All Movies From 1912 to 1915 - Part 5
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- DirectorHermanos AlvaPascual Orozco's revolutionary struggle in northern Mexico.
- DirectorHermanos AlvaPascual Orozco's revolutionary struggle in northern Mexico.
- DirectorHermanos AlvaPascual Orozco's revolutionary struggle in northern Mexico.
- DirectorHermanos AlvaPascual Orozco's revolutionary struggle in northern Mexico.
- DirectorWalter SchmidthässlerStarsHanni Weisse
- DirectorWalter SchmidthässlerStarsHanni Weisse
- DirectorWalter SchmidthässlerStarsHanni Weisse
- DirectorWalter SchmidthässlerStarsHanni Weisse
- DirectorWalter SchmidthässlerStarsHanni Weisse
- DirectorPaul GarbagniStarsVictor SjöströmAnna NorrieGeorg af KlerckerLittle Gerta, when her mother dies. is brought to her father, Carl Von Seydling, a government official, who deserted his wife and child a few years before. Councilor Van Seydling found the child's presence in his household to be cumbersome and for that reason turned her over to one Sarah Anderson, a nurse. Although Van Seydling did not know it, the Anderson woman was a notorious fagin. She promptly sold Gerta to a beggar, who taught her to beg and to steal. One of her begging trips brings Gerta to the attention of a young man named Alm Stoddard, He becomes interested in the pretty child and upon learning her story is horrified. The police are notified. They arrest her supposed father, but Sarah Anderson escapes. Little Gerta is adopted by Alm's mother and grows to be a beautiful young woman. Alm falls in love with her, but Gerta has lost her heart to the dashing Lieutenant Wiles. Through Alm's efforts the character of this man is shown to Gerta, and thus she is warned in time. Lieutenant Wiles challenges Alm to a duel and in the encounter Alm is wounded slightly. Gerta, frightened by the trouble she has caused, disappears, leaving a note begging the Stoddards to forgive her seeming ingratitude. Some years later a grand opera star, Mlle. Hauser, has taken the public by storm. Among her admirers is Alm Stoddard, although he is too fainthearted to write to her or tell her that he knows her to be little Gerta. She, from behind the footlights, has recognized him but, fearing he has not forgiven her, makes no sign of recognition. Another man, in constant attendance at the opera, is Councilor Van Seydling, who has long since believed his daughter dead. By a strange coincidence Sarah Anderson is employed as Gerta's maid. She has not reformed any and when she steals Mlle, Hauser's handbag she extracts a picture of a very little girl. Looking at the picture Sarah suddenly realizes that Mlle. Hauser is none other than little Gerta. That evening the audience is assembled when a fire breaks out. In the panic that follows Alm is the only one who remembers Gerta. At the risk of his life he brings the unconscious girl out of danger. At the corner drug store Sarah Anderson, mortally injured, is dying. She bares the story of her life and among the listeners is Councilor Von Seydling. The memory of his misdeeds strikes terror to his heart. Van Seydling hurries out and, finding his daughter in the arms of Alm, begs her to forgive him. The girl is mystified, but a little explaining clears the situation. Following custom, Alm asks her father for her hand. Von Seydling asks Gerta to decide and she, clinging to Alm, smiles her contentment.
- DirectorPaul GarbagniStarsVictor SjöströmAnna NorrieGeorg af KlerckerLittle Gerta, when her mother dies. is brought to her father, Carl Von Seydling, a government official, who deserted his wife and child a few years before. Councilor Van Seydling found the child's presence in his household to be cumbersome and for that reason turned her over to one Sarah Anderson, a nurse. Although Van Seydling did not know it, the Anderson woman was a notorious fagin. She promptly sold Gerta to a beggar, who taught her to beg and to steal. One of her begging trips brings Gerta to the attention of a young man named Alm Stoddard, He becomes interested in the pretty child and upon learning her story is horrified. The police are notified. They arrest her supposed father, but Sarah Anderson escapes. Little Gerta is adopted by Alm's mother and grows to be a beautiful young woman. Alm falls in love with her, but Gerta has lost her heart to the dashing Lieutenant Wiles. Through Alm's efforts the character of this man is shown to Gerta, and thus she is warned in time. Lieutenant Wiles challenges Alm to a duel and in the encounter Alm is wounded slightly. Gerta, frightened by the trouble she has caused, disappears, leaving a note begging the Stoddards to forgive her seeming ingratitude. Some years later a grand opera star, Mlle. Hauser, has taken the public by storm. Among her admirers is Alm Stoddard, although he is too fainthearted to write to her or tell her that he knows her to be little Gerta. She, from behind the footlights, has recognized him but, fearing he has not forgiven her, makes no sign of recognition. Another man, in constant attendance at the opera, is Councilor Van Seydling, who has long since believed his daughter dead. By a strange coincidence Sarah Anderson is employed as Gerta's maid. She has not reformed any and when she steals Mlle, Hauser's handbag she extracts a picture of a very little girl. Looking at the picture Sarah suddenly realizes that Mlle. Hauser is none other than little Gerta. That evening the audience is assembled when a fire breaks out. In the panic that follows Alm is the only one who remembers Gerta. At the risk of his life he brings the unconscious girl out of danger. At the corner drug store Sarah Anderson, mortally injured, is dying. She bares the story of her life and among the listeners is Councilor Von Seydling. The memory of his misdeeds strikes terror to his heart. Van Seydling hurries out and, finding his daughter in the arms of Alm, begs her to forgive him. The girl is mystified, but a little explaining clears the situation. Following custom, Alm asks her father for her hand. Von Seydling asks Gerta to decide and she, clinging to Alm, smiles her contentment.
- DirectorPaul GarbagniStarsVictor SjöströmAnna NorrieGeorg af KlerckerLittle Gerta, when her mother dies. is brought to her father, Carl Von Seydling, a government official, who deserted his wife and child a few years before. Councilor Van Seydling found the child's presence in his household to be cumbersome and for that reason turned her over to one Sarah Anderson, a nurse. Although Van Seydling did not know it, the Anderson woman was a notorious fagin. She promptly sold Gerta to a beggar, who taught her to beg and to steal. One of her begging trips brings Gerta to the attention of a young man named Alm Stoddard, He becomes interested in the pretty child and upon learning her story is horrified. The police are notified. They arrest her supposed father, but Sarah Anderson escapes. Little Gerta is adopted by Alm's mother and grows to be a beautiful young woman. Alm falls in love with her, but Gerta has lost her heart to the dashing Lieutenant Wiles. Through Alm's efforts the character of this man is shown to Gerta, and thus she is warned in time. Lieutenant Wiles challenges Alm to a duel and in the encounter Alm is wounded slightly. Gerta, frightened by the trouble she has caused, disappears, leaving a note begging the Stoddards to forgive her seeming ingratitude. Some years later a grand opera star, Mlle. Hauser, has taken the public by storm. Among her admirers is Alm Stoddard, although he is too fainthearted to write to her or tell her that he knows her to be little Gerta. She, from behind the footlights, has recognized him but, fearing he has not forgiven her, makes no sign of recognition. Another man, in constant attendance at the opera, is Councilor Van Seydling, who has long since believed his daughter dead. By a strange coincidence Sarah Anderson is employed as Gerta's maid. She has not reformed any and when she steals Mlle, Hauser's handbag she extracts a picture of a very little girl. Looking at the picture Sarah suddenly realizes that Mlle. Hauser is none other than little Gerta. That evening the audience is assembled when a fire breaks out. In the panic that follows Alm is the only one who remembers Gerta. At the risk of his life he brings the unconscious girl out of danger. At the corner drug store Sarah Anderson, mortally injured, is dying. She bares the story of her life and among the listeners is Councilor Von Seydling. The memory of his misdeeds strikes terror to his heart. Van Seydling hurries out and, finding his daughter in the arms of Alm, begs her to forgive him. The girl is mystified, but a little explaining clears the situation. Following custom, Alm asks her father for her hand. Von Seydling asks Gerta to decide and she, clinging to Alm, smiles her contentment.
- DirectorPaul GarbagniStarsVictor SjöströmAnna NorrieGeorg af KlerckerLittle Gerta, when her mother dies. is brought to her father, Carl Von Seydling, a government official, who deserted his wife and child a few years before. Councilor Van Seydling found the child's presence in his household to be cumbersome and for that reason turned her over to one Sarah Anderson, a nurse. Although Van Seydling did not know it, the Anderson woman was a notorious fagin. She promptly sold Gerta to a beggar, who taught her to beg and to steal. One of her begging trips brings Gerta to the attention of a young man named Alm Stoddard, He becomes interested in the pretty child and upon learning her story is horrified. The police are notified. They arrest her supposed father, but Sarah Anderson escapes. Little Gerta is adopted by Alm's mother and grows to be a beautiful young woman. Alm falls in love with her, but Gerta has lost her heart to the dashing Lieutenant Wiles. Through Alm's efforts the character of this man is shown to Gerta, and thus she is warned in time. Lieutenant Wiles challenges Alm to a duel and in the encounter Alm is wounded slightly. Gerta, frightened by the trouble she has caused, disappears, leaving a note begging the Stoddards to forgive her seeming ingratitude. Some years later a grand opera star, Mlle. Hauser, has taken the public by storm. Among her admirers is Alm Stoddard, although he is too fainthearted to write to her or tell her that he knows her to be little Gerta. She, from behind the footlights, has recognized him but, fearing he has not forgiven her, makes no sign of recognition. Another man, in constant attendance at the opera, is Councilor Van Seydling, who has long since believed his daughter dead. By a strange coincidence Sarah Anderson is employed as Gerta's maid. She has not reformed any and when she steals Mlle, Hauser's handbag she extracts a picture of a very little girl. Looking at the picture Sarah suddenly realizes that Mlle. Hauser is none other than little Gerta. That evening the audience is assembled when a fire breaks out. In the panic that follows Alm is the only one who remembers Gerta. At the risk of his life he brings the unconscious girl out of danger. At the corner drug store Sarah Anderson, mortally injured, is dying. She bares the story of her life and among the listeners is Councilor Von Seydling. The memory of his misdeeds strikes terror to his heart. Van Seydling hurries out and, finding his daughter in the arms of Alm, begs her to forgive him. The girl is mystified, but a little explaining clears the situation. Following custom, Alm asks her father for her hand. Von Seydling asks Gerta to decide and she, clinging to Alm, smiles her contentment.
- DirectorPaul GarbagniStarsVictor SjöströmAnna NorrieGeorg af KlerckerLittle Gerta, when her mother dies. is brought to her father, Carl Von Seydling, a government official, who deserted his wife and child a few years before. Councilor Van Seydling found the child's presence in his household to be cumbersome and for that reason turned her over to one Sarah Anderson, a nurse. Although Van Seydling did not know it, the Anderson woman was a notorious fagin. She promptly sold Gerta to a beggar, who taught her to beg and to steal. One of her begging trips brings Gerta to the attention of a young man named Alm Stoddard, He becomes interested in the pretty child and upon learning her story is horrified. The police are notified. They arrest her supposed father, but Sarah Anderson escapes. Little Gerta is adopted by Alm's mother and grows to be a beautiful young woman. Alm falls in love with her, but Gerta has lost her heart to the dashing Lieutenant Wiles. Through Alm's efforts the character of this man is shown to Gerta, and thus she is warned in time. Lieutenant Wiles challenges Alm to a duel and in the encounter Alm is wounded slightly. Gerta, frightened by the trouble she has caused, disappears, leaving a note begging the Stoddards to forgive her seeming ingratitude. Some years later a grand opera star, Mlle. Hauser, has taken the public by storm. Among her admirers is Alm Stoddard, although he is too fainthearted to write to her or tell her that he knows her to be little Gerta. She, from behind the footlights, has recognized him but, fearing he has not forgiven her, makes no sign of recognition. Another man, in constant attendance at the opera, is Councilor Van Seydling, who has long since believed his daughter dead. By a strange coincidence Sarah Anderson is employed as Gerta's maid. She has not reformed any and when she steals Mlle, Hauser's handbag she extracts a picture of a very little girl. Looking at the picture Sarah suddenly realizes that Mlle. Hauser is none other than little Gerta. That evening the audience is assembled when a fire breaks out. In the panic that follows Alm is the only one who remembers Gerta. At the risk of his life he brings the unconscious girl out of danger. At the corner drug store Sarah Anderson, mortally injured, is dying. She bares the story of her life and among the listeners is Councilor Von Seydling. The memory of his misdeeds strikes terror to his heart. Van Seydling hurries out and, finding his daughter in the arms of Alm, begs her to forgive him. The girl is mystified, but a little explaining clears the situation. Following custom, Alm asks her father for her hand. Von Seydling asks Gerta to decide and she, clinging to Alm, smiles her contentment.
- DirectorOreste MentastiStarsAdriana CostamagnaSuzanne De LabroyGodofredo MateldiHerodias, wife of Philip of Iturea, gives her affections to her husband's brother, Herod. Their secret passion is discovered by John the Baptist. He denounces them, but, so great is his power in the land, that none dare silence him. Succumbing to the temptation of Herodias, Herod betrays his brother and casts him into the Prison of Bronze, where he is left to languish. Herodias now plots to rid herself of her husband, and she finally prevails upon a negro servant to go to the Prison of Bronze and strangle him. When Philip is dead, his brother Herod is proclaimed, 'midst great pomp, Tetrarch in his stead. For a time he rules wisely, but can never drive away the pangs of conscience that are his constant companions. Herodias next prevails upon Herod to seize and imprison John the Baptist, who is obtaining a strong hold over the people. Weakly Herod fulfills her wish, and the prophet is cast into the Prison of Bronze. St. John is beloved by Salome, the daughter of Herodias, but he spurns her affection. In vain does she visit him in the Prison of Bronze, and attempts to lure him into her power. Herod becomes possessed of an insurmountable desire to see Salome dance. This desire is discerned by the watchful Herodias and promptly frustrated. The populace begin to demand the release of John the Baptist, and fear possesses Herodias lest he should be liberated and again denounce her to the people. The visit to Herod of the Roman judges is an occasion for much feasting and merrymaking. It is at a feast given in honor of his guests that Herod requests Salome to dance. She refuses, but Herod maintains his entreaties, and finally says that he will give her anything she cares to ask for it she will dance. Salome is puzzled what to accept, but her mother creeps to her side, and, like the evil serpent, suggests that she shall ask for the head of John the Baptist. Spurned affection turns to hate of a like intensity, and Salome sees in this her chance to avenge the affront offered her by St. John. She asks tor his head. Herod regrets his rash promise, but his regrets are soon charmed away by the witchery of the dancer. When Salome has finished dancing the head is brought to her. The sight of this strikes terror to the heart of Herod, and he sees his guests shrinking from him in disgust. Too late, he seeks to repair the evil done by commanding his soldiers to seize Salome and put her to death.
- DirectorOreste MentastiStarsAdriana CostamagnaSuzanne De LabroyGodofredo MateldiHerodias, wife of Philip of Iturea, gives her affections to her husband's brother, Herod. Their secret passion is discovered by John the Baptist. He denounces them, but, so great is his power in the land, that none dare silence him. Succumbing to the temptation of Herodias, Herod betrays his brother and casts him into the Prison of Bronze, where he is left to languish. Herodias now plots to rid herself of her husband, and she finally prevails upon a negro servant to go to the Prison of Bronze and strangle him. When Philip is dead, his brother Herod is proclaimed, 'midst great pomp, Tetrarch in his stead. For a time he rules wisely, but can never drive away the pangs of conscience that are his constant companions. Herodias next prevails upon Herod to seize and imprison John the Baptist, who is obtaining a strong hold over the people. Weakly Herod fulfills her wish, and the prophet is cast into the Prison of Bronze. St. John is beloved by Salome, the daughter of Herodias, but he spurns her affection. In vain does she visit him in the Prison of Bronze, and attempts to lure him into her power. Herod becomes possessed of an insurmountable desire to see Salome dance. This desire is discerned by the watchful Herodias and promptly frustrated. The populace begin to demand the release of John the Baptist, and fear possesses Herodias lest he should be liberated and again denounce her to the people. The visit to Herod of the Roman judges is an occasion for much feasting and merrymaking. It is at a feast given in honor of his guests that Herod requests Salome to dance. She refuses, but Herod maintains his entreaties, and finally says that he will give her anything she cares to ask for it she will dance. Salome is puzzled what to accept, but her mother creeps to her side, and, like the evil serpent, suggests that she shall ask for the head of John the Baptist. Spurned affection turns to hate of a like intensity, and Salome sees in this her chance to avenge the affront offered her by St. John. She asks tor his head. Herod regrets his rash promise, but his regrets are soon charmed away by the witchery of the dancer. When Salome has finished dancing the head is brought to her. The sight of this strikes terror to the heart of Herod, and he sees his guests shrinking from him in disgust. Too late, he seeks to repair the evil done by commanding his soldiers to seize Salome and put her to death.
- DirectorOreste MentastiStarsAdriana CostamagnaSuzanne De LabroyGodofredo MateldiHerodias, wife of Philip of Iturea, gives her affections to her husband's brother, Herod. Their secret passion is discovered by John the Baptist. He denounces them, but, so great is his power in the land, that none dare silence him. Succumbing to the temptation of Herodias, Herod betrays his brother and casts him into the Prison of Bronze, where he is left to languish. Herodias now plots to rid herself of her husband, and she finally prevails upon a negro servant to go to the Prison of Bronze and strangle him. When Philip is dead, his brother Herod is proclaimed, 'midst great pomp, Tetrarch in his stead. For a time he rules wisely, but can never drive away the pangs of conscience that are his constant companions. Herodias next prevails upon Herod to seize and imprison John the Baptist, who is obtaining a strong hold over the people. Weakly Herod fulfills her wish, and the prophet is cast into the Prison of Bronze. St. John is beloved by Salome, the daughter of Herodias, but he spurns her affection. In vain does she visit him in the Prison of Bronze, and attempts to lure him into her power. Herod becomes possessed of an insurmountable desire to see Salome dance. This desire is discerned by the watchful Herodias and promptly frustrated. The populace begin to demand the release of John the Baptist, and fear possesses Herodias lest he should be liberated and again denounce her to the people. The visit to Herod of the Roman judges is an occasion for much feasting and merrymaking. It is at a feast given in honor of his guests that Herod requests Salome to dance. She refuses, but Herod maintains his entreaties, and finally says that he will give her anything she cares to ask for it she will dance. Salome is puzzled what to accept, but her mother creeps to her side, and, like the evil serpent, suggests that she shall ask for the head of John the Baptist. Spurned affection turns to hate of a like intensity, and Salome sees in this her chance to avenge the affront offered her by St. John. She asks tor his head. Herod regrets his rash promise, but his regrets are soon charmed away by the witchery of the dancer. When Salome has finished dancing the head is brought to her. The sight of this strikes terror to the heart of Herod, and he sees his guests shrinking from him in disgust. Too late, he seeks to repair the evil done by commanding his soldiers to seize Salome and put her to death.
- DirectorOreste MentastiStarsAdriana CostamagnaSuzanne De LabroyGodofredo MateldiHerodias, wife of Philip of Iturea, gives her affections to her husband's brother, Herod. Their secret passion is discovered by John the Baptist. He denounces them, but, so great is his power in the land, that none dare silence him. Succumbing to the temptation of Herodias, Herod betrays his brother and casts him into the Prison of Bronze, where he is left to languish. Herodias now plots to rid herself of her husband, and she finally prevails upon a negro servant to go to the Prison of Bronze and strangle him. When Philip is dead, his brother Herod is proclaimed, 'midst great pomp, Tetrarch in his stead. For a time he rules wisely, but can never drive away the pangs of conscience that are his constant companions. Herodias next prevails upon Herod to seize and imprison John the Baptist, who is obtaining a strong hold over the people. Weakly Herod fulfills her wish, and the prophet is cast into the Prison of Bronze. St. John is beloved by Salome, the daughter of Herodias, but he spurns her affection. In vain does she visit him in the Prison of Bronze, and attempts to lure him into her power. Herod becomes possessed of an insurmountable desire to see Salome dance. This desire is discerned by the watchful Herodias and promptly frustrated. The populace begin to demand the release of John the Baptist, and fear possesses Herodias lest he should be liberated and again denounce her to the people. The visit to Herod of the Roman judges is an occasion for much feasting and merrymaking. It is at a feast given in honor of his guests that Herod requests Salome to dance. She refuses, but Herod maintains his entreaties, and finally says that he will give her anything she cares to ask for it she will dance. Salome is puzzled what to accept, but her mother creeps to her side, and, like the evil serpent, suggests that she shall ask for the head of John the Baptist. Spurned affection turns to hate of a like intensity, and Salome sees in this her chance to avenge the affront offered her by St. John. She asks tor his head. Herod regrets his rash promise, but his regrets are soon charmed away by the witchery of the dancer. When Salome has finished dancing the head is brought to her. The sight of this strikes terror to the heart of Herod, and he sees his guests shrinking from him in disgust. Too late, he seeks to repair the evil done by commanding his soldiers to seize Salome and put her to death.
- DirectorOreste MentastiStarsAdriana CostamagnaSuzanne De LabroyGodofredo MateldiHerodias, wife of Philip of Iturea, gives her affections to her husband's brother, Herod. Their secret passion is discovered by John the Baptist. He denounces them, but, so great is his power in the land, that none dare silence him. Succumbing to the temptation of Herodias, Herod betrays his brother and casts him into the Prison of Bronze, where he is left to languish. Herodias now plots to rid herself of her husband, and she finally prevails upon a negro servant to go to the Prison of Bronze and strangle him. When Philip is dead, his brother Herod is proclaimed, 'midst great pomp, Tetrarch in his stead. For a time he rules wisely, but can never drive away the pangs of conscience that are his constant companions. Herodias next prevails upon Herod to seize and imprison John the Baptist, who is obtaining a strong hold over the people. Weakly Herod fulfills her wish, and the prophet is cast into the Prison of Bronze. St. John is beloved by Salome, the daughter of Herodias, but he spurns her affection. In vain does she visit him in the Prison of Bronze, and attempts to lure him into her power. Herod becomes possessed of an insurmountable desire to see Salome dance. This desire is discerned by the watchful Herodias and promptly frustrated. The populace begin to demand the release of John the Baptist, and fear possesses Herodias lest he should be liberated and again denounce her to the people. The visit to Herod of the Roman judges is an occasion for much feasting and merrymaking. It is at a feast given in honor of his guests that Herod requests Salome to dance. She refuses, but Herod maintains his entreaties, and finally says that he will give her anything she cares to ask for it she will dance. Salome is puzzled what to accept, but her mother creeps to her side, and, like the evil serpent, suggests that she shall ask for the head of John the Baptist. Spurned affection turns to hate of a like intensity, and Salome sees in this her chance to avenge the affront offered her by St. John. She asks tor his head. Herod regrets his rash promise, but his regrets are soon charmed away by the witchery of the dancer. When Salome has finished dancing the head is brought to her. The sight of this strikes terror to the heart of Herod, and he sees his guests shrinking from him in disgust. Too late, he seeks to repair the evil done by commanding his soldiers to seize Salome and put her to death.
- StarsAlma LagoniElith PioFritz LamprechtGeneral Bogdanewitch and his wife is about to say goodbye to their little son and watch the nanny drive the stroller towards the beach. Suddenly the nanny is assaulted and the child kidnapped. Twenty years later during a war in the Balkan's the General comes across a young man called Boris in company of a beautiful mysterious woman.
- StarsAlma LagoniElith PioFritz LamprechtGeneral Bogdanewitch and his wife is about to say goodbye to their little son and watch the nanny drive the stroller towards the beach. Suddenly the nanny is assaulted and the child kidnapped. Twenty years later during a war in the Balkan's the General comes across a young man called Boris in company of a beautiful mysterious woman.
- StarsAlma LagoniElith PioFritz LamprechtGeneral Bogdanewitch and his wife is about to say goodbye to their little son and watch the nanny drive the stroller towards the beach. Suddenly the nanny is assaulted and the child kidnapped. Twenty years later during a war in the Balkan's the General comes across a young man called Boris in company of a beautiful mysterious woman.
- StarsAlma LagoniElith PioFritz LamprechtGeneral Bogdanewitch and his wife is about to say goodbye to their little son and watch the nanny drive the stroller towards the beach. Suddenly the nanny is assaulted and the child kidnapped. Twenty years later during a war in the Balkan's the General comes across a young man called Boris in company of a beautiful mysterious woman.
- StarsAlma LagoniElith PioFritz LamprechtGeneral Bogdanewitch and his wife is about to say goodbye to their little son and watch the nanny drive the stroller towards the beach. Suddenly the nanny is assaulted and the child kidnapped. Twenty years later during a war in the Balkan's the General comes across a young man called Boris in company of a beautiful mysterious woman.
- DirectorAlbert CapellaniStarsHenry KraussHenri ÉtiévantLéon BernardFirst feature length French film adaptation of the story of former convict Jean Valjean who is hunted down by ruthless inspector Javert in mid 19th century France. Released in four parts, like a serial.
- DirectorAlbert CapellaniStarsHenry KraussHenri ÉtiévantLéon BernardFirst feature length French film adaptation of the story of former convict Jean Valjean who is hunted down by ruthless inspector Javert in mid 19th century France. Released in four parts, like a serial.
- DirectorAlbert CapellaniStarsHenry KraussHenri ÉtiévantLéon BernardFirst feature length French film adaptation of the story of former convict Jean Valjean who is hunted down by ruthless inspector Javert in mid 19th century France. Released in four parts, like a serial.
- DirectorAlbert CapellaniStarsHenry KraussHenri ÉtiévantLéon BernardFirst feature length French film adaptation of the story of former convict Jean Valjean who is hunted down by ruthless inspector Javert in mid 19th century France. Released in four parts, like a serial.
- DirectorAlbert CapellaniStarsHenry KraussHenri ÉtiévantLéon BernardFirst feature length French film adaptation of the story of former convict Jean Valjean who is hunted down by ruthless inspector Javert in mid 19th century France. Released in four parts, like a serial.
- DirectorHarry PielStarsLudwig Trautmann
- DirectorHarry PielStarsLudwig Trautmann
- DirectorHarry PielStarsLudwig Trautmann
- DirectorHarry PielStarsLudwig Trautmann
- DirectorHarry PielStarsLudwig Trautmann
- DirectorGilbert M. 'Broncho Billy' AndersonStarsGilbert M. 'Broncho Billy' AndersonEvelyn SelbieTrue BoardmanAfter holding up a stage-coach, Broncho Billy disappears into the woods on horseback. The driver of the coach unhitches one of the horses and rides to the nearest town, notifies the sheriff, who goes in pursuit with the posse. Broncho abandons his horse and takes to the underbrush. The sheriff and his men, finding the horse riderless, dismount and take up the trail. Broncho is finally seen by the sheriff, who shoots at him. Broncho, returning fire, kills him. Years later the sheriff's widow is in destitute circumstances through the loss of her husband. The baby, now a boy of about eight years, discovers Broncho Billy in the woods, suffering from loss of blood and lack of food. He gives Broncho a piece of bread and returns to the shack for more. During this brief period Broncho faints, and is found unconscious by the returning boy, who runs and tells his mother. She carries Broncho into her home, where, on reviving he recognizes a picture on the wall as that of the former sheriff. Taking a reward notice out of his pocket that offers $5,000 for his capture, dead or alive, he writes on the bottom of it: "Sheriff, I'm a goner. This woman is entitled to the reward. Please see that she gets it." After his death the widow notifies the sheriff. He has the body removed, then OK's the note left by the dead outlaw and assures the widow she will receive the reward. With her boy clasped in her arms she watches the posse disappear down the rugged trail.
- DirectorGilbert M. 'Broncho Billy' AndersonStarsGilbert M. 'Broncho Billy' AndersonEvelyn SelbieTrue BoardmanAfter holding up a stage-coach, Broncho Billy disappears into the woods on horseback. The driver of the coach unhitches one of the horses and rides to the nearest town, notifies the sheriff, who goes in pursuit with the posse. Broncho abandons his horse and takes to the underbrush. The sheriff and his men, finding the horse riderless, dismount and take up the trail. Broncho is finally seen by the sheriff, who shoots at him. Broncho, returning fire, kills him. Years later the sheriff's widow is in destitute circumstances through the loss of her husband. The baby, now a boy of about eight years, discovers Broncho Billy in the woods, suffering from loss of blood and lack of food. He gives Broncho a piece of bread and returns to the shack for more. During this brief period Broncho faints, and is found unconscious by the returning boy, who runs and tells his mother. She carries Broncho into her home, where, on reviving he recognizes a picture on the wall as that of the former sheriff. Taking a reward notice out of his pocket that offers $5,000 for his capture, dead or alive, he writes on the bottom of it: "Sheriff, I'm a goner. This woman is entitled to the reward. Please see that she gets it." After his death the widow notifies the sheriff. He has the body removed, then OK's the note left by the dead outlaw and assures the widow she will receive the reward. With her boy clasped in her arms she watches the posse disappear down the rugged trail.
- DirectorGilbert M. 'Broncho Billy' AndersonStarsGilbert M. 'Broncho Billy' AndersonEvelyn SelbieTrue BoardmanAfter holding up a stage-coach, Broncho Billy disappears into the woods on horseback. The driver of the coach unhitches one of the horses and rides to the nearest town, notifies the sheriff, who goes in pursuit with the posse. Broncho abandons his horse and takes to the underbrush. The sheriff and his men, finding the horse riderless, dismount and take up the trail. Broncho is finally seen by the sheriff, who shoots at him. Broncho, returning fire, kills him. Years later the sheriff's widow is in destitute circumstances through the loss of her husband. The baby, now a boy of about eight years, discovers Broncho Billy in the woods, suffering from loss of blood and lack of food. He gives Broncho a piece of bread and returns to the shack for more. During this brief period Broncho faints, and is found unconscious by the returning boy, who runs and tells his mother. She carries Broncho into her home, where, on reviving he recognizes a picture on the wall as that of the former sheriff. Taking a reward notice out of his pocket that offers $5,000 for his capture, dead or alive, he writes on the bottom of it: "Sheriff, I'm a goner. This woman is entitled to the reward. Please see that she gets it." After his death the widow notifies the sheriff. He has the body removed, then OK's the note left by the dead outlaw and assures the widow she will receive the reward. With her boy clasped in her arms she watches the posse disappear down the rugged trail.
- DirectorGilbert M. 'Broncho Billy' AndersonStarsGilbert M. 'Broncho Billy' AndersonEvelyn SelbieTrue BoardmanAfter holding up a stage-coach, Broncho Billy disappears into the woods on horseback. The driver of the coach unhitches one of the horses and rides to the nearest town, notifies the sheriff, who goes in pursuit with the posse. Broncho abandons his horse and takes to the underbrush. The sheriff and his men, finding the horse riderless, dismount and take up the trail. Broncho is finally seen by the sheriff, who shoots at him. Broncho, returning fire, kills him. Years later the sheriff's widow is in destitute circumstances through the loss of her husband. The baby, now a boy of about eight years, discovers Broncho Billy in the woods, suffering from loss of blood and lack of food. He gives Broncho a piece of bread and returns to the shack for more. During this brief period Broncho faints, and is found unconscious by the returning boy, who runs and tells his mother. She carries Broncho into her home, where, on reviving he recognizes a picture on the wall as that of the former sheriff. Taking a reward notice out of his pocket that offers $5,000 for his capture, dead or alive, he writes on the bottom of it: "Sheriff, I'm a goner. This woman is entitled to the reward. Please see that she gets it." After his death the widow notifies the sheriff. He has the body removed, then OK's the note left by the dead outlaw and assures the widow she will receive the reward. With her boy clasped in her arms she watches the posse disappear down the rugged trail.
- DirectorGilbert M. 'Broncho Billy' AndersonStarsGilbert M. 'Broncho Billy' AndersonEvelyn SelbieTrue BoardmanAfter holding up a stage-coach, Broncho Billy disappears into the woods on horseback. The driver of the coach unhitches one of the horses and rides to the nearest town, notifies the sheriff, who goes in pursuit with the posse. Broncho abandons his horse and takes to the underbrush. The sheriff and his men, finding the horse riderless, dismount and take up the trail. Broncho is finally seen by the sheriff, who shoots at him. Broncho, returning fire, kills him. Years later the sheriff's widow is in destitute circumstances through the loss of her husband. The baby, now a boy of about eight years, discovers Broncho Billy in the woods, suffering from loss of blood and lack of food. He gives Broncho a piece of bread and returns to the shack for more. During this brief period Broncho faints, and is found unconscious by the returning boy, who runs and tells his mother. She carries Broncho into her home, where, on reviving he recognizes a picture on the wall as that of the former sheriff. Taking a reward notice out of his pocket that offers $5,000 for his capture, dead or alive, he writes on the bottom of it: "Sheriff, I'm a goner. This woman is entitled to the reward. Please see that she gets it." After his death the widow notifies the sheriff. He has the body removed, then OK's the note left by the dead outlaw and assures the widow she will receive the reward. With her boy clasped in her arms she watches the posse disappear down the rugged trail.
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