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- DirectorIon De SosaStarsManolo MarínMoisés RichartMarta BassolsIt is the year 2052, on Earth, in Spain, and the final days of almost everything. The city is a string of abandoned construction sites. Everyday there are fewer people and not all of them are human. A sheep costs four and a half million pesetas and you have to spend a lot of bullets to pay for one.
- DirectorPeter B. HuttonThis is a soundless story of the building of 'Toledo Spirit', the container ship, its sailing and eventual beaching. Insignificant men crawl on cranes and gantries to build it and other men, sans the equipment, scrape it after beaching.
- DirectorDanièle HuilletJean-Marie StraubStarsGianni BuscarinoVittorio VigneriAngela NugaraA man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow train passengers, his mother, and a knife-sharpener.
- DirectorDanièle HuilletJean-Marie StraubStarsFranco FortiniLuciana NissimAdriano ApràThe film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text.
- DirectorDeborah StratmanA meditation on freedom and technological approaches to manifest destiny.
- DirectorDeborah StratmanStarsJoaquin de la PuenteA night flight through hysteria and police surveillance in suburban America.
- DirectorJames BenningStarsFred GardnerLandscape shots of Utah with narration chronicling its history by way of The New York Times excerpts from the 1850s to the 1990s.
- DirectorWeikai HuangFootage collected from a dozen amateur videographers woven into a unique city symphony of social dysfunction.
- DirectorEdgar ReitzUla StöcklStarsKristine de LoupBruno BendelAlf Brustellin"Das Kübelkind" is a figure of art: in every story society forces her to learn something. But she, grown up from the moment of her birth, always learns something more than was demanded of her without being asked.
- DirectorEdgar Reitz
- DirectorBernhard DörriesEdgar Reitz
- DirectorKazuo HaraStarsKazuo HaraMiyuki TakedaSachiko KobayashiIn this uncomfortably intimate film, documentary filmmaker Kazuo Hara visits his ex-girlfriend Miyuki and records her new relationships.
- DirectorWenguang WuStarsWenguang WuZhang YuanWang ZhutianThis documentary shows how different young people try to realize their dreams or become famous through the film industry. One of the main characters of this documentary is named Wang, a young man from the countryside, aged 28. He comes to Beijing out of a love for cinema; however, all he can do every day is line up outside the gate of a film studio in hope of landing a job as an extra, getting 30RMB for one day! During his stay in Beijing he writes a film script based on his own experience in Beijing as an extra. He thinks his play presents the darkness and desperation of survival in China. Then he wants to find an investor or a director who can produce his play as an "underground film", because in his opinion many Chinese directors are successful on the international stage through this way. In the process of searching he meets some directors and producers (including some underground film people), some famous some not, and also some businessmen, people from the film censorship authority as well as some students from the cinema institute. In fact in Beijing his life is very hard - with no money, or a stable place to sleep. In the summer he has to sleep on the roof of a school dormitory. Finally Wang fails to realize his dream, and he will never see his film made. Another character is also a young man from the countryside. His name is Xiao Wu, 19 years old. His love of cinema is shown in his chosen occupation of selling pirated DVDs, some of which are quite famous foreign films, for example some award-winners from the Berlin, Venice, and Cannes Film Festival. Everyday he puts all his DVDs into a bag and goes out on his bike to find his frequent customers, young people or students who are film buffs or involved in filmmaking. Apart from these two characters, this documentary also features young girls who dream of becoming movie stars. We learn of their love of film and their ideas about life as they audition for a role. "Throughout this process not only am I the maker of this documentary, but also a person who is puzzled about why we make films. Of course I also appear in this documentary, and never hide my bewilderment, or the conflicts between my characters and me. For example, Wang assails me that I use his miserable story for my own reputation." (Wu Wenguang)
- DirectorChantal AkermanStarsChantal AkermanNiels ArestrupClaire Wauthion'Je' is a girl voluntarily lock up in a room. 'Tu' is the script. 'Il' is a lorry driver. 'Elle' is the girlfriend.
- DirectorJem CohenStarsMiho NikaidoMira BillotteTarik O'ReganAs regional character disappears and corporate culture homogenizes our surroundings, it's increasingly hard to tell where you are. Actual malls, theme parks, hotels and corporate centers worldwide are joined into one "superlandscape" which shapes the lives of two women caught within it. One is a corporate executive, the other a young drifter.
- DirectorJem CohenStarsMonroe D. CohenTodd James Colby
- DirectorJames BenningStarsRhonda BellElion SucherIn "Landscape Suicide" Benning continues his examination of Americana through the stories of two murderers. Ed Gein was a Wisconsin farmer and multiple murderer who taxidermied his victims in the 1950s. Bernadette Prott was a California teenager who stabbed a friend to death over an insult in 1984. Benning's distanced approach to such grisly material is as far removed as possible from sensationalism, however. Although the acts of murder are both bizarre and violent, Benning dwells on them only minimally, emphasizing instead the details of psychological motivation, which in both cases seem frighteningly mundane. Benning has created a script which is a masterpiece of understated colloquial writing, and the actors he employs to re-enact confessional testimony and incidents recounted in trial transcripts perform with a flatly convincing lack of affect reminiscent of Gary Gilmore. The two monologues are embedded in Benning's characteristic meditations of landscape: long shots of the Wisconsin farmlands, general stores, dirt roads and pick-up trucks, and the carefully tended lawns, swimming pools, sprawling bungalows and malls of the middle-class California suburb. These images are offered in the classically spare mise-en-scene which Benning has perfected in his work as a cinematic poet of the contemporary American environment. Here, in his most accessible film so far, the beautiful, open vistas are dense with the significance of the catastrophes they engendered
- DirectorJames BenningLos Angeles is depicted in 35 stationary shots, each 2 1/2 minutes long, in this non-narrative film.
- DirectorMichael SnowOne of most influential films in avant-garde cinema, this experimental film by Michael Snow was shot over a period of 24 hours using a robotic arm, and consists entirely of preprogrammed movements. Snow programmed all the robotic movements so that they never moved the same way twice, so there are differences in every motion of the camera.
- DirectorJem Cohen
- DirectorNapoleon A. ChagnonStarsNapoleon A. ChagnonDedeheiwäThis film is an exceptionally vivid portrayal of shamanic activity, as well as an exploration of the close connection between politics and shamanism in Yanomamo culture. The shaman plays a vital role in Yanomamo society, for it is he who calls, commands, and often is possessed by spirits, or hekura. "Like myriad glowing butterflies dancing in the sky," the hekura come down invisible trails from the mountain tops when they are summoned. A powerful shaman such as Dedeheiwa, who is known even in distant villages, manipulates not only the spirits of the mountains but also those that live within his own body. The body is a vehicle for the hekura: lured by beautiful body paint, they enter the feet and eventually settle in the chest. MAGICAL DEATH shows how shamanic drama is enacted, led by Dedeheiwa. Dedeheiwa and other shamans prepare by taking hallucinogenic drugs which enable them to speak to and become the spirits. Dedeheiwa calls a "hot and meat-hungry" hekura to devour the children's souls with fire. Then the shamans become their victims, as they writhe like dying children in a pile of ashes. Becoming hekura spirits again, they devour the ashes representing the dead children. The first day's drama ends when Dedeheiwa himself falls unconscious, attacked by a magical hook sent from another enemy. The second day, the elaborate drama resumes, as Dedeheiwa becomes a young man from the enemy village who dodges the shamans' attacks but eventually is destroyed.
- DirectorPere PortabellaStarsLucia BosèMario CabréRamón JuliaA woman walks by her home and finally takes a shower - She buy colored fabrics in a trade. A man visiting a post office - Succession of scenic pictures and semi-autonomous fading almost always unexpected. A series of situations or suite, though apparently unrelated, revolve around a thematic development that gives body and drive the story without resorting to the use of an anecdote as plot continuity.
- DirectorOmer FastStarsEd SpeleersCush JumboTom SturridgeA large black box crashes through the sky, landing on a man's head. He spends months recovering, having lost all memory. After a multi-million pound settlement, he becomes increasingly extravagant in enacting fragments of memory.
- DirectorWang Wo
- DirectorKidlat TahimikStarsKidlat TahimikMang FelyDolores SantamariaA Filipino jeepney driver (Kidlat Tahimik) who idolizes America's space program comes to reject the rapid encroachment of technology.