My 2014 Emmy Ballot - Outstanding Guest Actress in a Comedy Series
I watch a lot of TV, & with Emmy nominations around the corner here is my list for what I would nominate in each major category. I'll go with 6 nominees in each category and denote my choice for winner.
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- Actress
- Producer
- Writer
Pamela Adlon comes from an acting family and began her career in television in 1983. She has appeared in many popular TV shows, including as a voice actress in a number of animated TV series including, most famously, King of the Hill (1997) for which she won an Emmy for her role as Bobby Hill.Herself - "Louie"
episode - "Pamela 3"
OUTSTANDING COMEDY GUEST ACTRESS - 2014- Actress
- Producer
- Soundtrack
Aduba began earning recognition for her work in 2003, with a performance in "Translations of Xhosa" at the John F. Kennedy Center for the Performing Arts that won her a Helen Hayes Award nomination for Best Supporting Actress in a Play. Her Broadway debut was in 2007 as Toby in "Coram Boy". She was a member of the Original Revival Cast of "Godspell" at the Circle in the Square Theatre from 2011 through 2012. She also played the mother of the title character of "Venice" at The Public Theater in New York.
Her first television appearance was on the TV Series "Blue Bloods" in 2012. In 2013 she began to receive wider recognition and acclaim for her portrayal of Suzanne Warren, also known as "Crazy Eyes", in the Netflix series Orange Is the New Black (2013).Suzanne "Crazy Eyes" Warren - "Orange Is The New Black"
episode - "Lesbian Request Denied"- Actress
- Producer
- Writer
Laverne Cox is a three time Emmy-nominated actress, Emmy winning documentary film producer and a prominent equal rights advocate. Laverne's role of Sophia Burset in the critically acclaimed Netflix original series "Orange is The New Black" brought her to the attention of diverse audiences all over the world. This role lead to Laverne becoming the first openly transgender actress to be nominated for a Primetime acting Emmy.
An artist and an advocate with an empowering message of moving beyond gender expectations to live more authentically, Laverne is the first openly transgender person to appear on the covers of TIME Magazine, Cosmopolitan magazine and Essence magazines among others. She was named one of Glamour magazine's 2014 Women of the Year. Laverne also proudly holds two SAG Awards winning them with her Orange Is The New Black cast mates.
Laverne has been one of the faces of Beyonce's athleisure line, Ivy Park. She also collaborated with Orly to create "Celebrate Yourself" a Limited Edition collection of nail colors and teamed up with Ted Danson for Smirnoff's "Welcome To The Fun" campaign.
Laverne's Emmy winning documentary "Laverne Cox Presents: The T Word" helped lead her to Executive Producing two powerful documentaries. The upcoming "Disclosure: Trans Lives on Screen" is an unprecedented, groundbreaking look at the depiction of transgender characters throughout the history of film and TV and "Free CeCe" which tells the story of CeCe McDonald, a transgender woman who was controversially sentenced to 41 months in a men's prison for second degree manslaughter after defending herself against a racist and transphobic attack. The documentary focuses on McDonald's case, her experiences while incarcerated and the larger implications of her case for the transgender community and for communities of color at large.Sophia Burset - "Orange Is The New Black"
episode - "Lesbian Request Denied"- Actress
- Additional Crew
- Producer
Sally Kellerman arrived quite young on the late 1950s film and television scene with a fresh and distinctively weird, misfit presence. It is this same uniqueness that continued to make her such an attractively offbeat performer. The willowy, swan-necked, flaxen-haired actress shot to film comedy fame after toiling nearly a decade and a half in the business, and is still most brazenly remembered for her career-maker in the irreverent hit Korean War dramedy M*A*S*H (1970), for which she received supporting Oscar and Golden Globe nominations. From there, she went on to enjoy several other hallmark moments as both an actress and a vocalist.
California native Sally Clare Kellerman was born in Long Beach on June 2, 1937, to Edith (née Vaughn), a piano teacher, and John Helm Kellerman, a Shell Oil Company executive. Raised along with her sister in the San Fernando Valley area, Sally was attracted to the performing arts after seeing Marlon Brando star in the film Viva Zapata! (1952). Attending the renowned Hollywood High School as a teenager, she sang in musical productions while there, including a version of "Meet Me in St. Louis." Following graduation, she enrolled at Los Angeles City College but left after a year when enticed by acting guru Jeff Corey's classes.
Initially inhibited by her height (5'10"), noticeably gawky and slinky frame and wide slash of a mouth, Kellerman proved difficult to cast at first but finally found herself up for the lead role in Otto Preminger's "A"-level film Saint Joan (1957). She lost out in the end, however, when Preminger finally decided to give the role of Joan of Arc to fellow newcomer Jean Seberg. Hardly compensation, 20-year-old Sally made her film debut that same year as a girls' reformatory inmate who threatens the titular leading lady in the cult "C" juvenile delinquent drama Reform School Girl (1957) starring "good girl" Gloria Castillo and "bad guy" Edd Byrnes of "777 Sunset Strip" teen idol fame, an actor she met and was dating after attending Corey's workshops. Directed by infamous low-budget horror film Samuel Z. Arkoff, her secondary part in the film did little in the way of advancing her career.
During the same period of time, Sally pursued a singing career and earned a recording contract with Verve Records. The 1960s was an uneventful but growing period for Kellerman, finding spurts of quirky TV roles in both comedies ("Bachelor Father," "My Three Sons," "Dobie Gillis" and "Ozzie and Harriet") and dramas ("Lock Up," "Surfside 6," "Cheyenne," "The Outer Limits," "The Rogues," "Slattery's People" and the second pilot of "Star Trek"). Sally's sophomore film was just as campy as the first, but her part was even smaller. As an ill-fated victim of the Hands of a Stranger (1962), the oft-told horror story of a concert pianist whose transplanted hands become deadly, the film came and went without much fanfare.
Studying later at Los Angeles' Actors' Studio (West), Sally's roles increased toward the end of the 1960s with featured parts in more quality filming, including The Third Day (1965), The Boston Strangler (1968) (as a target for serial killer Tony Curtis) and The April Fools (1969). Sally's monumental break came, of course, via director Robert Altman when he hired her for, and she created a dusky-voiced sensation out of, the aggressively irritating character Major Margaret "'Hot Lips" Houlihan. Her highlighting naked-shower scene in the groundbreaking cinematic comedy M*A*S*H (1970) had audiences ultimately laughing and gasping at the same time. Both she and the film were a spectacular success with Sally the sole actor to earn an Oscar nomination for her marvelous work here. She lost that year to the overly spunky veteran Helen Hayes in Airport (1970).
Becoming extremely good friends with Altman during the movie shoot, Sally went on to film a couple more of the famed director's more winning and prestigious films of the 1970s, beginning with her wildly crazed "angelic" role in Brewster McCloud (1970), and finishing up brilliantly as a man-hungry real estate agent in his Welcome to L.A. (1976), directed by Alan Rudolph. Sally later regretted not taking the Karen Black singing showcase role in one of Altman's best-embraced films, Nashville (1975), when originally offered. Still pursuing her singing interests, she put out her first album, "Roll with the Feelin'" for Decca Records in 1972.
Films continued to be a priority and Sally was deemed a quirky comedy treasure in both co-star and top supporting roles of the 1970s. She was well cast neurotically opposite Alan Arkin in the Neil Simon comedy Last of the Red Hot Lovers (1972) and again alongside ex-con James Caan as a sexy but loony delight in Slither (1973), a precursor to the Coen Bros.' darkly comic films. She also co-starred and contributed a song ("Reflections") to the Burt Bacharach/Hal David soundtrack of the Utopian film Lost Horizon (1973), a musical picture that proved lifeless at the box office. More impressive work came with the movies A Little Romance (1979) as young Diane Lane's quirky mom; Foxes (1980) as Jodie Foster's confronting mother; Serial (1980), a California comedy satire starring Martin Mull; That's Life! (1986), a social comedy with Jack Lemmon and Julie Andrews; and Back to School (1986), comic Rodney Dangerfield's raucous vehicle hit.
Sally's films from the 1980s on were a mixed bag. While some, such as the low-grade Moving Violations (1985), Meatballs III: Summer Job (1986), Doppelganger (1993), American Virgin (1999) and Women of the Night (2001) were beneath her considerable talents, her presence in others were, at the very least, catchy such as her Natasha Fatale opposite Dave Thomas' Boris Badenov in Boris and Natasha (1992); director Percy Adlon's inventive Younger and Younger (1993), which reunited her with MASH co-star Donald Sutherland, and in Robert Altman's rather disjointed, ill-received all-star effort Ready to Wear (1994) in which she played a fashion magazine editor.
When her film output waned in later years, Sally lent a fine focus back to her singing career and made a musical dent as a deep-voiced blues and jazz artist. She started hitting the Los Angeles and New York club circuits with solo acts. In 2009, Kellerman released her first album since "Roll with The Feelin'" simply titled "Sally," a jazz and blues-fused album. Along those same lines, Sally played a nightclub singer in the comedy Limit Up (1989) Kellerman's seductively throaty voice has also put her in good standing as a voice-over artist of commercials, feature films, and television.
Among her offbeat output in millennium films were prime/featured roles in the soft-core thriller Women of the Night (2001), written and director by Zalman King, in which she played a lady deejay (she also gets to sing); the real estate musical Open House (2004) in which she played an agent (who gets to sing again); the Florida senior citizens' romantic comedy Boynton Beach Club (2005); the comedy Night Club (2011) where friends and residents start a club in a retirement home; the social dramas A Place for Heroes (2014) and A Timeless Love (2016); and the family dramedy The Remake (2016).
Divorced from Rick Edelstein, Kellerman married Jonathan D. Krane in 1980 and the couple adopted twins, Jack and Hanna. Sally was also the adoptive mother of her niece, Claire Graham. Her husband died unexpectedly in August 2016; less than three months later, daughter Hanna died from heroin and methamphetamine use. Sally died on February 24, 2022 in Los Angeles.Toni - "Maron"
episode - "Mom Situation"- Suzie Plakson (born June 3, 1958) is an American actress, singer, writer and artist. Born in Buffalo, New York, she grew up in Kingston, Pennsylvania and went to college at Northwestern University. She began her career on the stage/theater, and played four characters opposite Anthony Newley in a revival tour of "Stop the World, I Want to Get Off". She also played "Marquise Theresa Du Parc" in the Broadway incarnation of the play "La Bête".
Plakson has played a wide range of characters throughout her career. Her regular role in a television series was playing hard-bitten sportswriter "Meg Tynan" in the sitcom Love & War (1992); she did several voices on Dinosaurs (1991) and ultimately played four characters on various "Star Trek" series. There were other guest spots and recurring roles in sitcoms such as Mad About You (1992) and Everybody Loves Raymond (1996), while she was also acting in movies such as Disclosure (1994), Red Eye (2005) and Wag the Dog (1997). She wrote and performed an allegorical solo show, "An Evening with Eve".
As a singer/songwriter, Plakson released the alternative country rock album "DidnWannaDoIt!" produced by Jay Ferguson. She also sculpts and writes -- samples of both are viewable and readable on her website.Judy Eriksen - "How I Met Your Mother"
episode - "The Locket" - Actress
- Producer
- Director
Spencer is a native of Montgomery, Alabama, which she claims is the proverbial buckle of the Bible belt. She's the sixth of seven siblings and holds a BS in Liberal Arts from Auburn University. A "closet" lover of acting, this practical Alabamian knew that she'd someday work in the film industry, but never dreamed it would be in front of the camera. In 1995, acclaimed director Joel Schumacher changed all that by giving her a small part opposite Sandra Bullock in the hit film A Time to Kill, and Spencer was on her way. In 1996, she teamed up with Bullock again in Bullock's directorial debut of Making Sandwiches, a short film that premiered at the 1997 Sundance Film Festival.
Spencer made her stage debut in Los Angeles and originated the role of "LaSonia" (pronounced lasagna) in famed writer/director Del Shore's, The Trials and Tribulations of a Trailer Trash Housewife, starring opposite veteran actors Beth Grant, Dale Dickey and David Steen (2003). The play garnered Spencer and her fellow cast mates critical acclaim and a bevy of awards. Since then, Spencer has continued to see success as an actor in both film and television, working alongside Hollywood's elite. In February 2009, she was lauded by Los Angeles Times publication: The Envelope, for her brief but memorable performance in the Will Smith drama Seven Pounds.Regina - "Mom"
episode - "Jail Jail and Japanese Porn"