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- Born and raised in Los Angeles, California, the middle of three siblings, Johnny began performing from the age of 5 at a small performing arts school, making his debut as a Chanukah candle.
Pursuing the acting profession, he appeared with success in many TV and film projects, handling both drama and comedy with finesse.
Johnny was what used to be called a Renaissance Man. He was not only a superb actor, but excelled in the other arts as well. He was a prolific writer, poet and painter.
He also was a philanthropist, donating hundreds of thousands of dollars to worthy causes, as well as being an active member of a number of charitable organizations.
He had seen too many of his friends succumb to the curse of drug abuse, and so he became an outspoken advocate against drugs, using his celebrity status to speak to large groups of educators and law enforcement officials about the dangers of street and psychiatric drug abuse.
He created friends everywhere he went. And he went everywhere. Europe, Asia, South America. He slept with natives in grass huts in Southeast Asia, and was the first white man allowed passage to a sacred lake in Laos.
Of his many talents, one that he treasured was the mentoring of other artists. Many successful performers, some of whom have reached the top of their profession have ascribed their success to Johnny.
His most recent work includes Sons of Anarchy (two seasons), Felon, The Runaways, 186 Dollars to Freedom and Lovely Molly.
In late October 2011 he suffered head injuries from a motorcycle accident. Immediately thereafter his thinking and behavior took a serious turn for the worse. He was arrested on January 3, 2012 for allegedly trespassing at a neighbor's home. He was beaten violently in the head approximately 17 times before the police arrived, causing further injuries. In jail, following additional head injuries he was diagnosed by the prison medics as suffering from internal bleeding in the brain. Despite the diagnosis of Traumatic Brain Injury and despite never testing positive for drugs that year he was treated for psychosis and chemical dependency. Two more arrests followed, including near drowning (another traumatic brain incident). Symptoms of Traumatic Brain Injury include impaired judgement, sensitivity to light, and sudden inexplicable violent behavior. Typical of the misperception on the part of law enforcement officials was the often-quoted remark by the probation official who expressed that Johnny suffered from mental health issues as well as chemical dependency. Prior to his injuries Johnny had never had a brush with the law. And the toxicology report following his death revealed absolutely no drugs whatsoever in his system.
In late May of 2012 the Santa Monica Superior Court allowed his admission to Ridgeview, a drug rehab center in Alta Dena, California. Though a drug rehab facility, the rest and quiet were a tonic for him, and he gradually, over the summer, regained himself. He wrote, in a journal entry, "Felt more whole today. . .more complete. Like parts of myself had been stolen in my sleep and scattered all over the world and they've begun to return. So I think better, my thoughts aren't being sent off on their own." He began planning for a return to acting, via the stage, and spoke of possibly bringing Shakespeare to inner city kids. In August he tragically accepted the DA's offer to serve "just a couple more days in jail," in exchange for his freedom. The "couple days" became nearly two months, during which he suffered additional abuse and a violent downturn in spirits and health. Finally released in late September, he died in sad and disturbing circumstances on September 26, 2012. - Actor
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After being a great success at age 25 portraying a high school baseball player he appeared in several small films in 2005 and 2006, but Angelos career didn't take off as expected. He gave up acting in 2006 in order to become the tour manager for several rock bands. He died at his residence in Los Angeles on Oct 20, 2007 of undisclosed causes.- Actor
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Both a leading and a supporting actor in movies and on television, name a role - lawyer, airline pilot, rig foreman, doctor, gunslinger, real-life person, good guy, bad guy - and Chad Everett has probably played it. He was born Raymon Lee Cramton on June 11, 1937 in South Bend, Indiana. In high school, he did stage plays and wanted to become an actor.
After he graduated from Wayne University, Chad came to Hollywood and signed a contract with Warner Brothers. He first became known playing a deputy in the short-lived television series, The Dakotas (1962) but acted in a number of supporting roles, such as Get Yourself a College Girl (1964) and Made in Paris (1966), and played the title role in Johnny Tiger (1966) and Return of the Gunfighter (1966).
He was probably best-known for his seven-year run as "Dr. Joe Gannon" in the television series, Medical Center (1969), which earned him two Golden Globe nominations. After "Medical Center" was canceled, Chad starred in the mini-series, Centennial (1978), and played the title role in Hagen (1980). In the early '80s, Chad was in television films, including The Intruder Within (1981), and did a number of guest appearances on The Love Boat (1977) and Murder, She Wrote (1984).
Chad's recent work has included roles in the remake of Psycho (1998) and in Mulholland Drive (2001). Today, he is still seen on television in Manhattan, AZ (2000). He recently completed a new film with Gwyneth Paltrow, View from the Top (2003), which is soon to be released. Chad is married to Shelby Grant, and they have two daughters.- Matt Riley was an actor, known for Supernatural (2005), Zombie Town (2007) and Breakout (2010). He died on 31 December 2014 in Vancouver, British Columbia, Canada.
- Lee Thompson Young was born as the son of Velma Love and Tommy Scott Young. When he was in second grade his parents split up and he went to live with his mother. At age ten, he portrayed Dr. Martin Luther King in a play called "A Night of Stars and Dreams". That's when Lee decided he wanted to be an actor. After doing community theater for a while, he traveled to New York during the spring break of 1996 and got himself an agent. He moved to NY in June but it wasn't until next year that he got to audition for the part of Jett Jackson. Lee filmed the pilot. He found out in June 1998 from Disney that the show had been picked up.
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Leonard Simon Nimoy was born in Boston, Massachusetts, to Dora (Spinner) and Max Nimoy, who owned a barbershop. His parents were Ukrainian Jewish immigrants. Raised in a tenement and acting in community theaters since age eight, Nimoy did not make his Hollywood debut until he was 20, with a bit part in Queen for a Day (1951) and another as a ballplayer in the perennial Rhubarb (1951). After two years in the United States Army, he was still getting small, often uncredited parts, like an Army telex operator in Them! (1954). His part as Narab, a Martian finally friendly to Earth, in the closing scene in the corny Republic serial Zombies of the Stratosphere (1952), somewhat foreshadowed the role which would make him a household name: Mr. Spock, the half-human/half-Vulcan science officer on Star Trek (1966) one of television's all-time most successful series. His performance won him three Emmy nominations and launched his career as a writer and director, notably of Star Trek IV: The Voyage Home (1986), the story of a humpback whale rescue that proved the most successful of the Star Trek movies. Stage credits have included "Fiddler on the Roof", "Oliver", "Camelot" and "Equus". He has hosted the well-known television series In Search of... (1977) and Ancient Mysteries (1994), authored several volumes of poetry and guest-starred on two episodes of The Simpsons (1989). In the latter years of his career, he played Mustafa Mond in NBC's telling of Aldous Huxley's Brave New World (1998), voiced Sentinel Prime in the blockbuster Transformers: Dark of the Moon (2011), and played Spock again in two new Star Trek films, Star Trek (2009) and Star Trek Into Darkness (2013).
Leonard Nimoy died on February 27, 2015 in Bel Air, Los Angeles, California, of end-stage chronic obstructive pulmonary disease. He was 83.- Actor
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Ralph Waite was born in White Plains, New York on June 22, 1928. Educated at Bucknell University where he graduated with a BA degree, Waite existed rather aimlessly as a young adult while trying to find his way in the world. Occupations came and went, including social worker, religious editor for Harper & Row, and even Presbyterian minister after spending three years at the Yale School of Divinity. At age 30, however, he began to study acting and found his true life's passion.
Waite made his professional NY debut in a 1960 production of "The Balcony" at the Circle in the Square and was seen on Broadway in "Blues for Mister Charlie" before earning fine reviews in 1965 alongside Faye Dunaway in "Hogan's Goat". This was enough to encourage him to move West where he began collecting bit parts in prestigious movies, including Cool Hand Luke (1967) and Five Easy Pieces (1970). One of those films, the coming-of-age Last Summer (1969) starred an up-and-coming talent named Richard Thomas, who, of course, would figure prominently in Waite's success story in years to come. Waite continued to thrive as well on the stage appearing in both contemporary plays ("The Trial of Lee Harvey Osward") as well as Shakespearean classics (Claudius in "Hamlet" and Orsino in "Twelfth Night").
Stardom came for him in the form of the gentle, homespun Depression-era series The Waltons (1972). In the TV-movie pilot, the roles of John and Olivia Walton were played by Andrew Duggan and Patricia Neal. The Earl Hamner Jr. series, however, would welcome Waite along with Michael Learned, and make both, as well as Richard Thomas playing their son John-Boy, household names. Waite also directed several episodes of the series during the nine seasons. Throughout the seventies, he strove to expand outside his Walton patriarchal casting with other TV mini-movie endeavors. Those included Roots (1977), for which he received an Emmy nomination, the title role in The Secret Life of John Chapman (1976), OHMS (1980), Angel City (1980) and The Gentleman Bandit (1981). He also appeared in a few films including On the Nickel (1980) which he wrote and directed.
Throughout the run of the series, Waite continued to revert back to his theater roots from time to time. Notable was his role as Pozzo in Waiting for Godot (1977), which was televised by PBS, and a return to Broadway with "The Father" in 1981. Waite also founded the Los Angeles Actors Theatre in 1975 and served as its artistic director.
The Waltons (1972), which earned him an Emmy nomination, ended in 1981 and Waite ventured on to other TV character roles during the 80s and 90s but less visibly. In his second TV series The Mississippi (1982), which was produced by his company Ralph Waite Productions, he played a criminal lawyer who abandoned his practice (almost) for a leisurely life captaining a riverboat. It lasted only a year. There have been other more recent theater excursions including "Death of a Salesman" (1998), "The Gin Game" (1999), "Ancestral Voices (2000) and "This Thing of Darkness" (2002). He also had a recurring role on the offbeat HBO series Carnivàle (2003) and in 2009 began putting time in on the daytime soap Days of Our Lives (1965) as Father Matt. Waite was able to carry with him a certain grizzled, rumpled, craggy-faced, settled-in benevolence, although he was quite capable of villainy. He always seemed more comfortable in front of the camera wearing a dusty pair of work clothes than a suit. He continued to act well into his 80s, most notably playing the father of Mark Harmon on NCIS (2003).
For many years, Waite had held passionate political ambitions. He twice ran unsuccessfully for a Congressional seat -- in 1990 and 1998. A Palm Desert resident during his second attempt, the 70-year-old Californian was a Democratic hopeful for a seat left vacant by the late Sonny Bono after his fatal skiing accident in 1998. He was ultimately defeated by Bono's widow, Mary Bono.
Waite died in Palm Desert, California on February 13, 2014, at age 85. He is survived by his third wife, Linda East, whom he married in 1982 and two daughters from his first marriage.- Steve Bridges was born on 22 May 1963 in Dallas, Texas, USA. He was an actor, known for NCIS (2003), The Adventures of Umbweki (2009) and JAG (1995). He died on 3 March 2012 in Los Angeles, California, USA.
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
- Director
- Cinematographer
When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Ned Kelly (2003), The Brothers Grimm (2005), Lords of Dogtown (2005), Brokeback Mountain (2005), Casanova (2005), Candy (2006), I'm Not There (2007), The Dark Knight (2008) and The Imaginarium of Doctor Parnassus (2009). He also produced and directed music videos and aspired to be a film director.
Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.
His first real acting job came in a low-budget movie called Blackrock (1997), a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called Sweat (1996) about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in Home and Away (1988) for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in Paws (1997), a film which existed solely to cash in on guitar prodigy Nathan Cavaleri's brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came Two Hands (1999). He went to the U.S. trying to audition for film roles, showcasing his brief role in Roar (1997) opposite then unknown Vera Farmiga.
Then Australian director Gregor Jordan auditioned him for the lead in Two Hands (1999), which he got. An in your face Aussie crime thriller, Two Hands (1999) was outstanding and helped him secure a role in 10 Things I Hate About You (1999). After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama The Patriot (2000).
What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in Monster's Ball (2001), but his version of Ned Kelly (2003) was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in Brokeback Mountain (2005). For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.
Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of The Dark Knight (2008) and in the midst of filming his last role as Tony in The Imaginarium of Doctor Parnassus (2009).
Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There (2007), which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.
A few months before his death, Ledger had finished filming his performance as the Joker in 'The Dark Knight (2008). His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.- Actor
- Producer
- Additional Crew
Paul William Walker IV was born in Glendale, California. He grew up together with his brothers, Caleb and Cody, and sisters, Ashlie and Amie. Their parents, Paul William Walker III, a sewer contractor, and Cheryl (Crabtree) Walker, a model, separated around September 2004. His grandfather, William Walker, was a Pearl Harbor survivor and a Navy middleweight boxing champion, while his maternal grandfather commanded a tank battalion in Italy under General Patton during World War II. Paul grew up active in sports like soccer and surfing. He had English and German ancestry.
Paul was cast for the first season of the family sitcom, Throb (1986) and began modeling until he received a script for the 1994 movie, Tammy and the T-Rex (1994). He attended high school at Village Christian High School in Sun Valley, California, graduating in 1991. With encouragement from friends and an old casting agent who remembered him as a child, he decided to try his luck again with acting shortly after returning from College.
He starred in Meet the Deedles (1998), a campy, silly but surprisingly fun film which failed to garner much attention. However, lack of attention would not be a problem for Paul Walker for long. With Pleasantville (1998), he appeared in his first hit. As the town stud (a la 1950s) who more than meets his match in modern day Reese Witherspoon, he was one of the most memorable characters of the film. That same year, Paul and his then-girlfriend Rebecca had a baby girl named Meadow Walker (Meadow Rain Walker). Even though Paul publicly admitted that Meadow was not planned, he said that she is his number one priority. Paul and Rebecca separated and Meadow lives with her mother in Hawaii. She often visited with Paul as his homes in Santa Barbara and Huntington Beach, California.
Roles in the teen hits Varsity Blues (1999), She's All That (1999) and The Skulls (2000) cemented Walker's continued rise to celebrity. He was chosen to be one of the young stars featured on the cover of Vanity Fair's annual Hollywood issue in April 2000. While the other stars on the cover, brooded and tried their best to look sexy and serious, Paul smiled brightly and showed why he is not part of the norm. This is one young actor who certainly stood apart from the rest of the crowd, not only with his talent but with his attitude. The Dallas Morning News commented in March of 2000 that, "Paul is one of the rarest birds in Hollywood- a pretension free movie star." The latest blockbuster hit, The Fast and the Furious (2001), had raised his stardom to an even higher level.
His fighting scenes in movies lead to a passion for martial arts. He has studied various forms of Jujitsu, Taekwondo, Jeet Kune Do and Eskrima. Paul mentioned in a magazine interview that he had hoped enroll in the Keysi Fighting Method when it comes to the United States. Other than practicing martial arts, Paul enjoyed relaxing at home with his daughter, Meadow Rain, surfing near his Huntington Beach abode, walking his dogs and just driving.
When Paul seriously did get a break from the entertainment business, he said he loved traveling. Paul had traveled to India, Fiji, Costa Rica, Sarawak, Brunei, Borneo and other parts of the Asian continent. Tragically, Paul Walker died in a car crash on Saturday November 30, 2013, after attending a charity event for "Reach Out Worldwide".
Several of Paul's films were released after his death, include Hours (2013), Brick Mansions (2014), and his final starring role in The Fast and the Furious series, Furious 7 (2015), part of which was completed after his death. The film's closing scenes paid tribute to Walker, whose character met with a happy ending, and rode off into the sunset. He appeared archival footage in Fast X (2023).- Actor
- Soundtrack
Andy Hallett is from the tiny Cape Cod village of Osterville, part of the town of Barnstable. He attended Barnstable High School and then Assumption College in Worcester. Always shy, he didn't begin singing until Patti LaBelle invited him onstage at a concert. After moving to Los Angeles he worked as a runner for an agency and then as a property manager and personal assistant. When Buffy the Vampire Slayer (1997) creator Joss Whedon saw Hallett singing in a Universal City blues revue, Whedon conceived the character of The Host, an anagogic demon who reads people when they open up through singing karaoke. Hallett was invited to try out and got the part, his first job ever as an actor.- Quinn was born in Dublin, Ireland, and moved to the United States with his mother and two sisters in 1988. His first role was as a pool shark in the Richard Marx video Satisfied. He later landed a major role in the John Travolta film Shout (1991), where he shared a screen kiss with Gwyneth Paltrow. He went on to have roles in a number of other movies and television series. His most notable roles were as Becky's husband, Mark, on Roseanne (1988) and half-demon Doyle on the WB's Angel (1999). He died of a heroin overdose in 2002.
- Actress
- Soundtrack
Leslie Barbara Carter was born on June 6, 1986, in Tampa, Florida, into the family of Robert Gene Carter (aka Robert Carter) and his wife Jane Elizabeth Carter (née Spaulding) and become the third of their five children. Her parents were divorced in 2003 after more than 20 years of marriage. Leslie had older brother Nick Carter (b. 1980), older sister Bobbie Jean Carter (b. 1982), and twin younger brother and sister Aaron Carter and Angel Carter (b. 1987). With her four siblings she participated in the family rally show House of Carters (2006). Also had three half-siblings: sister Virginia Marie (b. 1972, from her father's first marriage) and brother Kaden (b. 2005) and sister Taelyn (from her father's third and current marriage to Ginger Carter).
In September 2008, Leslie married her longtime boyfriend Mike Ashton, and in April 2011 they gave birth to their only child, a daughter named Alyssa Jane Ashton. She died at age 25 on January 31, 2012, from an accidental prescription drug overdose in the home her father, stepmother and half-brother and sister in Westfield, New York. She was survived by her father, mother, stepmother, seven siblings, husband of almost four years and 10-month-old daughter.- Scott Paul was born on 26 December 1980. He was an actor, known for Wyatt Earp (1994), Street Vengeance (1995) and Building the Gherkin (2005). He died on 12 July 2005 in Atlanta, Georgia, USA.
- Actor
- Producer
- Soundtrack
James Gandolfini was born in Westwood, New Jersey, to Santa (Penna), a high school lunchlady, and James Joseph Gandolfini, Sr., a bricklayer and head school janitor. His parents were both of Italian origin. Gandolfini began acting in the New York theater. His Broadway debut was in the 1992 revival of "A Streetcar Named Desire" with Jessica Lange and Alec Baldwin. James' breakthrough role was his portrayal of Virgil the hitman in Tony Scott's True Romance (1993), but the role that brought him worldwide fame and accolades was as complex Mafia boss Tony Soprano in HBO's smash hit series The Sopranos (1999). He died unexpectedly of a heart attack in 2013 while vacationing in Italy.- Actor
- Producer
- Director
Film and stage actor and theater director Philip Seymour Hoffman was born in the Rochester, New York, suburb of Fairport to Marilyn (Loucks), a lawyer and judge, and Gordon Stowell Hoffman, a Xerox employee, and was mostly of German, Irish, English and Dutch ancestry. After becoming involved in high school theatrics, he attended New York University's Tisch School of the Arts, graduating with a B.F.A. degree in Drama in 1989.
He made his feature film debut in the indie production Triple Bogey on a Par Five Hole (1991) as Phil Hoffman, and his first role in a major release came the next year in My New Gun (1992). While he had supporting roles in some other major productions like Scent of a Woman (1992) and Twister (1996), his breakthrough role came in Paul Thomas Anderson's Boogie Nights (1997).
He quickly became an icon of indie cinema, establishing a reputation as one of the screen's finest actors, in a variety of supporting and second leads in indie and major features, including Todd Solondz's Happiness (1998), Flawless (1999), The Talented Mr. Ripley (1999), Paul Thomas Anderson's Magnolia (1999), Almost Famous (2000) and State and Main (2000). He also appeared in supporting roles in such mainstream, big-budget features as Red Dragon (2002), Cold Mountain (2003) and Mission: Impossible III (2006).
Hoffman was also quite active on the stage. On Broadway, he has earned two Tony nominations, as Best Actor (Play) in 2000 for a revival of Sam Shepard's "True West" and as Best Actor (Featured Role - Play) in 2003 for a revival of Eugene O'Neill (I)'s "Long Day's Journey into Night". His other acting credits in the New York theater include "The Seagull" (directed by Mike Nichols for The New York Shakespeare Festival), "Defying Gravity", "The Merchant of Venice" (directed by Peter Sellars), "Shopping and F*@%ing" and "The Author's Voice" (Drama Desk nomination).
He was the Co-Artistic Director of the LAByrinth Theater Company in New York, for which he directed "Our Lady of 121st Street" by Stephen Adly Guirgis. He also directed "In Arabia, We'd All Be Kings" and "Jesus Hopped the A Train" by Guirgis for LAByrinth, and "The Glory of Living" by Rebecca Gilman at the Manhattan Class Company.
Hoffman consolidated his reputation as one of the finest actors under the age of 40 with his turn in the title role of Capote (2005), for which he won the Los Angeles Film Critics Award as Best Actor. In 2006, he was awarded the Best Actor Oscar for the same role.
On February 2, 2014, Philip Seymour Hoffman was found dead in an apartment in Greenwich village, New York. Investigators found Hoffman with a syringe in his arm and two open envelopes of heroin next to him. Mr. Hoffman was long known to struggle with addiction. In 2006, he said in an interview with "60 Minutes" that he had given up drugs and alcohol many years earlier, when he was age 22. In 2013, he checked into a rehabilitation program for about 10 days after a reliance on prescription pills resulted in his briefly turning again to heroin.- Actor
- Producer
Nathaniel Marston was born on 9 July 1975 in Sharon, Connecticut, USA. He was an actor and producer, known for One Life to Live (1968), The Craft (1996) and As the World Turns (1956). He was married to Rita Bias. He died on 11 November 2015 in Reno, Nevada, USA.- Actor
- Composer
- Music Department
Glenn Frey was born on 6 November 1948 in Detroit, Michigan, USA. He was an actor and composer, known for Jerry Maguire (1996), Thunder Force (2021) and In America (2002). He was married to Cindy Frey and Janie Beggs. He died on 18 January 2016 in Washington Heights, Manhattan, New York City, New York, USA.- Music Artist
- Actor
- Composer
David Bowie was one of the most influential and prolific writers and performers of popular music, but he was much more than that; he was also an accomplished actor, a mime and an intellectual, as well as an art lover whose appreciation and knowledge of it had led to him amassing one of the biggest collections of 20th century art.
Born David Jones, he changed his name to Bowie in the 1960s, to avoid confusion with the then well-known Davy Jones (lead singer of The Monkees). The 1960s were not a happy period for Bowie, who remained a struggling artist, awaiting his breakthrough. He dabbled in many different styles of music (without commercial success), and other art forms such as acting, mime, painting, and play-writing. He finally achieved his commercial breakthrough in 1969 with the song "Space Oddity", which was released at the time of the moon landing. Despite the fact that the literal meaning of the lyrics relates to an astronaut who is lost in space, this song was used by the BBC in their coverage of the moon landing, and this helped it become such a success. The album, which followed "Space Oddity", and the two, which followed (one of which included the song "The Man Who Sold The World", covered by Lulu and Nirvana) failed to produce another hit single, and Bowie's career appeared to be in decline.
However, he made the first of many successful "comebacks" in 1972 with "Ziggy Stardust", a concept album about a space-age rock star. This album was followed by others in a similar vein, rock albums built around a central character and concerned with futuristic themes of Armageddon, gender dysfunction/confusion, as well as more contemporary themes such as the destructiveness of success and fame, and the dangers inherent in star worship. In the mid-1970s, Bowie was a heavy cocaine abuser and sometime heroin user.
In 1975, he changed tack. Musically, he released "Young Americans", a soul (or plastic soul as he later referred to it) album. This produced his first number one hit in the US, "Fame". He also appeared in his first major film, The Man Who Fell to Earth (1976). With a permanently-dilated pupil and skeletal frame, he certainly looked the part of an alien. The following year, he released "Station to Station," containing some of the material he had written for the soundtrack to this film (which was not used). As his drug problem heightened, his behavior became more erratic. Reports of his insanity started to appear, and he continued to waste away physically. He fled back to Europe, finally settling in Berlin, where he changed musical direction again and recorded three of the most influential albums of all time, an electronic trilogy with Brian Eno "Low, Heroes and Lodger". Towards the end of the 1970s, he finally kicked his drug habit, and recorded the album many of his fans consider his best, the Japanese-influenced "Scary Monsters". Around this time, he appeared in the title role of the Broadway drama The Elephant Man, and to considerable acclaim.
The next few years saw something of a drop-off in his musical output as his acting career flourished, culminating in his acclaimed performance in Merry Christmas Mr. Lawrence (1983). In 1983, he released "Let's Dance," an album which proved an unexpected massive commercial success, and produced his second #1 hit single in the United States. According to producer Nile Rodgers, the album was made in just 17 days and was "the easiest album" he'd ever made in his life. The tour which followed, "Serious Moonlight", was his most successful ever. Faced with this success on a massive scale, Bowie apparently attempted to "repeat the formula" in the next two albums, with less success (and to critical scorn). Finally, in the late 1980s, he turned his back on commercial success and his solo career, forming the hard rock band, Tin Machine, who had a deliberate limited appeal. By now, his acting career was in decline. After the comparative failure of Labyrinth (1986), the movie industry appears to have decided that Bowie was not a sufficient name to be a lead actor in a major movie, and since that date, most of his roles have been cameos or glorified cameos. Tin Machine toured extensively and released two albums, with little critical or commercial success.
In 1992, Bowie again changed direction and re-launched his solo career with "Black Tie White Noise", a wedding album inspired by his recent marriage to Iman. He released three albums to considerable critical acclaim and reasonable commercial success. In 1995, he renewed his working relationship with Brian Eno to record "Outside." After an initial hostile reaction from the critics, this album has now taken its place with his classic albums. In 2003, Bowie released an album entitled 'Reality.' The Reality Tour began in November 2003 and, after great commercial success, was extended into July 2004. In June 2004, Bowie suffered a heart attack and the tour did not finish its scheduled run.
After recovering, Bowie gave what turned out to be his final live performance in a three-song set with Alicia Keys at the Hammerstein Ballroom in New York in November 2006. He also returned to acting. He played Tesla in The Prestige (2006) and had a small cameo in the comedy David Bowie (2006) for fan Ricky Gervais. In 2007, he did a cartoon voice in SpongeBob SquarePants (1999) playing Lord Royal Highness. He had a brief cameo in the movie ''Bandslam'' released in 2009; after a ten year hiatus from recording, he released a new album called 'The Next Day', featuring a homage cover to his earlier work ''Heroes''. The music video of ''Stars are Out Tonight'' premiered on 25 February 2013. It consists of other songs like ''Where Are We Now?", "Valentine's Day", "Love is Lost", "The Next Day", etc.
In 2014, Bowie won British Male Solo Artist at the 2014 Brit Awards, 30 years since last winning it, and became the oldest ever Brit winner. Bowie wrote and recorded the opening title song to the television miniseries The Last Panthers (2015), which aired in November 2015. The theme used for The Last Panthers (2015) was also the title track for his January 2016 release, ''Blackstar" (released on 8 January 2016, Bowie's 69th birthday) was met with critical acclaim. Following Bowie's death two days later, on 10 January 2016, producer Tony Visconti revealed Bowie had planned the album to be his swan song, and a "parting gift" for his fans before his death. An EP, No Plan, was released on 8 January 2017, which would have been Bowie's 70th birthday. The day following his death, online viewing of Bowie's music skyrocketed, breaking the record for Vevo's most viewed artist in a single day.
On 15 January, "Blackstar" debuted at number one on the UK Albums Chart; nineteen of his albums were in the UK Top 100 Albums Chart, and thirteen singles were in the UK Top 100 Singles Chart. The song also debuted at #1 on album charts around the world, including Australia, France, Germany, Italy, New Zealand and the US Billboard 200. At the 59th Annual Grammy Awards, Bowie won all five nominated awards: Best Rock Performance; Best Alternative Music Album; Best Engineered Album, Non-Classical; Best Recording Package; and Best Rock Song. The wins marked Bowie's first ever in musical categories. David Bowie influenced the course of popular music several times and had an effect on several generations of musicians.- Actor
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- Director
Alan Rickman was born on a council estate in Acton, West London, to Margaret Doreen Rose (Bartlett), of English and Welsh descent, and Bernard Rickman, of Irish descent, who worked at a factory. Alan Rickman had an older brother (David), a younger brother (Michael), and a younger sister (Sheila). When Alan was 8 years old, his father died. He attended Latymer Upper School on a scholarship. He studied Graphic Design at Chelsea College of Art and Design, where he met Rima Horton, who would later become his longtime partner.
After three years at Chelsea College, Rickman did graduate studies at the Royal College of Art. He opened a successful graphic design business, Graphiti, with friends and managed it for several years before his love of theatre led him to seek an audition with the Royal Academy of Dramatic Art (RADA). At the relatively late age of 26, Rickman received a scholarship to RADA, which started a professional acting career that has lasted nearly 40 years, a career which has spanned stage, screen and television, and overlapped into directing, as well. In 1987, he first came to the attention of American audiences as the Vicomte de Valmont in "Les Liaisons Dangereuses" on Broadway (he was nominated for a Tony Award for his performance in the role). Denied the role in the film version of the show, Rickman instead made his first film appearance opposite Bruce Willis in Die Hard (1988) as the villainous Hans Gruber. His take on the urbane villain set the standard for screen villains for decades to come.
Although often cited as being a master of playing villains, Rickman actually played a wide variety of characters, such as the romantic cello-playing ghost Jamie in Anthony Minghella's Truly Madly Deeply (1990) and the noble Colonel Brandon of Sense and Sensibility (1995). He treated audiences to his comedic abilities in such films as Dogma (1999), Galaxy Quest (1999) and The Hitchhiker's Guide to the Galaxy (2005), and roles like Dr. Alfred Blalock in Something the Lord Made (2004), and as Alex Hughes in Snow Cake (2006), showcased his ability to play ordinary men in extraordinary situations. Rickman even conquered the daunting task of singing a role in a Stephen Sondheim musical as he took on the role of Judge Turpin in the movie adaptation of Sweeney Todd: The Demon Barber of Fleet Street (2007). In 2001, Rickman introduced himself to a whole new, younger generation of fans by taking on the role of Severus Snape in the film versions of J.K. Rowling's Harry Potter and the Sorcerer's Stone (2001). He continued to play the role through the eighth and last movie Harry Potter and the Deathly Hallows: Part 2 (2011).
Alan Rickman died of pancreatic cancer on 14 January 2016. He was 69 years old.- Actress
- Music Department
- Composer
Growing up and living under the huge, daunting shadow of a singing icon can intimidate a son or daughter enough to want to look anywhere else to find their station in life. Those who dared to try to follow in their footsteps, such as Frank Sinatra Jr., found success branching out in other areas of music; others like the Crosby brothers, suffered from perpetual self esteem issues that led to personal tragedy; still others, like Liza Minnelli found meteoric success on their own and emulated/paralleled their famous parent's own star achievements.
"Sophisticated Lady" Natalie Cole fits into the last-mentioned category. Moreover, she ended up living a dream by dueting with her father, the late and great Nat 'King' Cole, through the use of modern technology, to multiple Grammy-winning glory. This would become the pinnacle of her musical success. Unlike Minnelli, however, her famous crooning parent, who broke many racial barriers during his way-too-short life in the limelight, did not live long enough to enjoy his daughter's rise to stardom, dying of lung cancer a little more than a week after Natalie's 15th birthday.
Stephanie Natalie Maria Cole was born on February 6, 1950, and grew up in a heavily musical atmosphere in Los Angeles' exclusive Hancock Park area. In addition to her father, mother Maria had been a background vocalist with the Duke Ellington outfit. Natalie herself grew up surrounded by the likes of Ella Fitzgerald and, Frank Sinatra, who were considered family. Singing on one of her dad's Christmas albums, and performing by age 11, her father's early death brought emotional scars and perhaps induced a self-imposed lack of musical focus. The family relocated to Massachusetts and Natalie eventually took off to college, first attending and majoring in child psychology at the University of Massachusetts. The transferred to the University of Southern California before returning to her first campus and graduating in 1972. At this point, however, she decided to live her music a go again and began performing at various night spots. It was at this juncture that she gradually fell into drug addiction, including heroin use.
A breakthrough for Natalie came via her early 70s association with Chuck Jackson and Marvin Yancy, who once worked with one of Natalie's real-life idols, Aretha Franklin. A debut album in the form of "Inseparable" came out in 1975, which included her bit hit "This Will Be" (#6 on the pop charts and a multiple Grammy winner for best R&B female vocals and "best newcomer". In 1976 producer Yancy became her husband but they divorced after only a few years and following the birth of their only child, Robert Adam Yancy. Her ex-husband died in 1985.
During the "disco era", milder hits with "Sophisticated Lady," "Mr. Melody," "I've Got Love on My Mind," "Our Love," "Stand By," "What You Won't Do for Love," and "Hold On" and "Nothing But a Fool" arrived, along with more platinum and gold albums. Acute drug problems, however, continued to hinder her progress and she eventually took time off time for recovery. In 1985, Natalie released, in what was the start of a comeback, her album "Dangerous" for Modern Records; she later lost her contract. Such as late 80s pop singles included "Jump Start My Heart," "Miss You Like Crazy", "Pink Cadillac" and "I Live for Your Love" kept her visible and on the charts.
In the midst of her ebb-and-flow R&B success, Natalie decided in 1991 to record a new CD, "Unforgettable...with Love," paying homage to her late father. With the help and encouragement of family, she re-arranged and re-recorded some of his greatest songs in the same studio that he recorded (Capitol Studios), used some of the same musicians and even recreated one of his signature songs, the title tune "Unforgettable," with a technological effect that appeared as if they were dueting together. Never before or since has this been pulled off and marketed so successfully. The CD, which met with some derision (some critics felt she was grasping for straws in a career that was going backwards), was an instant "easy listening" sensation. Not only did it sell well over 30 million copies, it would become an eight-time over platinum winner. It earned a armload of awards on Grammy night -- including "Album of the Year" and "Record of the Year".
Over time Natalie began covering jazz standards. A jazz CD in 1994 also captured a Grammy (she has racked up a total of eight Grammy awards thus far). Like her Dad, she has become a fond Christmas commodity both on TV and in the record stores. In addition, she branched out into occasional acting roles, including the social drama Lily in Winter (1994) and the autobiographical feature film Livin' for Love: The Natalie Cole Story (2000) in which she herself played the ups and downs of her own turbulent life. She has also made infrequent acting appearances on such shows as "I'll Fly Away," "Law & Order," "Touched by an Angel" and "Grey's Anatomy".
Natalie's private life, however, continued to show vulnerability. A second marriage to drummer Andre Fisher of Rufus fame also ended in divorce and she later married and divorced a third time to Kenneth H. Dupree, a church bishop. Natalie's older adopted sister, Carol Cole earned a modicum of distinction as an actress and celebrity for a time, but her adopted brother, Nat Kelly Cole, briefly an actor, died in 1995 at age 36 of AIDS-related complications.
Firmly content wrapping her glorious vocals around yesteryear's standards, Natalie's star contained the warm, fuzzy glow and velvet-like smoothness so reminiscent of her famous dad. She continued to shine with her CD "Still Unforgettable, in which she nursed the classics as only she can and "dueted" once again with her father on "Walking My Baby Back Home"
In July of 2008, Natalie was diagnosed with a life-threatening liver virus, Hepatitis C, which had laid dormant for decades from her early days of hard drug and alcohol use. It progressed to the point of her having a have a kidney transplant the following year. Although she continued to perform, she remained illness-prone up until her death on New Year's Eve 2015 of congestive heart failure induced by lung disease and pulmonary hypertension. Her 2000 memoir, Angel on My Shoulder, detailed much of her early addiction battles.- Actor
- Writer
- Producer
Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actor
- Producer
- Soundtrack
Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alec Leach on January 18, 1904 in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. However, the real truth was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he would not see his mother again until he was in his late 20s).
He left school at age 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the United States. Their show on Broadway, "Good Times", ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62.
One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style - "high comedy with polished words". In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
Although Grant retired from the screen, he remained active. He accepted a position on the board of directors at Faberge. By all accounts this position was not honorary, as some had assumed. Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle - Hollywood, California), Western Airlines (acquired by Delta Airlines in 1987) and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In his last years, he undertook tours of the United States in a one-man-show, "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. On November 29, 1986, Cary Grant died at age 82 of a cerebral hemorrhage in Davenport, Iowa.
In 1999, the American Film Institute named Grant the second male star of Golden Age of Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).- Actor
- Stunts
Despite being one of the smallest actors in Hollywood at 37 inches, Josh proved quality early on in life. By creating and distributing his own business cards before he was even a teenager, Josh landed a spot on "The Dancing Baby" ice cream commercial, which led to his role in Baby Geniuses (1999), where he played all the babies and did all the dancing. His co-star in that, Peter MacNicol, introduced him to David E. Kelley, who cast him as recurring guest Oren Koolie on Ally McBeal (1997), a child lawyer who gives Ally a hard time. His role on Passions (1999) was his first contract role in a TV series. He also appeared in How the Grinch Stole Christmas (2000) with Jim Carrey.
His mother added recently: "Perhaps he didn't live many years but he lived a life that was filled with big dreams most of which he lived as a reality rather than only dreaming about. He said the only dream that can't come true is one that no one dares to dream, other than that every dream is possible. I hope that Josh will always be remembered not because he died but because he really lived a life filled with love and laughter and lots and lots of dreams. He made the most out of what he had, he was larger than life and we should all be as wise as the little guy with the big dreams."