Best Baddies
List activity
130 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
7 people
- Actor
- Soundtrack
Tall (6'2"), burly, and reliable character actor Gene Roth was born Eugene Oliver Edgar Stutenroth on January 8, 1903 in Redfield, South Dakota. He was the youngest of three sons born to German father Eugene Stutenroth and Swedish mother Anna Christina Olsen. Roth and his two brothers were raised by their mother after their father abandoned them when Gene was only two years old. Gene graduated from West High School in Minneapolis in 1920. He began his acting career doing uncredited bit roles in silent pictures in the early 1920's. Moreover, Roth worked as a movie theater manager and built and installed pipe organs before his acting career took off in the 1940's following his arrival in Hollywood, California in 1943.
Often cast as threatening heavies (he's perhaps best known for his portrayals of bad guys in many 1940's comedy shorts he did with The Three Stooges), scruffy working class types, and rough-around-the-edges law officers (he played initially skeptical small town sheriffs in the 1950's creature feature classics Attack of the Giant Leeches (1959) and The Spider (1958)), Gene worked profusely in both films and television alike in a career that spanned a little over two decades. After retiring from acting in the early 1970's, Roth worked part time as a liquor counterman at a drug store and was an active participant in the nostalgia convention circuit. He was married four times and was the father of three children. Gene's life came to a tragic untimely end at age 73 when he was struck and killed by a hit-and-run driver while crossing the street in Los Angeles, California on July 19, 1976.One of the best Baddies of the Serial era- The most famous henchman of the entire James Bond series of spy thrillers, Harold Sakata will forever be remembered as the villainous "Odd Job" in the ultimate Bond film, Goldfinger (1964), with his lethal martial arts and steel-brimmed bowler hat. He was born Toshiyuki Sakata in Hawaii, of Japanese descent. From a young age he was a proficient sportsman who developed a keen interest in wrestling, and won a Silver Medal in weightlifting for the light heavyweight division of the 1948 Summer Olympics in London. Sakata then went on to become a professional wrestler, and appeared under the name "Tosh Togo" where he became a "bad guy" wrestler who allegedly threw salt in his opponent's eyes.
Although he had no acting background, Sakata came to the attention of Bond producers Harry Saltzman and Albert R. Broccoli when they were casting for the key role of the mute Asian villain "Odd Job". Sakata's steely gaze and powerful physique made him perfect for the role as Auric Goldfinger's (Gert Fröbe) deadly bodyguard, and the fight sequence between Sean Connery and Sakata in a glittering, gold-filled Fort Knox remains one of the highlights of the Bond series.
Unfortunately, Sakata never broke free of the "Odd Job" stereotype, and his remaining film appearances saw him cast as military figures, muscle-bound brutes or further mute bodyguards. He died from cancer in 1982, but had assured himself a very unique place in modern film history.Great Baddie especially with that hat - Actor
- Producer
- Soundtrack
It seems that Brian Donlevy started out life as colorfully as any character he ever played on the stage or screen. He lied about his age (he was actually 14) in 1916 so he could join the army. When Gen. John J. Pershing sent American troops to invade Mexico in pursuit of Pancho Villa--Mexican rebels under Villa's command had raided Columbus, NM, and killed 16 American soldiers and civilians--Donlevy served with that expedition and later, in WW I, was a pilot with the Lafayette Flying Corps, which included the Lafayette Escadrille, a unit of the French Air Force comprised of American and Canadian pilots. His schooling was in Cleveland, OH, but in addition he spent two years at the US Naval Academy at Annapolis, MD. However, he gave up on a military career for the stage. After having landed several smaller roles, he got a part in "What Price Glory" and established himself as a bona fide actor. Later such roles on stage as "Three for One", "The Milky Way" and "Life Begins at 8:30" gave him the experience to head off to Hollywood. Donlevy began his Hollywood career with the silent film A Man of Quality (1926), and his first talkie was Gentlemen of the Press (1929) (in which he had a bit part). There was a five- to six-year gap before he reappeared on the film scene in 1935 with three pictures: Mary Burns, Fugitive (1935), Another Face (1935) and Barbary Coast (1935), which was his springboard into film history. Receiving rave reviews as "the tough guy all in black", acting jobs finally began to roll his way. In 1936 he starred in seven films, including Strike Me Pink (1936), in which he played the tough guy to Eddie Cantor's sweet bumpkin Eddie Pink. In all, from 1926 to 1969 Donlevy starred in at least 89 films, reprising one of his Broadway roles as a prizefighter in The Milky Way (1940), and had his own television series (which he also produced), Dangerous Assignment (1950). In 1939 he received an Oscar nomination for Best Supporting Actor for his portrayal of the sadistic Sgt. Markoff in Paramount's Beau Geste (1939), its remake of an earlier silent hit. The Great McGinty (1940), a Preston Sturges comedy about a poor homeless slob who makes it to the governorship of a state with the mob's help, is a brilliant character study of a man and the changes he goes through to please himself, those around him and, eventually, the woman he loves. A line in the film, spoken by Mrs. McGinty, seems a fitting description of the majority of roles Brian Donlevy would play throughout his career: "You're a tough guy, McGinty, not a wrong guy." Donlevy's ability to make the roughest edge of any character have a soft side was his calling card. He perfected it and no one has quite mastered it since. He later, in 1944, reprised that role in The Miracle of Morgan's Creek (1943). By 1935 Donlevy was working for 20th Century-Fox and had just completed filming 36 Hours to Kill (1936) when he became engaged to young singer Marjorie Lane, and they married the next year. The marriage produced one child, Judy, but ended in divorce in 1947. It was 18 years before he remarried again. In 1966, Bela Lugosi's ex-wife Lillian became Mrs. Brian Donlevy, and they were married until his death in 1972. Donlevy had always derived great pleasure from his two diverse interests, gold mining and writing poetry, so it was fitting that after his last film, Pit Stop (1969), he retired to Palm Springs, CA, where he began to write short stories and had his income well supplemented from a prosperous California tungsten mine he owned. Having gone in for throat surgery in 1971 he re-entered the Motion Picture County Hospital in Woodland Hills, CA, on March 10th, 1972. Less than a month later, on April 6, he passed away from cancer.As Sargeant Markoff in Beau Geste he was a dog!- Actor
- Additional Crew
- Soundtrack
A highly respected Shakespearean for five decades until his death of colon cancer in 1995, classical actor Eric Porter's claim to international fame would, ironically, be outside of that realm, with one superb portrayal in one superb miniseries, The Forsyte Saga (1967), in which he won the BAFTA award. The son of Richard John Porter and Phoebe Elizabeth Spall, Porter first attended Wimbledon Technical College before stepping onto the stage as a walk-on in a production of William Shakespeare's "Twelfth Night" in February 1945 at the Arts Theatre in Cambridge. He continued in repertory until joining the National Service with the RAF during the war years. Early post-war credits would include touring with Sir Donald Wolfit and Sir Barry Jackson in their prestigious companies. Favorite roles in his repertoire would eventually include "Macbeth", "King Lear" and "Uncle Vanya". He won London's Evening Standard Award for "Rosmersholm" in 1959. Joining the Royal Shakespeare Company in 1960, he became a prime, esteemed resident for decades. Porter made his film debut in mid-career with The Fall of the Roman Empire (1964) at age 36, but it was the BBC that made him an international favorite as the ever-proper but intensely emotional and unhinged "Soames Forsyte". Taboos were broken on that series with a violent rape scene that had people talking for months. Along with the newly acquired fame came leads in lesser films such as The Lost Continent (1968) and Hands of the Ripper (1971), adding class to both those atmospheric horrors. On the plus side, Porter engaged himself frequently in quality TV miniseries fare including Anna Karenina (1977), The Jewel in the Crown (1984) and Oliver Twist (1985) (as Fagin), while transferring many classics to TV as well, with "Cyrano de Bergerac", "Man and Superman" and "Macbeth" being but a few.As Professor Moriarty in the Jeremy Brett Sherlock Holmes he was just perfect- Actor
- Soundtrack
Robert Oliver Reed was an English actor known for his well-to-do, macho image and "hellraiser" lifestyle. His notable films include The Trap (1966), playing Bill Sikes in the Best Picture Oscar winner Oliver! (1968), Women in Love (1969), Hannibal Brooks (1969), The Devils (1971), Revolver (1973), portraying Athos in The Three Musketeers (1973) and The Four Musketeers (1974); the lover/stepfather in Tommy (1975), The Brood (1979), Lion of the Desert (1981), Castaway (1986), The Adventures of Baron Munchausen (1988), Funny Bones (1995) and Gladiator (2000).As The Curse of the Werewolf he was just great, this was one of the first horror films l ever went to see at 14 and it *beep* me up...- Actor
- Additional Crew
Anton Diffring was a character actor who worked continuously in motion pictures due to his aristocratic face and cool, clipped diction, making him ideal for typecasting in British and later American motion pictures as Nazis and other vile, despicable characters. What was ironic about his typecasting as a Nazi is that Diffring, born in Koblenz, Germany, on October 20, 1916, fled Nazi Germany in 1939.
He was the son of Bertha (Diffring) and Solomon/Samuel Pollack, a Jewish shop owner. He was born into a family that boasted generations of actors, and studied drama in Berlin and Vienna. At the outbreak of World War II, he fled Germany and wound up in Canada, where he was interned as an enemy alien for the duration of the war. It was in Canada where he began his acting career after World War II, working primarily there and in the US before moving to Britain in 1950.
He became popular playing Nazis in the postwar period, as the British film industry turned out film after film about the war, which created a great demand for actors who could convincingly play Nazis, the nastier the better. Diffring could play nasty, and his career as a character actor soared. He was still going at it in the 1960s, when he began appearing in American and international co-productions as German soldiers from both WW I and WW II, including The Blue Max (1966), Counterpoint (1967) and that Turner Network Television staple, Where Eagles Dare (1968). He was still going at it in the 1970s and 1980s, as he continued a nearly 40-year-long acting career that was terminated only by his death.
He was a much better actor than most of his roles required. Diffring broadened his range as an actor with stage and television work, but the movies continually beckoned, as casting agents were hooked on him when it came to Nazi roles. It was that face that did it; it was both his blessing and his curse. He had the light hair, the piercing blue eyes and the chiseled face of the haughty aristocrat, the German Junker, but it was a face that could telegraph much in the few seconds that was the average shot of a motion picture. As a character actor, he got much done with less (time).
In François Truffaut's Fahrenheit 451 (1966) he was cast in all likelihood as a counterpart to the Austrian actor Oskar Werner, so that Werner's own Teutonicness in the English setting wouldn't be as arch. He excelled as Werner's nemesis, as he could create a mood or signal an entire story line with just a look; dialog didn't matter (he likely would have been a superstar in silent films, when it was "the faces" that mattered).
Diffring tried to break out of those silken villain roles, moving to Rome in 1968, but producers turned to him again and again to fill their needs for a foreign heavy. He appeared as one of the most infamous Nazis of all, Adolf Hitler's hangman Reinhard Heydrich, in Operation Daybreak (1975), and as Hitler's foreign minister Joachim von Ribbentrop in the American mini-series The Winds of War (1983). It made him a good living and it made him known, even if it did not fulfill his artistic ambitions.
What made his career such a success in terms of its longevity and fecundity was that Diffring was an actor who was enjoyable to watch. From Jack Clayton's I Am a Camera (1955) to Terence Fisher's The Man Who Could Cheat Death (1959), from Samuel Fuller's Tote Taube in der Beethovenstraße (1972) to Ken Russell's Valentino (1977), Diffring gave memorable performances, sandwiched in with all the Nazi heavies one career could possibly bear.
Anton Diffring died at his home in Chateauneuf-de-Grasse, France, on May 20, 1989. He was 72 years old.Anton said once that he had been 'killed' every way you could think of, he played many German Officers and was evil in most of them.- Actor
- Writer
- Director
Alan Rickman was born on a council estate in Acton, West London, to Margaret Doreen Rose (Bartlett), of English and Welsh descent, and Bernard Rickman, of Irish descent, who worked at a factory. Alan Rickman had an older brother (David), a younger brother (Michael), and a younger sister (Sheila). When Alan was 8 years old, his father died. He attended Latymer Upper School on a scholarship. He studied Graphic Design at Chelsea College of Art and Design, where he met Rima Horton, who would later become his longtime partner.
After three years at Chelsea College, Rickman did graduate studies at the Royal College of Art. He opened a successful graphic design business, Graphiti, with friends and managed it for several years before his love of theatre led him to seek an audition with the Royal Academy of Dramatic Art (RADA). At the relatively late age of 26, Rickman received a scholarship to RADA, which started a professional acting career that has lasted nearly 40 years, a career which has spanned stage, screen and television, and overlapped into directing, as well. In 1987, he first came to the attention of American audiences as the Vicomte de Valmont in "Les Liaisons Dangereuses" on Broadway (he was nominated for a Tony Award for his performance in the role). Denied the role in the film version of the show, Rickman instead made his first film appearance opposite Bruce Willis in Die Hard (1988) as the villainous Hans Gruber. His take on the urbane villain set the standard for screen villains for decades to come.
Although often cited as being a master of playing villains, Rickman actually played a wide variety of characters, such as the romantic cello-playing ghost Jamie in Anthony Minghella's Truly Madly Deeply (1990) and the noble Colonel Brandon of Sense and Sensibility (1995). He treated audiences to his comedic abilities in such films as Dogma (1999), Galaxy Quest (1999) and The Hitchhiker's Guide to the Galaxy (2005), and roles like Dr. Alfred Blalock in Something the Lord Made (2004), and as Alex Hughes in Snow Cake (2006), showcased his ability to play ordinary men in extraordinary situations. Rickman even conquered the daunting task of singing a role in a Stephen Sondheim musical as he took on the role of Judge Turpin in the movie adaptation of Sweeney Todd: The Demon Barber of Fleet Street (2007). In 2001, Rickman introduced himself to a whole new, younger generation of fans by taking on the role of Severus Snape in the film versions of J.K. Rowling's Harry Potter and the Sorcerer's Stone (2001). He continued to play the role through the eighth and last movie Harry Potter and the Deathly Hallows: Part 2 (2011).
Alan Rickman died of pancreatic cancer on 14 January 2016. He was 69 years old.Either as Elliot Marston in Quigley Down Under or The Sheriff of Nottingham Alan is just pure evil, some of his acting is what we used to refer to as 'hammy' but for him that works well.