PREDATOR franchise (2010s decade)
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If you disagree with my picks, remember, this is all opinion based. So comment below if you like or dislike my choices for this list.
If you disagree with my picks, remember, this is all opinion based. So comment below if you like or dislike my choices for this list.
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- Actor
- Stunts
Brian A. Prince is known for The Predator (2018), Black Panther (2018) and Captain America: Civil War (2016).The Predator- Actress
- Producer
- Director
Elpidia Carrillo was born on 16 August 1961 in Paracuaro, Michoacan, Mexico. She is an actress and producer, known for Predator (1987), Salvador (1986) and Nine Lives (2005).Anna- Actor
- Producer
- Composer
Adrien Nicholas Brody was born in Woodhaven, Queens, New York, the only child of retired history professor Elliot Brody and Hungarian-born photographer Sylvia Plachy. He accompanied his mother on assignments for the Village Voice, and credits her with making him feel comfortable in front of the camera. Adrien attended the American Academy of Dramatic Arts and LaGuardia High School for the Performing Arts in New York.
Despite a strong performance in The Thin Red Line (1998), time constraints forced the director to edit out much of Adrien's part. In spite of his later work with Spike Lee and Barry Levinson, he never became the star many expected he would become until Roman Polanski called on him to play a celebrated Jewish pianist in Nazi-occupied Warsaw. He pulled off a brilliant performance in The Pianist (2002), drawing on the heritage and rare dialect of his Polish-born grandmother, as well as his father, who lost family members during the Holocaust, and his mother, who fled Communist Hungary as a child during the 1956 uprising against the Soviet Union.The male lead- Actress
- Producer
- Director
Alice Braga Moraes born April 15, 1983 is a Brazilian actress. She has appeared in several Brazilian films, most notably as Angélica in 2002's highly acclaimed City of God and as Karina in 2005's Lower City. She came to international prominence after appearing opposite Will Smith in I Am Legend (2007) and has since become a familiar face in Hollywood, appearing in films such as Repo Men and Predators (both 2010), The Rite (2011) and Elysium (2013).The female lead- Actor
- Producer
Mahershala Ali is fast becoming one of the freshest and most in-demand faces in Hollywood with his extraordinarily diverse skill set and wide-ranging background in film, television, and theater.
He can be seen in the independent feature film, Moonlight, as well as reprising his role in The Hunger Games: Mockingjay - Part 2, Gary Ross's civil war era drama The Free State of Jones, and Netflix's award-winning series House of Cards as well as Marvel's Luke Cage.
Ali's previous feature film credits include Derek Cianfrance's The Place Beyond the Pines, Wayne Kramer's Crossing Over, John Sayles' Go For Sisters, and David Fincher's The Curious Case of Benjamin Button.
Again on television, he appeared opposite Julia Ormond in Lifetime's The Wronged Man for which he subsequently received an NAACP Nomination for Best Actor. Ali also had a recurring role on Syfy's Alphas, as well as the role of Richard Tyler, a Korean War pilot, on the critically acclaimed drama The 4400 for three seasons.
On the stage, Ali appeared in productions of Blues for an Alabama Sky, The School for Scandal, A Lie of the Mind, A Doll's House, Monkey in the Middle, The Merchant of Venice, The New Place and Secret Injury, Secret Revenge. His additional stage credits include appearing in Washington, D.C. at the Arena Stage in the title role of The Great White Hope, and in The Long Walk and Jack and Jill. In February 2016, Ali made his New York Broadway debut in Kenny Leon's Smart People.
Born in Oakland, California and raised in Hayward, Ali received his Bachelor of Arts degree in Mass Communications at St. Mary's College. He made his professional debut performing with the California Shakespeare Festival in Orinda, California. Soon after, he earned his Master's degree in acting from New York University's prestigious graduate program.The male supporting role- Actress
- Writer
Lisa Olivia Munn was born in Oklahoma City, Oklahoma. Her mother, Kimberly Schmid, lived in Vietnam, and is of Chinese ancestry, while her father, Winston Barrett Munn, is from a family with deep roots in the American South. Olivia's parents divorced when she was two years old, and she was raised by her mother and stepfather, a member of the United States Air Force. Although the family departed Oklahoma and resided in many locations, she was mainly raised in Tokyo, Japan. During this time, she appeared in a number of local theater productions and later became a model in the Japanese fashion industry. When the family eventually returned to the United States, Olivia moved to Los Angeles to pursue her dream of becoming an actress. After a few small roles, her career took a very promising turn when she landed the role of Mily Acuna on the Hawaii-lensed TV series Beyond the Break (2006) and the role of Rob Schneider's receptionist in Big Stan (2007). She hosts "The Daily Nut" and the "Formula D" Podcasts on G4.The female supporting role- Casting Director
- Casting Department
- Producer
Mary Vernieu was born on 9 July 1963 in California, USA. She is a casting director and producer, known for Knives Out (2019), Glass Onion (2022) and Promising Young Woman (2020).casting director #1- Cinematographer
- Camera and Electrical Department
Gyula Pados is a Hungarian born, Los Angeles based Director of Photography who has worked on dozens of incredibly successful films, music videos, and international commercial campaigns. His European carrier started with the Hungarian film KONTROLL that won the Gold Hugo Award at the Chicago International Film Festival. He won one of the most prestigious cinematography awards, the Golden Frog Award, at Camerimage International Film Festival for cinematography in FATELESS. His other film, THE DUCHESS, was nominated for the Golden Frog as well. FATELESS was nominated for the European Film Award for Best Cinematography and it won several other cinematography prizes around the world. After, Gyula moved to America where he collaborated with Craig Gillespie on MILLION DOLLAR ARM. Then, he worked on the extremely successful Maze Runner trilogy, THE SCORCH TRIALS and THE DEATH CURE, with director Wes Ball. Gyula was the cinematographer on the block buster movie, JUMANJI : WELCOME TO THE JUNGLE, and the upcoming sequel, JUMANJI : THE NEXT LEVEL, with director Jake Kasdan.cinematographer- Editor
- Editorial Department
- Sound Department
Dan Zimmerman was born on 8 April 1974 in Los Angeles, California, USA. He is an editor, known for Kingdom of the Planet of the Apes (2024), The Maze Runner (2014) and The Christmas Chronicles: Part Two (2020). He has been married to Joan Zimmerman since 20 September 2003. They have two children.editor- Composer
- Music Department
- Soundtrack
In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films Silvestri has composed some of the most recognizable and beloved themes in movie history. His efforts have been recognized with two Oscar nominations, two Golden Globe nominations, three Grammy awards, two Emmy awards, and numerous International Film Music Critics Awards, Saturn Awards, and Hollywood Music In Media Awards.
Born in New York City and raised in Teaneck, New Jersey, Silvestri first dreamed of becoming a jazz guitar player. After spending two years at the Berklee School of Music in Boston, he hit the road as a performer and arranger. Landing in Hollywood at the age of 22, he found himself successfully composing the music for 1972's "The Doberman Gang" which established his place in the world of film composing.
The 1970s witnessed the rise of energetic synth-pop scores, establishing Silvestri as the action rhythmatist for TV's highway patrol hit "CHiPs." This action driven score caught the ear of a young filmmaker named Robert Zemeckis, whose hit film, 1984's "Romancing the Stone," was the perfect first date for the composer and director. It's success became the basis of a decades long collaboration that continues to this day. Their numerous collaborations have taken them through fascinating landscapes and stylistic variations, from the "Back to the Future" trilogy to the jazzy world of Toontown in "Who Framed Roger Rabbit?" the tension filled rooms of "What Lies Beneath" and "Death Becomes Her", to the cosmic wonder of "Contact;" the emotional isolation of "Castaway", to the magic of the "Polar Express". But perhaps no film collaboration defines their creative relationship better than Zemeckis' 1994 Best Picture winner, "Forrest Gump", for which Silvestri's gift for melodically beautiful themes earned him an Oscar and Golden Globe nomination and the affection of film music lovers everywhere. This 35 year, 21 film collaboration includes such recent films as "Flight", "Allied" and most recently "Welcome To Marwen". Zemeckis and Silvestri are currently working on "The Witches" based on Roald Dahl's 1973 classic book scheduled for release in October of 2020.
Though the Zemeckis/Silvestri collaboration is legendary, Silvestri has scored films of every imaginable style and genre. His energy has brought excitement and emotion to the hard-hitting orchestral scores for Steven Spielberg's "Ready Player One", James Cameron's "The Abyss" as well as "Predator" and "The Mummy Returns." Alan's diversity is on full display in family entertainment films such as "The Father of the Bride 1 and 2", "Parent Trap", "Stuart Little 1 and 2", Disney's "Lilo and Stitch", "The Croods" as well as "Night at the Museum 1, 2 and 3" while his passion for melody fuels the romantic emotion of films like "The Bodyguard" and "What Women Want".
Most recently, Alan has composed the music for Marvel's "Avengers: Endgame." The film is the culmination of a partnership with Marvel that began in 2011 with Alan's dynamically heroic score for "Captain America: The First Avenger" followed by "Avengers". Since 2011 Alan's collaboration with Marvel helped propel "The Avengers" and "Avengers: Infinity War" to spectacular world-wide success.
Silvestri's success has also crossed into the world of songwriting. His partnership with Six-Time Grammy Award winner Glen Ballard has produced hits such as the Grammy-winning and Oscar-nominated song "Believe" (Josh Groban) for "The Polar Express", "Butterfly Fly Away" (Miley Cyrus) for "Hannah Montana The Movie", "God Bless Us Everyone" (Andrea Bocelli) for "A Christmas Carol" and "A Hero Comes Home" (Idina Menzel) for "Beowulf".
Alan and his wife Sandra are long time residents of California's central coast. In 1998 the Silvestri family embarked on a new venture as the founders of Silvestri Vineyards. Their wines show that lovingly cultivated fruit has a music all its own. "There's something about the elemental side of winemaking that appeals to me," he says. "Both music making and wine making involve a magical blending of art and science. Just as each note brings it own voice to the melody, each vine brings it's own unique personality to the wine."
Their other great passion is the ongoing search for the cure to Type 1 Juvenile Diabetes. With the diagnosis of their son at two years of age (now 29) they continue to work the Juvenile Diabetes Research Foundation and dream of the day this disease (and all of the suffering it brings to so many) will finally become a thing of the past.music score- Art Department
- Production Designer
- Additional Crew
Caylah Eddleblute is known for Alita: Battle Angel (2019), Hypnotic (2023) and Kill Bill: Vol. 1 (2003).production designer #2- Costume Designer
- Costume and Wardrobe Department
- Additional Crew
costume designer- Make-Up Department
- Actor
- Director
Scott H. Eddo was born on 14 August 1952 in Los Angeles, California, USA. He is an actor and director, known for Predator (1987), Top Gun (1986) and Die Hard (1988).makeup designer- Make-Up Department
- Producer
- Special Effects
Gifted SFX and make-up wizard, who learned his trade under the watchful eye of SFX splatter guru Tom Savini. Nicotero and buddies, Howard Berger and Robert Kurtzman started KNB Efx Group in 1988 and the group has provided eye-popping & jaw dropping special effects for major Hollywood releases including The Green Mile (1999), Vanilla Sky (2001), Sin City (2005) and Land of the Dead (2005).special makeup and creature effects designer- Visual Effects
- Animation Department
- Art Department
Chris Olivia was born on 13 December 1967 in Bridgeport, Connecticut, USA. He is known for Alita: Battle Angel (2019), Predators (2010) and Planet Terror (2007).visual development- Visual Effects
- Art Department
- Art Director
Alex Toader was born on 8 April 1968 in Bucharest, Romania. He is an art director, known for Alita: Battle Angel (2019), Predators (2010) and Spy Kids (2001).concept art- Art Department
Marc Baird is known for Dawn of the Planet of the Apes (2014), Nope (2022) and Alita: Battle Angel (2019).storyboard/s- Sound Department
- Director
- Producer
Paula Fairfield is a 3x Emmy and BAFTA award winning sound designer for TV, film, commercials, and basically anything that makes noise. Her passion is high concept sound design and her main interest is working with visionary creators, which is clearly reflected in her resume and her background as an artist. Paula grew up in Nova Scotia and has a BFA and an Honorary Doctorate of Fine Arts from NSCAD University in Halifax, N.S. Her art work resides in several collections worldwide, including the National Gallery of Canada. She sits on the Advisory Board of Northwestern University, the Executive Sound Peer Committee of the Television Academy, the advisory committee for AVID, and is a member of the Film Academy and the MPSE.
She loves her dogs and they have often contributed their voices and spirits to her work.sound designer- Special Effects
- Art Department
- Actor
Bob Trevino is a Emmy nominated special effects supervisor and technician for film and television who has worked on such films as "Alita: Battle Angel", "Lazer Team", "Predators", "The Ringer", "Open Range", "Shanghai Noon", and televisions shows "From Dusk Till Dawn", "The Good Guys", and "Walker, Texas Ranger", to name a few. Guided by his Army helicopter pilot/ shade tree engineer father, his work ethic and problem solving skills were honed during his youth. His passion for film work started at an early age and he pursued his career shortly after college; moving to Dallas and starting his work in film during the summer of 1990. Bob's degree in electronic engineering and experience in mechanical engineering/ robotics made him an important part of an established Dallas special effects group that was led by FX veteran, Jack Bennett. Many television shows, commercials, and features later, Bob has built a career that utilizes invaluable experience from film and trades craftsmen alike. He has surrounded himself with people who never settle and share the same drive to make every project safe, unique, and important.special effects supervisor- Visual Effects
- Additional Crew
Joel grew up in the Chicago area and was the son of famous astronomer J. Allen Hynek who spearheaded the investigation of UFOs for the U.S. Air Force in the 1950s, including Project Blue Book. Joel experimented with rocketry as he grew up, and he enjoyed the visual effects he could produce. His brother is Paul Hynek.visual effects supervisor- Stunts
- Actor
- Second Unit Director or Assistant Director
Lance Gilbert is the official stunt double for actor Mel Gibson (since 1997). Lance has been credited as stunt coordinator, stunt double, stunt performer, and sometimes as an actor in almost one hundred movies.
As a stunt coordinator, Lance Gilbert is best known for The Final Destination (2009), The Eye (2008), Planet Terror (2007), Terminator 3: Rise of the Machines (2003), and xXx (2002).
In 2001, Lance Gilbert has been nominated for a Taurus award for Best Work with an Animal for his work on The Patriot (2000). In 2003, Lance Gilbert won a Taurus award for Best Stunt Coordinator for his work on xXx (2002).stunt coordinator- Born in London and grew up in Cooperstown, NY, & New York City, Young graduated with honors from Williams College in 1993, with a dual degree in Political Science and History. Young's father was British entrepreneur Paul Young, who created the New York City boutique, Paraphernalia, in the 1960s and was credited with bringing mod fashion, including the mini skirt trend, to America.
Upon graduation, Young moved to Los Angeles and his first job was as a runner on the Chevy Chase talk show. After the show ended, he became an assistant to John Goldwyn, President of Paramount Pictures. He was promoted a year later to Creative Executive and then Vice-President of Production, where he was involved in Lara Croft: Tomb Raider, The Sum of All Fears, Sleepy Hollow, The Talented Mr. Ripley, Paycheck and Deep Impact. In 2002, Hutch Parker brought Young to 20th Century Fox where he was named Vice-President of Production. In 3 years, Young was promoted from Vice President to Senior Vice President to Executive Vice President, working on films such as X-Men 2: X-Men United, X-Men: The Last Stand, Live Free or Die Hard, and Fantastic Four. In January 2007, Young was promoted to Co-President of Production. Forming Giant Pictures in 2010, Young has subsequently produced Unstoppable, The A-Team, Wall Street: Money Never Sleeps, Predators, A Good Day to Die Hard, Hitman: Agent 47, and Ford Vs. Ferrari, collectively grossing over $1 billion.executive producer - Producer
- Writer
- Director
Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.producer- Director
- Actor
- Writer
Antal was born in Los Angeles, California of Hungarian ancestry. He moved to Hungary in 1991 to study at the Hungarian Film Academy. After graduating, he went on to work in the film and television industry. In 2005, he moved back to his hometown of Los Angeles to pursue success in Hollywood.
He is best known for writing and directing the Hungarian-language film Control (2003), which won numerous awards, including the Award of the Youth at the 2004 Cannes Film Festival and the Golden Hugo (main prize) at the Chicago International Film Festival, as well as a European Film Award nomination for Best Director. The backdrop of the film is the Budapest Metro subway system. Kontroll, refers to the act of ticket inspectors checking to ensure a rider has paid their fare.
Antal's first American feature film, Vacancy (2007), starring Kate Beckinsale and Luke Wilson, was released on April 20, 2007. His second American film, Armored (2009), was released in December 2009.
Robert Rodriguez hired him to direct Predators (2010).writer #3 / director