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Denis Villeneuve is a French Canadian film director and writer. He was born in 1967, in Trois-Rivières, Québec, Canada. He started his career as a filmmaker at the National Film Board of Canada. He is best known for his feature films Arrival (2016), Sicario (2015), Prisoners (2013), Enemy (2013), and Incendies (2010). He is married to Tanya Lapointe.- Director
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After studying Canadian politics and international relations, Philippe Falardeau was chosen in 1993 as a contestant for the popular TV series La course destination monde (1988) (a contest were the participants tour the world making short films). There, he shot 20 films and ended up winning the race as well as the IDRC Award.
In 1995, he collaborated with director Jacques Godbout to co-write Le sort de l'Amérique (1997) a National Film Board of Canada documentary.
Two years later, he returned to the NBF to direct a medium length documentary on Chinese immigration in Canada, called Pâté chinois (1997). The film was presented at the Montreal World Film Festival and won Best Screenplay Award at the Yorkton Film Festival.
In 2000, he directed his first theatrical feature film, La moitié gauche du frigo (2000) (The Left-Hand Side of the Fridge). The film was a big success in Canada, and screened in numerous festivals around the world including Rotterdam, London, Paris, Seattle, Vancouver and Montreal. At the Toronto Film Festival, La Moitie gauche du frigo won the City TV Award for Best Canadian First Feature and at the Canadian Genie, the Claude Jutra Award. In France, the film was distributed theatrically by Pierre Grise Distribution.
With Congorama (2006), released in 2006, Falardeau made his second feature length film, a Canada/Belgium/France coproduction. Distributed theatrically in Quebec as in Europe, the film rapidly won audience's and critique's hearts, and remarkably distinguished itself at the numerous festivals at which it was presented. After being premiered at the Director's Fortnight in Cannes, as the closing night film, "Congorama" made its way to San Francisco, Toronto, Pusan, Goteborg and to New Directors / New Films at New York Moma. In addition to earning 5 Jutra's Awards, including Best Film, Best Direction and Best Screenplay, it also won the Best Screenplay Award at the Genies in 2007.
In September 2008, his third feature It's Not Me, I Swear! (2008) (English title: It's Not Me, I Swear!) premiered at the TIFF. It won the Best Film Award and the International Jury Award in the Generation section at the 2009 Berlin Film Festival.- Writer
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One of Québec's most politically aware filmmakers, Denys Arcand studied history at Université de Montréal, where he co-directed Seul ou avec d'autres (1962) with Denis Héroux and co-written with Stéphane Venne. He joined the National Film Board (NFB) in 1963, where his feature-length documentary on the textile industry, On est au coton (1970), was so controversial it was suppressed for 6 years. He made another fine documentary, Québec: Duplessis et après... (1972), before leaving the NFB for the private sector. La maudite galette (1972), Réjeanne Padovani (1973) and Gina (1975) were distinctive views of Québec society, original and provocative. All 3 used the gangster film as a source while distorting many of its conventions. He then moved to TV, scripting the Duplessis (1978) series for Radio-Canada and directing 3 episodes of Empire, Inc. (1983). He returned to the NFB to make a documentary on the 1980 referendum, Le confort et l'indifférence (1982), which revealed growing cynicism about the political process. It won the Québec Critics Prize.
He returned to commercial filmmaking after a hiatus of 10 years with The Crime of Ovide Plouffe (1984), before achieving major success with the scathing comedy about sexual mores, The Decline of the American Empire (1986) (The Decline of the American Empire), a film that won numerous prizes, including the prestigious Critic's Prize at the Cannes Film Festival. The New York Film Critics voted it Best Foreign Film in 1986 and it won Best Picture, Best Director and Best Original Screenplay at the 1987 Genies. It was also nominated as Best Foreign Film by the Academy of Motion Picture Arts and Science. Jesus of Montreal (1989) confirmed Arcand's international reputation, winning the Jury prize at the Cannes Film Festival. It won 10 Genies, including Best Picture and Director, and was nominated in the Best Foreign Film category by the Academy. Arcand then moved into English-language production in an attempt to break into a larger international market. Love and Human Remains (1993), his first feature in English, was followed by Stardom (2000), a film that looked at the world of fashion. Neither achieved the subtlety and texture of his earlier work.
The overwhelming success of The Barbarian Invasions (2003), which marked both a return to the French language and to the characters who had peopled The Decline of the American Empire (1986), showed that Arcand had lost none of his powers of observation. The film won two awards at the Cannes Film Festival (best screenplay, and best actor for Marie-Josée Croze), Best Canadian Feature Film at the Toronto International Film Festival and the prestigious Oscar for Best Foreign Film. In 2005 Arcand was named Companion of the Order of Canada, which recognizes individuals for exceptional achievements of national or international significance.- Actor
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Robert Lepage is one of the foremost stage directors today and a leading figure in the Canadian avant garde, attracting particular attention for his multimedia-rich theatrical presentations as well as his innovative work with Shakespearian drama and opera.- Director
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Jean-Marc Vallée was a Canadian filmmaker, editor and screenwriter from Montreal. He directed Black List, C.R.A.Z.Y., The Young Victoria, Wild, Dallas Buyers Club, Los Locos, Loser Love and Café de Flore. He also created the HBO shows Big Little Lies and Sharp Objects. He was married to Chantal Cadieux and had two sons. He passed away on Christmas Day 2021.- Director
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Louis Bélanger was born in 1964 in Beauport, Quebec, Canada. He is a director and writer, known for Post Mortem (1999), Gaz Bar Blues (2003) and Vivre à 100 milles à l'heure (2019).