades in the business, only about a dozen of his films have failed to turn a profit. Corman has been dubbed, among other things, "The King of the Cult Film" and "The Pope of Pop Cinema" and his filmography is packed with hundreds of remarkably entertaining films in addition to dozens of genuine cult classics. Corman has displayed an unrivaled eye for talent over the years--it could almost be said that it would be easier to name the top directors, actors, writers and creators in Hollywood who DIDN'T get their start with him than those who did. Among those he mentored are Francis Ford Coppola, Ron Howard, Martin Scorsese, Jack Nicholson, James Cameron, Robert De Niro, Peter Bogdanovich, Joe Dante and Sandra Bullock. His influence on modern American cinema is almost incalculable. In 2009, he was honored with an Academy Award for Lifetime Achievement.- Actress
- Soundtrack
Patricia Neal, the Oscar and Tony Award-winning actress, was born Patsy Louise Neal in Packard, Kentucky, where her father managed a coal mine and her mother was the daughter of the town doctor. She grew up in Knoxville, Tennessee, where she attended high school. She was first bit by the acting bug at the age of 10, after attending an evening of monologues at a Methodist church. She subsequently wrote a letter to Santa Claus, telling him, "What I want for Christmas is to study dramatics". She won the Tennessee State Award for dramatic reading while she was in high school.
She apprenticed at the Barter Theater in Abingdon, Virginia, when she was 16-years-old, between her junior and senior years in high school. After studying drama for two years at Northwestern University, she headed to New York City and landed the job as an understudy in The Voice of the Turtle (1947). It was the producer of the play that had her change her name from Patsy Louise to Patricia. After replacing Vivian Vance in the touring company of "Turtle", she won a role in a play that closed in Boston and then appeared in summer stock. She won the role of the teenage "Regina" in Lillian Hellman's play, Another Part of the Forest (1948), for which she won a Tony Award in 1947. Subsequently, she signed a seven-year contract with Warner Bros.
In the first part of her film career, her most impressive roles were in The Fountainhead (1949), opposite Gary Cooper, with whom she had three-year-long love affair, and in director Robert Wise's sci-fi classic, The Day the Earth Stood Still (1951), which she made at 20th Century-Fox. Warners hadn't been thrilled with her and let her go before her contract was up, so she signed with Fox. With her film career stagnating, she returned to Broadway and achieved the success that eluded her in films, appearing in the revival of Hellman's play, The Children's Hour (1961), in 1952. She met and married writer, Roald Dahl, in 1953, and they would have five children in 30 years of marriage.
In 1957, she had one of her finest roles in Elia Kazan's parable about the threat of mass-media demagoguery and home-grown fascism in A Face in the Crowd (1957). Before she had appeared in the movie, Neal had taken over the role of "Maggie" in Tennessee Williams' Cat on a Hot Tin Roof (1958), the Broadway smash that had been directed by Kazan. Returning to the stage, she appeared in the London production of Williams' Suddenly, Last Summer (1959) and co-starred with Anne Bancroft in the Broadway production of The Miracle Worker (1962).
After appearing in Breakfast at Tiffany's (1961), she had what was arguably her finest role, as Alma the housekeeper, in Hud (1963) opposite Paul Newman. The film was a hit and Neal won the Best Actress Oscar. In 1965, she suffered a series of strokes that nearly killed her. She was filming John Ford's film, 7 Women (1965), at the time, and had to be replaced by Anne Bancroft (who would later take a role she turned down, that of "Mrs. Robinson" in The Graduate (1967)). Neal was pregnant at the time.
She underwent a seven-hour operation on her brain and survived, later delivering her fifth child. She underwent rehabilitation supervised by her husband. She had turned down The Graduate (1967) as she had not recovered fully from her stroke. When she returned to the screen, in 1968 in The Subject Was Roses (1968), she suffered from memory problems. According to her director, Ulu Grosbard, "The memory element was the uncertain one. But when we started to shoot, she hit her top level. She really rises to the challenge. She has great range, even more now than before".
She received an Oscar nomination for her work. Subsequently, new acting roles equal to her talent were sparse. She did receive three Emmy nominations, the first for originating the role of "Olivia Walton" in the 1971 TV movie The Homecoming: A Christmas Story (1971), that gave birth to the TV show The Waltons (1972).
Patricia Neal died on August 9, 2010 in Edgarton, Massachusetts from lung cancer. She was 84 years old.- Actress
- Producer
- Production Manager
Actress with a notable career in films and television. Born and raised in Hollywood, she moved to New York at eighteen to study acting with Charles Conrad and ballet with Nina Fonaroff. She continued her training in Los Angeles at the Estelle Harman Workshop, securing a contract with Twentieth Century Fox. Baker's first film assignment was a true prestige picture: legendary director George Stevens cast her as Margot Frank, older sister of Anne, in The Diary of Anne Frank (1959). Baker remained at Fox as a contract player performing in films such as Journey to the Center of the Earth (1959), The Best of Everything (1959) and Nine Hours to Rama (1963). After her contract ended, she worked on a pair of distinguished projects at Universal Studios: Mirage (1965) with Gregory Peck and Marnie (1964) for director Alfred Hitchcock.
Baker was also a reliable performer in episodic television. She produced sensitive, affecting work in Rod Serling's touching They're Tearing Down Tim Riley's Bar/The Last Laurel (1971) and, in a colorful turn as an unstable dipsomaniac, in Last Salute to the Commodore (1976).
While continuing to perform, Baker moved into producing small, independent films such as Portrait of Grandpa Doc (1977) with director Randal Kleiser and Never Never Land (1980) with Petula Clark, and larger projects such as the Emmy-nominated television miniseries adaptation of Barbara Taylor Bradford's A Woman of Substance (1984) with Deborah Kerr.
More recently, she distinguished herself essaying the role of clan matriarch Rose Kennedy in the CBS miniseries Jackie Bouvier Kennedy Onassis (2000) and performed memorably with Anthony Hopkins in The Silence of the Lambs (1991) as the distraught Senator Ruth Martin and, with Jim Carrey and Matthew Broderick, in The Cable Guy (1996).
In 2005, she acted with Frank Langella in the HBO series Unscripted (2005) directed by George Clooney. She also teaches acting courses in the School of Motion Pictures, Television, and Acting at the Academy of Art University, San Francisco.- Actress
- Soundtrack
A sparkling, entertaining, highly energetic presence ever since her early days (from age 4) as a singing and tap dancing child vaudevillian, Nanette Fabray was once billed as "Baby Nanette".
She was born in Sherbrooke, Québec, Canada, then moved to the United States, to Louisiana-born parents, Lily Agnes (McGovern) and Raoul Bernard Fabares, a train conductor whose own father was from France. She worked with the top headliners of the era, notably Ben Turpin, in the Los Angeles area. She also sang on radio. It was widely rumored that she appeared in the "Our Gang" ("Little Rascal") film shorts of the late 1920s; however, this was not true. Later the young hopeful received a scholarship to the Max Reinhardt School of the Theatre and appeared in the school's productions of "The Miracle", "Six Characters in Search of an Author" and "A Servant with Two Masters", all in 1939.
The musical comedy stage, however, would be Nanette's forte. Appearing in such hit New York productions as "Meet the People" (1940), "Let's Face It" (1941), "By Jupiter" (1943) and "Bloomer Girl" (1945), she capped this period of great productivity earning awards for her Broadway work in "High Button Shoes" (1947 - Donaldson Award), and "Love Life" (1948 - Tony and Donaldson Awards).
Strangely, Nanette never obtained a strong foothold when it came to film. Aside from secondary roles in The Private Lives of Elizabeth and Essex (1939) starring Bette Davis and Errol Flynn, and the melodrama A Child Is Born (1939), her one claim to movie fame would be her vital participation in the blockbuster MGM musical The Band Wagon (1953) in which she memorably performed the songs "That's Entertainment" and "Louisiana Hayride," and joined Fred Astaire and Jack Buchanan in the standout "Triplets" number.
Into the 1950s, Nanette started checking out what television could do as a possible medium for her. It did a lot. She managed a fine feat by winning two consecutive Emmy awards as Sid Caesar's partner on the now-called Caesar's Hour (1954) following the departure of the seemingly irreplaceable Imogene Coca earlier. This led to Nanette eventually starring in her own sitcom, the short-lived Westinghouse Playhouse (1961) (aka "Yes, Yes, Nanette"), in the role of a Broadway star who becomes a makeshift mom after marrying a widower (Wendell Corey) with two children.
Broadway musicals continued to flourish with parts in "Arms and the Girl" (1950) and "Make a Wish" (1951). Nanette later copped another Tony nomination starring as a fictional "First Lady" opposition "President" Robert Ryan in the musical "Mr. President" (1962). Other tailor-made stage vehicles for her came in the form of "Plaza Suite", "Wonderful Town", "Never Too Late", "Last of the Red Hot Lovers" and "Cactus Flower", among others.
On the TV front, Nanette adjusted well into a lively and graceful support player. She served up a number of delightfully daffy moms, wisecracking friends and intrusive relatives in guest appearances -- sometimes alongside her own niece, actress Shelley Fabares, as was in the case of their regular roles on One Day at a Time (1975). Nanette was also a popular game show personality during the '60s and '70s, appearing on The Hollywood Squares (Daytime) (1965), The New High Rollers (1974), Password (1961) and The Match Game (1962), among others. The singer-comedienne could be counted on for TV musical variety appearances courtesy of headliners Dinah Shore, Andy Williams, Dean Martin and Carol Burnett.
Most importantly, Nanette's humanitarian efforts over the years were long recognized. A positive force as a hearing-impaired performer, she gave much time and effort in achieving equality for all types of handicapped and disabled people, including actors. Nanette was the widow (since 1973) of writer and sometime director/producer Ranald MacDougall, appearing in a few of his credited works, including the film The Cockeyed Cowboys of Calico County (1970), the TV pilot Fame Is the Name of the Game (1966) and the TV-movie Magic Carpet (1972). She and MacDougall have one child. Still as lively as ever, Nanette appeared in a 2007 L.A. musical revue, "The Damsel Dialogues".
Nanette died on February 22, 2018, in Palos Verdes, California. She was 97.- Actress
- Soundtrack
Poised and lovely Marjorie Lord started her long and varied career on the Broadway stage and in "B" films as a sweet-natured ingénue. Born Marjorie F. Wollenberg, of German and Czech heritage, on July 26, 1918 in San Francisco, California, her family transported themselves to New York City when she was 15. Here she enrolled in both acting and ballet at the American Academy of Dramatic Arts and the Chaliff School of Dance, respectively.
Marjorie's first job (billed as Marjorie Lord) was as a 17-year-old replacement on Broadway in "The Old Maid" starring Judith Anderson in 1935. Film parts from recently-signed RKO Studio started coming her way in 1937 with the Harry Carey western Border Cafe (1937); the murder mystery Forty Naughty Girls (1937); the Wheeler & Woolsey musical comedy High Flyers (1937); and a top role in the family drama The Middleton Family at the New York World's Fair (1939).
She met actor John Archer after they appeared together in the stage production of "The Male Animal" and married at the end of 1941, they settled in Hollywood after playing Los Angeles in a stage tour of "Springtime for Henry" with Edward Everett Horton in 1942. The couple had two children before divorcing in 1953. Son Gregg avoided show business and became an airline pilot while daughter Anne Archer followed in her parents' footsteps as an actress.
Marjorie earned a Universal contract in the process and throughout the 1940s and 1950s and would alternate between theater and film assignments. She returned to Broadway with the plays "Signature" in 1945 and "Little Brown Jug" a year later, returning a decade later as a replacement in the popular Moss Hart comedy "Anniversary Waltz" in the mid-1950s. Most of Marjorie's films were inconsequential and set her up as a pretty diversion -- Escape from Hong Kong (1942), Moonlight in Havana (1942) and The Adventures of Smilin' Jack (1943). Some of her better films of that period included a loan-out, Johnny Come Lately (1943), with James Cagney, and Sherlock Holmes in Washington (1943) starring the irrepressible sleuthing team of Basil Rathbone and Nigel Bruce.
Freelancing from the late 1940s on, Marjorie was the co-star or second lead in such films as the jazzy musical drama New Orleans (1947) for Hal Roach Studios; the Universal crimers The Strange Mrs. Crane (1948) and The Argyle Secrets (1948) as a femme fatale; the Columbia action adventure Air Hostess (1949); the Tim Holt RKO western Masked Raiders (1949) in an interesting shady role; Monogram's Bomba the Jungle Boy offering The Lost Volcano (1950); the Columbia action drama Chain Gang (1950); and the amusing crime comedy Stop That Cab (1951).
Moving more into the new 1950s medium of TV, Marjorie had guest parts on such shows as "Racket Squad," "The Adventures of Kit Carson," "China Smith," "Ramar of the Jungle," "Hopalong Cassidy," "The Loretta Young Show" and "Wagon Train," along with the anthology series "Four Star Playhouse," "Schlitz Playhouse," "Fireside Theatre," and "'Cavalcade of America." Marjorie greatest exposure, however, came in 1957 when she was cast as the second wife of widower/entertainer Danny Thomas in the long-established comedy hit The Danny Thomas Show (1953). She lucked into the role when Danny's "first wife" (played by actress Jean Hagen, best known for her classic role as screechy "Lina Lamont" in Singin' in the Rain (1952)) asked to leave the series and the writer had her character "die." Marjorie proved an able sparring partner for the comedian for seven more seasons, but was unsparingly typecast as the wholesome wife thereafter.
Following this Marjorie appeared in a number of dinner theater productions for work, but would indelibly remain Kathy ("Clancy") Williams in the public eye and appeared very sparsely on TV ("Love, American Style") and film (fifth billed as the wife of Bob Hope in the comedy Boy, Did I Get a Wrong Number! (1966)). As a result, she graciously returned to Danny Thomas and her famous TV wife role in the sequel series Make Room for Granddaddy (1970).
Marjorie gently phased her career out for the most part after her third marriage in 1977, but could be seen from time to time in such programs as "Fantasy Island" and "The Love Boat." In 1987, she returned for a short-lived run on the domestic sitcom Sweet Surrender (1987) starring Dana Delany and Mark Blum, as the latter's mother. Her last camera appearance was a featured part in the "grumpy old men"-styled TV movie Side by Side (1988) starring Milton Berle, Sid Caesar and her TV husband Danny Thomas.
Made a widow by her second and third husbands, Marjorie published her memoir, "A Dance and a Hug," in 2005. She died on November 28, 2015, age 97, in Beverly Hills, California, of natural causes.- Director
- Producer
- Second Unit Director or Assistant Director
Delbert Mann, the Oscar-winning film director, was born Delbert Martin Mann Jr. in Lawrence, Kansas, in 1920. His father moved the family to Nashville, Tennesse, after taking a teaching position at Scarritt College. The young Mann graduated from Vanderbilt University, where he met his future wife, Ann Caroline Gillespie. He developed a lifelong friendship with Fred Coe, whom he met at the Nashville Community Playhouse, that would prove critical in his professional life.
After his 1941 graduation from Vanderbilt, Mann joined the Army and was assigned to the Air Corps, eventually becoming a pilot with the 8th Air Force. As a B-24 pilot with the "Mighty Eighth," Mann flew 35 bombing missions in the European Theater of Operations. After being demobilized at the end of the war, his interest changed to another type of theater, and he attended the Yale Drama School. From Yale he moved on to a directing job with the Town Theatre of Columbia, South Carolina.
His old friend Fred Coe, a producer at NBC, offered Mann the opportunity to direct live television drama on the network's The Philco Television Playhouse (1948). Mann accepted the job offer and moved to New York in 1949. For NBC he directed many dramas for the "Philco Playhouse," which later alternated its broadcasting weeks on the network with the Goodyear Playhouse (1951) and Producers' Showcase (1954) (television programs in the early days typically had one major commercial sponsor; thus, many programs from the early days bore the name of that primary sponsor). Mann directed episodes for all three showcases, including "October Story" with Julie Harris and Leslie Nielsen, "Middle of the Night" with Eva Marie Saint and E.G. Marshall, a remake of The Petrified Forest (1936) with the inevitable Humphrey Bogart (who created the role of Duke Mantee on the Broadway stage and played it in the classic 1935 film), and even two productions of William Shakespeare's "Othello" (one of which featured the unlikely Walter Matthau as Iago!).
Mann was one of the best-known graduates of "The Golden Age of Television," when live original drama was a staple of network TV. Other showcases he worked for included NBC Repertory Theatre (1949), Ford Star Jubilee (1955) and Playwrights '56 (1955). In 1953 he directed a live teleplay written by another WWII vet, Paddy Chayefsky. The episode of "Goodyear Television Playhouse" starring another vet, the up-and-coming Method actor Rod Steiger, as a lonely butcher named "Marty."
Delbert Mann's name will always be linked to the extraordinary cultural phenomenon that was "Marty," but it was as a film, not as television program, that Chayevsky's 1953 script became legendary, the first blockbuster hit of independent cinema. However, Mann's first recognition from the culture industry didn't come from Chayevsky's "Marty," either on television or film, but from Thornton Wilder's theatrical warhorse about a small burg in New Hampshire, "Our Town."
In 1954, Mann won a Best Director Emmy nomination for the "Producers' Showcase" episode "Our Town," a musical adaptation featuring the young Paul Newman and the singing talents of swinging Frank Sinatra. Ironically, the TV play of "Marty," considered the summit of TV's Golden Age in retrospect, went unrecognized during the nascent industry's awards season, though it did receive an excellent buzz via word of mouth. (The live "Marty" was captured via kinescope, a method of reproduction that involved shooting a 16-mm copy of the broadcast off of a TV monitor for rebroadcast to the West Coast in the days before coast-to-coast TV hookups, let along videotape; such programs were seldom rebroadcast after the initial showing due to the poor quality of the 'scope.) That situation would change once "Marty" moved from New York to Hollywood.
It's said that superstar Burt Lancaster and his producing partner Ben Hecht were looking for a property to generate a tax write-off for their successful indie production company, Hecht-Lancaster. That property was Marty, shot in B+W in the standard Academy ratio of 4:3 in an era when the blockbuster, like Cecil B. DeMIlle's epic remake of "The Ten Commandments," shot in color in the wide-screen processes of CinemaScope, Cinerama and VistaVision, were all the rage. (The box office gross of the 1956 "Ten Commandments," if adjusted for inflation, would rival the grosses generated by the top block busters of the present era.) Color, widescreens and spectacle were considered to be the necessary ingredients to get people out of the house where they were planted in front of the TV and back into the theaters. And here was a low-budget, B+W film with no production values and no stars based on a TV play that had appeared free on TV (Hollywood's great enemy) just two years before!
Remaking "Marty" seemed an honorable way to generate a tax-write off, so the story goes, while associating the company with quality, but Hecht-Lancaster refused to spend much money on it. The budget was limited to just under $350,000. (It's said that "Marty" was the first Oscar-winning film in which the advertising costs exceeded the budget.) Rod Steiger, who did not want to be bound contractually to Hecht-Lancaster, refused to reprise the eponymous title role, so it was turned over to Burt Lancaster's "From Here to Eternity" co-star, 'Ernest Borginine' . Having assayed Fatso Judson and other screen heavies in his brief cinema career, Borgnine had never played a sympathetic supporting character, let alone a lead, on film before.
Possibly due to its unpromising prospects, Burt Lancaster didn't bother putting his name on the picture as a producer, leaving that honor (and the Oscar that lay in "Marty's future) to Hecht. No wonder the success of "Marty" caught everyone flat-footed! It's perhaps the supreme case in Hollywood's checkered flirtation with "quality" cinema that quality not only won out, but more importantly, paid off (and paid off handsomely at that!).
The movie "Marty" was a critical success before it was a commercial success. Shown at the Cannes Film Festival in 1955, it was the first American film to win the Golden Palm (an award which, in the French manner, is shared by its director). In release, the film returned $3 million in rentals ($21 million in 2005 dollars), which was a considerable amount in the mid-1950s. More importantly for Hecht-Lancaster, its low-budget made "Marty" one of the most profitable movies ever made.
The critical recognition and boffo box office made "Marty" a sleeper at the 1956 Academy Awards, at which Mann won the Oscar as Best Director of 1955 and Chayevsky copped the Best Adapted Screenplay trophy. In addition to the original "auteurs," Ernest Borgnine won the Best Actor Oscar and Harold Hecht picked up the gong for Best Picture. Betsy Blair and Joe Mantell also received nominations in Best Supporting Acting categories, and on the technical side, "Marty" was nominated for Best B+W Cinematography (Joseph LaShelle) and Best B+W Art Direction-Set Decoration ( Ted Haworth, Walter M. Simonds, Robert Priestley). Until Sam Mendes duplicated the feat in 2000, Mann was the only director to win an Oscar for his first film.
Though he could not know it then, "Marty" was the highpoint of Mann's career. While Chayevsky went on to win two more Oscars, Mann never won another Oscar nomination, though he did pick up two more Emmy nominations in 1972 and 1980 during his productive career. More significantly, Delbert Mann had the respect of his peers: in addition to his three subsequent Directors Guild of America nominations to go along with his win for "Marty," the DGA honored him with its Robert B. Aldrich Achievement Award in 1997 and an Honorary Life Membership in 2002.- Actor
- Producer
- Writer
Dreamy Tab Hunter stood out in film history as one of the hottest teen idols of the 1950s era. With blond, tanned, surfer-boy good looks, he was artificially groomed and nicknamed "The Sigh Guy" by the Hollywood studio system, yet managed to continue his career long after his "golden boy" prime.
Hunter was born Arthur Kelm on July 11, 1931 in New York City, to Gertrude (Gelien) and Charles Kelm. His father was Jewish and his mother was a German Catholic immigrant. Following his parents' divorce, Hunter grew up in California with his mother, older brother Walter, and maternal grandparents, Ida (Sonnenfleth) and John Henry Gelien. His mother changed her sons' surnames to her maiden name, Gelien. Leaving school and joining the Coast Guard at age fifteen (he lied about his age), he was eventually discharged when the age deception was revealed. Returning home, his life-long passion for horseback riding led to a job with a riding academy.
Hunter's fetching handsomeness and trim, athletic physique eventually steered the Californian toward the idea of acting. An introduction to famed agent Henry Willson had Tab signing on the dotted line and what emerged, along with a major career, was the stage moniker of "Tab Hunter." Willson was also responsible with pointing hopeful Roy Fitzgerald towards stardom under the pseudonym Rock Hudson. With no previous experience Tab made his first, albeit minor, film debut in the racially trenchant drama The Lawless (1950) starring Gail Russell and Macdonald Carey. His only line in the movie was eventually cut upon release. It didn't seem to make a difference for he co-starred in his very next film, the British-made Island of Desire (1952) opposite a somewhat older (by ten years) Linda Darnell, which was set during WWII on a deserted, tropical South Seas isle. His shirt remained off for a good portion of the film, which certainly did not go unnoticed by his ever-growing legion of female (and male) fans.
Signed by Warner Bros., stardom was clinched a few years later with another WWII epic Battle Cry (1955), based on the Leon Uris novel, in which he again played a boyish soldier sharing torrid scenes with an older woman (this time Dorothy Malone, playing a love-starved Navy wife). Thoroughly primed as one of Hollywood's top beefcake commodities, the tabloid magazines had a field day initiating an aggressive campaign to "out" Hunter as gay, which would have ruined him. To combat the destructive tactics, Tab was seen escorting a number of Hollywood's lovelies at premieres and parties. In the meantime, he was seldom out of his military fatigues on film, keeping his fans satisfied in such popular dramas as The Sea Chase (1955), The Burning Hills (1956) and The Girl He Left Behind (1956)--the last two opposite the equally popular Natalie Wood. At around this time, Hunter managed to parlay his boy-next-door film celebrity into a singing career. He topped the charts for over a month with the single "Young Love" in 1957 and produced other "top 40" singles as well.
Like other fortunate celebrity-based singers such as Shelley Fabares and Paul Petersen, his musical reign was brief. Out of it, however, came the most notable success of his film career top-billing as baseball fan Joe Hardy in the classic Faustian musical Damn Yankees (1958) opposite Gwen Verdon and Ray Walston, who recreated their devil-making Broadway roles. Musically, Tab may have been overshadowed but he brought with him major star power and the film became a crowd pleaser. He continued on with the William A. Wellman-directed Lafayette Escadrille (1958) as, yet again, a wholesome soldier, this time in World War I. More spicy love scenes came with That Kind of Woman (1959), an adult comedy-drama which focused on soldier Hunter and va-va-voom mistress Sophia Loren demonstrating some sexual chemistry on a train.
Seldom a favorite with the film critics, the 1960s brought about a career change for Tab. He begged out of his restrictive contract with Warners and ultimately paid the price. With no studio to protect him, he was at the mercy of several trumped-up lawsuits. Worse yet, handsome Troy Donahue had replaced him as the new beefcake on the block. With no film offers coming his way, he starred in his own series The Tab Hunter Show (1960), a rather featherweight sitcom that centered around his swinging bachelor pad. The series last only one season. On the positive side he clocked in with over 200 TV programs over the long stretch and was nominated for an Emmy award for his outstanding performance opposite Geraldine Page in a Playhouse 90 episode. Following the sparkling film comedy The Pleasure of His Company (1961) opposite Debbie Reynolds, the quality of his films fell off drastically as he found himself top-lining such innocuous fare as Operation Bikini (1963), Ride the Wild Surf (1964) (1965), City in the Sea (1965) [aka War-Gods of the Deep], and Birds Do It (1966) both here and overseas.
As for stage, a brief chance to star on Broadway happened in 1964 alongside the highly volatile Tallulah Bankhead in Tennessee Williams's "The Milk Train Doesn't Stop Here Anymore." It lasted five performances. He then started to travel the dinner theater circuit. Enduring a severe lull, Tab bounced back in the 1980s and 1990s -- more mature, less wholesome, but ever the looker. He gamely spoofed his old clean-cut image by appearing in delightfully tasteless John Waters' films as a romantic dangling carrot to heavyset transvestite "actress" Divine. Polyester (1981) was the first mainstream hit for Waters and Tab went on to team up with Allan Glaser to co-produce and co-star a Waters-like western spoof Lust in the Dust (1984).
Co-starring with "Exorcist" star Linda Blair in the bizarre horror film Grotesque (1988), Tab's last on-camera appearance would be in a small role in the film Dark Horse (1992), which he produced. He preferred spending most of his time secluded on his ranch and breeding horses. In 2005, he returned to the limelight when he "came out" with a tell-all memoir on his Hollywood years. His long-time partner was film producer Allan Glaser.
Tab died on July 8, 2018, in Santa Barbara, California, three days shy of his 87th birthday.- Actress
- Soundtrack
Coleen Gray was born in Staplehurst, Nebraska, in 1922. After graduating from high school she studied dramatics at Hamline University, graduating with a Bachelor of Arts degree. She then decided to see America and traveled to California, stopping off at La Jolla where she worked as a waitress. After several weeks there, she moved to L.A. and enrolled in a drama school. Her performances attracted a talent scout from 20th Century-Fox, with whom she signed a contract after a screen test. Although Fox put her in several good pictures (Kiss of Death (1947), Nightmare Alley (1947), The Razor's Edge (1946) in which she acquitted herself well, many of the roles they gave her were not worthy of her talent and she never became as big a star as many thought she should have. Still, she has an extensive list of credits in films, TV, radio and on the stage.- Actor
- Additional Crew
Delmar Watson was born on 1 July 1926 in Los Angeles, California, USA. He was an actor, known for Mr. Smith Goes to Washington (1939), Heidi (1937) and Clipped Wings (1937). He was married to Antoinette. He died on 26 October 2008 in Glendale, California, USA.- Actress
- Additional Crew
- Soundtrack
One of MGM's more vivacious secondary stars during the 40s, petite and lovely Jean Porter was born in Texas in 1922 but left the state while young to pursue her dream as an actress. Following some vaudeville experience, she made her uncredited film debut in 1939 (age 17) and slowly graduated to sweet-natured ingénues in light, wholesome "B" fare. Most were sentimental trifles, such as Andy Hardy's Blonde Trouble (1944)and Easy to Wed (1946), or western action with such obvious titles as Heart of the Rio Grande (1942) and Home in Wyomin' (1942). Despite her promise and talent, none of her approximately 30 films managed to set her apart and top stardom remained elusive.
Jean's finest screen roles probably came with The Youngest Profession (1943) and Till the End of Time (1946), where she met future husband, director Edward Dmytryk. They married in 1948 and had three children: Richard, Victoria and Rebecca, the latter becoming a wildlife rescuer and rehabilitator. Not long into their marriage, Dmytryk was branded a Communist as one of the "Hollywood Ten" (he was admittedly once a member of The American Communist Party) and the next decade or so would be a dark period of time for them.
Unable to work, the blacklisted director moved his family to England where he found some employment. In 1951, however, Dmytryk decided to return to the States and was jailed for six months before giving testimony and being granted a reprieve. As a result, he was allowed to return to directing. Jean's last film, in fact, would be The Left Hand of God (1955) starring Humphrey Bogart and Gene Tierney, which was directed by her husband. She last appeared on 1961 TV episodes of "Sea Hunt" and "77 Sunset Strip."
Throughout their ordeal Jean and Edward remained a loyal couple and in later years wrote a book together "On Screen Acting" in 1984. Happily married until his death at age 90 of heart and kidney failure in 1999, Jean continues to be a regular attendee of film-related events and a by-line contributor for "Classic Images," the popular magazine for old-styled film fans, in which she reminisces of Hollywood back then. Jean died at age 95 on January 13, 2018, in Canoga Park (Los Angeles), California.- Actor
- Soundtrack
Billy Gray was born on January 13, 1938 in Los Angeles, California, USA, as the son of famous actress Beatrice Gray. He was a successful child actor, known for Father Knows Best (1954), On Moonlight Bay (1951), and as Bobby in The Day the Earth Stood Still (1951). He went on the become an inventor and a competitive motor racer.- Actress
- Director
- Additional Crew
Doris Roberts was born in St. Louis, Missouri, to Ann (Meltzer) and Larry Green. She was raised in New York, and took her stepfather's surname. Roberts was a 20-year veteran of the Broadway stage before she began appearing steadily in character roles in film and on television during the 1970s. A versatile player with an inescapably "mom-like" presence, she was adept at playing sympathetic roles but made her most memorable mark as hard-boiled dames, gossips, and nags who were often too savvy of the ways of the world to be fooled by anyone. Roberts built up some face recognition with regular appearances in the sitcoms Mary Hartman, Mary Hartman (1976) (syndicated) and Angie (1979) (ABC), but truly came into her own as a widely known comedienne when she was cast as the meddling, strong-willed family matriarch on Everybody Loves Raymond (1996) (CBS). The show became of the best-loved sitcoms in history, and Roberts earned seven Emmy nominations and four wins for her colorful characterization. Well past the common age of retirement and well past the show's celebrated end, Roberts maintained a reputation as one of the big and small screen's most iconic mothers, and she continued to be a welcome sight as a television guest star and film player.- Warren Stevens was born in Pennsylvania and joined the Navy at age 17. His interest in acting was piqued while he was attending Annapolis, and this resulted in 12 weeks of summer stock in Virginia. His friends, Gregory Peck and Kenneth Tobey, later arranged interviews for Stevens at the renowned Neighborhood Playhouse in New York City. Following service as an Army Air Corps pilot in Europe during World War II, Stevens began concentrating on his acting career, working in radio and summer stock and joining New York's Actors Studio.. His break came via a key role in Broadway's "Detective Story", which in turn led to offers from Hollywood studios and a contract with 20th Century-Fox. In the half-century since his movie debut, he has acted in dozens of features and hundreds of TV episodes.
- Director
- Actor
- Writer
Vincent Sherman was born on 16 July 1906 in Vienna, Georgia, USA. He was a director and actor, known for Affair in Trinidad (1952), Counsellor at Law (1933) and All Through the Night (1942). He was married to Hedda Comoraw. He died on 18 June 2006 in Woodland Hills, Los Angeles, California, USA.- Actor
- Additional Crew
- Cinematographer
Fayard Nicholas was one-half of The Nicholas Brothers, a famous African-American tap dancing team who appeared in several movies and became one of the famous and most beloved dance team of all time. Both brothers appeared in films such as An All-Colored Vaudeville Show (1935), The Pirate (1948) and The Five Heartbeats (1991). Fayard's brother, Harold Nicholas died on July 3, 2000, while Fayard died on January 24, 2006.- Actress
- Producer
- Soundtrack
Vibrant, increasingly lovely teen fave Shelley Fabares withstood the test of time by transitioning successfully into adult parts unlike many of her 1960s "teen queen" peers who faded quickly into the memory books. She was born Michele Marie Fabares on January 19, 1944, in sunny Santa Monica, California, the daughter of Elsa Rose (Eyler) and James Alan Fabares. As the niece of singer/comedienne Nanette Fabray, she was indoctrinated early into the show biz life. Tap dancing from age three, she also modeled during her elementary school and began appearing on such TV shows as Captain Midnight (1954) and Annie Oakley (1954) (the latter a recurring role). At age 12, she made her professional film debut in the Rock Hudson/Cornell Borchers tearjerker Never Say Goodbye (1956) as Hudson's daughter, and went on to play kid sister roles in the rock 'n' roll-themed Rock, Pretty Baby! (1956) and its sequel Summer Love (1958) both starring John Saxon.
Teen-idol status came with her coming-of-age role as the ever-wholesome daughter "Mary Stone" on The Donna Reed Show (1958), a part she played for five seasons before embarking on a more grown-up film career. During the run of the classic sitcom, she and TV "brother" Paul Petersen grew so popular that they sprinted to adjoining pop singing celebrity, although both admitted that their vocal talents were limited. Shelley especially enjoyed a #1 Billboard hit with the breathy, sultry-edged "Johnny Angel." The character of "Mary Stone" was gently phased out of the show as her character "left for college."
By this time, Shelley had turned into quite a curvaceous stunner. Her acting mettle hardly tested, she managed to become part of the bikini-clad blonde set with top femme parts in such fun-and-frolic fare as Ride the Wild Surf (1964), Hold On! (1966), which was a vehicle for British singing sensation Peter Noone of Herman's Hermits, and three of Elvis Presley's less-acclaimed vehicles of the later 1960s: Girl Happy (1965), Spinout (1966) and Clambake (1967).
A serious Vietnam-era stream of consciousness began to pervade film audiences in the late 1960s and Shelley's perky innocence that found so much favor during the Camelot years had lost its appeal. After a notoriously dry spell, she bounced back as the altruistic wife of a dying footballer "Brian Piccolo" in Brian's Song (1971), opposite James Caan, and settled comfortably again on the small screen with bright co-star roles on the series The Little People (1972), The Practice (1976), and Highcliffe Manor (1979). A more prickly character than usual, however, reared its head in the late-night soap spoof Forever Fernwood (1977), and this led to the equally malicious, vainglorious role of Bonnie Franklin's business competitor on the already-established hit sitcom One Day at a Time (1975). The show also featured her aunt Nanette Fabray as Franklin's meddling mom. In the late 1980s, Shelley found a fleshier character as Craig T. Nelson's resourceful mate on Coach (1989), earning steady work for eight seasons and two Emmy nominations in the process. A return to film stardom, however, would eclipse her.
Married and separated from record producer Lou Adler during her fun-in-the-sun years of the mid 1960s (they eventually divorced in 1980 after a separation of almost 14 years), Shelley found marital stability with actor/activist Mike Farrell of M*A*S*H (1972) fame, and became stepmother to his two children from a prior marriage. Following her recovery from a home accident that broke several ribs in 1998, Shelley was tested and diagnosed with severe auto-immune hepatitis, which resulted in a liver transplant in 2000. Thankfully, she survived the near-fatal ordeal and has been more heard than seen in recent years. She supplied the voice of "Martha Kent" on the Superman: The Animated Series (1996) animated series but has done little else in the ensuing years.- Actress
- Soundtrack
Born in England, Angela is the younger sister of actress Veronica Cartwright. As a child she was cast as the cute little stepdaughter, Linda Williams, on The Danny Thomas Show (1953). She was on the show from 1957 to 1964. After that, she was cast as Brigitta in the popular Julie Andrews movie The Sound of Music (1965). Soon after, she returned to series TV as Penny Robinson, young teenage space traveler, in Lost in Space (1965), which ran from 1965-1968. Even with cheap special effects and a hokey story line, the show is still popular today. In 1970 Angela had a part in Make Room for Granddaddy (1970), a sequel to the original series, but the show was soon canceled. Since that time, she has made a life outside of films.- Patricia received her first break into acting very soon after she graduated from Stephens College in the mid 1940s. Almost immediately after graduating, she received a contract from Columbia Pictures. They recognized that she had the rare combination of beauty, grace and intelligence that would serve her well throughout her long and well-respected career. When she first signed with Columbia Pictures, she was known as Patricia White. A few years later, in the late 1940s, she met Philip Barry Jr., who was to become her husband. Philip was a television producer-director and the son and namesake of the well-known playwright Philip Barry. By 1950, Patricia began using her married name, Barry. Patricia and Philip shared a long and happy marriage that only ended upon his death on May 16, 1998. During their marriage, they collaborated on several projects. Her husband Philip wrote and she acted in episodes of Matinee Theatre (1955) in the late 1950s. Her husband also produced several television programs that she acted in. They include: The Alcoa Hour (1955), a major dramatic TV series than ran from 1955 to 1957, a well-known TV horror film called Crowhaven Farm (1970), and two made-for-TV biographies, First, You Cry (1978), and Bogie (1980). Patricia Barry may well have been one of the hardest working actresses of her time, having performed over 130 movie and television roles. She died of age-related causes on October 12, 2016, at age 93.
- Producer
- Additional Crew
- Writer
A.C. Lyles was born on 17 May 1918 in Jacksonville, Florida, USA. He was a producer and writer, known for The Hunt for Red October (1990), Here's Boomer (1980) and Rogue's Gallery (1968). He was married to Martha Troetscher Schaefer and Martha Vickers. He died on 27 September 2013 in Bel Air, Los Angeles, California, USA.- Actress
- Additional Crew
- Writer
Legendary voice actress June Foray was born June Lucille Forer on September 18, 1917 in Springfield, Massachusetts, to Maurice Forer and Ida Edith Robinson, who wed in Hampden, Massachusetts. Her father, who was Jewish, emigrated from Novgorod, Imperial Russia, while her Massachusetts-born mother was of Lithuanian Jewish and French-Canadian descent. Her mother converted to Judaism to marry, and took the name Sarah.
At age 12, young June was already doing "old lady" voices. She had the good fortune of having a speech teacher who also had a radio program in the Springfield area. This teacher became her mentor, and added June to the cast of her show. Eventually her family moved to Los Angeles, where she continued in radio. By age fifteen, she was writing her own show for children, "Lady Makebelieve", in which she also provided voices. June dabbled in both on-camera acting and voice work, but was particularly talented in voice characterizations, dialects and accents. Just like Daws Butler, one of her later co-stars, she was a "voice magician" and worked steadily in radio from the 1930s into the 1950s.
June branched out from radio and began providing voices for cartoon characters. In the 1940s, she provided the voices for a live-action series of shorts, "Speaking of Animals", in which she dubbed in voices for real on-screen animals, a task she was to repeat many years later in an episode of The Magical World of Disney (1954). In the late 1940s June, Stan Freberg, Daws Butler, Pinto Colvig and many others recorded hundreds of children's and adult albums for Capitol Records. Her female characterizations on these records ran the entire gamut from little girls to middle-aged women, old ladies, dowagers and witches. No one seemed to be able to do these same voices with the warmth, energy and sparkle that June did.
In the 1950s June's star in animation not only began to rise but soared when Walt Disney sought her out and hired her to do the voice of Lucifer the cat in Cinderella (1950). The Disney organization continued to use June many times over, well into the 21st century. Warner Brothers also hired her to replace Bea Benaderet and do all of its "Looney Tunes" and "Merrie Melodies" cartoons. June has done many incidental characters for Warners, but her most famous voice has been that of Granny (in the "Tweety and Sylvester" series). Unfortunately, since Mel Blanc's contract called for exclusive voice credit on these cartoons, June never received credit for all the voices she did. During this time she also appeared on [error].
In 1957, Jay Ward met with June to discuss her voicing the characters of "Rocky the Flying Squirrel" and "Natasha Fatale" in a cartoon series. On November 19, 1959, the show debuted as The Bullwinkle Show (1959), later changing its name to The Bullwinkle Show (1959). June provided many other voices for this show, especially its "side shows" such as "Fractured Fairy Tales" and "Aesop and Son". She did fewer voices for the "Peabody's Improbable History" segment, but she did appear in at least three of those episodes. After the show had been successful for a few years, Ward added one of its most popular segments, "Dudley Do-Right of the Mounties". June was a regular in this side show as Dudley's girlfriend Nell Fenwick.
Since Ward used June exclusively for nearly all his female voices, he showcased her talents as no other producer had before. June missed out on doing voices for three of the show's "Fractured Fairy Tales" because she could not reschedule some bookings to do recording work with Stan Freberg, so Julie Bennett filled in for her on those occasions. Dorothy Scott--co-producer Bill Scott's wife--also filled in for June a few times for "Peabody's Improbable History". Her collaboration with Ward made her incredibly famous, and "Rocky the Flying Squirrel" became her signature voice. To this day June regularly wears a necklace with the figure of Rocky sculpted by her niece Lauren Marems.
Ward later produced two other cartoon series, Hoppity Hooper (1964) and George of the Jungle (1967). June's appearances on "Hoppity Hooper" were limited to the segments of "Fractured Fairy Tales", "Dudley Do-Right" and "Peabody" that aired during its run. On "Fractured Fairy Tales" June did a whole montage of voices similar to those from her Capitol Records days. Her witch voices were so incredibly funny and magnificently done that Disney and Warner Brothers tapped her to provide that same voice for the character of Witch Hazel. She was once again the lone female voice artist, this time on "George of the Jungle". Included on that show were the "Super Chicken" and "Tom Slick" side shows.
In the 1960s, June lost out to Bea Benaderet when she auditioned for the voice of "Betty Rubble" on The Flintstones (1960). June appeared numerous times during the decade in holiday specials such as Frosty the Snowman (1969) and The Little Drummer Boy (1968)). In the 1960s and 1970s, June dubbed in voices for full-length live-action feature films many times. Jay Ward and Bill Scott also had her dub in dialogue for silent movies in their non-animated series Fractured Flickers (1963).
In the early 1970s, June tried her hand at puppetry. She became the voice of an elephant, an aardvark and a giraffe on Curiosity Shop (1971). Around this time she also recorded various voices for the road shows of "Disney on Parade", which toured the US and Europe for several years.
She acted on-camera occasionally over the years, primarily on talk shows, game shows and documentaries; in the early years of The Tonight Show Starring Johnny Carson (1962), she performed a 13-week stint as a little Mexican girl. However, June had said that she prefers to record behind the scenes because she jokingly said "She can earn more money in less time."
June Foray died on July 26, 2017, in Los Angeles, California, U.S. She was ninety nine years old.- Actress
- Writer
- Additional Crew
Virginia Davis was born on December 31, 1918, in Kansas City, Missouri. Her father was a traveling furniture salesman and spent much time away from home. With her husband gone for weeks at a time, Margaret Davis, a housewife, focused all her attention on her daughter; she began taking Virginia to dancing lessons and modeling auditions when she was 2. A striking child with long curls, Virginia was soon appearing in advertisements that played between films in local theaters. She also entered Georgie Brown's Dramatic School in Kansas City, where she studied drama and dance. In the summer of 1923, 22-year-old Walt Disney, a struggling but ambitious director, saw Virginia in an advertisement in a Kansas City theater and immediately decided to hire her. He quickly contacted Margaret Davis, who was eager to advance her Virginia's career. Alice's Wonderland (1923), the first short film of the Alice series, was filmed at the Davis home in Kansas City; both Margaret Davis and Walt Disney made brief appearances (which marked Disney's first live appearance in one of his own cartoons). After filming, Disney returned to Hollywood and began to build his movie empire with only forty dollars and one short film starring little Virginia Davis. The Davis family soon followed Disney to Hollywood, although their daughter's career was not the only reason for the move; Virginia had suffered a pneumonia and other health problems, and her doctor told her parents that she would be healthier in a drier, warmer climate. Virginia signed her first contract with Disney for a salary of $100 a month, and she began filming the Alice shorts in Walt Disney's first studio, his uncle's garage. His brother Roy O. Disney was the cameraman, and the Disney family dog Peggy appeared in many of the films. The Alice shorts became very popular, providing Disney with his first national success. But as the series progressed, Disney became more interested in the animation aspect, which minimized Virginia's live-action role; she only made about thirteen of the Alice shorts before her contract was severed. She later auditioned for the role of voice of Snow White in Disney's film Snow White and the Seven Dwarfs (1937), but she didn't get the role because her mother refused to accept the frugal salary. Virginia had some small roles in full-length films, including The Harvey Girls (1946), before she left acting to earn a degree from the New York School of Interior Design. She later became an editor for the 1950s magazine "Living for Young Homemakers," and in the 1960s, she began working for real estate agents in Connecticut and later California. In 1992, interest was renewed in the Alice series. Living in retirement in Montana, Virginia was suddenly overwhelmed by the number of fans seeking to honor her and the remarkable role she played in the birth of Walt Disney Studios. She was the guest of honor at the Pordonone Silent Film Festival in Italy in 1992, and she was inducted as a Disney Legend in 1998. Virginia also became very active in silent film festivals and events at Disneyland and Walt Disney World.- Actress
- Soundtrack
Born in Santa Cruz, California, Beverly Garland studied dramatics under Anita Arliss, the sister of renowned stage and screen star George Arliss. She acted in a little theater in Glendale then in Phoenix after her family relocated to Arizona. Garland also worked in radio and appeared scantily-clad in a few risqué shorts before making her feature film debut in a supporting part in D.O.A. (1949). Her husbands include actor Richard Garland, and land developer Fillmore Crank, who built 2 hotels which bear her name. Ms. Garland's longest runs were on Scarecrow and Mrs. King (1983) and My Three Sons (1960). Later on she guest-starred on a number of TV shows, including The Guardian (2001), on CBS, and Weakest Link (2001), on NBC, and maintained her continuing roles on 7th Heaven (1996), on the WB (now the CW), and Port Charles (1997), on ABC, which began in the 1990s.
In 1983, Ms. Garland received her star on the Hollywood Walk of Fame. In 2001, in recognition of her 50 years in show business, the Pacific Pioneer Broadcasters inducted her into its Hall of Fame. Ms. Garland has two very significant historical television "firsts": she was television's first policewoman as the star of Decoy (1957), and, more importantly, the series gave her the honor of becoming the first actress to star in a television dramatic series. After her husband of 39 years died in 1999, Beverly continued to operate the 255-room Beverly Garland Holiday Inn in North Hollywood (with the assistance of three of her four children). Beverly Garland died at age 82 in her home in the Hollywood Hills, Los Angeles, California on 5 December, 2008.- Additional Crew
- Actress
- Soundtrack
Debuted on Broadway in 1938. Married fellow dancer Gene Nelson. When Gene joined the Signal Corps, Miriam went to Hollywood and signed an acting-dancing contract with Paramount. She eventually became a choreographer in film, choreographing many musical numbers for Gene once he had a contract with Warner Bros. After her divorce from Gene, she eventually married producer Jack Meyers. Miriam was an extra in the party scene in Breakfast at Tiffanys, playing the girl arguing with the man wearing an eye patch. Taught Ingrid Bergman her dance scene in Cactus Flower. In 1969 she choreographed Disney on Parade. She married producer Jack Meyers and was eventually widowed. She returned to the stage in 1992 when her friend Marge Champion produced Ballroom at the Long Beach CLO. Her autobiography, with a forward written by Julie Andrews and Blake Edwards, was published in 2010.- Actress
- Additional Crew
- Soundtrack
Rose Marie was a legend of show business, with a career stretching 90 years, since her debut as her self in a Vitaphone musical short that appeared on the bill with The Jazz Singer (1927) at its premiere in 1927. According to Rose Marie, when she approached Al Jolson at the Winter Garden Theater in New York on the night of the premiere that made movie history and told him, "You were wonderful, Mr. Jolson!", his reply was, "Get away, you little brat!"
"He didn't like kids," Rose Marie explained. Her first credited appearance was in another musical short, Baby Rose Marie the Child Wonder (1929) in 1929.
The legendary performer was born Rose Marie Mazetta on August 15, 1923 in New York City, the daughter of an Italian-American father, Frank Mazetta (known as Frank Curley), and Polish-American mother, Stella (Gluszcak). Blessed with a remarkable singing voice for a child that allowed her to belt out jazz songs in the "coon shouter" style of the 1920s (as exemplified by Sophie Tucker), she began performing when she was three years old as "Baby Rose Marie." By the time she was five, she had her own radio show on NBC, appearing after 'Amos and Andy' (1949)_, the most popular show in the country. Many people could not believe the voice they were hearing actually belonged to a child.
Baby Rose Marie made many appearances in films in the 1930s, most famously in International House (1933), a movie about television, the medium in which Rose Marie would win her everlasting fame. In addition to her film performances, Baby Rose Marie also appeared on records and performed in vaudeville as a headliner. One of the acts she appeared with was Edgar Bergen before his Charlie McCarthy ventriloquism act, when he was still a small-timer. A half century later, when she appeared on Murphy Brown (1988), she told star Candice Bergen, "I worked with your father in vaudeville when he was doing a doctor sketch."
When Bergen replied that she couldn't have played the nurse in the act as she was too young, Rose Marie told her that she was the headliner and he was her opening act. "She didn't care for that too much," Rose Marie remembered.
She also appeared in vaudeville with Dick Powell, Rudy Vallee and Jimmy Durante, who mentored her. She also entertained at the White House three separate times at the request of three presidents. They were Calvin Coolidge, Herbert Hoover and Franklin D. Roosevelt.
She transitioned to becoming a nightclub chanteuse as a teenager, playing all the big night clubs and hotels in New York, Chicago, Atlantic City, Las Vegas and Miami, Florida, usually in Mob-controlled venues. (Prominent mobsters, who called her "The Kid", liked her and protected her.) A young Milton Berle, whom she had known since she was a child, wrote some of her material, as did Morey Amsterdam, her future "Dick Van Dyke" co-star whom she knew since she was nine years old.
After the war she married trumpeter Bobby Guy of the Kay Kyser Orchestra, in 1946. She made her Broadway debut in 1951, co-starring with Phil Silvers in the hit show Top Banana (1954) (she also appeared in the 1954 film adaptation). Rose Marie also appeared on radio on "The Phil Harris - Alice Faye Show", playing the sister of Sheldon Leonard, who would later hire her for The Dick Van Dyke Show (1961) in his capacity as executive producer.
Rose Marie had a career resurgence as an actress in the 1960s, starring in three sitcoms during the decade: First, My Sister Eileen (1960) in the 1960-1961 season. Second: as comedy writer "Sally Rogers" on The Dick Van Dyke Show (1961) from 1961 to 1966, and on The Doris Day Show (1968) from 1969 to 1971. She also appeared frequently on The Hollywood Squares (Daytime) (1965). She was the center square at least once, and had a recurring role on Murphy Brown (1988) and Wings (1990). She appeared in a Remington Steele episode "Steele in the Spotlight (1986).
She also kept her singing career going, touring as part of the musical revue "4 Girls 4" from 1977 to 1981 with Rosemary Clooney, Helen O'Connell and Margaret Whiting. In her latter years, she continued to make occasional appearances.
She died on December 28, 2017 in Van Nuys, California, at 94 years old.- Actress
- Director
- Producer
The early film career of Stella Stevens could be said to mirror that of Marilyn Monroe. She began by playing a succession of sensuous, blond glamour girls, from naïve virgins and funny coquettes to precocious or briny-tongued floozies. Her early maturity on screen may have reflected her own turbulent private life: she was married at 15, had a child (Andrew Stevens) at 16 and was divorced a year later. At 21, having a child to support and no money, she posed for a celebrated Playboy centerfold. She was Playmate of the Month for January 1960 which did her subsequent movie career no harm whatever. She was voted by Playboy as one of the 100 Sexiest Women of the 20th century and became one of the most photographed stars of the 1960s.
The voluptuous, blue-eyed Stella was born Estelle Caro Eggleston to one of the oldest families in Yazoo City, Mississippi. A myth which had her hailing from the quaintly named area of Hot Coffee was purely an invention by Hollywood publicists. Her father, Thomas Ellet Eggleston, was an insurance salesman, her mother, Estelle (nee Caro), a nurse. The family moved to Memphis when she was four.
During her early childhood, Stella was nicknamed "Bootsie". Precocious and impatient to grow up, she took to watching movies at every opportunity. It became her main passion. Graduating from high school in 1955, she spent two years attending Memphis State University where she was 'discovered' during a production of Bus Stop in the role of aspiring nightclub singer Chérie (famously played by Marilyn in the film version). Borrowing some money, Stella made her way to the bright lights of Los Angeles and was signed by 20th Century Fox in 1959. She made only three films for the studio during a six months spell before her contract was dropped, her debut being a bit part in Frank Tashlin's saccharine comedy-drama Say One for Me (1959).
Her role won her a Golden Globe Award as Most Promising Newcomer. That same year, she was picked up by Paramount and made her first breakthrough on the screen as the vampish Apassionata von Climax in the film version of the hit Broadway musical Li'l Abner (1959), based on Al Capp's comic strip.
She alternated motion pictures with television appearances, displaying a perhaps unexpectedly wide range as an actress in both dramatic and comedic roles. She stood out in films like Too Late Blues (1961) and The Courtship of Eddie's Father (1963), both under greatly contrasting directorial styles.
Above all, she saw herself not as a sex icon but as a comedienne. She once said "I want to be remembered for whatever made people laugh the most." Unafraid to do physical comedy in the manner of Lucille Ball she was also often lauded for her comic timing in films like The Silencers (1966) (a James Bond-style spoof, co-starring a sleepy-eyed Dean Martin) and Where Angels Go Trouble Follows! (1968). In the 1970s, her best role was as a warmhearted prostitute in Sam Peckinpah's seminal western The Ballad of Cable Hogue (1970). Writer and critic Roger Ebert wrote of her performance "There are few enough actresses who can be funny and feminine at the same time, but she is certainly one of them." Conversely, in the classic disaster epic The Poseidon Adventure (1972), she played a former hooker with a heart closer to tin.
Like many film careers, hers too experienced a fair share of hiccups along the way, often due to typecasting: duds like Slaughter (1972), Stand Up and Be Counted (1972), Las Vegas Lady (1975), The Manitou (1978), and others. However, Stella proved resourceful enough to diversify and go behind the camera, both as producer and director of a feature-length documentary, The American Heroine (1979). She co-authored a novel entitled 'Razzle, Dazzle' (published in 1999), about the rise and fall of a glamorous rock star. She unveiled her own range of women's and men's fragrances, called 'Sexy'.
During the 1980s and 1990s, she concentrated primarily on television and enjoyed lengthy tenures on the glossy soaps Flamingo Road (1980) and Santa Barbara (1984), in addition to many guest appearances in shows as diverse as Police Story (1973), Hotel (1983), Alfred Hitchcock Presents (1985) and In the Heat of the Night (1988). In 1976, she briefly forsook the glamour of Beverly Hills and set up home on a 27-acre ranch on the edge of the Cascade Mountains in Washington State and then proceeded to operate an art gallery and bakery in a nearby town.
By 1983, she had returned to her Beverly Hills home where she lived with her partner (rock guitarist Bob Kulick), until the home was sold in 2016. Afflicted by Alzheimer's disease, Stella Stevens spent her remaining years in an assisted living home in California and passed away in Los Angeles on February 17 2023 at the age of 84.- Actor
- Producer
Richard Anderson appeared in high school plays, served a hitch in the Army and, upon his discharge, began doing summer stock, radio work, a movie bit part (a wounded soldier in Twelve O'Clock High (1949)) and all the other minor jobs required of your basic struggling actor. He did comedy scenes on a "screen test"-like TV series called Lights, Camera, Action! (1950) and impressed the right people at MGM, who offered him a contract. After leaving MGM he continued to dabble in movies while at the same time becoming a huge presence on TV. He was a regular (Police Lt. Drum) during the last season of TV's Perry Mason (1957); in the series' last episode, he interrogates witnesses to a murder in a TV studio--the witnesses being played by the "Perry Mason" crew. In the high-rated last episode of The Fugitive (1963) he plays Richard Kimble's (David Janssen) brother-in-law, and is briefly suspected of being the real killer of Kimble's wife. A regular on The Six Million Dollar Man (1974), Anderson has more recently produced the TV-movie reprises of that series.- Actress
- Soundtrack
For one tough cookie who achieved major cult stardom with her hard-bitten blonde looks and "Perfect Vixen" tag, Ann Savage in real life was a lovely, spirited, gentle-looking lady. She may have peaked only briefly in 1940s Hollywood low-budgeters, but she made the most of it during that fairly short tenure. Out of the dozens of movies under her belt, one film part shot her to femme fatale infamy and, to this day, remains her biggest claim to fame. It took only four (some accounts say six) days to shoot, but Detour (1945) stands out as one of the best examples of surreal film noir, and the unforgettable dialogue and riveting teaming of Ann and sulky co-star Tom Neal are the primary reasons for its enduring fame.
An only child, Ann was born Bernice Maxine Lyon in Columbia, South Carolina, on February 19, 1921. Her father was a US Army officer and the family traveled with him to his various duty stations, including Dallas and New Orleans, until settling in Jacksonville, Florida. He died when she was only four years old. Ann's mother, a jewelry buyer, took the two of them to Los Angeles before Ann was 10 years old. Appearing in local theater productions, the young girl trained at Max Reinhardt's acting school. The school's manager happened to be Bert D'Armand, who later became her agent. They married in 1945.
She changed her name to "Ann Savage" before even stepping onto a sound stage and it was a workshop production of "Golden Boy" that led to her initially signing up at Columbia Pictures. The first glimpse of Ann came as an extra in MGM's The Great Waltz (1938) and she gradually earned on-camera experience in unbilled parts in such war-era movies as The More the Merrier (1943) and Murder in Times Square (1943). She rose to featured and co-star status in such lightweight Columbia films as Two Señoritas from Chicago (1943), Footlight Glamour (1943) and Saddles and Sagebrush (1943).
Although Ann played devilish dames in The Unwritten Code (1944), Apology for Murder (1945) and The Last Crooked Mile (1946), it was venomous Vera, the blackmailing, tough-talking, cigarette-dangling, good-for-nothing who bullies hapless wanna-be tough-guy musician (Tom Neal) into her schemes in Detour (1945) that truly summed up her "bad girl" charisma. At the inducement of Columbia Pictures honcho Harry Cohn, Savage and Neal made four films together (the last being "Detour"). The other three were Klondike Kate (1943), Two-Man Submarine (1944) and The Unwritten Code (1944) (the two would reunite years later in a 1955 TV episode of the series Gang Busters (1952)).
Ann was one of the more popular WWII pinups. After appearing in a photo layout in "Esquire" magazine in 1944 that was shot by renowned studio photographer George Hurrell Sr., she became a favorite with the troops, making numerous personal appearance tours at various military bases in order to raise war bonds. Freelancing after leaving Columbia, Ann appeared in a host of other second-string pictures, including You Can't Do Without Love (1944), The Spider (1945), The Dark Horse (1946), Renegade Girl (1946), Jungle Flight (1947), Satan's Cradle (1949), Pygmy Island (1950) and Woman They Almost Lynched (1953), which would be her last film for over three decades. While she certainly demonstrated talent and range, she was unable to rise out of the "B" mold. This led her to look at TV for a time in the 1950s as a possible medium, guesting on such shows as The Ford Television Theatre (1952), City Detective (1953), Schlitz Playhouse (1951), Death Valley Days (1952) and Fireside Theatre (1949).
Ann semi-retired in the late 1950s and moved from Hollywood to Manhattan with husband Bert, who by now had traded his agent business for the financing and professional trading world. She occasionally appeared on local TV and in industrial films. The couple traveled extensively until his sudden death in 1969. A grief-stricken Ann returned to Hollywood to be near her mother, sharpened her legal secretarial skills by working as a docket clerk with Bert's attorneys in Los Angeles (Loeb & Loeb) and became an avid speed-rated pilot in her spare hours.
Elsewhere the veteran actress continued to delight her fans with her appearances at "film noir" festivals, nostalgia conventions and special screenings of her work. Refusing to appear in exploitative material, Ann turned down much work. In later years she appeared very sporadically--in the movie Fire with Fire (1986) and an episode of Saved by the Bell (1989). Out of nowhere the resilient octogenarian was cast by Canadian director Guy Maddin, a film noir fan, to play a shrewish mother in the highly acclaimed My Winnipeg (2007), earning "bad girl" raves all over again.
Named an "icon and legend" by the Academy of Motion Picture Arts and Sciences in 2005, Ann was applauded for her body of work by "Time" Magazine twice in 2007. She died at a Hollywood nursing home at age 87 on Christmas Day in 2008 from complications of multiple strokes.- Actress
- Soundtrack
Lori Nelson began her show biz career at the age of two-and-a-half, dancing in a show in her native Santa Fe, New Mexico. She was voted Santa Fe's most talented and beautiful child, and toured the state billed as "Santa Fe's Shirley Temple." At age four, Nelson moved to Hollywood with her parents and there was named Little Miss America. She worked as a fashion photographer's model, then (in the early 1940s) made her first bid for a movie career, testing (unsuccessfully) for a role in Warner Brothers' Kings Row (1942). There was a second false start a few years later, when Arthur M. Landau, a Hollywood producer and self-proclaimed "discoverer" of 1930s star Jean Harlow, expressed interest in casting teenage Nelson as Harlow in a movie bio. (The project never materialized.) Agent Milo O. Frank Jr. helped Nelson get into the movies, taking her to Universal to meet with casting people. Nelson trained with the studio dramatic coach, enacted a scene for the front office and ultimately was offered a seven-year contract, which was approved in court on her 17th birthday. After several years at Universal, she freelanced in movies and TV.- Actor
- Writer
- Soundtrack
Endearing, bushy-whiskered Welsh character actor whose screen repertoire seemed to consist for the better part of variations on a similar theme, namely stereotypical stiff-upper-lip or bumbling British gents. The son of an actress and an actor-manager and on stage from early childhood, Fox began his career in repertory theatre. During the last two years of World War II he served on a minesweeper in the Royal Navy. In 1952, he joined the ensemble of Brian Rix's Whitehall Farces as one of the 'Reluctant Heroes' and the 'Simple Spymen'. Buoyed by popular success, he probably developed his stock-in-trade character around this time. Following a stint on the London stage, Fox then landed several small roles in British films and co-starred for the BBC in the short-lived comedy series Three Live Wires (1961). The show's American producer promised him a shot at Hollywood and the actor and his wife promptly moved to Los Angeles. In 1962, Fox made his American stage debut at the Civic Playhouse in the three-act mystery play "Write Me a Murder" by Frederick Knott. The following year he appeared as a blundering waiter in The Danny Thomas Show (1953).
During the 1960's he became a familiar face on television, staking his particular claim to comedy relief fame as the cranky warlock physician Dr. Bombay in Bewitched (1964) (a character he declared was based on a naval officer with whom he served during the war) and as the buffoonish Colonel Rodney Crittenden in Hogan's Heroes (1965) (who was hopefully not based on anyone). He was also a Dr. Watson to Stewart Granger's Sherlock Holmes in The Hound of the Baskervilles (1972), striding a kind of middle ground between the Watson of Nigel Bruce and that of Edward Hardwicke. His many guest roles as assorted 'visiting' English officers included, among others, 12 O'Clock High (1964), The Man from U.N.C.L.E. (1964), Columbo (1971) and M*A*S*H (1972). More recently, he appeared as Archibald Gracie IV, survivor (albeit briefly) of the sinking of the Titanic (1997) and as the unflappable aviator Winston Havelock going off to his last 'tally-ho' in The Mummy (1999). His ongoing commitment to theatrical work led to engagements in Canada with Stage West, in Las Vegas, Los Angeles and starring on Broadway in a 1978 production of "3 Rue de L'Amour" with Louis Jourdan and Kathleen Freeman.
In private life, Fox was renowned as an expert theatre historian. He was reputedly a keen gardener, a painter of landscapes and a devotee of performing magic.- Ted Donaldson was born on 20 August 1933 in New York City, New York, USA. He was an actor, known for A Tree Grows in Brooklyn (1945), The Return of Rusty (1946) and Rusty Saves a Life (1949). He died on 1 March 2023 in Los Angeles, California, USA.
- Actor
- Writer
- Producer
Marvin Kaplan was born on 24 January 1927 in Brooklyn, New York, USA. He was an actor and writer, known for It's a Mad Mad Mad Mad World (1963), Wild at Heart (1990) and The Great Race (1965). He was married to Rosa Felsenburg. He died on 25 August 2016 in Tarzana, California, USA.- Hollywood born and bred Kathleen Hughes posed for one of the most iconic publicity stills in show biz history. It depicts her wide-eyed, screaming and throwing up her hands in terror. This image has since been used on countless occasions and for diverse purposes ranging from birthday cards to the sale of hummus. It also became emblematic of the many alluring scream queens and femmes fatale portrayed by this blonde bombshell during her heyday as a B-movie star in the 1950s.
Kathleen was born Elizabeth Margaret von Gerkan of German ancestry. She attended Fairfax High School, City College and then studied at UCLA. She was instantly bitten by the acting bug after watching a movie with Donald O'Connor when she was thirteen years old. Moreover, her famous uncle, the playwright F. Hugh Herbert (author of The Moon is Blue) often took her along when visiting film sets which added to her fascination with Hollywood. Betty, as she was then called, went on to study drama at the Stella Adler School of Acting. In 1948, she was spotted by 20th Century Fox talent scout and producer Myron Selznick during a Little Theater stage production and signed to a seven year contract at $135 a week. Since producers at Fox deemed her birth name to be unsuitable for marquees, Betty took on the stage moniker Kathleen Hughes, an amalgam of her mother's first name and her uncle's surname.
As a starlet, her contract with Fox required her to be little more than ornamental. After a series of lackluster bit parts and no-name roles, Kathleen -- feeling very much underused -- left the studio after just three years. She was, however, fortunate to soon find a mentor in Paul Henreid, who gave her career a kick-start by casting her as a captivating blonde in his independently produced drama For Men Only (1952). Writer/producer Don McGuire saw the picture and helped her secure a new contract with Universal-International in 1952. Wanting to work "as much as possible", Kathleen accepted a small, but (as it turned out to be) famous role in the 3D cult sci-fi feature It Came from Outer Space (1953). She got on well with the director Jack Arnold (whose first foray into the genre this was) and already knew her co-star Richard Carlson, the Carlsons having been long-standing friends of her uncle.
In her next outing, the adventure film The Golden Blade (1953), Kathleen (playing a handmaiden in ancient Baghdad) gave her co-star Rock Hudson his first on-screen kiss. Her build-up gained further momentum with the publicity generated by being named 'First 3D Cheesecake Girl' by Hollywood press correspondents and then 'Miss Cheesecake of 1953' by the Army publication Stars and Stripes.
Kathleen received third billing in arguably her most important film (and her own personal favorite), The Glass Web (1953) (also directed by Arnold). This minor film noir with a TV studio setting had Kathleen playing an actress who just happened to be bad to the bone, blackmailing one guy (philanderer John Forsythe) and stringing along another (Edward G. Robinson, as an infatuated TV writer). Her character is unsurprisingly bumped off by Nr.2, who then implicates Nr.1 and concocts a seemingly clever script based on the crime. The Glass Web garnered mixed reviews, though Bosley Crowther of The New York Times wrily commented: "Kathleen Hughes, who plays the blonde number, makes a dainty dish of poison". In very similar vein, she next chewed up the scenery as a seriously unhinged dame and the 'baddest 'of Three Bad Sisters (1956) (in one scene merrily horsewhipping one of her siblings). Kathleen commented in her later interviews that she had quite relished being typed as shady ladies, sirens and women of mystery.
The 1970s and 80s saw her steadily employed in television, albeit in smaller roles, often as secretaries or nurses. She made recurring appearances in NBC's Bracken's World (1969) (as Mitch) and in The Ghost & Mrs. Muir (1968) (Mrs. Coburn), both produced by her husband. Kathleen was also briefly glimpsed in a home movie sent to Korea as Henry Blake's wife Lorraine in an episode of M*A*S*H (1972). Her final screen credit was in 2018.
During her later years, Kathleen involved herself in a wide range of philanthropic endeavours, supporting research into cancer and Alzheimer's disease, helping to fund children's hospitals and donating to educational organizations, such as the UCLA School of Theater, Film and Television.
In July 1954, Kathleen had married the producer Stanley Rubin. Their union -- an exceedingly happy one by Hollywood standards -- endured for 59 years, until his death in March 2014 at the age of 96. The couple had four children and resided in the exclusive Bird Streets neighbourhood of Los Angeles in a house built for them by the architect Richard Frazer in 1956. - Actor
- Producer
- Writer
Rangy, sturdy-looking actor William Wellman Jr., was born in Los Angeles on January 20, 1937, one of seven children born to legendary director William A. Wellman and his fourth wife, one-time actress Dorothy Coonan Wellman, who appeared in a few of her husband's pictures. Bill Jr. spent most of his childhood surrounded by Hollywood celebrity. He got the fresh taste of a film set as a youngster when he appeared unbilled in a couple of his father's features. Following graduation, he attended Duke University but eventually abandoned that direction for a career in the movies.
Starting off in featured parts in the war pictures Lafayette Escadrille (1958) and Darby's Rangers (1958), both of which directed by his father, Bill Jr. found other work on his own in less quality films. Some of the teen exploitation he found himself in have since attained cult status, including High School Confidential! (1958), Macumba Love (1960) and College Confidential (1960). "Billy Jack" director Tom Laughlin also began using Bill prominently in his early work such as Like Father, Like Son (1961) [The Young Sinner] and The Born Losers (1967).
In sparser times he managed to find some unbilled bits in several of Jerry Lewis's film slapstick of the 1960s, and fell in with the party crowd in A Swingin' Affair (1963), Winter A-Go-Go (1965) and A Swingin' Summer (1965). His TV career kicked in as the 1960s approached with a number of rugged guest roles on such established westerns as "Have Gun, Will Travel," "Rawhide," "Laramie" and "Gunsmoke."
In later years, Bill found work in a few more cult classics, including Black Caesar (1973), It's Alive (1974), and Laughlin's "Billy Jack" sequels. Establishing himself as a solid character actor, he took the lead in the apocalypse thrillers Image of the Beast (1981) and The Prodigal Planet (1983), the latter featuring daughter Cathy Wellman.
While the quality of his films would vary over the years, Bill Jr.'s career has managed longevity and durability in a very difficult business. Moreover, he is credited with nearly 200 movies and television shows, 17 stage productions and some 200 commercial and industrial films. In addition to his acting work, his nearly 50-year career includes writing and producing efforts. He has occasionally appeared as a guest lecturer and has been active at autograph conventions.
Primarily seen on TV in later years, he appeared on such programs as "Days of Our Lives" (recurring), "Alien Nation," "Beverly Hills, 90210," "The Pretender," "Star Trek" Deep Space Nine," "The Practice," "JAG," "Alias" and "CSI." Of his many siblings, sister Cissy Wellman has also established herself as an actress of stage, film and TV.- Actress
- Soundtrack
Sybil Jacobson was born on November 23, 1929, in Cape Town, South Africa. By age 2 she had learned to play the piano, and she also demonstrated a remarkable talent for singing, dancing and mimicry. She moved to Great Britain as a small child, and by age 5 was singing, dancing, playing the piano or doing uncanny imitations of Maurice Chevalier in London nightclubs. She also performed on radio with her uncle, Harry Jacobson, and his popular orchestra. During a show at the Palace Theater a movie producer noticed Sybil and cast her in her first film, Barnacle Bill (1935). Warner Bros. Pictures studio head Jack L. Warner was so impressed with her performance that in 1935 he brought Sybil to Hollywood as his studio's answer to Shirley Temple. Aware of Shirley's popularity and golden curls, Warner did not allow Sybil to see Shirley's films for fear that she might copy her. Despite her obvious talent, Sybil failed to achieve the success that Warner had anticipated, and in 1938 the studio did not renew her contract. However, during her time at Warner Brothers, Sybil made ten films and caught the eye of Darryl F. Zanuck, the head of 20th Century-Fox--the studio that had Temple under contract. Zanuck cast Sybil opposite Shirley in two films, The Little Princess (1939) and The Blue Bird (1940). Sybil's role in "The Blue Bird" was her most dramatic, and her older sister and guardian, Anita Jacobson, hoped that it would boost her career. However, many of Sybil's scenes were cut from "The Blue Bird", and it would be her final film.- Actress
- Soundtrack
Beryl Davis was born on 16 March 1924 in Plymouth, England, UK. She was an actress, known for London Town (1946), Merry-Go-Round (1948) and The Red Skelton Hour (1951). She was married to Peter Potter. She died on 28 October 2011 in Los Angeles, California, USA.- Actor
- Writer
- Soundtrack
Peter Marshall was born on 30 March 1926 in Huntington, West Virginia, USA. He is an actor and writer, known for The Hollywood Squares (Daytime) (1965), Annie (1982) and Harold Robbins' 79 Park Avenue (1977). He has been married to Laurie Marshall since 19 August 1989. He was previously married to Sally Carter-Ihnat and Nadene Rita Teaford.- Actress
- Soundtrack
Ann Rutherford was born in Vancouver, British Columbia, Canada.
The daughter of a former Metropolitan Opera singer, John Rutherford, and her actress mother, Lillian Mansfield, was destined for show business.
Not long after her birth, her family moved to California, where she made her stage debut in 1925.
Ann appeared in many plays and on radio for the next nine years before making her first screen appearance in Waterfront Lady (1935).
Ann's talent was readily apparent, and she was signed to three films in 1935: Waterfront Lady (1935), Melody Trail (1935), and The Fighting Marines (1935).
By now, she was a leading lady in the fabled Westerns with two legends, John Wayne and Gene Autry.
By the time Ann was 17, she inked a deal with MGM, where she would gain star status for her portrayal of "Polly Benedict" in the popular "Andy Hardy" series with Mickey Rooney. Ann's first role as "Polly" was in 1938, in You're Only Young Once (1937).
Three more Hardy films were produced that same year: Out West with the Hardys (1938), Love Finds Andy Hardy (1938), and Judge Hardy's Children (1938).
Ann found time to play in other productions, too. One that is still loved today is the Charles Dickens' classic A Christmas Carol (1938), in which she played the sweet role of the Spirit of Christmas Past.
In 1939, Ann played the role of "Annie Hawks" in Of Human Hearts (1938) in addition to three more Andy Hardy films.
That year also saw Ann land a role in the most popular film in film history. She played "Careen O'Hara," Scarlett's little sister, in Gone with the Wind (1939). Plenty of fans of the Andy Hardy series went to see it just for Ann. The film was unquestionably a super hit.
She then resumed making other movies. While working for MGM, Ann, along with the other stars, was under the watchful eye of movie mogul Louis B. Mayer.
Mayer was no different from any other film tycoon except for the fact that he ran the classiest studio in Hollywood. The bottom line was profit, and Mayer couldn't really maximize profits unless he kept performers' salaries minimized as much as possible. Most tried to get raises and failed. Even Mickey Rooney was decidedly underpaid during his glory years at MGM.
But not Ann Rutherford. When she asked for a raise, she took out her bankbook and, showing him the amount it contained, and told Mayer she had promised her mother a new house. Ann got her raise.
In 1942 at the age of 22, Ann appeared in her last Andy Hardy film, Andy Hardy's Double Life (1942).
She then left MGM and freelanced her talent. Ann was still in demand.
In 1943, she appeared in Happy Land (1943), but it was a little later in her career when she appeared in two big hits.
In 1947, she played Gertrude Griswold in The Secret Life of Walter Mitty (1947) and Donna Elena in Adventures of Don Juan (1948) in 1948.
After that, Ann appeared in several TV programs and didn't return to the silver screen until 1972, in They Only Kill Their Masters (1972).
Her last role came in 1976 in the dismal Won Ton Ton: The Dog Who Saved Hollywood (1976), whereupon she retired.
Ann was approached to play the older Rose in 1998's mega hit Titanic (1997) but turned it down.
She happily enjoyed her retirement being constantly deluged with fan mail and granting several interviews and appearances.
She died at her Beverly Hills home on June 11, 2012 with her close friend Anne Jeffreys by her side. She was 94 years old.- Director
- Producer
- Additional Crew
Joe Dante is a graduate of the Philadelphia College of Art. After a stint as a film reviewer, he began his filmmaking apprenticeship in 1974 as trailer editor for Roger Corman's New World Pictures. He made his directorial debut in 1976 with Hollywood Boulevard (1976) (co-directed with Allan Arkush), a thinly disguised spoof of New World exploitation pictures, shot in ten days for $60,000.
In 1977 Dante made his solo debut as a film director with Piranha (1978), which went on to become one of the company's biggest hits and was distributed throughout the rest of the world by United Artists. During his tenure at New World, Dante edited Ron Howard's directorial debut Grand Theft Auto (1977) and co-wrote the original story for Rock 'n' Roll High School (1979).
For Avco-Embassy Dante next directed the highly praised werewolf thriller The Howling (1981), followed by the It's a Good Life segment of the episodic Twilight Zone: The Movie (1983).
Having worked with Steven Spielberg on Twilight Zone, Dante was chosen to helm one of the first Amblin Productions for Warner Bros. Gremlins (1984) became a runaway hit and grossed more than $200 million worldwide.
Dante followed up with Explorers (1985) for Paramount, a sci-fi fantasy about three kids who build their own spaceship, and then Innerspace (1987) for Guber/Peters, Amblin and Warner Bros., an action comedy in which miniaturized test pilot Dennis Quaid is injected into the body of supermarket clerk Martin Short.
Tom Hanks starred in Dante's next film for Imagine/Universal, The 'Burbs (1989), which was followed by Gremlins 2: The New Batch (1990) for Warner Bros. in 1990. Matinee (1993) featuring John Goodman as a huckster showman premiering his new horror film during the Cuban Missile Crisis, was a production of Dante and partner Michael Finnell's Renfield Productions for Universal in 1993.
Dreamworks/Universal's Small Soldiers was released in 1998, followed in 2003 by Warner Bros. Looney Tunes: Back in Action (2003) featuring one of Dante's favorite actors, Bugs Bunny.
Dante's Homecoming (2005), debuted in December 2005 to rave reviews from critics and audiences alike and was named to numerous "Top 10" critics lists. The Sitges and Brussels International Film Festivals both honored Homecoming with Special Jury Recognition Awards, and the New Yorker called it the best political film of 2005. More recent work includes The Screwfly Solution (2006), and Boo (2007). His new 3D thriller, The Hole (2009), for Bold Films recently premiered at the Venice Film Festival where it garnered the first-ever award for Best 3D Feature.
Dante also produces the critically-acclaimed webisode/mobile phone series, Trailers from Hell.
Along the way Dante contributed several comedy segments to the multi-part Amazon Women on the Moon (1987) spoof produced by John Landis, and directed various episodes of the tv series Amazing Stories (1985), The Twilight Zone (1985), Police Squad! (1982), Night Visions (2001) and Picture Windows (1994). He also directed the network pilots for The Osiris Chronicles (1998) and the NBC series Eerie, Indiana (1991), on which he was creative consultant throughout its run.
Dante received Cable Ace nominations for his direction of Showtime's Runaway Daughters (1994) and HBO's The Second Civil War (1997).- Actor
- Writer
- Director
Born in the Bronx, New York to Russian Jewish immigrant parents (Isidor "Ira" and Rita Blucher Miller), Richard Miller served in the U.S. Navy for a few years and earned a prize title as a middleweight boxer. He settled in Los Angeles in the mid-1950s, where he was noticed by producer/director Roger Corman, who cast him in most of his low-budget films, often as dislikeable sorts, such as a vacuum-cleaner salesman in Not of This Earth (1957). His most memorable role would have to be that of the mentally unstable, busboy/beatnik artist Walter Paisley, whose clay sculptures are suspiciously lifelike in A Bucket of Blood (1959) (a rare starring role for him), and he is also fondly remembered for his supporting role as the flower-eating Vurson Fouch in Corman's legendary The Little Shop of Horrors (1960).
Miller spent the next 20 years working in Corman productions, and starting in the late 1970s was often cast in films by director Joe Dante, appearing in credited and uncredited walk-on bits as quirky chatterboxes, and stole every scene he appeared in. He has played many variations on his famous Walter Paisley role, such as a diner owner (Twilight Zone: The Movie (1983)) or a janitor (Chopping Mall (1986)). One of his best bits is the funny occult-bookshop owner in The Howling (1981). Being short (so he never played a romantic lead or a threatening villain) with wavy hair, long sideburns, a pointed nose and a face as trustworthy as a used-car dealer's, he was, and is to this day, an immediately recognizable character actor whose one-scene appearances in countless movies and TV shows guarantee audience applause.- Francine York was born in the small mining town of Aurora, Minnesota to her parents, Frank and Sophie Yerich. When Francine was five, her family (including her younger sister, Deanne) moved to Cleveland, where she began to write short stories and take an interest in acting. At age nine, Francine made her theatrical debut in the Hodge Grammar School production of Cinderella, playing Griselda. Initially quite upset that she did not get the starring role, Francine ended up stealing the show with her performance as the evil stepsister. Right after the show, Francine ran into the audience and told her mother that she wanted to be an actress.
When Francine was age 12, the family moved back to Aurora, where she continued to perform in class plays, as well as writing, producing, directing and starring in a three-act play called "Keen Teens or Campus Quarantine". Francine, displaying an entrepreneurial spirit at a young age, charged five cents admission to the show, and the whole town turned out for the production.
While studying journalism and drama at Aurora High School, Francine worked as the feature editor of the school newspaper, Aurora Borealis, and she won all of the school's declamation contests with her dramatic readings. Additionally, she was the baton-twirling majorette for the school band, and active in the 4-H club, where she won several blue ribbons for cooking in both county and state fairs. This proved to be valuable experience for Francine later on, when she would not only host, but do all of the gourmet cooking for dinner parties for some of Hollywood's biggest names.
At age 17, Francine won the Miss Eveleth contest (Eveleth being a nearby town), and became a runner-up in the Miss Minnesota contest, which was hosted by former Miss America BeBe Shopp. For the talent portion of the Miss Minnesota pageant, Francine, who was not afraid to be less than glamorous during a performance, donned some old clothes, removed her makeup, grayed her hair, and performed a reading of a monologue called "The Day That Was That Day" by Amy Lowell, in which she played a dual role of two elderly Southern women. BeBe Shopp encouraged Francine in her theatrical ambitions, and predicted that she would end up in Hollywood very soon. At this point, however, Hollywood was still a dream for Francine, who wanted desperately to leave Minnesota and make her mark in show business.
Moving to Minneapolis, she got a job modeling sweaters for New York-based Jane Richards Sportswear and began traveling throughout the United States, ending up in San Francisco. After leaving Jane Richards, Francine began a modeling course at the House of Charm agency, which started her off on a very successful modeling career for all of the major department stores, including Macy's. Her modeling work got the attention of the producers of the Miss San Francisco beauty pageant, which she subsequently entered and was voted runner-up, but ended up taking over the title after the winner became too sick to participate. Soon after, Francine got a job as a showgirl at Bimbo's, a well-known San Francisco nightclub, which was highly disapproved of by Francine's modeling agency, but this turned out to be the right choice for Francine when she met Bimbo's headliner, singer Mary Meade French, who brought Francine to Hollywood and, later, got her signed with her first agent.
Arriving in Los Angeles, Francine once again found herself working as a showgirl at Frank Sennes' Moulin Rouge, a popular nightclub on Sunset Boulevard in Hollywood, where she performed in three shows a night, seven nights a week for six months. Tired of sharing a stage with elephants, pigeons and horses, she moved on to pursue her acting career and began study with famed actor/teacher Jeff Corey. While performing in Corey's class, Francine was spotted by a theatrical producer, who cast her in a play called "Whisper in God's Ear" at the Circle Theatre. During this time, the same producer gave Francine her very first movie role, starring in Secret File: Hollywood (1962), a film about the day-to-day operations of a sleazy Hollywood tabloid. The movie premiered in Francine's hometown of Aurora, which gave her the biggest thrill of her life as the whole town, the press, her family, friends, and even the high school band turned out at the airport to greet her with banners proclaiming, "Welcome Home, Francine!"
Francine's first big break came when Jerry Lewis cast her in his film It's Only Money (1962), in which she played a tantalizing sexpot, a role which brought her a tremendous amount of publicity. This led to Lewis hiring her for five more of his films, including The Nutty Professor (1963), The Patsy (1964), The Disorderly Orderly (1964), The Family Jewels (1965) and Cracking Up (1983), in which she played a fifteenth century marquise. Other notable film appearances include Bedtime Story (1964) (with Marlon Brando and David Niven), Tickle Me (1965) (with Elvis Presley), Cannon for Cordoba (1970) (with George Peppard), and science fiction cult films Curse of the Swamp Creature (1968), Mutiny in Outer Space (1965) and Space Probe Taurus (1965). Francine's most popular film was the cult classic The Doll Squad (1973), where she played Sabrina Kincaid, leader of an elite team of gorgeous female assassins who attempt to stop a diabolical madman from destroying the world with a deadly plague virus. Francine also delivered a stunning performance as Marilyn Monroe in an otherwise lackluster film, Marilyn Alive and Behind Bars (1992). (Film critic Tom Weaver has been quoted as saying that Francine's performances often rise above the low-budget films she has been cast in.) More recently, Francine played Nicolas Cage's mother-in-law in The Family Man (2000).
Francine has also had tremendous success in television, with appearances on Route 66 (1960), Hawaiian Eye (1959), 77 Sunset Strip (1958), My Favorite Martian (1963), Burke's Law (1963), Perry Mason (1957), Batman (1966), Gomer Pyle: USMC (1964), Lost in Space (1965), It Takes a Thief (1968), Green Acres (1965), The Wild Wild West (1965), Ironside (1967), I Dream of Jeannie (1965), Love, American Style (1969), Mannix (1967), Bewitched (1964), Adam-12 (1968), Mission: Impossible (1966), Kojak (1973), Columbo (1971), Matlock (1986), The King of Queens (1998) and Las Vegas (2003), among many others. Francine's personal favorites among her television roles include her portrayal of nineteenth century British actress Lily Langtry in the Death Valley Days (1952) episode "Picture of a Lady", and her role as the princess opposite Shirley Temple (one of Francine's childhood idols) in NBC's presentation of Hans Christian Andersen's "The Little Mermaid". One of Francine's other favorite roles was that of high-class prostitute and blackmailer Lorraine Temple on Days of Our Lives (1965).
While Francine was enjoying great success as a film and television actress, she was also making a name for herself as a fitness/nutrition expert and gourmet cook. She made many appearances on television demonstrating her culinary skills, and many of her recipes, as well as her exercise programs, were published in national health magazines. Francine also became known as one of Hollywood's leading hostesses, cooking for such celebrities as Clint Eastwood, Rex Harrison, Vincent Price, Regis Philbin, Jean Stapleton, Neil Sedaka, James Arness, Glenn Ford and Peter Ustinov.
Francine continued to act in films and on television. Two recent television appearances include Hot in Cleveland (2010) (as British matriarch Lady Natalie), and Bucket and Skinner's Epic Adventures (2011) (as Aunt Bitsy). She was also quite busy working on her autobiography, something her fans are looking forward to with great interest. In 1996, she met director Vincent Sherman (Mr. Skeffington, The Adventures of Don Juan, The Young Philadelphians), and was his companion until his death in 2006. Francine never married - she once said, "Like Cinderella, I always wanted to marry the handsome prince...but they don't make glass slippers in size ten!" On January 6, 2017, Francine York died of cancer at age 80 in Van Nuys, California. - Actor
- Writer
- Director
Alan Young was born in Northern England in 1919, but his Scots father moved the family to Edinburgh, Scotland, when Young was a toddler and then to Canada when Young was about 6 years old. As a boy, he suffered from severe asthma, which kept him bedridden for long periods of time but encouraged his love of radio. By age 13, Young had become a radio performer, and by age 17, he was writing and performing in his own radio show for the Canadian Broadcasting Corporation. The show was broadcast in the U.S. and led to an invitation to New York, initiating Young's career as an "All-American boy," despite his non-American origins and a vestigial Scots accent. He became popular on American radio from 1944 to 1949 with his "Alan Young Radio Show," but when radio began to lose its popularity and his show was canceled, Young decided to put together a comedy act and tour the U.S. theater circuit. After this experience, he wrote a television pilot for CBS in 1950, which resulted in The Alan Young Show (1950). The show was a well-received live revue that ran for 3 years, earned a couple of Emmy Awards, and garnered Young a star on the "Walk of Fame." However, the strain of writing and performing a weekly show got to Young, and the quality of the show declined, leading to his departure from the show and its cancellation. In the meantime, based on his popularity on radio and television, Young had established a film career, starting with his debut in Margie (1946) followed by Chicken Every Sunday (1949), Mr. Belvedere Goes to College (1949), Aaron Slick from Punkin Crick (1952), Androcles and the Lion (1952), Gentlemen Marry Brunettes (1955), Tom Thumb (1958), and The Time Machine (1960).
In the early 1960s, Young landed his best-known role, Wilbur Post, in the popular television series Mister Ed (1961), which ran for 5 years. Since then, Young has made a number of television and film appearances but is known primarily for his voice characterizations in cartoons, especially as Scrooge McDuck in DuckTales (1987).- Actress
- Director
- Soundtrack
Piper Laurie was a three-time Oscar nominee, nominated by BAFTA as well as the Academy of Motion Picture Arts and Sciences for best performance by an actress in 'The Hustler' with Paul Newman.
Laurie was born Rosetta Jacobs in Detroit, Michigan, to Charlotte Sadie (Alperin) and Alfred Jacobs, a furniture dealer. She had an elder sister. Her family was of Russian Jewish and Polish Jewish descent.
Young Rosetta had been studying acting with Benno and Betomi Schnider for three years when she auditioned for Universal Studios, who signed her to a long term contract and was renamed Piper Laurie. She made more than twenty films, appearing opposite such actors as Tony Curtis, Rock Hudson and Tyrone Power.
Disgusted with the lack of serious roles, Laurie finally broke her lucrative Hollywood contract, moved to New York, lived on a budget, worked on live television and theater, and within two years changed her life and her career.
She stopped working for fifteen years after 'The Hustler' to devote her energies to the Civil Rights and anti-Vietnam War movements, feeling acting was less important. When she accepted work again she was nominated for an Academy Award as Best Supporting Actress for 'Carrie' with Sissy Spacek, and again as Best Supporting Actress in 'Children of a Lesser God' with Marlee Matlin. She won the Golden Globe for her role in the David Lynch cult favorite 'Twin Peaks' and was nominated for an Emmy for both Best Actress and Best Supporting Actress in 'Twin Peaks'.
She was nominated a total of twelve times for the Emmy, including one for the original and celebrated live broadcast of 'The Days of Wine and Roses' with Cliff Robertson, directed by John Frankenheimer, as well as for her comedic performance in 'Frasier'. She won an Emmy for her performance in 'Promise' opposite James Woods and James Garner. She was Harvard's Hasty Pudding Woman of the Year, and she also received an SFECA award for her performance as Dolly in the film 'The Grass Harp'.
In 2010, she played an elderly grandma who learns to smoke a bong in the feature film 'Hesher', with Joseph Gordon Levitt and Natalie Portman. Most recently she appeared as Grandma Hershe in White Boy Rick, starring Matthew McConaughey, and as Rose Muller in 'Snapshots', directed by Melanie Mayron. In 2013, she made her musical stage debut in 'A Little Night Music' as Madame Armfeldt.
Laurie performed on Broadway in the Tony-nominated Lincoln Center production of 'Mornings at Seven' directed by Dan Sullivan at the Lyceum Theatre. She also appeared on Broadway in the 20th Anniversary production of 'The Glass Menagerie', in which she played Laura Wingfield, with Maureen Stapleton (only 7 years older) as her mother, Amanda, at the Brooks Atkinson Theatre.
Off-Broadway, she appeared in Molly Kazan's 'Rosemary and the Alligators' and in Larry Kramer's 'The Destiny of Me'. She toured in a one-person play about Zelda Fitzgerald, written by Bill Luce. In 2010 she directed Jim Brochu in his one-man show 'Zero Hour', for which he received the Drama Desk Award for best solo performance on or off Broadway, playing Zero Mostel.
Laurie was divorced from Wall Street Journal's movie critic, Pulitzer Prize-winner Joe Morgenstern. They had a daughter. Laurie's autobiography, Learning to Live Out Loud, was published by Crown in 2011 to rave reviews and is now available as an audio book on audible.com.- Actor
- Director
John Saxon appeared in nearly 200 roles in the movies and on television in a more-than half-century-long career that has stretched over seven decades since he made his big screen debut in 1954 in uncredited small roles in It Should Happen to You (1954) and George Cukor's A Star Is Born (1954). Born Carmine Orrico on August 5, 1936 in Brooklyn, New York, the son of Italian-American parents, Antonio Orrico and Anna (née Protettore), he studied acting with Stella Adler after graduating from New Utrecht High School.
He was discovered by talent agent Henry Willson, the man most famous for creating and representing Rock Hudson (as well as a stable of "beefcake" male stars and starlets), who signed him up after he saw Saxon's picture on the cover of a magazine. Willson brought the 16-year-old to Southern California, changed his name to John Saxon, and launched his career. Saxon made his television debut on Richard Boone's series Medic (1954) in 1955 and got his first substantial (and credited) role in Running Wild (1955), playing a juvenile delinquent. In the Esther Williams vehicle The Unguarded Moment (1956) (one of her rare dramatic roles), the film's marketing campaign spotlighted him, trumpeting the movie as "Co-starring the exciting new personality John Saxon.".
By 1958, he seemed to have established himself as a supporting player in A-List pictures, being featured in Blake Edwards's comedy This Happy Feeling (1958) headlined by Debbie Reynolds and Vincente Minnelli's The Reluctant Debutante (1958) with Rex Harrison and Sandra Dee. In the next five years, he worked steadily, including supporting roles in John Huston's The Unforgiven (1960), the James Stewart comedy Mr. Hobbs Takes a Vacation (1962) and Otto Preminger's The Cardinal (1963) while having first billing in the B-movies Cry Tough (1959) and War Hunt (1962). Fluent in Italian, he made his first pictures in Italy in the period, Agostino (1962) and Mario Bava's The Evil Eye (1963). Despite his good work with major directors, he failed to succeed as a star.
By 1965, he was appearing in the likes of Blood Beast from Outer Space (1965), albeit, top-billed. A more emblematic picture was Sidney J. Furie's The Appaloosa (1966), in which he appeared in Mexican bandito drag as the man who steals the horse of Marlon Brando, another Stella Adler student. Saxon would reprise the role, of sorts, in John Sturges Joe Kidd (1972) in support of superstar Clint Eastwood. In those less politically correct times, many an Italian-American with a dark complexion would be relied on to play Mexicans, Native Americans and other "exotic" types like Mongols. Saxon played everything from an Indian chief on Bonanza (1959) to Marco Polo on The Time Tunnel (1966).
From 1969 to 1972 season, he was a star of the television series The Bold Ones: The New Doctors (1969), playing the brilliant surgeon Theodore Stuart. When the series ended, he took one of his most famous roles when Bruce Lee demurred over casting Rod Taylor as he was too tall. A black belt in karate, Saxon appeared as Roper in Enter the Dragon (1973). He continued to play a wide variety of roles on television and in motion pictures, with key roles in 1974's classic slasher Black Christmas (1974), 1984's groundbreaking A Nightmare on Elm Street (1984), and the 1990s self-referential horror films New Nightmare (1994) and From Dusk Till Dawn (1996).
John Saxon died of pneumonia on July 25, 2020, in Murfreesboro, Tennessee. He was 83.- Actress
- Additional Crew
- Soundtrack
Celeste Holm was an only child, born into a home where her mother was a painter and her father worked in insurance. She would study acting at the University of Chicago and make her stage debut in 1936. Her Broadway debut came when she was 19 in 'The Time of Your Life'. She appeared in many successful plays, including "The Women", "Oklahoma!" and "Bloomer Girl". It was in the production of "Oklahoma!" that Celeste would sing the showstopper, "I Cain't Say No". She was signed by 20th Century Fox in 1946 and appeared in her first film, Three Little Girls in Blue (1946). With her third film, Gentleman's Agreement (1947), she would win the Supporting Actress Oscar and a Golden Globe. Celeste would be nominated twice more for Academy Awards in the Come to the Stable (1949) and All About Eve (1950). But, Celeste was a star who loved the stage so she left Hollywood, only to return for two MGM musicals in the 1950s. They were The Tender Trap (1955) and High Society (1956). In addition to her stage career, Celeste appeared on television in her own series, Honestly, Celeste! (1954) and as a panelist on Who Pays? (1959). In 1970, Celeste returned to television series as the chaperone to the president's daughter on Nancy (1970). For the next two decades, she would appear on television in regular series, miniseries and movies. Celeste Holm died at age 95 of a heart attack on July 15, 2012.- Walter Mirisch and brothers Marvin Mirisch and Harold Mirisch were one of the most successful producing teams in Hollywood history. Their Mirisch Company produced such diverse hits as Some Like It Hot (1959), The Magnificent Seven (1960), West Side Story (1961), The Great Escape (1963), The Pink Panther (1963) and many others. Most of their films were financed and released by United Artists, and through a stock swap in 1963 the brothers acquired the company. They stayed on with UA and their production relationships with producer/directors like Billy Wilder, Blake Edwards and John Sturges became the model by which Hollywood makes movies today.
Starting out as a producer on such low-budget "B" fare at Monogram Pictures as Bomba: The Jungle Boy (1949), Mirisch rose to become one of Hollywood's leading industry statesman. He was a visionary who, in the declining years of the Hollywood studio system, could see that the future lay with the independent producers. Operating out of rented office space at the old Samuel Goldwyn lot in Hollywood, the Mirisches kept their overhead low by such tactics as renting studio stages and facilities only when needed. Whereas the major studios were still burdened by high overhead and salaries, the brothers were in a position to attract top talent and offer high fees and flexible control to up-and-coming directors like Norman Jewison, who responded with three hits in a row for them - The Russians Are Coming the Russians Are Coming (1966), In the Heat of the Night (1967) and The Thomas Crown Affair (1968). - Actress
- Soundtrack
Most baby-boomers remember actress Elena Verdugo from her pleasant, plain but rather dowdy Emmy-nominated role as "Consuelo Lopez", the altruistic assistant and sometime aide-de-camp to Robert Young's general practitioner for several seasons on the popular Marcus Welby, M.D. (1969) dramatic series. However, decades before donning her drab white nurse's hat, she was an alluring 40s Universal player who displayed her best assets in their "B" adventure yarns and horror opuses. One who was probably wise to keep a set of hoop earrings nearby at all times, Elena reliably hauled out a reliable number of gypsies, harem dancers, peasant girls, Indian maidens and senoritas over the years before TV instigated the second stretch of her career.
Elena was born April 20, 1925, in Paso Robles, California, and began putting on dance shoes as a kindergartener. At age 6, she made her movie debut in the western Cavalier of the West (1931) starring Harry Carey, but didn't come back to films until her teen years. She nominally provided exotic footwork for such movies as Down Argentine Way (1940) with Betty Grable and Carmen Miranda, the Tyrone Power starrer Blood and Sand (1941), and the war picture To the Shores of Tripoli (1942), among others. She received her first big break featured as the object of desire of George Sanders's impressionist painter Paul Gauguin in The Moon and Sixpence (1942).
Universal used her consistently in the mid- to late-40s, starting her off as the touching and vulnerable gypsy girl "Ilonka" in the multiple monster bash House of Frankenstein (1944) which featured the holy horror trinity of Dracula, the Werewolf and Frankenstein's Monster. A natural blonde who got plenty of wear out of the dark wigs handed to her for these kinds of roles, her best scenes in the movie were with the doomed lycanthropic "Larry Talbot", played by Lon Chaney Jr.. She went on to appear with Chaney again in The Frozen Ghost (1945). While filming the Abbott and Costello comedy Little Giant (1946), she met and married movie writer Charles R. Marion, who also wrote for the comedy duo's radio show. The couple had one son, Richard Marion, who later became an actor/director in his own right. A real trooper despite her stereotype, Elena forged on in nothing-special "easterns" (i.e., Song of Scheherazade (1947); Thief of Damascus (1952)) and westerns (i.e., El Dorado Pass (1948); The Big Sombrero (1949)) playing whatever ethnic the script called for.
Television became a reality in the early 1950s. She found herself in a major sitcom hit playing a Brooklyn-born secretary for four seasons on Meet Millie (1952), initially replacing Audrey Totter in the lead role on radio. Elena retired for a time after this but eventually returned to perform on the occasional musical stage and on the small screen. After her big success as the nurse/receptionist on the "Welby" series, she slowed down considerably, but she and Young did reunite on The Return of Marcus Welby, M.D. (1984), sans the other series' star, James Brolin, a decade later.
Verdugo, who later married psychiatrist Charles Rosey Rosewall after her divorce from writer Marion, has since appeared occasionally at nostalgia-based film/TV conventions. In 1999, she suffered the loss of her only child, actor/director Richard Marion, to a heart attack. He was only 50. She survived her second husband, who died in 2012, by five years, dying at age 92 on May 30, 2017, in Los Angeles.- Actress
- Writer
- Producer
Mariette Hartley was born Mary Loretta, a name she dislikes, in Weston, Connecticut. She was raised in accordance with the principles espoused by her behavioral psychologist grandfather, John B. Watson, who believed that children should never be held or cuddled. She says that the lack of warmth at home is what drove her to the theatre. She studied with John Houseman at the Repertory Stratford and with Eva Le Gallienne at Lucille Lortel's White Barn Theatre. It took her six years to get her first movie, Ride the High Country (1962) with Joel McCrea. She then made a series of TV appearances and sitcoms. She is most known, however, for her series of Polaroid commercials with James Garner. Mariette's father committed suicide with a self-inflicted gunshot in 1962. Her family kept it a secret for 25 years, but she eventually revealed the incident. This brought her considerable acclaim for speaking out about her devastation. She co-founded a suicide prevention foundation based on her own past situation. She continues to work in the theatre and, in 2000, was hosting the syndicated Wild About Animals (1995). Her children, Justine E. Boyriven (b. 1978) is an actress and singer, and Sean Boyriven (b. 1975) is a film-school graduate.- Actor
- Soundtrack
Born in Philadelphia, Pennsylvania on March 31, 1907, Eddie Quillan was seven years old and already performing in vaudeville with his sister and three brothers in an act called "The Rising Generation." His parents, Joseph Quillan and Sarah Quillan, were well-known performers with Joseph himself managing the family act. Booked in such top places as the Orpheum Theatre, the kids eventually took a screen test for Mack Sennett but only Eddie was chosen. Beginning with the short film A Love Sundae (1926), Eddie would make nearly 20 two-reeler shorts with Sennett.
Freelancing a couple of years later, he played the lead in The Godless Girl (1928) and The Sophomore (1929) and received a contract at Pathe Studios, but he wasn't really leading-man material what with his rubbery face and short stature. Nevertheless, his high energy and sharp comedy instincts earned him many support roles in such films as Big Money (1930), Girl Crazy (1932), Mutiny on the Bounty (1935), Young Mr. Lincoln (1939) and The Grapes of Wrath (1940), to cite some of his more popular films.
Discouraged with playing simple roles such as bellhops, soda jerks, et al., he continued on in "B" pictures until Sensation Hunters (1945), when his film career finally fell away. He owned and operated a bowling alley for a time but eventually returned to the film industry, with middling results and infrequent appearances, among them Brigadoon (1954). Light-hearted fluff also came his way in the next decade with The Ghost and Mr. Chicken (1966), Angel in My Pocket (1969) and How to Frame a Figg (1971), but his contributions were relatively minor. His career experienced a minor resurgence during the 1960s and 1970s on TV when he guested on such series as Mannix (1967), Lucas Tanner (1974), Police Story (1973), and Baretta (1975). A close friendship with actor Michael Landon led to work for Eddie in several of Landon's TV vehicles, including Little House on the Prairie (1974) and Father Murphy (1981) and "Highway to Heaven" (1984)_.
The never-married Eddie died in Burbank, California of cancer in 1990 at age 83, and was interred at the San Fernando Mission Cemetery in Mission Hills.- Actor
- Producer
- Soundtrack
Elliott Gould is an American actor known for his roles in M*A*S*H (1970), his Oscar-nominated performance in Bob & Carol & Ted & Alice (1969), and more recently, his portrayal of old-time con artist Reuben Tishkoff in Ocean's Eleven (2001), Ocean's Twelve (2004) and Ocean's Thirteen (2007). Gould was born Elliott Goldstein on August 29, 1938 in Brooklyn, NY, to Lucille (Raver), who sold artificial flowers, and Bernard Goldstein, a textiles buyer in the garment industry. His family were Jewish immigrants (from Romania, Belarus, and Russia).
Gould's portrayal of Trapper John in Robert Altman's M*A*S*H (1970) marked the beginning of perhaps the most prolific period of his career, highlighted by such roles as Philip Marlowe in Altman's The Long Goodbye (1973) and Robert Caulfield in Capricorn One (1977).
On television Gould has the distinction of having hosted Saturday Night Live (1975) six times and helmed E/R (1984), a situation comedy set in Chicago about a divorced physician working in an emergency room, which aired for one season. He also co-starred in the series Nothing Is Easy (1986) about a couple raising an adopted Chinese boy.
Gould appeared regularly on television and in film throughout the 1980s and the 1990s, including cameos in The Muppet Movie (1979) and The Muppets Take Manhattan (1984). His most prominent recent television role was a recurring part on Friends (1994), on which he played Monica and Ross Geller's father Jack. More recently he voiced the character of Mr. Stoppable on the Disney Channel animated series Kim Possible (2002). In film Gould received critical acclaim for his portrayal of an older mobster in Warren Beatty's Bugsy (1991), and make a noteworthy appearance in American History X (1998). His next major TV role will be in Showtime's drama Ray Donovan (2013) starring Liev Schreiber.
Gould has been married three times, twice to Jennifer Bogart, and once to Barbra Streisand. He has three children.- Actress
- Soundtrack
Connie Hines was born on 24 March 1931 in Dedham, Massachusetts, USA. She was an actress, known for Mister Ed (1961), Thunder in Carolina (1960) and Sea Hunt (1958). She was married to Lee Savin and Arthur Bryl Higgs. She died on 18 December 2009 in Beverly Hills, California, USA.- Actress
- Producer
- Writer
Stefanie Powers began her career as a teenager dancing for the Michele Paniaff Ballet Company and Jerome Robbins. At 16 she was put under contract to Columbia Pictures in the twilight of the Hollywood Studio System where she made 15 motion pictures and was loaned to United Artists for the John Wayne production of McLintock! (1963). MGM Television bought her contract from Columbia to present her as The Girl from U.N.C.L.E. (1966). Her television credits include over 200 guest appearances, 18 mini-series and 2 more weekly series, The Feather and Father Gang (1976) and the long-running Hart to Hart (1979).
Her long career has included appearances on the stage beginning in 1964 with "Under the Yum Yum Tree" in San Francisco which ran for 12 years after its initial opening. She has appeared on and off Broadway in musical shows and tributes; in the West End in the musical, "Matador" and "Love Letters". Appearances on the British stage included "The King and I", "The Adjustment" and "84 Charing Cross Road."
Her stage appearances in the United States include "Annie Get Your Gun", "Oliver", "Applause" (the revival), "Sunset Boulevard" and "Gotta Dance" directed by Jerry Mitchell. In 2018 she appeared in the film The Artist's Wife (2019) with Lena Olin and Bruce Dern and a revival in London of "84 Charing Cross Road."
She has an active life in wildlife conservation and is the creator of the William Holden Wildlife Foundation, formed after the death of her long-time life partner William Holden. In that vein she has received numerous fellowships and awards for her tireless field work in conservation and is a faculty member of the Oxford Literary Festival at Christ Church College at Oxford where she heads forums with authors of outstanding books dealing with the crucial environmental issues of our day. She's been on the boards of four zoos in North America and is an independent board member of a cluster of 3 mutual funds which are a part of the American Funds, one of the largest mutual funds families in the world. She presented the PBS 13 part series, "Funding Your Dreams" as a road map for women contemplating investment options.
As a member of the Writers' Guild of America she was nominated for her script of "Family Secrets", received five Emmy nominations for acting roles and a People's Choice Award.
She resides in Los Angeles, London and Kenya.- H.M. Wynant's many-faceted career began at age 19 when he left his hometown of Detroit, Michigan, after having attended Wayne State University for just two years. He arrived in New York City with only $125 in his pocket and a lot of ambition. Jerome Robbins hired him on the spot at Wynant's first audition, an open call for the Broadway musical "High Button Shoes" starring Eddie Foy. H.M. was working as a draftsman and told Robbins that he had to go to work the next day, Robbins said, "Then quit!" Thus began a career in theater which included productions such as "As You Like It" with Katharine Hepburn, "Love of Four Colonels" starring Rex Harrison and Lilli Palmer, "Venus Observed" directed by Laurence Olivier, "The Sound of Music" with Shirley Jones and "Teahouse of the August Moon" starring David Wayne and John Forsythe. These performances garnered him many outstanding reviews and led to a prolific motion picture and television career. In 1956, RKO Pictures cast Wynant, based on his theatrical reputation, sight unseen, in a co-starring role of "Crazy Wolf" in the western, Run of the Arrow (1957). In those days, he was known as Haim Weiner, which was his given name. In New York, he had changed his name to Haim Winant, and the film's director, Samuel Fuller, changed it again to H.M. Wynant, and he's been known by that name ever since. Wynant was true to form as a wild Indian and performed many of his own stunts. A budding film career ensued. In addition to his theatrical career in New York and his film career in Hollywood, he became part of television history by appearing in many live, dramatic television shows. Recently, Wynant's Los Angeles stage performances included playing the lead role in "Karlaboy", a suspense ghost story written by screenwriter Steven Peros. Jules Aaron directed him in "The Sisters Rosensweig" and in "Philadelphia Story" and he continues his work in film, television, commercials, radio and voice-overs. H.M. is the proud father of three grown boys who also have successful show business careers: William Winant, a professor and avant-garde percussionist; Scott Winant, an Emmy-winning producer and director; and Bruce Winant, an actor and singer on Broadway as well as film and television. H.M. lives in Southern California with his wife, Paula, and their young daughter, Pasha (born in 2000).
- Actress
- Soundtrack
A sunny singer, dancer and comic actress, Betty Garrett starred in several Hollywood musicals and stage roles. She was at the top of her game when the Communist scare in the 1950s brought her career to a screeching, ugly halt. She and her husband Larry Parks, an Oscar-nominated actor, were summoned by the House UnAmerican Activities Committee and questioned about their involvement.
As the drama played out, a very pregnant Garrett was never called to testify, but her husband was. With his admission of Communist Party membership from 1941-1945 and refusal to name names, he made it to the Hollywood Blacklist. After the incident, Garrett and Parks worked up nightclub singing/comedy acts along with appearing in legit plays. Although Parks never quite shook off the blacklist incident, he did win a role in John Huston's film, Freud (1962). Garrett went on to appear in roles in many television series.- Actress
- Soundtrack
The ever-lovely, poised and vivacious blonde Anne Jeffreys was born Annie Jeffreys Carmichael in 1923 in Goldsboro, North Carolina. Firmly managed by her mother, she trained in voice at a fairly early age and received her first break in the entertainment field after signing with the John Robert Powers agency in New York as a junior model. In the interim, she prepared herself for an operatic career and made her debut in a production of "La Boheme" in 1940. The following year, however, Anne won a role in the musical review, "Fun for the Money", that was to be staged in Hollywood. This, in turn, led to her first movie role in the tuneful Rodgers & Hart adaptation of I Married an Angel (1942), starring her singing idols, Nelson Eddy and Jeanette MacDonald, in their last cinematic pairing.
Put under contract respectively by Republic then RKO studios, Anne was utilized as a plucky heroine in a flux of 40s "B" westerns and crimers, opposite such stalwarts as Robert Mitchum and Randolph Scott. Also among her roles was the part of "Tess Trueheart" in the "Dick Tracy" series with Morgan Conway as the steel-jawed hero, and a co-star role opposite Frank Sinatra in the war-era musical, Step Lively (1944). None of these, however, were able to propel her into the "A" ranks and her film career quickly dissipated by the end of the 40s. In the meantime, Anne continued to prod her vocal skills with symphonic and stage appearances, including "Tosca" at the Brooklyn Opera House, Kurt Weill's "Street Scene" and the Broadway musical, "My Romance".
After her first marriage was annulled in 1949, Anne met handsome actor Robert Sterling during an extended run (887 performances) of "Kiss Me Kate" on Broadway. She and Sterling married in 1951 and had three sons. In an attempt to revive their flagging careers, the singing couple toured nighteries and hotels in the early 1950s with a highly successful club act. This led to them being cast as sly, engagingly cavalier spirits in the classic Topper (1953) sitcom. Anne played "Marion Kirby" ("the ghostess with the mostest"), alongside Sterling's dapper husband, George Kirby. Successfully, undertaking the ectoplasmic roles originated on film by Constance Bennett and Cary Grant, the two were an absolute hit as the party-hearty ghosts who reclaim their home, to the dismay of current owner Leo G. Carroll.
Anne and Robert weren't able to recreate that same kind of magic when they subsequently co-starred in the short-lived series, Love That Jill (1958). In the 1960s, Anne semi-retired to raise her family, but occasionally took on musical leads ("Camelot", "The King and I") both on Broadway and in regional productions. She later returned full-time to TV and became known for her chic, gregarious, sometimes double-dealing matrons on soap operas (Bright Promise (1969) and General Hospital (1972)). She was nominated for a Golden Globe award for her supporting work in The Delphi Bureau (1972) adventure series, and appeared, occasionally, as the mother of David Hasselhoff on Baywatch (1989). Unlike her husband, who retired decades ago (he died in 2006), Anne remained a tireless performer past age 80. She was recognized over the years for her civic and humanitarian efforts and remained a vibrant presence of "Golden Age" Hollywood society until her death at age 94 on September 27, 2017 in Los Angeles.- Music Department
- Composer
- Writer
Richard Morton Sherman was born in the spring of 1928 in New York City to Rosa and Al Sherman. Together with his older brother, Robert B. Sherman, the Sherman brothers would follow in their songwriting father's footsteps to form one of the most prolific, lauded and long lasting songwriting partnerships of all time.
Richard was an enthusiastic and energetic child and youth, still bearing that trademark trait well into his seventies. Following seven years of frequent cross-country moves, the Shermans finally settled down in Beverly Hills, California in 1937. Throughout Richard's years at Beverly Hills High School and Bard College in upstate New York, he became fascinated with music and studied several instruments including the flute, piccolo and piano. At Bard, Richard majored in music and wrote numerous sonatas and "art songs" during his time there but it was Richard's ambition to write the "Great American Symphony" which eventually led him to write songs.
Within two years of graduating, Richard and his brother Robert began writing songs together on a challenge from their father. In 1957, Richard married Elizabeth Gluck with whom he had three children. In 1958, the Sherman brothers enjoyed their first hit with their song, "Tall Paul", sung by Mouseketeer Annette Funicello. The success of this song yielded the attention of Walt Disney, who eventually hired the Sherman brothers on as staff songwriters for Walt Disney Studios.
While at Disney, the Sherman brothers wrote what is perhaps their most well-loved song: "It's a Small World (After All)" for the New York World's Fair in 1964. Since then, "Small World" has become the most translated and performed song on earth.
In 1965, the Sherman brothers won 2 Academy Awards for Mary Poppins (1964), which includes the songs "Feed The Birds", "Supercalifragilisticexpialidocious" and the Oscar winner, "Chim Chim Cher-ee". Since Mary Poppins (1964)' motion picture premiere, the Sherman brothers have subsequently earned nine Academy Award nominations, two Grammy Awards, four Grammy Award nominations, and an incredible 23 gold and platinum albums.
Robert and Richard worked directly for Walt Disney until his death in 1966. Since leaving the company, the brother songwriting team has worked freelance on scores of motion pictures, television shows, theme park exhibits and stage musicals. Their first non-Disney assignment came with Albert R. Broccoli's motion picture production Chitty Chitty Bang Bang (1968), which garnered the brothers their third Academy Award nomination.
In 1973, the Sherman brothers made history by becoming the only Americans, ever, to win First Prize at the Moscow Film Festival for Tom Sawyer (1973). They also authored the screenplay for "Tom Sawyer".
In 1976, The Slipper and the Rose: The Story of Cinderella (1976), was picked to be the Royal Command Performance of the year, and the event was attended by Her Royal Highness, Queen Elizabeth, the Queen Mother. A modern musical adaptation of the classic Cinderella story, "Slipper" also features both songscore and screenplay by the Sherman brothers. That same year, the Sherman brothers received their star on the Hollywood "Walk of Fame" directly across from Grauman's Chinese Theater. Their numerous other Disney and Non-Disney top box office film credits include The Jungle Book (1967), The Aristocats (1970), The Parent Trap (1961), Charlotte's Web (1973), The Many Adventures of Winnie the Pooh (1977), Snoopy Come Home (1972), Bedknobs and Broomsticks (1971), and Little Nemo: Adventures in Slumberland (1989).
Outside the motion picture realm, their Tony-nominated smash hit, "Over Here!" (1974) was the biggest grossing original Broadway musical of that year. The Sherman brothers have also written numerous top selling songs including "You're Sixteen", which holds the distinction of reaching Billboard's #1 spot twice; first with Johnny Burnette in 1960 and, then, with Ringo Starr, fourteen years later. Other top-ten hits include "Pineapple Princess", "Let's Get Together", and more.
In 2000, the Sherman brothers wrote the song score for Disney's blockbuster film The Tigger Movie (2000). This film marked the brother's first major motion picture for the Disney company in over 28 years.
In 2002, "Chitty" hit the London stage and received rave revues. "Chitty Chitty Bang Bang: The Stage Musical" is currently the most successful stage show ever produced at the London Palladium. In 2005, a second company will premiere on Broadway (New York City). The Sherman brothers wrote an additional six songs specifically for the new stage productions.
In 2003, four Sherman brothers' musicals ranked in the "Top 10 Favorite Children's Films of All Time" in a (British) nationwide poll reported by the BBC. The Jungle Book (1967) ranked at #7, Mary Poppins (1964) ranked at #8, The Aristocats (1970) ranked at #9 and Chitty Chitty Bang Bang (1968) topped the list at #1.
Richard Sherman resides in Beverly Hills, California with his wife, Elizabeth.- Actress
- Soundtrack
Hollywood has always welcomed with open arms exotic, sexy imports to its gallery of glamour girls and serious actresses; look at how Greta Garbo, Ingrid Bergman, Marlene Dietrich and Sophia Loren have been embraced. Buxom and alluring French siren Denise Darcel fell into the secondary ranks of thick-accented, post-WWII hopefuls which would include a wave of other temptations such as Märta Torén, Viveca Lindfors, Corinne Calvet and Bella Darvi.
This particularly luscious Parisian was born Denise Billecard on September 8, 1925, one of five daughters born to a baker and his wife. The daughters were raised outside of Paris in a small town for a time, but Denise eventually moved back to Paris after WWII as a young adult and college student (University of Dijon). She was working as a dime store cashier when she entered and won a beauty contest that resulted in a lot of publicity for her as "The Most Beautiful Girl in France". She capitalized on this by developing her own nightclub act and touring around the Riviera with it -- blazing a name for herself.
Denise came to the United States as the wife of an American Army captain, but the marriage soured quickly after about a year. She turned to the movies. In her first, the war film To the Victor (1948), she managed to turn heads despite her small, unbilled appearance as a club singer. She made the most of her sexy version of "La vie en rose" and, with that, moved into a top femme acting role with the western Thunder in the Pines (1948), which had both pre-"Superman" George Reeves and post-"Dick Tracy" Ralph Byrd fighting for her attention. She then was the sole femme in the successful war picture Battleground (1949), providing sexy distraction amid all the bombings. This alone pushed her sex symbol status to its peak. As a result she provided a little extra steam in the jungles with her exotic part in the Lex Barker entry Tarzan and the Slave Girl (1950).
And then it was over. Despite providing more sexy cabaret entertainment in the film Young Man with Ideas (1952) starring Glenn Ford, and grabbing notice in such man-oriented action in Westward the Women (1951) with Robert Taylor, Flame of Calcutta (1953) with Patric Knowles and Vera Cruz (1954) co-starring Gary Cooper and Burt Lancaster, Ms. Darcel's film career fell completely away.
She never took herself or her image too seriously during her prime and was known and admired for her fine sense of humor, playing the sexy foil to such comic stars as Olsen and Johnson on stage -- in "Pardon My French" (1950) -- and Milton Berle on TV. She even hosted her own short-lived TV quiz show Gamble on Love (1954) at one point. But as far as movies were concerned, she returned only once more to film the utterly forgettable and exploitative 7 Women from Hell (1961).
Hollywood folklore has it that Ms. Darcel gave the cold shoulder to the heated romantic advances of both Columbia mogul Harry Cohn and producer playboy Howard Hughes, and thereby sealed her own fate. While waiting out the snub, she left Hollywood and made live appearances on stage, in dinner theaters and around the nightclub circuit, appearing in such plays and musicals as "Oh, Captain!" (1958), "The Little Hut" (1961) and "Can-Can" (1961).
She once was an opening act for singer/dancer Joel Grey, and made even more money the more she playfully revealed herself to her paying customers. But she was never invited back to Hollywood. Married and divorced five times in all, the vivacious Ms. Darcel remained close to her two sons, Chris and Craig, and made ends meet later by working as a Las Vegas casino dealer. She died of an aneurysm on December 23, 2011, at age 86.- Actress
- Soundtrack
Born Virginia Pound, Lorna Gray was "discovered" by an agent while modeling in a fashion show. She was given a screen test, and Columbia was impressed enough to sign her to a contract. (It was at this time that she was given the name "Lorna Gray", which she kept until 1945, when she changed it to "Adrian Booth".) She was put in the studio's B unit, occasionally loaned out to Republic or Monogram, and when not making features was used in Columbia's comedy shorts, supporting such performers as The Three Stooges and Buster Keaton (where she actually acquitted herself quite well). She left Columbia and began her long career with Republic Pictures in 1941, appearing in westerns, thrillers, horror pictures, and especially the serials in which the studio specialized. She married David Brian in 1948, and after making films for a few more years, retired from the screen in 1951.- Actor
- Additional Crew
- Soundtrack
George Chakiris made his film debut at the age of 12 singing in the chorus of Song of Love (1947). Following his graduation from high school, he supported his night-time dancing, singing and dramatic lessons with a daytime job clerking in a Los Angeles department store. Later he started his acting/dancing career appearing in musicals such as Gentlemen Prefer Blondes (1953)--he is one of the ballet dancers escorting Marilyn Monroe in "Diamonds Are A Girl's Best Friend"--White Christmas (1954), The Girl Rush (1955), There's No Business Like Show Business (1954), Brigadoon (1954), and Meet Me in Las Vegas (1956). In 1957, he made his debut as a dramatic actor in Under Fire (1957). In 1958 he traveled to New York hoping for a Broadway "break." Hearing that Jerome Robbins was casting the London company of "West Side Story", he auditioned and was awarded the co-starring role of Riff. He played the part for almost two years on the West End stage before acting, singing and dancing as Bernardo in the Robert Wise film version (West Side Story (1961)), a performance that earned him a Golden Globe and the Academy Award for Best Supporting Actor. Since then, he starred in a succession of films, including Diamond Head (1962) with Charlton Heston, Bebo's Girl (1964) with Claudia Cardinale, The Young Girls of Rochefort (1967) with Catherine Deneuve, Françoise Dorléac and Gene Kelly, The Big Cube (1968) with Lana Turner, Why Not Stay for Breakfast? (1979), Jekyll and Hyde... Together Again (1982), and Pale Blood (1990). He is one of the most traveled stars in motion pictures, having been to such locations as Hawaii, Japan, Mexico, Italy, England, Spain, and France. His nightclub career was launched to rave reviews at Caesar's Palace in Las Vegas and Harrah's Club in Lake Tahoe. In the 1970s and 1980s, his career focused on television and music. He appeared as guest star in several TV series such as Hawaii Five-O (1968) (Death is a Company Policy - 1972), Wonder Woman (1975) (Death in Disguise - 1978), CHiPs (1977) (Fox Trap - 1983), Scarecrow and Mrs. King (1983) (Lost and Found - 1984), Murder, She Wrote (1984) (Weave a Tangled Web - 1989), and he joined the cast of Dallas (1978) from 1985 to 1986. He has released several records: "George Chakiris," "Memories Are Made of These," "The Gershwin Song Book," "West Side Story's Dynamic...". Recently, he has appeared in several plays and stage musicals: after "The King and I" in the US in 1995, he performed in Britain the role of Rochester in "Jane Eyre".- Actress
- Writer
- Soundtrack
One of four children (two older brothers, one younger sister) born to American missionaries, Jayne Meadows (née Jane Cotter) was born September 27, 1919, in China. The family returned to the US in the early 1930s wherein Jayne was forced to learn the English language, speaking Chinese and other foreign languages at the time before learning English. She settled in Sharon, Connecticut with her parents, Rev. Francis James Meadows Cotter (who was appointed rector of the town's Christ Church), and Ida Miller (Taylor) Cotter.
She developed an early interest in acting and studied at the Stella Adler Studio of Acting. She made her Broadway debut with the comedy "Spring Again" (1941), followed by "Another Love Story" (1943), "The Odds on Mrs. Oakley" (1944), "Many Happy Returns" and "Kiss Them for Me" (1945). This led to a post-WWII, MGM contract in which her icy glare and imposing stance frequently made her the perfect manipulating "other woman" in such "B" heavy drama as Undercurrent (1946), Lady in the Lake (1946), Dark Delusion (1947), Enchantment (1948), The Fat Man (1951) and as Michal in the biblical film David and Bathsheba (1951). She occasionally was featured in lighter feature film fare as well, including Song of the Thin Man (1947) and The Luck of the Irish (1948).
Not satisfactorily moving up the credits ladder in films as she hoped, she sought work elsewhere in the early 1950's, especially in the new medium of TV. She became one of Hollywood's more glittery personalities on TV and variety programs, and a sparkling guest panelist on such popular TV game shows as "The Name's the Same, "Masquerade Party, "What's My Line," "To Tell the Truth" and "Password." At one point, she was a regular member of the celebrity panel on I've Got a Secret (1952).
Divorced from film and TV writer Milton Krims after six years, Jayne met her witty match when she married actor/comedian Steve Allen in 1954. They formed an extremely strong personal and professional relationship which would encompass stage ("Love Letters", in which they co-starred on and off for 11 years), film (College Confidential (1960), and especially TV (Meeting of Minds (1977)). Jayne supported Steve as a regular/guest on many of his comedy series ventures, including The Steve Allen Plymouth Show (1956), The New Steve Allen Show (1961), The Steve Allen Playhouse (1962) and The Steve Allen Comedy Hour (1967). They appeared as themselves in the film The Player (1992) they did not appear as themselves in the amusing TV movie Now You See It, Now You Don't (1968) and the all-star TV version of Alice in Wonderland (1985).
Jayne's solo work took a deliberate back seat. Usually playing elegant sophisticates, she cameoed in such films as the ribald comedy Norman... Is That You? (1976); the crime thriller Murder by Numbers (1989); as Billy Crystal's mother in the comedies City Slickers (1991) and City Slickers II: The Legend of Curly's Gold (1994); and made an appearance in what would become her last feature film The Story of Us (1999).
Over a three-decade period, Jayne appeared in a number of TV movies, including James Dean (1976), Sex and the Married Woman (1977), Miss All-American Beauty (1982), A Masterpiece of Murder (1986) and Parent Trap: Hawaiian Honeymoon (1989). She also guested on numerous established programs as well -- "Here Comes the Bride," "Here's Lucy," "Adam-12," "Switch," "Hawaii 5-O," "Matt Houston," "Fantasy Island," "Murder, She Wrote," "The Love Boat," "St. Elsewhere," "The Bold and the Beautiful," "The Nanny" and "Diagnosis Murder." Steady roles on prime-time TV series would include a recurring part as Nurse Chambers on the medical program Medical Center (1969), as well as regular roles on the sitcoms It's Not Easy (1982) and High Society (1995), the latter for which she earned an Emmy nomination for "Best Supporting Actress in a Comedy."
Known for her infectious laugh and joie de vivre, Jayne's confidence grew to include writing stage plays, teleplays, books, and columns. For the most part, however, she was Allen's creative and dedicated business partner for 46 years until his death in 2000. Younger sister Audrey Meadows, of The Honeymooners (1955) TV fame, died in 1996.
Jayne Meadows Allen lived the rest of her life quietly, occasionally granting interviews, until her death on April 26, 2015 in Los Angeles, aged 95.- Actress
- Producer
- Additional Crew
Patricia Alma Hitchcock was the only child of Alfred Hitchcock and his wife Alma Reville. Her upbringing was 'English' and strict. Two years of boarding school from the age of eight was followed by relocation to the U.S. a year later when Hitch was contracted by David O. Selznick to direct Rebecca (1940). Keen to join the acting fraternity, Pat appeared on stage by the early 40s. In 1944, she played the titular role in the short-lived Broadway play Violet at the Belasco Theater. Though she would have liked to go on to a college education, her father instead packed her off to London when she was 18 to study at RADA (among her classmates were Lionel Jeffries and Dorothy Tutin). She made several appearances on the London stage, followed by an inauspicious screen debut in 1949. In 1950, she had a small role in her father's thriller Stage Fright (1950) (as 'Chubby Bannister') which set the tone for her future roles, usually as the dowdy friend or sister of the heroine (Strangers on a Train (1951), Psycho (1960)). She was also featured in ten episodes of Alfred Hitchcock Presents (1955), whenever (in her own words) "they needed a maid with an English accent". In a 1984 Washington Post interview she bemoaned the fact that her father had not believed in nepotism, so that more work would have come her way. In 1951, Pat got married and -- barely a decade later -- decided to forsake show business to raise a family. Her father did not object. In 2003, Pat published a book of reminiscences and anecdotes (co-authored by film writer Laurent Bouzereau), entitled Alma Hitchcock: the Woman Behind the Man, asserting that "My mother had much more to do with the films than she has ever been given credit for - he depended on her for everything, absolutely everything".- Actress
- Additional Crew
Betty May Adams was the daughter of a travelling Iowa cotton buyer with a penchant for alcohol. Growing up in Arkansas, Betty expressed an early interest in acting and made her performing debut in a third grade play of "Hansel and Gretel." Beautiful, talented and determined, the freshly minted 'Miss Little Rock' left home at the age of 19 to live with her aunt and uncle in California. For three days a week she made ends meet working as a secretary. The remainder of her time was spent taking speech and drama lessons (in due course losing her Southern twang) and making the rounds of the various Hollywood casting departments. Her first screen role was (appropriately) as a starlet in Paramount's Red, Hot and Blue (1949). This was followed by an inauspicious leading role in the B-grade Western The Dalton Gang (1949). Over a period of five weeks she appeared in six further quota quickies of the sagebrush variety for Poverty Row outfit Lippert Productions. Since Lippert owned no actual studio facilities, most of the filming took place at the Ray Corrigan ranch in Chatsworth, California. In the summer of 1950, Betty assisted in a screen test for Detroit Lions football star Leon Hart at Universal-International. While Hart's movie career ended up stillborn, Betty clicked with producers who opted to change her first name to 'Julia.' The initial outing for her new studio was entitled Bright Victory (1951), with the budding actress a little underemployed as 'the other girl' in a love triangle involving a blind war veteran (played by Arthur Kennedy). Her career was significantly better served in her next assignment as co-star opposite James Stewart in Anthony Mann's seminal Technicolor western Bend of the River (1952) (Kennedy this time cast as the arch villain). Adams later recalled her part in this film as "a great learning experience" and one of her "fondest Hollywood memories," It also led to a life long friendship with Jimmy Stewart.
Signed to a seven-year contract (and having her legs insured by Universal to the tune of $125,000 by Lloyds of London), Julia seemed destined to remain perpetually typecast as a western heroine. A comely actress with soft, classical features, she often gave affecting performances in what amounted to little more than bread-and-butter pictures. At the very least, she got to play romantic leads opposite some of Universal's top box-office earners: Rock Hudson (in Horizons West (1952) and The Lawless Breed (1952)), Tyrone Power(The Mississippi Gambler (1953)) and Glenn Ford (The Man from the Alamo (1953)). Having played a succession of 'nice girls,' Julia took a turn as leader of an outlaw gang in Wings of the Hawk (1953), set against the background of the Mexican Revolution (Van Heflin was first-billed as a mining engineer, who, having his gold mine taken over by Federales, joins Julia's band of 'insurrectos'). 'Miss Melon Patch' of 1953 was about to experience another important career change, being famously cast as the imperilled heroine Kay Lawrence in Jack Arnolds cultish monster flic Creature from the Black Lagoon (1954), a role Adams initially considered turning down. Shot in 3-D on a shoestring budget, the picture was light on script but strong on atmosphere and proved once again that style can succeed over content. The not inconsiderable physical charms of Miss Adams often dominated the scenery and gave the 'Gill Man' a run for his money. Audiences approved and 'Creature' spawned two further sequels, alas without Julia and with diminishing returns.
In 1955, having generated strong box office heat, Julia changed her moniker (with studio approval) to the less gentle-sounding Julie. Accordingly, she was now offered more varied material ranging from tough melodramas, to comedies and lightweight romances. Adams further established her credentials with roles which included a soft porn model who survives a plane crash in the Colorado Rockies in The Looters (1955); as a cop's wife in Six Bridges to Cross (1955) (a crime drama based on Boston's Great Brinks Robbery); a sympathetic school's doctor in the family-oriented comedy The Private War of Major Benson (1955) and as the wife of an assistant D.A. fighting gangland on the New York waterfront in Slaughter on 10th Avenue (1957). After 1957, her contract with Universal having expired, Adams successfully transitioned into television where she remained a firm favorite in westerns and crime dramas, guest-starring in just about every classic prime-time series covering both genres (Perry Mason (1957) being her personal favorite). Latterly, she had a popular recurring role as real estate lady Eve Simpson in Murder, She Wrote (1984). Adams was still in demand for occasional screen appearances well into her 90s.
She was married twice: first, to writer-producer Leonard Stern, and, secondly, to the actor Ray Danton. Julie Adams passed away in Los Angeles on February 3, 2019 at the age of 92. Her autobiography (co-written with her son Mitchell Danton), entitled "The Lucky Southern Star: Reflections from the Black Lagoon" appeared in 2011.- Actor
- Producer
- Additional Crew
Born to a large Irish Catholic family (the fifth of nine children) and raised in New York City, Lydon overcame a birth defect and alcoholic father to begin a Broadway career in 1937, acting opposite Van Heflin, Sidney Lumet and Uta Hagen in separate productions. After a number of films with Paramount and RKO, Lydon hit his stride in the "Henry Aldrich" B movie series of the early 1940s. After working increasingly in television in the early 1950s, Lydon turned to production roles, helping to create M*A*S*H (1972) and 77 Sunset Strip (1958). He is still active as a producer and writer.- Actress
- Soundtrack
Fay Eunice McKenzie was born February 19, 1918 into a show business family where she was the youngest of two sisters and an actress cousin, and made her screen debut at only ten weeks old in "Station Content" (1918) in which she was carried in the arms of Gloria Swanson. Her parents, Eva & Bob "Pops" McKenzie were already veteran performers and apparently wanted their daughter to get an early start in films. She nearly stole the show from Oliver Hardy as "the baby" in the Alice Howell short "Distilled Love" (filmed in 1918 but released two years later). By the time she was six, Fay was considered an old hand, having played diverse parts in her father's stock company. Among her early films was the 1924 Photoplay Medal Winner, "The Dramatic Life of Abraham Lincoln."
A native of Hollywood, she got most of her schooling on movie sets including the famous Little Red Schoolhouse at MGM. Her classmates included Betty Grable, Ann Rutherford and June Storey. As a teenager in the early 1930's Fay appeared in a number of low budget westerns with Wally Wales and Buddy Roosevelt as well as the all-star MGM musical "Student Tour" (1934). In 1937 she starred in the cult propaganda film about the dangers of marijuana entitled "Assassin of Youth". She also had a small part in the 1939 classic "Gunga Din". Her first Broadway venture was at age 17 and in 1940 she appeared as Miss Hollywood in "Meet the People", a popular review of that season starring Jack Gilford and Jack Albertson.
But she is probably best remembered for her work with Gene Autry at Republic Studios, where she was the feminine interest in "Down Mexico Way" (1941), "Sierra Sue" (1941), "Home in Wyomin'" (1942), "Heart of the Rio Grande" (1942) and "Cowboy Serenade" (1942). Finally getting the leading lady roles she deserved, the raven-haired beauty was an immediate hit with audiences. In 1942 Republic co-starred her with Don 'Red' Barry in the war-time flag waver, "Remember Pearl Harbor!" During WWII she toured with the Hollywood Victory Caravan and appeared in dozens of USO shows with various show biz legends including Frank Sinatra, Phil Silvers and Desi Arnaz. At the same time she could be heard on radio in "Pabst's Blue Ribbon Town" starring Groucho Marx. Featured film roles continued to come her way with Universal's "The Singing Sheriff" (1944), Warner Bros' "Night and Day" (1946) and "Murder in the Music Hall" (1946), the latter filmed at her home studio of Republic.
In 1946 she married the dark, husky actor Steve Cochran, but their union was short lived and they divorced two years later. She went back to Broadway to appear opposite comedian Bert Lahr (best known as The Cowardly Lion in "The Wizard of Oz") in the 1946 revival of "Burlesque." During the 1950's she studied with Sanford Meisner and at The Actor's Studio with Lee Strasberg in NYC. She was seen to favorable advantage on a number of TV shows including "The Millionaire" (1959), "Mr. Lucky" (1960), "Bonanza" (1961), and "Experiment in Terror" (1962).
She also appeared in a number of films for close friend and director Blake Edwards, including "Breakfast at Tiffany's" (1961) as the party guest laughing in the mirror, "The Party" (1968) and "S.O.B." (1981). She was especially proud of "The Party" with Peter Sellers and agreed to play the cameo role of Alice Clutterbuck (the hostess of the party) because the script was co-written by her husband, Tom Waldman. She and Waldman married in 1949 and had two children Tom Jr. and Madora. Waldman Sr. passed away in 1985. Her older sister Ella "Lolly" McKenzie was also an actress and was married to well-known comedian Billy Gilbert. Her other sister Ida Mae McKenzie started in silent films as well and went on to work behind the scenes of popular game shows including the original "Hollywood Squares".
McKenzie traveled extensively as a Christian Science Practitioner, lecturing all over the country and in Europe. In 2012 she received the Career Achievement Award at the Cinecon Classic Film Festival and in 2017 she was on-hand to present some of her family's home movies at the TCM Film Festival (those films are now housed the Academy Film Archive in Hollywood). During the summer of 2018 she made a cameo appearance alongside her son Tom as Mrs. Van Proosdy in the film "Kill A Better Mousetrap". Her performance marks the first century-spanning career in motion picture history. She passed away peacefully in her sleep on the morning of April 16th at the age of 101. She is survived by her son, actor Tom Waldman, Jr., daughter Madora McKenzie Kibbe and her two grandchildren.- Actor
- Writer
- Second Unit Director or Assistant Director
Robert Dix was born on 8 May 1935 in Los Angeles, California, USA. He was an actor and writer, known for Forbidden Planet (1956), Five Bloody Graves (1969) and Young Jesse James (1960). He was married to Lynette Avery Allen, Jeanette P Dunn, Darlene Lucht, Anna Mae Slaughter and Janet Lake. He died on 6 August 2018 in Tucson, Arizona, USA.- Born in Oklahoma City, Oklahoma, Louise Currie attended Sarah Lawrence College in Bronxville, New York, became interested in acting and began taking courses at Max Reinhardt's drama school in Hollywood. Talent scouts spotted the aspiring actress in the acting workshop's stage productions and pressed her to make the rounds of the Hollywood studios, but Currie remained adamant about staying out of the limelight until she felt she was ready. After graduation, she found an agent (Sue Carol, wife of actor Alan Ladd) and began working in pictures, generally at smaller studios like Monogram and PRC. She appeared in Columbia two-reelers, many B-Westerns and two of Republic's "Golden Age" serials (Adventures of Captain Marvel (1941) and The Masked Marvel (1943)) before leaving the picture profession in the early '50s. With her husband, former actor John Good, she went into a new business: Good (an architectural designer) remodeled houses and Currie decorated them.
- Actor
- Director
- Producer
Born into a vaudeville family, O'Connor was the youthful figure cutting a rug in several Universal musicals of the 1940s. His best-known musical work is probably Singin' in the Rain (1952), in which he did an impressive dance that culminated in a series of backflips off the wall. O'Connor was also effective in comedic lead roles, particularly as the companion to Francis the Talking Mule in that film series.- Director
- Producer
- Actor
Robert Scheerer was born on 28 December 1928 in Santa Barbara, California, USA. He was a director and producer, known for The Danny Kaye Show (1963), Fame (1982) and Live from Lincoln Center (1976). He was married to Joyce Easton, Regine (Nina) Greenbaum and Denise Ann Pennington. He died on 3 March 2018 in Valley Village, California, USA.- Actor
- Writer
- Producer
Don Murray is an American actor. He is best known for playing Governor Breck, the authoritarian ruler in the science fiction film "Conquest of the Planet of the Apes" (1972).
Murray was born in 1929 to Dennis Aloisius Murray and his wife Ethel Cook. Dennis worked as a dance director and stage manager, while Ethel was a singer. Ethel Cook served as a performer for the Ziegfeld Follies (1907-1931), an elaborate theatrical revue production in Broadway.
Murray attended the East Rockaway High School in East Rockaway, a village of Nassau County, New York. During his high school years, Murray served as a member of the school's football team, its track team, and its glee club. He graduated in 1947, at the age of 18. He later attended the American Academy of Dramatic Arts in Manhattan, New York. He graduated in 1951.
Murray made his Broadway debut in 1951, when cast as Jack Hunter in a stage version of the play "The Rose Tattoo" (1951) by Tennessee Williams (1911-1983). In the play, Hunter is a sailor and the boyfriend of Rosa Delle Rose, the daughter of the play's female protagonist.
Murray's stage career was interrupted when he was drafted into the United States military. He registered as a conscientious objector during the Korean War (1950-1953), as he was a member of the Brethren Church. The Brethren Church is an Anabaptist Christian denomination, which strictly adheres to pacifism and non-violence. Murray was assigned to alternative service in Europe. He was honorably discharged from the military in 1954, and resumed his acting career.
In 1956, Murray made his film debut in the romantic drama film "Bus Stop". The film was an adaptation of a 1955 theatrical play by William Inge (1913-1973). Murray was cast in the role of Beauregard "Beau" Decker, a naive, overly enthusiastic, and socially inept cowboy from Montana. The film depicts Beau's infatuation with young singer Cherie (played by Marylin Monroe), which causes him to first kidnap her and then coerce her into marrying him. He is tragically unaware that Cherie barely knows him, and that his love is unrequited. The film was a box office success, and Murray was nominated for an Academy Award for Best Supporting Actor in 1956, however the Oscar for that year was won by rival actor Anthony Quinn (1915-2001) for his role in Lust for LIfe.
Murray's successful debut helped him receive offers for more film roles. He was cast as Charlie Samson in the drama film "The Bachelor Party" (1957). Samson is the film's main character, a hard-working bookkeeper who struggles with the temptation to cheat on his wife. He was then cast as morphine-addict Johnny Pope in "A Hatful of Rain" (1957), a film about the then-innovative topic of drug addiction.
In 1958, Murray played in his first Western film, "From Hell to Texas". In the film, he was cast as Tod Lohman, an impoverished ranch hand who is suspected of murdering the son of a powerful cattle baron. The film deals with Lohman being hunted by the cattle baron's other son and his mercenaries, who seek revenge.
Murray's second Western film was "These Thousand Hills" (1959). The film depicts the rags-to-riches story of Albert Gallatin "Lat" Evans (played by Murray). But as Lat grows richer, he becomes a colder and harsher man. Leading him to betray his own lover, to alienate his only friend, and to marry a banker's daughter for her money.
Murray was also cast in a lead role in the war film "Shake Hands with the Devil" (1959), which depicts the Irish War of Independence (1919-1921). During the 1960s, Murray continued to appear regularly in films, often cast in period dramas. He played Wild Bill Hickok in the The Plainsman (1966), and ambitious ruler Justinian in "The Viking Queen" (1967).
In 1968, Murray gained a co-starring role in the Western television series "The Outcasts" (1968-1969). He played the character Earl Corey, an American Civil War veteran and formerly wealthy slave owner. In the series, Corey was cheated out of his wealth by a treasonous brother, and started making a living as a bounty hunter. He teams up with fellow bounty hunter Jemal David (played by Otis Young), an African-American freedman. The two men are not friends, but they are both social outcasts and need each other's skills to gain a profit. The series was considered groundbreaking for featuring an interracial team of characters, but was criticized for being overly violent. The series lasted only 26 episodes.
In 1972, Murray played the major role of Governor Breck in"Conquest of the Planet of the Apes". Breck is the authoritarian ruler of a human civilization using apes as a slave force, and he is the owner of the film's heroic protagonist Caesar. He eventually fails to defeat a slave revolt, and gets captured alive by his own slave. The film earned 9.7 million dollars in theatrical rentals at the North American box office.
Murray was offered the role of Breck in the film's immediate sequel, "Battle for the Planet of the Apes" (1973), but he refused to return. He reportedly felt that there was no fun in playing the tyrant twice. A character called Governor Kolp (played by Severn Darden) was introduced in the film as Breck's replacement.
In 1975, Murray starred in the thriller film "Deadly Hero", as the villainous protagonist Officer Lacy. In the film, Lacy is a veteran police officer of the New York City Police Department (NYPD) who has been demoted for violent tendencies and being overly trigger-happy. While on duty, Lacy kills the common mugger "Rabbit" (played by James Earl Jones) and briefly gains a heroic reputation. But a female witness to the death has seen that Lacy is a cold-blooded murderer, and that Rabbit was killed after disarming himself and surrendering to Lacy. Lacy decides to kill the witness in order to protect his reputation. The film was a box-office flop as film critics blamed its overly pessimistic attitude toward law enforcement. Among the few critics who actually liked the film was Gene Siskel (1946-1999), writing for the newspaper "Chicago Tribune".
In the late 1970s, Murray was reduced to mostly appearing in television films. In 1979, Murray had a career comeback when cast in the major role of Sid Fairgate in the soap opera "Knots Landing" (1979-1993). Fairgate was depicted as the owner of used car dealership Knots Landing Motors, and pater familias to a large family. Murray played this role until 1981, when he left the series due to a salary dispute. His character was written out as having died during a surgery.
During the 1980s, Murray had few appearances in theatrical films. They included the romantic drama "Endless Love" (1981), the mystery film "I Am the Cheese" (1983), the post-apocalyptic science fiction film "Radioactive Dreams" (1985), the time-travel film "Peggy Sue Got Married" (1986), the spy film "Scorpion" (1986), the reincarnation-themed fantasy film "Made in Heaven" (1987), and the ghost film "Ghosts Can't Do It" (1989).
In 1989, Murray gained a new co-starring role in the comedy-drama television series "Brand New Life" (1989-1990), playing the character of wealthy lawyer Roger Gibbons. In the series Gibbons marries novice court reporter Barbara McCray (played by Barbara Eden). Each of them has three children from previous marriages, and they now struggle to raise 6 kids. The series' creator and show-runner was young screenwriter Chris Carter (1956-), and its themes were mostly based on the old sitcom "The Brady Bunch" (1969-1974). The series was not successful, and only a pilot and 5 regular episodes were ever broadcast.
Murray next had a recurring role in the short-lived comedy-drama television series "Sons and Daughters" (1991), concerning the struggles of a single mother who tries to maintain the peace between the members of a large extended family. The series only lasted for 13 episodes, but 6 of them remained unaired at the time of its cancellation.
For the rest of the 1990s, Murray had guest star roles in various television series, and appeared in a hand full of television films. During the early 2000s, he had roles in three theatrical films: the romantic comedy "Internet Love" (2000), the stalker-themed thriller "Island Pray" (2001), and the comedy film "Elvis is Alive" (2001). In 2001, the 72-year-old Murray went into retirement.
Murray returned to acting in 2017, when offered the recurring role of insurance-company executive Bushnell Mullins in the third season of the mystery series "Twin Peaks" (1990-1991, 2017). Mullins was the boss of insurance agent Douglas "Dougie" Jones, one of several doppelgangers to FBI agent Dale Cooper (the series' main protagonist). The season was critically praised but there were no plans for a fourth season.
In 2019, Murray reached his 90th year and was still appearing in some films and on television into 2021.- Ted Shackelford was born on 23 June 1946 in Oklahoma City, Oklahoma, USA. He is an actor, known for Knots Landing (1979), The Outer Limits (1995) and Jane White Is Sick & Twisted (2002). He has been married to Annett Wolf since 5 October 1991. He was previously married to Janis Leverenz.
- Actress
- Director
- Producer
The daughter of a premier makeup artist and the sister of a United States District Attorney, Michele Lee was born Michele Lee Dusick on June 24, 1942 in Los Angeles, California. Her childhood was consumed by the Hollywood entertainment industry. Lee was outgoing and had taken every chance to do plays in front of her family and friends. In junior high school, she continued acting in school plays. When she was in the 10th grade at Los Angeles' Alexander Hamilton High School, she tried out for the band and was the lead singer for that. Prior to her graduation from Hamilton, she landed her first role in the Broadway revue, "Vintage '60" and her career was launched. A small role in "Bravo Giovanni" and the lead role as Rosemary in "How to Succeed in Business Without Really Trying" followed. Her musical talent was brought to the attention of Columbia Records (now Sony) and she signed to the label in a hurry.
Shortly after she appeared in Broadway shows and became a singer, she began making a number of guest appearances on television doing dancing, singing and performing comedy routines on most live-action segments, most notably The Danny Kaye Show (1963). She was only 22 and her career was off to a firing start. She continued making guest appearances on a number of television specials and live-action series. However, the silver screen took precedence as she made her movie debut with the film How to Succeed in Business Without Really Trying (1967), followed by The Comic (1969), co-starring Dick Van Dyke. A year that, after her first child was born and soon after, she was back at work, starring as Secretary Carole Bennett on The Love Bug (1969), that it was the best movie of 1970 and it made it to the top of the box office all across the country.
While her laughter was brought unto the world and after giving birth to David Farentino, several months later her father passed away of a severe heart attack in 1970 at age 54. Michele was devastated by the loss of her father but she quickly directed herself to head back to work. She accepted a role on Broadway in "Seesaw", where her work gave her a 1974 Tony nomination for Best Actress in a Musical. However, tragedy haunted Michele when she was unable to spring back for a long time after her mother died in 1974. Near the end of 1979, after being on vacation with her husband and only child, she accepted the leading role of the feisty-yet-friendly neighbor Karen Fairgate MacKenzie in the prime-time soap opera Knots Landing (1979), which spun-off the immensely popular serial Dallas (1978) on CBS. For 14 of those years, Michele was the big asset of the series and by the very first year that it debuted, it had low ratings and producers, at times, wanted to send "Dallas" stars to the cul-de-sac, including that of Larry Hagman, who met Lee after the pilot episode.
By the Fall of 1980, Lee and the producers of "Knots Landing" always wanted to do something better in order to boost up the ratings and in September of that same year, after refusing to accept "no" for an answer, former dancer and movie starlet Donna Mills came to the series by playing Lee's manipulative, nasty and least popular sister-in-law Abby Fairgate Cunningham Ewing Sumner, and the series became #1 for the next 13 seasons, among other 1980s soaps that stood the test of time. By 1982, she was nominated for one Emmy Award, but had won the Soap Opera Digest Award, three times. The triumph of the series was splendid but in real-life, her marriage to James Farentino was a burden and the couple was divorced in 1983. In 1989, while going on strong with her role on "Knots Landing", she also became the series' director, starting to direct several episodes of the series and just before Donna Mills left, making Lee the big star of the series.
By the 14th and the final season, most of her co-stars of "Knots Landing" were asked to be absent (except co-star Joan Van Ark, who left in 1992) a number of times on the series, but for Lee, she had declined to be absent and wanted to show up without pay. In 1993, "Knots Landing" was cancelled when her second family came to a close and due to high salary amongst her co-stars. When the series was dropped away from its schedule on CBS, she was open to new opportunities. She began to produce and develop her own television movies through her own production company. She has had an incredible career that spans almost 40 years in television, film and on stage and in 1999, she earned her own star on the Hollywood Walk of Fame, which is located not far from the site of her very first audition for "Vintage '60".
In 1995, after learning a great deal from her idol Dottie West, she appeared in the CBS-TV movie Big Dreams & Broken Hearts: The Dottie West Story (1995), playing the character of the same name doing all the singing and knowing what it was like to be Dottie West. Before she came back to do a reunion movie called Knots Landing: Back to the Cul-de-Sac (1997), she played a retarded woman named Dina Blake on Lifetime's Color Me Perfect (1996) and was the first lady to star, write and produce a movie for Cable Television and, like The Love Bug, it was the best movie on Cable Television in 1996. In 2000, she starred opposite Valerie Harper in the Broadway play "Tale of the Allergist's Wife" in New York and almost four years later after a 35-year-absence, she returned to the big screen to play Ben Stiller's mother in Along Came Polly (2004).- Actress
- Soundtrack
She was the standard prototype of the porcelain-pretty collegiate and starry-eyed romantic interest in a host of Depression-era films and although her name may not ring a bell to most, Mary Carlisle enjoyed a fairly solid decade in the cinematic limelight.
The petite Boston-born, blue-eyed blonde was born on February 3, 1914, and brought to Hollywood in 1918, at age 4, by her mother after her father passed away. The story goes that the 14-year-old and her mother were having lunch at the Universal commissary when she was noticed by producer Carl Laemmle Jr., who immediately gave her a screen test. Her age was a hindering factor, however, and Mary completed her high school studies before moving into the acting arena. An uncle connected to MGM helped give the young hopeful her break into the movies as a singer/dancer a few years later.
Mary started out typically as an extra and bit player in such films as Madam Satan (1930), The Great Lover (1931) and in Grand Hotel (1932) in which she played a honeymooner. The glamorous, vibrant beauty's career was given a build-up as a "Wampas Baby Star" in 1933 and soon she began finding work in films playing stylish, well-mannered young co-eds. Although she performed as a topline actress in a number of lightweight pictures such as Night Court (1932) with Anita Page, Murder in the Private Car (1934) starring Charles Ruggles, and It's in the Air (1935) alongside Jack Benny, she is perhaps best remembered as a breezy co-star to Bing Crosby in three of his earlier, lightweight '30s musicals: College Humor (1933), Double or Nothing (1937) and Doctor Rhythm (1938). In the last picture mentioned she is the lovely focus of his song "My Heart Is Taking Lessons". Her participation in weightier material such as Kind Lady (1935) was often overshadowed by her even weightier co-stars, in this case Basil Rathbone and Aline MacMahon.
Disappointed with the momentum of her career and her inability to extricate herself from the picture-pretty, paragon-of-virtue stereotype, Mary traveled and lived in London for a time in the late '30s. Following her damsel-in-distress role in the horror opus Dead Men Walk (1943) with George Zucco and Dwight Frye, Mary retired from the screen, prompted by her marriage to James Blakeley, a flying supervisor, the year before. The Beverly Hills couple had one son. Her husband, a former actor who also appeared in '30s musicals with Crosby as a dapper second lead (e.g., in Two for Tonight (1935)), later became an important executive (producer, editor, etc.) at Twentieth Century-Fox.
In later years Mary managed an Elizabeth Arden Salon in Beverly Hills and received a star on the Hollywood Walk of Fame. Her husband passed away in 2007. Mary herself lived to the ripe old age of 104 on August 1, 2018.- Actress
- Producer
- Soundtrack
Barbara Ann Luna was born in Manhattan and virtually grew up on Broadway. Her Italian, Hungarian, Spanish, Portuguese and Filipino background has led her to portray a variety of roles. Richard Rodgers and Oscar Hammerstein II cast her in the Broadway hit musical "South Pacific", as Ngana, which was spoken entirely in French. When she outgrew her sarong, Luna, as she prefers to be called, was cast again by Rodgers and Hammerstein in "The King and I". When the show was closing after many years, Luna auditioned for the understudy role of Lotus Blossom in "Teahouse of the August Moon". Not only was she hired, but she was given the starring role--which was spoken entirely in Japanese--in the first national touring company for three years. While she was appearing with "Teahouse" in Los Angeles, she was seen by producer/director Mervyn LeRoy, who cast her as Camille, a blind girl who was the love interest for Frank Sinatra in The Devil at 4 O'Clock (1961), also starring Spencer Tracy.
This led to other films, such as Firecreek (1968) with James Stewart and Henry Fonda, Ship of Fools (1965) with Vivien Leigh, Simone Signoret and Oskar Werner, and the prison drama The Concrete Jungle (1982) portraying Cat, the queen bee of the prison. Her exotic beauty and timeless look, along with her talent, has afforded her the opportunity to have a lengthy television career, as well. She is remembered by Star Trek (1966) fans for her portrayal of Lt. Marlena Moreau in the all-time classic episode "Mirror, Mirror" from the original series. She has guest-starred on nearly 500 television series. Some of her favorites are Aaron Spelling productions such as Fantasy Island (1977). Other favorites are Dallas (1978), The Bill Cosby Show (1969), Hunter (1984), Mission: Impossible (1966) (and its 1988 reincarnation, Mission: Impossible (1988)), Buck Rogers in the 25th Century (1979), The Outer Limits (1963) and many others.
Luna continued to keep one foot on Broadway; in between film commitments, she appeared in a revival of "West Side Story" as Anita, at Lincoln Center in New York City. This was followed by the role of Morales in "A Chorus Line", where she got to sing the beautiful Marvin Hamlisch tune, "What I Did For Love". This inspired the multi-talented Luna to meet with Oscar nominee link=nm0003299] to have him write a nightclub act for her, and that he did: "An Evening with BarBara Luna". A New York reviewer, after her first engagement, said, "Ms. Luna can take the cabaret scene by storm". This review was noticed by agent Lee Solomon of the William Morris Agency office. He called and booked Luna to open for Bill Cosby at the Concord Hotel in the Catskills and Caesars Palace in Atlantic City, New Jersey. While she was singing at Freddies in New York City, she was offered a role in a soap opera.
After a six-month stint as Anna Ryder (a role she created) on Search for Tomorrow (1951), she was then offered a two-year contract to play Maria Roberts on One Life to Live (1968). This character very quickly became notorious and extremely popular as the "character everyone loved to hate". Spelling then hired Luna for her to play Sydney Jacobs, a jewelry fence, on Sunset Beach (1997). Luna loves to travel, so she co-hosted "The Alpen Tour", a television special for the Travel Channel sponsored by TWA airlines that was filmed throughout Europe. When she returned to Los Angeles, Luna performed her club act to sold-out crowds at Tom Rolla's Gardenia Cabaret and the Cine-grill at the Hollywood Roosevelt Hotel. Recently, Luna made her first trip to the Philippines to film a movie for Showtime, Noriega: God's Favorite (2000), starring Bob Hoskins. Luna is a member of "The Thalians", a charity foundation at Cedars-Sinai Hospital. She is an avid sports fan, loves playing golf, tennis and dancing on roller skates.- Actress
- Producer
- Additional Crew
Kathy Garver was born in Long Beach, California Her break-through performance came as one of the young slaves in The Ten Commandments
She is most well known for starring as the teenage niece of Uncle Bill Davis, Cissy Davis on Family Affair (1966). The show was nominated for Emmys in various categories during its five year run.- Actor
- Additional Crew
- Soundtrack
Actor/dancer/choreographer Christopher Riordan was born in Redwood, California on November 25, 1937, and entertained in song-and-dance shows around the San Jose and San Francisco area from age four. Following high school, he left home and headed straight to Hollywood to follow his boyhood dream.
Once in Hollywood, his life changed completely. Almost immediately he was given a small role in Somebody Up There Likes Me (1956) and, after a chance meeting with actor Montgomery Clift, was given the uncredited role of his teenage son in a brief, final scene of the Civil War drama Raintree County (1957) but the scene was deleted before its general release.
Christopher spent the next few years dividing his time between stage and nightclub work. He sang and danced in such road shows as "Damn Yankees," "Carnival" and "Girl Crazy" and musical revues including "The Best of Broadway" and "That's Show Biz!" In 1962, he happened to be seen at an audition by Fred Astaire and his choreographer Hermes Pan and was hired by them to be a dance partner with lovely Barrie Chase for a new Las Vegas nightclub act they were breaking in. This union with Chase consisted of appearing at the Sahara Hotel in Las Vegas and performing on the TV variety show The Hollywood Palace (1964). He then went on to assist Mr. Pan with choreography in such films as My Fair Lady (1964) and The Great Race (1965), as well as on TV in a Carol Channing special.
Spotted on various popular TV shows such as The Adventures of Ozzie and Harriet (1952), Batman (1966), The Andy Griffith Show (1960), Dr. Kildare (1961), The Fugitive (1963),The Outer Limits (1963), The Monkees (1965), Perry Mason (1957) and The Lucy Show (1962), he could also be seen here and there as a dancer in the teen-oriented films Looking for Love (1964) and A Swingin' Summer (1965), among others. Also, at this point in time, he began to show up in a number of swinging Elvis Presley films. He was initially hired as a background dancer in the popular Presley vehicle Viva Las Vegas (1964) co-starring Ann-Margret, which worked so well that he went on to appear as a utilitarian player in five others, more than any other performer: Roustabout (1964), Tickle Me (1965), Spinout (1966), Clambake (1967) and Double Trouble (1967), not to mention a couple of Presley's documentaries. He was the only male on the list of people "to be called" whenever Elvis came into town for a film and was called his "favorite dancer." Eventually, Christopher received featured actor billing in the cult films The Gay Deceivers (1969) and Beyond the Valley of the Dolls (1970).
Elsewhere, Christopher found a degree of stability working with American International Pictures working as either a dancer or assistant choreographer on such "beach party" styled films as The Girls on the Beach (1965) and The Ghost in the Invisible Bikini (1966). He went on to serve as choreographer for Annette Funicello and others in the stock car racing movies Fireball 500 (1966) and Thunder Alley (1967).
Most of his later years were spent on various stages as an actor or choreographer. He wrote, directed and co-produced a local Los Angeles interview show called "Show Talk" in 1989. He also moved away from Southern California for a time in the 1990s and became the artistic director at the Lyric Theater where he directed the musical "Once Upon a Mattress" and then helmed a production of "Don Juan in Hell starring George Chakiris in Ashland, Oregon. He also lived for a time in Puerto Vallarta where he often performed at a local nightclub.
Christopher eventually returned to the Los Angeles area and found himself on TV once again courtesy of "adopted son" director Victor Nelli Jr. in episodes of Ugly Betty (2006) and Black-ish (2014), among others. He became a semi-regular on the comedy Superstore (2015) as employee Chris and retired after five seasons.
Away from the camera, Christopher continues to make guest appearances at various autograph conventions and Presley festivals. He has one son, Sean, by a brief 1960's marriage who works behind the scenes in films and television.- Actress
- Director
Joan Van Ark, just out of high school, was the second youngest student to attend the Yale School of Drama on a scholarship. The youngest was Julie Harris. It was the beginning of a lifelong friendship. Years later, they would co-star on the CBS Television series, Knots Landing (1979). Van Ark began her professional career at the Minneapolis Guthrie Theater in Moliere's "The Miser", opposite Hume Cronyn and Zoe Caldwell. That was followed by "Death of a Salesman" at the Guthrie with both Cronyn and Jessica Tandy. After a season at the Arena Stage in Washington, D.C., Joan was cast in the national touring company of "Barefoot in the Park", directed by Mike Nichols. She recreated the role in the critically acclaimed London Company and later on Broadway. She earned a Tony nomination for her performance in "The School for Wives" and she won the Theater World Award for "The Rules of the Game".
Van Ark also appeared off-Broadway opposite John Rubinstein in "Love Letters". More recently, she co-starred in the New York production of Edward Albee's Pulitzer Prize winning play "Three Tall Women". Her Los Angeles theater credits include "Cyrano de Bergerac", playing "Roxanne" opposite Richard Chamberlain's "Cyrano", "Ring Around the Moon" with Michael York and Glynis Johns, "Chemin de Fer", "Heartbreak House" and "As You Like It", for which she won a Los Angeles Drama Critics Award. She also appeared as "Lady Macbeth" in the Grove Shakespeare Festival's production of "Macbeth". Van Ark has also starred in the Williamstown Theater Festival productions of "Night of the Iguana", "The Legend of Oedipus" and the festival's 40th anniversary production of Stephen Sondheim's "A Little Night Music".
She is perhaps best known for her role as "Valene Ewing" beginning on Dallas (1978) and then on the spin-off series, Knots Landing (1979). During the 13 seasons as "Val", she earned six nominations and two Soap Opera Digest Awards for Best Actress. Joan also starred in the TV comedies, The New Temperatures Rising Show (1972) and We've Got Each Other (1977). In May 1997, she reprieved her role of "Valene" in the CBS mini-series, Knots Landing: Back to the Cul-de-Sac (1997). Most recently, she guest-starred in an episode of The Nanny (1993), which was specially written for her. Van Ark's television movie credits include When the Dark Man Calls (1995), Moment of Truth: Cult Rescue (1994), With Harmful Intent (1993) (actor/producer), Boys Will Be Boys (1999) (actor/director), Terror on Track 9 (1992), Tainted Blood (1993), Menu for Murder (1990), Always Remember I Love You (1990), My First Love (1988) and Shakedown on the Sunset Strip (1988).
She was also one of the voices for CBS-TV's Saturday morning cartoon series Santo Bugito (1995) and she provided the voice of Spider-Woman (1979), another Saturday morning series. In 1997, Joan directed a short documentary on homelessness and domestic violence for the Directors Guild of America, which was nominated for an Emmy.
She appeared in the feature film, Held for Ransom (2000), with Dennis Hopper and Debi Mazar. Joan is currently featured in the film, UP, Michigan! (2001), which was entered in the New York Independent Film Festival. According to Film Festival representatives, the screening of UP, Michigan! (2001) elicited more favorable audience response than any other film throughout the one-week event. Joan also starred as the "Vice President of the United States" in the FOX Family telefilm, Loyal Opposition (1998). Last summer, she played "Camille" in Tennessee Williams' "Camino Real" at the Folger Shakespeare Theater in Washington, D.C. She appeared in Twice in a Lifetime (1999), filmed in Toronto. She recently completed filming in Los Angeles of Son of the Beach (2000). Joan's career was featured on the biographical program, Joan Van Ark (2002), on the Lifetime Channel for Women. She also played two cameo roles in the independent feature films, Net Games (2003) and the soon-to-be-released Diamond Zero (2005) with Tippi Hedren. Joan was featured in "The Vagina Monologues" at the Canon Theater in Beverly Hills. She also opened the national tour of "The Vagina Monologues" in Denver's Center for the Performing Arts.
In May, 2003, she was a celebrity guest actor in the Los Angeles production of "Blackout" at the McCadden Theater in Hollywood. She also appeared in the off-Broadway production of "The Exonerated" at the Bleeker Street Theater in New York. Last spring, Joan appeared in "Five by Tenn" at the Kennedy Center in Washington, D.C. with Kathleen Chalfant, Patricia Clarkson and Sally Field. It was a world premiere of newly-found Tennessee Williams one-act plays. In addition, she played a regular role for much of last year on CBS Television's The Young and the Restless (1973).
Joan will soon appear in the world premier of Mark O'Donnell's new adaptation of "Private Fittings" by Georges Feydeau at the La Jolla Playhouse near San Diego. The production, opening February 22nd, will be directed by Des McAnuff, winner of two Tony Awards. Joan is still married to her high school sweetheart, John Marshall, a former award-winning TV newsman, who now heads an on-line news service, eNewswires.com. Their daughter, Vanessa Marshall, is also an accomplished actress, director and comedian.- Actor
- Producer
- Soundtrack
Richard Chamberlain became the leading heartthrob of early 1960s television. As the impeccably handsome Dr. James Kildare, the slim, butter-haired hunk with the near-perfect Ivy-League charm and smooth, intelligent demeanor, had the distaff fans fawning unwavering over him through the series' run. While this would appear to be a dream situation for any new star, to Chamberlain it brought about a major, unsettling identity crisis.
Born George Richard Chamberlain in Beverly Hills on March 31, 1934, he was the second son of Elsa Winnifred (von Benzon) (1902-1993) and Charles Axiom Chamberlain (1902-1984), a salesman. He has English and German ancestry. Richard experienced a profoundly unhappy childhood and did not enjoy school at all, making up for it somewhat by excelling in track and becoming a four-year letter man in high school and college. He also developed a strong interest and enjoyment in acting while attending Pomona College. Losing an initial chance to sign up with Paramount Pictures, the studio later renewed interest. Complications arose when he was drafted into the Unites States Army on December 7, 1956 for 16 months, serving in Korea.
Chamberlain headed for Hollywood soon after his discharge and, in just a couple of years, worked up a decent resumé with a number of visible guest spots on such popular series as Gunsmoke (1955) and Mr. Lucky (1959). But it was the stardom of the medical series Dr. Kildare (1961) that garnered overnight female worship and he became a huge sweater-vested pin-up favorite. It also sparked a brief, modest singing career for the actor.
The attention Richard received was phenomenal. True to his "Prince Charming" type, he advanced into typically bland, soap-styled leads on film befitting said image, but crossover stardom proved to be elusive. The vehicles he appeared in, Twilight of Honor (1963) with Joey Heatherton and Joy in the Morning (1965) opposite Yvette Mimieux, did not bring him the screen fame foreseen. The public obviously saw the actor as nothing more than a television commodity.
More interested in a reputation as a serious actor, Chamberlain took a huge risk and turned his back on Hollywood, devoting himself to the stage. In 1966 alone, he appeared in such legit productions as "The Philadelphia Story" and "Private Lives", and also showed off his vocal talents playing Tony in "West Side Story". In December of that year, a musical version of "Breakfast at Tiffany's" starring Richard and Mary Tyler Moore in the sparkling George Peppard/Audrey Hepburn roles was headed for Broadway. However, it flopped badly in previews and closed after only four performances. Even today, it is still deemed one of Broadway's biggest musical disasters.
An important dramatic role in director Richard Lester's Petulia (1968) led Richard to England, where he stayed and dared to test his acting prowess on the classical stage. With it, his personal satisfaction over image and career improved. Bravura performances as "Hamlet" (1969) and "Richard II" (1971), as well as his triumph in "The Lady's Not for Burning" (1972), won over the not-so-easy-to-impress British audiences. And on the classier film front, he ably portrayed Octavius Caesar opposite Charlton Heston's Mark Antony and Jason Robards' Brutus in Julius Caesar (1970), composer Pyotr Ilyich Tchaikovsky in Ken Russell's grandiose The Music Lovers (1971) opposite Glenda Jackson, and Lord Byron alongside Sarah Miles in Lady Caroline Lamb (1972). While none of these three films were critical favorites, they were instrumental in helping to reshape Chamberlain's career as a serious, sturdy and reliable actor.
With his new image in place, Richard felt ready to face American audiences again. While he made a triumphant Broadway debut as Reverend Shannon in "The Night of the Iguana" (1975), he also enjoyed modest box-office popularity with the action-driven adventure films The Three Musketeers (1973) as Aramis and a villainous role in The Towering Inferno (1974), and earned cult status for the Australian film The Last Wave (1977). On the television front, he became a television idol all over again (on his own terms this time) as the "King of 80s Mini-Movies". The epic storytelling of The Count of Monte-Cristo (1975), The Thorn Birds (1983) and Shogun (1980), all of which earned him Emmy nominations, placed Richard solidly on the quality star list. He won Golden Globe Awards for his starring roles in the last two miniseries mentioned.
In later years, the actor devoted a great deal of his time to musical stage tours as Henry Higgins in "My Fair Lady", Captain Von Trapp in "The Sound of Music" and Ebenezer Scrooge in "Scrooge: The Musical". Enormously private and having moved to Hawaii to avoid the Hollywood glare, at age 69 finally "came out" with a tell-all biography entitled "Shattered Love", in which he quite candidly discussed the anguish of hiding his homosexuality to protect his enduring matinée idol image.
Married now to his longtime partner of over 40 years, writer/producer Martin Rabbett, he has since accepted himself and shown to be quite a good sport in the process, appearing as gay characters in the film I Now Pronounce You Chuck & Larry (2007), and in television episodes of Will & Grace (1998), Desperate Housewives (2004) and Brothers & Sisters (2006). More recently, he has enjoyed featured roles in the films Strength and Honour (2007), The Perfect Family (2011), We Are the Hartmans (2011), Nightmare Cinema (2018) and Finding Julia (2019).