The Works of Director Ridley Scott

Camera Operator: Ridley Scott Cinematographer: Frank Tidy ASC Production Designer: Peter Hampton Clapper Loader: Hugh Johnson Focus: Adrian Biddle BSC 3rd Assistant Director: Peter Kohn Dubbing Editor: Terry Rawlings ACE Composer: Howard Blake Film Editor: Pamela Power ACE Costume Designer: Tom Rand Production Manager: Peter Jaques Camera(s): Arriflex 35-IIC, Panaflex-X, Gold, Panaflex & PSR R-200 (35mm) Lenses: Panavision Super Speed MKII Spherical Primes AR: 1.37:1 (Negative Ratio), 1.85:1 (Spherical: Intended Ratio) Anecdote: Filmed with Panavision Cameras and Lenses

Composer: Jerry Goldsmith Conductor: Lionel Newman Executive Producer-Story Writer: Ronald Shusett Co-Writer & Visual Design Consultant: Dan O'Bannon Producers & Co-Writers: Walter Hill, David Giler Associate Producer: Ivor Powell Supervising Film Editor: Terry Rawlings ACE Cinematographer-A Cam Op: Derek Vanlint CSC Production Designer: Michael Seymour Art Directors: Les Dilley, Roger Christian Alien Designer: HR Giger Alien Head Effects Creator: Carlo Rambaldi Production SFX Supervisors: Brian Johnson, Nick Allder Concept Artist: Ron Cobb Production Manager: Garth Thomas Floor Effects Supervisor: Allan Bryce Second Film Editor: Peter Weatherley Costume Designer: John Mollo Set Decorator: Ian Whitaker B Camera Operator: Eddie Collins B Camera Focus Puller: Adrian Biddle BSC Miniature Effects Unit DoP: Dennis Ayling Miniature FX Unit A Cam Op: David Litchfield Stunt Coordinator: Roy Scammell Effects Unit DoP: Chris Williams Film Editor (Director's Cut): David Crowther 2003 Digital Restoration Artist: Sarah McGrail Sr Finishing Colorist (2019 Remaster): Stephen Nakamura Filming Dates: 5 July 1978 - 2 October 1978 Cameras: Panaflex & PSR R-200 (35mm Eastman 100T 5247) Lenses: Panavision C-Series Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic) Budget: 11 Million USD Budget AFI (2021): 42.1 Million USD 2019 Remaster Provided by: Company 3 Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Cinematographer: Jordan Cronenweth ASC Production Designer: Lawrence G. Paull Art Director: David L. Snyder Set Decorator: Linda DeScenna Additional DPs: Steven Poster ASC, Haskell Wexler ASC, Brian Tufano ASC Effects DP: David K. Stewart Green Screen DPs (2007 Final Cut Version): Tim Angulo, David Sanger Matte DP: Robert Bailey Camera Operators: Robert C. Thomas, Dick Colean, Albert Bettcher 1st Assistant Camera: Michael Genne Special Photographic Effects Supervisors: Douglas Trumball ASC, Richard Yuricich ASC, David Dryer VFX Supervisor: Ian Hunter VFX Supervisor (2007 Final Cut Version): John Scheele Composer: Vangelis Supervising Film Editor: Terry Rawlings ACE Film Editor: Marsha Nakashima 2007 Final Cut Film Editor: Gillian Hutshing Additional Film Editor: Peter Hollywood DI Colorist (2007 Final Cut Version): Stephen Nakamura 2007 Digital Restoration: Jill Bogdanowicz ASC Costume Designer: Michael Kaplan Co-Costume Designer: Charles Knode Camera: Panaflex Gold (35mm/65mm Eastman 100T 5247) Lenses: Panavision C-Series Anamorphic Primes & Super High Speed Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic) Anecdote: Filmed in Panavision

Cinematographer: Alex Thomson BSC Production Designer: Assheton Gorton Stunt Coordinator: Vic Armstrong Additional DPs: Harry Oakes, Max Mowdray Camera Operators: Peter MacDonald, Shaun O'Dell Underwater Camera Operator: Jordan Klein Jr Assistant Camera: Martin Hume 2nd Assistant Camera: Stefan Stankowski 1st Assistant Director: Garth Thomas Composers: Tangerine Dream Director's Cut Composer: Jerry Goldsmith Supervising Film Editor: William D. Gordean ACE Film Editor: Terry Rawlings ACE Additional Film Editor: Pamela Power ACE Costume Designer: Charles Knode Camera(s): Arriflex 35-III & 35 BL3 (35mm) Lenses: Cooke Xtal Xpress Anamorphic Primes AR: 2.39:1 (Anamorphic) Anecdote: Filmed with JDC Cameras and Lenses

Cinematographer: Steven Poster ASC Production Designer: James Bissell Set Decorator: Linda DeScenna Camera Operator: John Koester 1st Assistant Director: Joseph P. Reidy Composer: Michael Kamen Film Editor: Claire Simpson ACE 1st Assistant Film Editor: Sarah Thomas Costume Designer: Colleen Atwood Production Manager: Max Stein Camera: Panaflex Gold & Platinum (35mm Fuji A 250T 8518) Lenses: Panavision Ultra Speed MKII Spherical Primes AR: 1.85:1 (Spherical) Anecdote: Filmed with Panavision Cameras and Lenses

Directors of Photography: Jan De Bont ASC, Howard Atherton BSC Production Designer: Norris Spencer Stunt Coordinator/2nd Unit Director: Bobby Bass Camera Operator/2nd Unit DP: Craig Haagensen Additional DP: Aerial DP: David B. Nowell ASC Camera Operator: Alexander Witt ASC Prosthetic Makeup Artist: Richard Alonzo Composer: Hans Zimmer Film Editor: Tom Rolf ACE Additional Film Editors: William D. Gordean ACE, Jacqueline Cambas Costume Designer: Ellen Mirojnick Camera(s): Arriflex 35-III, Beaulieu Cine 8mm & Panaflex Platinum (8mm & 35mm Eastman 400T 5295/250D 5297) Lenses: Panavision Ultra Speed MKII Spherical Primes & Cooke AR: 2.20:1 (70mm Prints), 2.39:1 (Super 35mm)(Spherical: 8mm Footage) Anecdote: Filmed with Panavision Cameras And Lenses

Cinematographer: Adrian Biddle BSC Production Designer: Norris Spencer Stunt Coordinator/Player/2nd Unit Director: Bobby Bass Aerial DP: David B. Nowell ASC Camera Operator: Michael Scott SOC Main Unit/2nd Unit Camera Operator: Alexander Witt ASC 1st Assistant Camera: Dan Mindel ASC BSC SASC Composer: Hans Zimmer Film Editor: Thom Noble ACE Post-Production Supervisor: Garth Thomas Costume Designer: Elizabeth McBride Camera(s): Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman EXR 100T 5248/EXR 500T 5296) Lenses: Panavision C- & E-Series Anamorphic Primes AR: 2.35:1 (Anamorphic) Anecdote: Filmed in Panavision

Cinematographer: Adrian Biddle BSC Production Designer: Norris Spencer 2nd Unit Director/Director of Photography: Hugh Johnson Camera Operators: Martin Kenzie BSC, David Worley 2nd Unit Camera Operator: Bob Smith 2nd Unit Clapper Loader: Adam Biddle Focus Puller: Fraser Taggart Assistant Director: Adam Somner 2nd Unit 1st Assistant Director: Kevin De La Noy VFX Supervisor: Kent Houston VFX Team Member: Janek Sirrs Composer: Vangelis Film Editor: William M. Anderson ACE Costume Designer: Charles Knode Co-Costume Designer: Barbara Rutter Production Supervisor: Patrick Clayton Camera(s): Panaflex Gold & Platinum (35mm Eastman EXR 100T 5248/EXR 500T 5296) Lenses: Panavision C- & E-Series Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.35:1 (Anamorphic) Anecdote: Filmed in Panavision

Director of Photography: Hugh Johnson Director of Photography, Additional Photography: Dan Mindel ASC BSC SASC Production Designers: Peter Hampton, Leslie Tomkins 2nd Unit Director: David Tringham 2nd Unit DP: Stephen Smith Underwater DP: Pete Romano ASC Camera Operator: Bob Smith Gyrosphere Camera Operator: Phil Pastuhov Clapper Loader: Adam Biddle Focus Pullers: Simon Hume, Graham Hall Electrician: Scott Stuart Electrician/Lighting Technician: White Squall Lighting Technician: Craig Richards Underwater Assistant Camera: Wayne Baker Aerial 1st Assistant Camera: Richard Brooks Burton 2nd Assistant Director: Adam Somner 2nd 2nd Assistant Director: Darin Rivetti VFX Supervisor: Kent Houston VFX Team Member: Janek Sirrs Composer: Jeff Rona Score Producer/Additional Composer: Hans Zimmer Film Editor: Gerry Hambling Additional Film Editor: Michael Ellis 2nd Assistant Film Editor: David Feldman Costume Designer: Judianna Makovsky Unit Production Manager: Nigel Wooll Cameras: Arriflex 35-III & Panaflex GII (35mm Eastman EXR 100T 5248/EXR 500T 5298) Lenses: Panavision Primo Anamorphic Primes, Primo 40-200mm Anamorphic Zooms, Primo 50-500mm Zooms, Primo ALZ11 48-550mm Zooms & E-Series Anamorphic Primes AR: 2.35:1 (Anamorphic) Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Producers: Ridley Scott, Demi Moore, Suzanne Todd, Roger Birnbaum Screenwriter: David Twohy Executive Producer/Co-Writer: Danielle Alexandra Co-Producer/Unit Production Manager: Nigel Wooll 2nd Unit Director (DC)/Cinematographer: Hugh Johnson Cinematographer (2nd Unit; CA & Add'l Photography): Dan Mindel ASC BSC SASC Production Designer: Arthur Max Film Editor: Pietro Scalia ACE Costume Designer: Marilyn Vance Composer/Score Orchestrator: Trevor Jones Associate Producer/1st Ass't Director: Terry Needham Unit Production Manager: Michele Imperato 2nd Assistant Directors: Adam Somner, Darin Rivetti A-Camera Operator: Craig Haagensen B-Camera Operator: Terry Bowen Set Decorator: Cindy Carr Supervising Technical Advisor: Harry Humphries Supervising Art Director: Bill Hiney Aerial Unit Coordinator: David Paris Aerial Unit DoP: David B. Nowell ASC Aerial Unit B-Camera Operator: Brian Heller Supervising Prop Master: Eric Bates Gaffer: Chuck Finch Production Supervisor: Dan Conroy Production SFX Coordinator: Steven Galich 1st Assistant A-Camera: Tony Rivetti 1st Assistant B-Camera: Fred McLane 2nd Assistant A-Camera: Frank Parrish 2nd Assistant B-Camera: David Brink Video Consultant: Will Fowler Exec in Charge of Production: Ron Lynch Add'l Film Editor: Pamela Power ACE Associate Film Editor: Chris Innis Post-Prod Supervisor: Michael Solinger Prod Coordinator (London): Clare St. John Prod Coordinator (DC): Alison Sherman Art Director: Richard Johnson Ass't Art Director: Bill Taliaferro Set Designer: Thomas Minton Rigging Gaffer: Craig Ligget Stunt Coordinator: Phil Nielson Co-Stunt Coordinator: Keith Woolard Supervising Location Manager (DC & VA): Carol Flaisher Technical Advisor (DC): Karin Cody Rigging Gaffer (DC): Chris Walters Ass't Art Director (DC): Rob Simons Location Manager (FL & SC): Mary Morgan Ass't Loc Manager (VA): John McSweeney Production Manager (CA): Don Heitzer Location Managers (CA): Ken Haber, Errol Reichow 1st Ass't A-Camera (CA): William M. McConnell 1st Ass't B-Cam (CA): John Skotchdopole Art Director (CA): Virginia Weaver Prop Master (CA): Allan J. Gordon Special Consultant to Ridley Scott: Neville Schulman Technical Lab Liaison (US): John Bickford Technical Lab Liaison (UK): John Ensby Color Timer: Paul Ensby Music Supervisor: Kathy Nelson Music Recording Mixer: Simon Rhodes Add'l Music Recordist: Peter Cobbin Score Orchestrators: Nick Ingman, Geoff Alexander, Julian Kershaw Music Coordinator: Victoria Seale Orchestral Contractor: Isobel Griffiths Finishing Supervisors (Home Video Masters): Stefan Sonnenfeld ASC, Stephen Nakamura Filming Dates: 8 April 1996 - August 1996 Cameras: Aaton 35-III, Arriflex 35-III, 435, Panaflex GII, Lightweight & Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279) Lenses: Panavision Primo Anamorphic Primes & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 50 Million USD Budget AFI (2020): 80.7 Million USD Score Recorded at: Abbey Road Studios Shot on: Eastman Kodak Stock Distributed by: Walt Disney Studios Motion Pictures Home Video Masters Provided by: Company 3 Attribute: Filmed in Panavision (as Cameras and Lenses)

C-Camera Operator: Ridley Scott Co-Writer: John Logan Producer/Co-Writer: David Franzoni Producer: Douglas Wick Executive Producers: Walter Parkes, Steven Spielberg, Laurie MacDonald Cinematographer: John Mathieson BSC Production Designer: Arthur Max Film Editor: Pietro Scalia ACE Costume Designer: Janty Yates Production VFX Supervisor: John Nelson Composer: Hans Zimmer Composer/Vocal Performer: Lisa Gerrard Score Co-Producer/Add'l Composer: Klaus Badelt Associate Producer/1st Ass't Director: Terry Needham Stunt Coordinator: Phil Neilson Unit Production Manager: Branko Lustig 2nd Assistant Director: Adam Somner 2nd Unit Director/Director of Photography: Alexander Witt ASC A-Camera Operator: Peter Taylor B-Camera/Steadicam Operator: Klemens Becker A-Camera Focus Puller: Simon Hume Chief Lighting Technician: Roger Lowe Aerial Unit DoP: Jeremy Braben BSC Aerial Unit SpaceCam Operator: Steve Koster Production SFX & Prosthetic Supervisor: Neil Corbould VES SFX Floor Supervisor: Paul Corbould SFX Technician: Ian Corbould SFX Test Technician: Malcolm Crash Corbould Animatronics Supervisor: Kevin Herd Animatronics Designer: Astrig Akseralian Prosthetic Floor Supervisor: Michelle Taylor Prosthetic Designer: John Schoonraad Fight Master: Nicholas Powell Ass't Fight Master: Andreas Petridas Vehicles Art Director: Clifford Robinson Consultant to Ridley Scott: Neville Shulman Post-Production Executive: Martin Cohen Post-Production Supervisor: Lisa Dennis Kennedy Post-Production Coordinator: Lisa Marie Serra Production VFX Editor: Wesley Sewell 2nd Unit A-Camera Operator: Clive Jackson 2nd Unit A-Camera Focus Puller: Keith McNamara 2nd Unit B-Camera Operator: Branko Knez Malta Unit Production Manager: Dragan Josipovic Malta Unit Supervising Art Director: John King Malta Unit Art Director: Peter Russell Malta Unit Set Decorator: Sonja Klaus Malta Unit D-Camera & E-Camera Operators: Felix Schroer, Ben Gooder Malta Unit SFX Supervisor: Trevor Wood Malta Unit SFX Buyer: Cliff Corbould Maltese Consultant (Malta Unit): Albert Galea UK Unit Supervising Art Director: David Allday UK Unit Art Director: Keith Pain UK Unit Set Decorator: Jille Azis UK Unit SFX Supervisor: David Hunter Morocco Unit Production Managers: Peter Heslop, Zak Alaoui Morocco Unit Supervising Art Director: Benjamin Fernandez Morocco Unit Set Decorator: Elli Griff Morocco Unit SFX Supervisor: Terry Glass Mill Film VFX Supervisors: Tim Burke, Rob Harvey Mill Film VFX Producer: Nikki Penny Mill Film Executive VFX Producer: Robin Shenfield Mill Film VFX Production Executive: Nancy St. John Mill Film CG Supervisor: Lauren Huguenolt Mill Film VFX Coordinators: Emma Norton, Lorea Hoye Mill Film Effects Editor: Scott Anderson Mill Film VFX Compositor: Simon Stanley-Clamp Mill Film VFX Unit Camera Operator: Steven Hall Mill Film Studio Effects Unit Cameraman: Malcolm Woodbridge Senior Finishing Colorist (2018 Remaster): Stephen Nakamura Filming Dates: 18 January 1999 - 29 May 1999 Cameras: Aaton 35-III, Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman EXR 50D 5245/Kodak Vision 200T 5274) Lenses: Panavision Primo Spherical Primes AR: 2.39:1 (Super 35mm) Budget: 103 Million USD Budget AFI (2021): 166.2 Million USD Printed on: Kodak Vision Premier 2393 Special Visual Effects Provided by: Mill Film Score Recorded at: Air Lyndhurst Studios, London 2018 Remaster Provided by: Company 3 Attribute: Filmed with Panavision Cameras and Lenses

Executive Music Producer: Ridley Scott Costume Designer: Janty Yates Composer: Hans Zimmer Add'l Score Arrangements: Steve Jablonsky, Geoff Zanelli, Jim Dooley Film Editor: Pietro Scalia ACE Supervising Production Designer: Diego Loreggian Production Designer: Norris Spencer Cinematographer: John Mathieson BSC Executive Producer: Branko Lustig Writers: David Mamet, Steven Zaillian Associate Producer/1st Ass't Director: Terry Needham Italy Unit Line Producer: Lucio Trentini Unit Production Manager: Pamela Hochschartner 2nd Assistant Director: Adam Somner Stunt Coordinator: Phil Neilson A-Camera/Steadicam Operator: Klemens Becker B-Camera Operator: David M. Dunlap B-Camera/Steadicam Operator: Jim McConkey C-Camera Operator/2nd Unit Director: Scooter Yancey Production VFX Supervisor: Tim Burke Production VFX Producer: Emma Norton Production SFX Supervisor: Kevin Harris Set Prop Master: David Durboraw 1st Assistant A-Camera: Simon Hume 1st Assistant B-Camera: Gary Dunham 2nd Assistant B-Camera: Marta Weiss CG Designer/24-Frame Playback Technician: Paul Conti Music Editors: Marc Streitenfield, Vicki Hiatt Rigging Gaffer: Richie Ford CAP Special Makeup Creator: Greg Cannom CAP Prosthetic FX Supervisors: Brian Sipe, Wesley Wofford CAP Production Supervisors: Mary Kim, Wendy McNeny CAP Mold Shop Supervisor: Arthur Pimentel CAP Operations Manager: Harvey K. Lowry Creature FX Designer & Supervisor: Russell Shinkle Co-Supervising Sound Editor: Karen M. Baker Main Title Sequence Creator: Nicolas Livesey 2nd 2nd Ass't Director: Joe Incaprera Add'l 2nd 2nd Ass't Dir: Julian Brain Consultant to Ridley Scott: Neville Shulman Int'l Distribution Consultant: John Matthew Picture Car Coordinator: Mike Barbour SFX Set Foreman: Durk Tyndell SFX Shop Foreman: Pete Damien Mill Film VFX Unit Motion Control DoP: Malcolm Wooldridge Mill Film VFX Unit Motion Control Operator: Jay Mallet Mill Film CG Supervisor: Laurent Hugueniot Mill Film Lead CG Artist: Andy Feery Mill Film CG Artists: Rob Allman, Greg Fisher, Chris Shaw Mill Film 2D Supervisor: Richard Roberts Mill Film Roto/Prep Artist: Steven Barnes Mill Film I/O Supervisor: Tim Caplan Mill Film VFX Editor: Nicholas Atkinson Digiscope Digital VFX Producer: Lauren Lyn Schulman Supervising Orchestrator: Bruce Fowler 2nd Unit Director/Director of Photography: Alexander Witt ASC 2nd Unit 1st Ass't B-Camera: Mason Hersey 2nd Unit 2nd Ass't B-Camera: Eric Turner Florence Unit Production Manager: Stefano Spadoni Unit Manager (Florence Unit): David Pash Florence Unit Set Manager: Gianfranco DeRosa Florence Unit Location Manager: Anna Nicolosi Florence Unit Ass't Location Manager: Fabio Turchi Florence Unit 2nd Ass't Director: Alberto Mangiante Florence Unit Supervising Art Director: Pier Luigi Basile Florence Unit Art Director: Marco Trentini Florence Unit Set Designer: Alexandro Santucci Florence Unit Set Decorator: Cinzia Sleiter Florence Unit Prop Master: Antonio Fraulo Florence Unit Add'l Camera Operator: Daniele Massaccesi Florence Unit Add'l 1st Ass't Camera: Marco Sacerdoti Florence Unit Add'l 2nd Ass't Camera: Francesco DiGiacomo Florence Unit Add'l 3rd Ass't Camera: Francesco Pintore Florence Unit AVID Assistant: Valerio Bonelli Florence Unit Gaffer: Alberico Novelli Florence Unit SFX Supervisor: Renato Agostini Florence Unit 2nd 2nd Ass't Dir: Filippo Fassetta Florence Unit 3rd Ass't Director: Emma Norton Senior Finishing Colorist (2019 Remaster): Stephen Nakamura Filming Dates: 8 May 2000 - 25 August 2000 Cameras: Arriflex 35-III, 435, 535B & Moviecam Compact (35mm Eastman EXR 50D 5245/Kodak Vision 250D 5246/500T 5279) Lenses: Cooke S4 Primes, Zeiss Variable Primes, Century Swing & Tilt, Angenieux HR Zooms, Hawk Zooms & Cinespeed Primes AR: 1.85:1 (Spherical) Budget: 87 Million USD Budget AFI (2022): 136.9 Million USD Special Makeup Effects Created by: Captive Audience Productions Visual Effects & Digital Main Title Sequence Composited by: Mill Film & Digiscope Score Recorded at: Air Lyndhurst London 2019 Remaster Provided by: Company 3 Attribute: Cameras and Lenses by JDC Cameras

Screenwriter: Ken Nolan Producer: Jerry Bruckheimer Executive Producers: Simon West, Mike Stetson, Chad Oman Executive Producer/Unit Production Manager: Branko Lustig Cinematographer: Slawomir Idziak AIC Production Designer: Arthur Max Film Editor: Pietro Scalia ACE Composer: Hans Zimmer Costume Designers: Sammy Sheldon, David Murphy Music Supervisors: Kathy Nelson, Bob Badami Associate Producer/1st Ass't Director: Terry Needham Associate Producers: Harry Humphries, Pat Sandston Dedicated to: Elizabeth Jean Scott Unit Production Manager: Pamela Hochschartner 2nd Assistant Director: Darin Rivetti 2nd Unit Director: Alexander Witt ASC 2nd Unit 1st Ass't Director: Adam Somner Additional Unit Director: Nicholas Livesey Production SFX Supervisor/Morocco Unit Prosthetics FX Supervisor: Neil Corbould VES A-Camera/Steadicam Operator: Daniele Massaccesi B-Camera Operator: Martin Kenzie BSC Aerial Unit DoP: John Marzano Associate Film Editor: Wesley Sewell Post-Production Supervisor: Teresa Kelly Production VFX Supervisor: Tim Burke Production VFX Producer: Emma Norton 1st Assistant A-Camera: Tony Rivetti 2nd Assistant A-Camera: Fionn Comerford 2nd 2nd Ass't Director: Basil Bryant Grillo SFX Test Technician: Malcolm Crash Corbould Aerial Unit Coordinators: Marc Wolff, David Paris Aerial Unit Cameraman: Michael Kelem Consultant: Mark Bowden Music Contractor: Sandy DeCrescent 2nd Unit Camera Operator: Ronald Hersey 2nd Unit Steadicam Operator: Zoran Mikincic 2nd Unit Action Vehicle Coordinator: Waldron LaMora Morocco Unit Production Manager: Jamal Souissi Morocco Unit SFX Coordinator: Carol McAulay Morocco Unit Ass't SFX Supervisor: Paul Corbould Morocco Unit SFX Floor Supervisor: Andrew Williams Morocco Unit SFX Workshop Supervisor: David Brighton Morocco Unit SFX Lead Senior Technician: Ian Corbould Morocco Unit Prosthetics Ass't Supervisor: John Schoonraad Morocco Unit Prosthetics Workshop Supervisors: Cliff Wallace, David Hunter Mill Film Executive VFX Producer: Robin Shenfield Mill Film Digital VFX Supervisor: Simon Stanley-Clamp Mill Film CG Supervisor: Laurent Hugueniot Mill Film VFX Production Supervisor: Susi Roper Mill Film VFX Coordinator: Laya Armian Asylum VFX Supervisors: Nathan McGuinness, David MV Jones Asylum Executive VFX Producers: Blondel Aidoo, Emma McGuinness Asylum VFX Producer: Lindsay Burnett Asylum CG Producer: Jeff Werner Asylum Inferno Artists: Phil Brennan, Jeff Olm Telecine Colorist: Stefan Sonnenfeld ASC Filming Dates: 3 March 2001 - July 2001 Cameras: Arriflex 35-III, 435 ES, Moviecam Compact & SL (35mm Eastman EXR 50D 5245/100T 5248/Kodak Vision 250D 5246/320T 5277/500T 5279) Lenses: Zeiss Ultra Primes & Angenieux HR Zooms AR: 2.39:1 (Super 35mm) Budget: 92 Million USD Budget AFI (2021): 144.4 Million USD Printed on: Kodak Vision Premier 2393 Music Production Services Provided by: Media Ventures, Santa Monica, CA Visual Effects Provided by: Mill Film & Asylum Telecine Finish Provided by: Company 3 Attribute: Camera Systems, Grip & Electrical Equipment Provided by Arri/Munich

Cinematographer: John Mathieson BSC Production Designer: Tom Foden A-Camera Operator: Mitch Dubin SOC Aerial SpaceCam Operator: Ralph Mendoza 1st Assistant Director: KC Hodenfield 2nd Assistant Director: Jeff Okabayashi VFX Supervisor: Sheena Duggal Composer/Arranger/Programmer: Hans Zimmer Film Editor: Dody Dorn ACE Costume Designer: Michael Kaplan Set Production Assistant: Chris Castaldi Camera: Panaflex Platinum (35mm Kodak Vision 500T 5279) Lenses: Panavision C- & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Anecdote: Filmed In Panavision

Executive Producer/Unit Production Manager: Branko Lustig Executive Producer: Terry Needham Cinematographer: John Mathieson BSC Production Designer: Arthur Max Film Editor: Dody Dorn ACE Composer/Conductor/Orchestrator: Harry Gregson-Williams Costume Designer: Janty Yates Music Supervisor: Marc Streitenfeld Co-Producers: Mark Albela, Denise O'Dell 2nd Co-Producers: Henning Molfenter, Thierry Potok 1st Assistant Director: Adam Somner 2nd Unit Director/Director of Photography: Hugh Johnson Supervising Art Directors: Marco Trentini, John King Production SFX & Prosthetics Supervisor: Neil Corbould VES Production VFX Supervisor: Wesley Sewell Production VFX Producer: Victoria Alonso Make-Up Designer: Paul Engelen Stunt Coordinator: Phil Neilson Associate Producers: Teresa Kelly, Ty Warren Spain Unit Line Producer: Jose Luis Escobar Morocco Unit Line Producer: Karim Abouobayd Set Decorator: Sonja Klaus Supervising Prop Master: Graeme Purdy Hair Supervisor: Aldo Signoretti Associate Film Editor: Keith Brachmann Weapons Master: Simon Atherton 2nd Assistant Director: Ian Stone Production Managers: Bruce Devan, Emily Stillman A-Camera Operator: Martin Hume B-Camera/Steadicam Operator: Daniele Massaccesi C-Camera Operator: Chris Plevin Focus Puller/1st Ass't A-Camera: Simon Hume 1st Assistant B-Camera: Ben Wilson Focus Puller/1st Ass't C-Camera/2nd Unit Add'l Camera Operator: Marco Sacerdoti 1st Assistant D-Camera: James Needham 2nd Assistant A-Camera: Robert Palmer 2nd Assistant B-Camera: Basil Smith Camera Loader: Lewis Hume Post-Production Coordinator: David McKimmie VFX Associate Producer: Tracey Gibbons VFX Ass't Coordinator: Natalie Lovatt Spain Unit Production Supervisor: Kimberley Ann Berdy Unit Manager (Morocco Unit): Alex Corvan Key Production Coordinator: Derek Vermaas Morocco Unit Production Coordinator: Sandra Odelga LA Unit Coordinator: Shane Starr Ass't Production Coordinator: Fiona Garland Co-2nd Ass't Directors: Emma Horton, William Dodds Associate Military Costume Designer: David Crossman Workshop Coordinator: Helen Smith Set Dress Art Director: Robert Cowper Morocco Unit Prop Master: Paul Purdy Gaffer: Robert "Chuck" Finch Rigging Gaffer: Paul Evans Electrical Coordinator: Stephen Finch Morocco Unit Practical Gaffer: Christopher Finch SFX Ass't Supervisors: Paul Corbould, David Brighton SFX Floor Supervisor: Ian Corbould SFX Workshop Supervisor: Raymond Ferguson SFX Office Coordinator: Corina Rosca UK Unit SFX Office Coordinator: Gail Corbould UK Unit SFX Buyer: Norman Baillie SFX Storeman: Cliff Corbould SFX Technician: Gareth Wingrove Special Miniature Effects Senior Model Maker: Anne Marie Walters Siege Weapons Construction Coordinator: Alain Brochu SFX Art Director: Cliff Robinson Spain Unit SFX Team Supervisor: Pau Costa SFX Test Technician: Malcolm Crash Corbould SFX Trainee: Chris Corbould II Prosthetics Ass't Supervisor: Darren Robinson Prosthetics Workshop Supervisor: Cliff Wallace Prosthetics Floor Supervisor: Steve Painter Prosthetics Office Coordinator: Beverly Austin Sword Masters: CC Smiff, Allan Poppleton Score Orchestrator: Alistair King Arabic Casting Consultant: Nashwar Al Ruwaini French Casting Consultant: Antoinette Boulat Special Advisor to Ridley Scott: Neville Shulman Pre-Rig Construction Supervisor: Ivo Husnjak Aerial Unit DoP: John Marzano 2nd Unit 1st Ass't Director: Darin Rivetti Morocco 2nd Unit 1st AD: Adil Abdelwahab 2nd Unit A-Camera Operator: Clive Jackson 2nd Unit B-Camera Operator: Robert Smith 2nd Unit 1st Ass't A-Camera: Keith McNamara 2nd Unit Gaffer: William "Will" Finch 2nd Unit Rigging Gaffer: Perry Cullen 2nd Unit SFX Floor Supervisor: Andrew Williams Spanish Unit Production Manager/Coordinator: Patricia Nieto Spanish Unit Art Directors: Carlos Suarez Bodelon, Jose Luis Del Barco Spanish Unit 1st Ass't Director: Pedro Lagaza Spanish Unit Key 2nd Ass't Dir.: Carlos Gras Spanish Unit Gaffer: Ricardo Rodriguez Spanish Unit Senior SFX Supervisor: Raul Romanillos Morocco Unit SFX Coordinator: Mustapha Steila Morocco Unit Workshop Coordinator: Nicholas Komornicki MPC VFX Supervisor: Tom Wood MPC CG Supervisor: Gary Brozenich MPC VFX Producer: Charlie Bradbury MPC Head of Production: Martin Hobbs MPC Jerusalem Unit VFX Art Director: Juan Garcia MPC MoCap Supervisor: Isaac Partouche MPC MoCap Choreographer: Carrie Thiel DNEG VFX Supervisor: Peter Chiang DNEG 2D Supervisors: Adrian Banton, Mike Ellis DNEG VFX Producer: Jennifer Silver DNEG VFX Coordinator: Claudia Dehmel Framestore CFC VFX Supervisor: Jon Thum Framestore CFC VFX Producer: Mei-Ming Casino Framestore CFC CG Supervisor: Andrew rawling Framestore CFC Digital VFX Supervisor: Jonathan Fawkner Digital Film Colorist: Paul Ensby DI Consultant: Simon Wilkinson DI Technical Consultant: Ian Redmond DI Preview Colorist: John B. Claude Filming Dates: 12 January 2004 - 16 May 2004 Cameras: Arricam LT & ST (35mm Kodak Vision2 500T 5218/Eastman EXR 50D 5245/Vision 200T 5274) Lenses: Cooke S4 Primes & Angenieux Optimo Zooms AR: 2.35:1 (Super 35mm) Budget: 130 Million USD Budget AFI (2021): 185 Million USD Printed on: Kodak Vision 2383 Distributed by: Walt Disney Studios Motion Pictures Music Recorded & Mixed at: Abbey Road Studios, London & Air Studios, London Visual Effects, MoCap Services & Main Titles Provided by: Moving Picture Company Special Visual Effects Provided by: Double Negative Digital Visual Effects Provided by: Framestore CFC Attribute: Filmed with Arri Cameras & Lenses

Producer: Ridley Scott Screenwriter: Marc Klein Exec Producer/Unit Production Manager: Branko Lustig Cinematographer: Philippe Le Sourd ASC AFC Production Designer: Sonja Klaus Film Editor: Dody Dorn ACE Co-Producer: Eric Upson Costume Designer: Catherine Leterrier Composer & Music Supervisor: Marc Streitenfeld Stunt Coordinator: Philippe Guegan Line Producer (French)/Unit Prod Manager: Mark Allan 1st Assistant Director: Darin Rivetti 2nd Assistant Director: Emelie Cherpitel Supervising Art Director: Frederic Evard Set Decorator: Barbara Perez-Solero Art Dept. Coordinator: Amy Simons Unit Manager: Remi Bergman Ass't Unit Manager: Vincent Le Fourve 2nd 2nd Ass't Director: Eliot Mathews 3rd Assistant Director: Tarik Ben Ali 1st Assistant A-Camera: Marco Sacerdoti 2nd Assistant A-Camera: Basil Smith A-Camera Loader: Frederic Hauss B-Cam/Steadicam Operator: Jörg Widmer 1st Assistant B-Camera: Leah Striker 2nd Assistant B-Camera: Lionel Pedro Add'l 1st Ass't Camera: Tristan Favre Add'l Camera Operator: Roger McDonald Supervising Prop Master: Matt Foster Co-Film Editor: Robb Sullivan ACE Post-Production Supervisor: Teresa Kelly Production VFX Supervisor: Wesley Sewell 1st Ass't Editor (LA): Debra L. Tennant 1st Ass't Editor (FR): Celine Kelepikis 2nd Assistant Editor: Emily Aulagnon 3rd Assistant Editor: Yon Van Klein Editorial Coordinator (FR): Philippe Akoka Supervising Sound Editors: Per Hallberg MPSE, Karen Baker Landers Sound Mixing Supervisors: Paul Massey, DM Hemphill Gaffer: Franck Barrault Location Supervisor: Marco Giacalone Ass't Location Manager: Gaetan Dinon Production Coordinator: Laurence Garnier Production SFX Supervisor: Steven Warner Special Advisor to Ridley Scott: Neville Shulman Research Consultant: Geraldine Serafini Financial Controller: Gary Gillingham Supervising ADR Editor: Chris Jargo Supervising Foley Editor: Chris S. Jaeger MPSE Digital Film Colorist: Skip Kimball Unit Prod Manager (London Unit): Emily Stillman London Unit 2nd Ass't Director: Anthony Wilcox London Unit A-Cam Focus Puller: Julian Bucknall London Unit Gaffer: Harry Wiggins London Unit Art Director: Robert Cowper London Unit Graph Designer: Coralie Lew London Unit Prop Master: Nick Turnbull London Unit Loc Manager: Alex Gladstone London Unit Ass't Loc Manager: Linzi Baltrunas Unit Manager (London Unit): Keith Whale London Unit Production Coordinator: Fiona Garland London Unit Film Assistant: Joanne Dixon Score Conductor: Nick Ingman Score Orchestrator: Bruce Fowler Score Recordist & Mixer: Peter Cobbin Filming Dates: September 2005 - October 2005 Camera: Arricam LT (35mm Kodak Vision2 250D 5205/500T 5218) Lenses: Panavision Primo Spherical Primes AR: 2.39:1 (3-Perf/4-Perf Super 35mm) Budget: 35 Million USD Budget AFI (2022): 48.8 Million USD Visual Effects Provided by: Invisible FX Score Recorded & Mixed at: Abbey Road Studios, London Shot on: Kodak Motion Picture Film Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Producers: Ridley Scott, Brian Grazer Writer/Executive Producer: Steven Zaillian Co-Writer: Terry George Exec Producers: Nicholas Pileggi, Jim Whitaker, Michael Costigan Exec Producer/Unit Prod Manager: Branko Lustig Cinematographer: Harris Savides ASC Production Designer: Arthur Max Film Editor: Pietro Scalia ACE Script Consultant: Russell Crowe Co-Producer/Unit Prod Manager: Jonathan Filley Composer: Marc Streitenfeld Costume Designer: Janty Yates Supervising Stunt Coordinator: GA Aguilar Co-Stunt Coordinator: Stephen Pope Aerial Unit Helicopter Pilot: Will Richards 1st Assistant Director: Darin Rivetti 2nd Assistant Director: Noreen R. Cheleden Music Supervisor: Kathy Nelson Add'l Source Music Writer & Producer: Hank Shocklee Supervising Sound Editor: Per Hallberg MPSE Co-Producer: Sarah Brown Production Supervisor: Lyn Pinezich Art Director: Nicholas Lundy Set Decorators: Beth A. Rubino, Leslie Rollins Supervising Prop Master: Peter Gelfman Picture Car Coordinator: Bob Griffon Ass't Picture Car Coord: John McDonnell A-Camera Operator: Craig Haagensen 1st Assistant A-Camera: Eric Swanek 2nd Assistant A-Camera: Gregory Finkel B-Camera/Steadicam Op: Larry McConkey C-Camera Operator: David M. Dunlap Gaffer: Bill O'Leary Best Boy: Joe Grimaldi Rigging Gaffer: Richard Ford Production SFX Coordinator: Conrad Brink Sr Production SFX Foreman: Michael Bird Production SFX Techs: Kevin Zack, Edward A. Drohan IV Post-Production Supervisor: Teresa Kelly 1st Assistant Editor: Billy Rich 2nd Assistant Editor: Bob Drwila 1st Apprentice Editor: Noah Amos 2nd Apprentice Editor: Robert Mead Co-Supervising Sound Editor: Karen Baker Landers Supervising ADR Editor: Chris Jargo Supervising Foley Editor: Chris S. Jaeger Music Editor: Del Spiva Score Mixer/Recordist: Peter Cobbin Score Orchestrators: Bruce Fowler, Walt Fowler, Steve Fowler, Yvonne Moriarty Orchestra Conductor: Mike Nowak Supervising Location Manager: Michael Kriaris Ass't Location Managers: Joe Guest, Guy Efrat Location Coordinator: Kendra Levenberg Production Consultant: Fab 5 Freddy Production Coordinator: Angela Quiles Ass't Prod Coordinator: Nicole Ferrari 2nd 2nd Ass't Director: Kali Harrison Add'l 2nd Ass't Director: Greg Gilman Special Advisor to Ridley Scott: Neville Shulman Camera Scenic Artist: Emily Gaunt 2nd Unit Director/Director of Photography: Alexander Witt ASC 2nd Unit 1st Ass't Director: Christo Moore 2nd Unit 2nd Ass't Dir: Betsy Friedman Palmieri 2nd Unit Prop Master: Robin Voth 2nd Unit Ass't Prop Master: Tim Grimes 2nd Unit A-Camera Operator: Mark Schmidt 2nd Unit 1st Ass't A-Camera: Jeb Byers 2nd Unit 2nd Ass't A-Camera: Alicia Colley 2nd Unit 1st Ass't B-Camera: John McAleer 2nd Unit 2nd Ass't B-Camera: Liz Hedges 2nd Unit Loader: Brian Mackey 2nd Unit Gaffer: Rob Vuolo 2nd Unit Location Manager: Jason Farrar 2nd Unit 2nd 2nd AD: Nick Vanderpool Thailand Unit Prod Sup: Santa Pestonji Thailand Unit Prod Man.: Piya Pestonji Thailand Unit Set Decorator: Sonja Klaus Thailand Unit Prop Master: Terry Wells Production VFX Supervisor: Wesley Sewell GMFX VFX Supervisor: Gray Marshall ASC GMFX Supervising VFX Producer: Margaux Mackay GMFX VFX Producer: Ashley Clark Invisible FX VFX Producer: Dick Edwards Special Thanks: Muhammad Ali Filming Dates: July 2006 - December 2006 Cameras: Arricam LT, ST & Arriflex 235 (35mm Kodak Vision2 Expression 500T 5229) Lenses: Cooke S4 Primes & Angenieux Optimo Zooms AR: 1.85:1 (Spherical) Budget: 100 Million USD Budget AFI (2022): 135.5 Million USD Printed on: Kodak Vision 2383 Visual Effects Provided by: Gray Matter FX & Invisible FX Shot on: Kodak Motion Picture Film Attribute: Camera & Lens Package Supplied by Arri CSC

Cinematographer: Alexander Witt ASC Production Designer: Arthur Max Set Decorator: Sonja Klaus Aerial DPs: David B. Nowell ASC, John Marzano Documentary DP: John J. Moers A-Camera Operator: Mark Schmidt B-Camera Operator: Ronald Hersey B-Camera/Steadicam Operator: Daniele Massaccesi C-Camera Operator: Marco Sacerdoti C-Camera/Steadicam Operator: Larry McConkey SOC D-Camera Operators: Alessandro Chiara, Dave Insley 1st Assistant B-Camera: Mason Hersey 1st Assistant Director: Peter Kohn VFX Supervisor: Sheena Duggal Composer: Marc Streitenfield Film Editor: Pietro Scalia ACE DI Colorist: Stephen Nakamura DI Executive Producer (Company 3): Stefan Sonnenfeld ASC DI Supervisor (Company 3): Nick Monton Costume Designer: Janty Yates Camera(s): Arricam LT, ST, Arriflex 235, 435 & Moviecam Compact (35mm Kodak Vision2 50D 5201/250D 5205/500T 5218) Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms AR: 2.39:1 (3-Perf/4-Perf Super 35mm) Digital Intermediate Provided by: Company 3 Anecdote: Camera Equipment by Arri

Co-Writer: Brian Helgeland Producers: Brian Grazer, Russell Crowe Executive Producer/Unit Production Manager: Charles JD Schlissel Executive Producer/Production Executive: Jim Whitaker Cinematographer: John Mathieson BSC Production Designer: Arthur Max Film Editor: Pietro Scalia ACE Composer: Marc Streitenfeld Costume Designer: Janty Yates Dedicated to: Bret Johnson Co-Producer/Unit Production Manager: Nikolas Korda 1st Assistant Director: Max Keene Key 2nd Ass't Director: Matt Baker Co-Executive Producer: Michael Ellenberg Associate Producer: Keith Rodger Supervising Art Director: John King Set Decorator: Sonja Klaus 2nd Unit Director/Director of Photography: Alexander Witt ASC Makeup Designer: Paul Engelen Production VFX Supervisor: Richard Stammers Production VFX Producer: Allen Maris Post-Production Supervisor: Teresa Kelly Add'l Film Editor: Billy Rich Stunt Coordinator/Horse Master: Steve Dent Production SFX Supervisor: Trevor Wood Senior Art Directors: Raymond Chan, David Allday Art Directors: Marc Homes, Adam O'Neill, Tom Still, Mark Swain, Alex Cameron Senior Ass't Art Director: Ben Munro Ass't Art Directors: Jim Barr, Tom Brown, Jordan Crockett Co-Senior Art Director: Karen Wakefield Set Dec Coordinator: Lucy Hope-Smith A-Camera Operator: Peter Taylor B-Camera Operators: Martin Hume, Graham Hall ACO C-Camera/Steadicam Operator: Paul Edwards D-Camera Operator: Chris Plevin 1st Assistant A-Camera: Simon Hume 1st Assistant B-Camera: John Gamble ACO 1st Assistant C-Camera: Keith McNamara 1st Assistant D-Camera: Ashley Bond 2nd Assistant A-Camera: Lewis Hume 2nd Assistant C-Camera: Ross McNamara Aerial Unit DoP: John Marzano Flying Unit Camera Operator: Clement Gharini Underwater Unit Camera Operator: Mike Valentine BSC 1st Assistant Editor: Robert Mead UK Unit 1st Ass't Editor: Tom Harrison-Read Gaffer: Alan Martin Rigging Gaffer: Lee Martin SFX Ass't Supervisor: Trevor Neighbour Production SFX Coordinator: Nigel Nixon SFX Floor Supervisors: Stefano Pepin, Simon Cockren Senior SFX Technician: Terry Glass Production SFX Technician: Caimin Bourne Production SFX Modeler: Richard St. Clair Military Costume Supervisor: David Crossman Prosthetics Designer: David White Prosthetics Coordinator: Sacha Carter Wales Unit Add'l Unit Manager: Kevin Jenkins Special Advisor to Ridley Scott: Neville Shulman Ass't Stunt Coordinator: Rob Inch Fight/Sword Coordinators: CC Smiff, Rudolph Vrba Sound Effects Designer: Ann Scibelli Score Orchestrator: Benjamin Wallfisch Orchestra Contractor: Isobel Griffiths DI Colorist: Stephen Nakamura DI Producer: Nick Monton Company 3 CEO: Stefan Sonnenfeld ASC 2nd Unit Production Manager: Siobhan Lyons 2nd Unit Production Coordinator: Nion Hazell 2nd Unit 1st Ass't Director: Robert Grayson 2nd Unit 2nd Ass't Director: Will Dodds 2nd Unit 3rd Ass't Director: Tom Browne 2nd Unit Set Production Assistants: Nicole Chapman, Jaesung Oh 2nd Unit A-Camera Operator: Gary Spratling 2nd Unit B-Camera Operator: Clive Jackson 2nd Unit C-Camera Operator: Julian Morson ACO 2nd Unit Add'l Camera Operator: Roberto Contreras 2nd Unit 1st Ass't B-Camera: Rene Adefarasin 2nd Unit Gaffer: Tony Wilcock Camera Operator (Add'l Crew): Pete Cavaciuti ACO Production VFX Coordinators: Bastian Hopfgarten, Amy Spanner Ass't VFX Coordinator: Ben Marks MPC VFX Producer: Fiona Foster MPC DFX Supervisor: Jessica Norman MPC CG Supervisor: Max Wood MPC VFX Production Managers: Katherine Smith, Kristy Wilson MPC VFX Coordinators: Toby Langley, Michelle Teefey-Lee Hammerhead VFX Supervisor: Michael T. Kennedy Hammerhead VFX Producer: Les Hunter Hammerhead Compositing Supervisor: Dan Levitan Hammerhead VFX Executive Producer: Dan Chuba Hammerhead VFX Coordinator: Kelly Kenan Prime Focus Senior VFX Supervisor: John Lockwood Prime Focus VFX Supervisor: Steve Street Prime Focus VFX Producer: Standish Millenas Prime Focus Senior 3D Artist: Will Broadbent Prime Focus Supervising Compositor: Keith Devlin Invisible FX VFX Supervisor: Dick Edwards Lola VFX Supervisor: Edson Williams Lola VFX Associate Producer: Ryan Zuttermeister Filming Dates: 30 March 2009 - August 2009 Cameras: Arricam LT, ST, Arriflex 235 & 435 (35mm Kodak Vision2 50D 5201/250D 5205/Vision3 500T 5219) Lenses: Panavision Primo Spherical 3:1 (135-420mm) Hubble Zoom, Primo Compact (19-90mm) Zoom, Optica Elite Zoom & Angenieux Optimo Zooms AR: 2.39:1 (4-Perf Super 35mm) Budget: 200 Million USD Budget AFI (2021): 254.9 Million USD Printed on: Kodak Vision 2383 Digital Intermediate Provided by: Company 3 Score Recorded at: Abbey Road Studios Visual Effects Provided by: Moving Picture Company, Hammerhead Productions, Prime Focus, Invisible FX & Lola VFX Attribute: Filmed with Panavision Cameras and Lenses

Producer: Ridley Scott Costume Designer: Janty Yates Production VFX Supervisor: Richard Stammers Composer: Marc Streitenfeld Composer - Add'l Music: Harry Gregson-Williams Film Editor: Pietro Scalia ACE Production Designer: Arthur Max Cinematographer: Dariusz Wolski ASC EPs: Tony Scott, Michael Costigan, Mark Huffam Co-Executive Producer: Michael Ellenberg Executive Producer & Writer: Damon Lindelof 2nd Producers: David Giler, Walter Hill Writer: Jon Spaiths Unit Production Manager: Nikolas Korda 1st Assistant Director: Max Keene Key - 2nd Assistant Director: Matt Baker Original Design Elements: HR Giger Supervising Stunt Coordinator: Rob Inch Assistant Stunt Coordinator: Stuart Clark Stunt Department Coordinator: Ben Rackley Production Visual Effects Producer: Allen Maris Co-Producer: Mary Richards Supervising Art Director: John King Set Decorator: Sonja Klaus A Camera Operator: Gary Spratling ACO B Camera Operator: Graham Hall ACO C Camera Operator: David Morgan D Cam-Steadicam Operator: Daniele Massaccesi Creature-Special MKFX Supervisor: Neal Scanlan Prosthetic Supervisor: Conor O'Sullivan Production SFX-Vehicles Supervisor: Trevor Wood Supervising Prop Master; Terry Wood Associate Producer: Teresa Kelly Additional Film Editor: Robert Mead Sr Art Directors: Marc Homes, Paul Inglis, Karen Wakefield 3rd Art Directors: Peter Dorme, Alex Cameron 4th Art Director: Anthony Caron-Delion Art Directors - Vehicles: Justin Warburton-Brown, Adam O'Neill Standby Art Director: Ben Munro Concept Artists: Neville Page, Ben Proctor Set Dec Coordinator: Lucy Hope-Smith Screen Interface Designer: George Simons Assistant Set Decorator: Luke Edwards Co-2nd Assistant Director: Danny McGrath 3rd ADs: Barney Hughes, Sarah Brand, Sam Smith Set Prod Assistants: Grace Bailey, Paul Hayes A 1st Assistant Camera: John Ferguson B 1st Assistant Camera: Rob Palmer C 1st Assistant Camera: Miles Proudfoot D 1st Assistant Camera: Spencer Wheeldon A 2nd Assistant Camera: Paul Wheeldon B 2nd Assistant Camera: Elliot Dupuy C 2nd Assistant Camera: Iain MacKay D 2nd Assistant Camera: David Churchyard Camera Best Boy: Max Glickman A Camera Trainee: Beau Scott B Camera Trainee: Morgan Spencer C Camera Trainee: Dominique Cheung Production Stereographer: James Goldman 3D A Camera Technician: Frank Fisher 3D B Camera Technician: Steve Evans 3D C Camera Technician: Anthony Tomlins DIT: Ryan Nguuyen DIT Assistant: Ricky James Camera Data Supervisor: Jeroen Hendriks Data Wrangler - Camera Department: Mary Lobb Production Visual FX Editor: Mitchell J. Glaser 1st Assistant Editor: Kathleen Latlip Stereoscopic 1st Assistant Editor: Ethan Henerey 1st Assistant Visual Effects Editor: Kristen Young 2nd Assistant Visual Effects Editor: Kindra Marra 1st AEs - UK: Tom Harry Read, Laurence Johnson 2nd Assistant Editor - UK: James Barham 3rd Assistant Editor - UK: Tom Davis Editorial PAs: Julian Scalia, Danielle El Hendi, Nicky Davis Digital Image Coordinator: Dominic Evans Sup Music Editors: Del Spiva MPSE, Joseph Bonn Music Editor - UK: Kirsty Whalley Supervising Dialogue Editor: Daniel Irwin MPSE Gaffer: Perry Evans Rigging Gaffer: Raymond Ossa Mills Key Grip: Gary Hymns A Camera Grip: Paul Hymns B Camera Grip: Malcolm McGilchrist C Camera Grip: Steve Morgan D Camera Grip: James Philpott Steadicam Grip: Kenneth Munson CFX Coordinators: Katie Newitt, Phill Woodfine 2nd Prosthetic Supervisor: Robert Trenton Production Digital Effects Producer: Kim Doyle Visual Effects Set Producer: Lucy Killick Production Visual FX Art Director: Steve Messing Production Visual FX Accountant: Chris Rockwell Production VFX Coordinator: Charise E. Angone Visual FX Assistant Coordinator: Matthew Sakata VFX Lead Data Wrangler: Bastian Hopfgarten Production VFX Data Wrangler: Jack Hughes Production Visual FX Assistant: Robbie Payne Visual Effects Unit DoP: Shaun O'Dell Stereoscopic Supervisor: Sean Santiago Stereoscopic Prod Supervisor: Kelvin J. Padelford Stereoscopic Coordinator: Jan Huang Supervising Location Manager: Steve Hart Production Manager: Hermione Ninnim Production Coordinator: Miranda Marks Assist SFX-Vehicles Supervisor: Trevor Neighbour Production SFX Coordinator: Jalila Otky Rogan Special Effects Floor Supervisor: Stefano Pepin Vehicles Workshop Supervisor: Steve Hamilton Special Advisor to Ridley Scott: Neville Shulman CO3 DI Senior Colorist: Stephen Nakamura CO3 DI Sr Finishing Producer: Nick Monton CO3 Digital Conform Finishing Editor: Joe Ken CO3 DI Finishing Assist: Giovanni DiGiorgio CO3 3D Convergence Artist: Travis Flynn CO3 DI Finishing Technologist: Michael Chiado CO3 Head of Production: David Sterling CO3 DI Account Executive: Jackie Lee Exec Producer - CO3: Stefan Sonnenfeld ASC Score Orchestrator & Conductor: Ben Foster MPC Visual Effects Supervisor: Charley Henley MPC Visual Effects Producer: Marianne Speight MPC 2D Supervisor: Marian Mavrovic MPC CG Supervisor: Matt Middleton MPC Lighting Supervisor: Daniele Bigi MPC Animation Supervisor: Ferran Domenech MPC Sr VFX Prod Manager: Katherine Smith MPC Stereographer: Damien Fangou MPC Head of Production: Rachel Mallett MPC Head of Visual Effects: Clwyd Edwards MPC Executive Producer: Christian Robertson MPC VFX Executive Producer: Julian Levi Weta Senior Visual Effects Supervisor: Joe Letteri Weta Lead Visual Effects Supervisor: Martin Hill Weta Sr Animation Supervisor: Michael Cozens Weta Visual Effects Producer: Annette Wullems Weta On Set VFX Supervisors: Everett Burrell, Matt Sloan Weta Executive Producer: Eileen Moran Weta Models Supers: Florian Fernandez, Marco Revelant Weta Supervising Visual FX Editor: Matt Holmes Weta Creature Supervisor: Matthias Zeller Weta Camera Supervisor: Lee Bramwell Weta Compositing Supervisor: Charles Tait Weta Effects Supervisor: Kevin Romand Weta Visual Effects Executive: Robin Prybil Weta CG Supers: Tico Cabezas, Phil Leonhardt, Mike Perry, Mark Tait Weta Comp Leads: Ben Morgan, Chris Salzmann, Florian Schroeder Fuel VFX Sup & Lead Designer: Paul Butterworth Fuel VFX Associate Supervisor: Anders Thonell Fuel VFX Compositing Supervisor: Sam Cole Fuel VFX CG Supervisor: Johannes Saam Fuel VFX Executive Producer: Jason Bath Fuel VFX Producer: Felix Crawshaw Fuel VFX Production Manager: Malcolm Angell Fuel VFX Coordinator: Craig Saunders Fuel VFX CG Sequence Supervisors: Simone Riginelli, Kane Elferink Fuel VFX Compositing Sequence Supervisor: Denis Scolan Hammerhead VFX Supervisor: Jamie Dixon Hammerhead VFX Producer: Michelle Eisenreich Hammerhead Senior VFX Compositor: Rob Blue Hammerhead VFX Exec Producer: Dan Chuba Hammerhead Comp Supervisor: Mike Kennedy Hammerhead VFX Compositor: Caitlin Content Invisible FX VFX Supervisor: Dick Edwards Lola VFX Supers: Trent Claus, Edson Williams Lola VFX Digital Artists: Rob Olsson, Max Leonard, David Hernandez Lola VFX Producer: Thomas Nittmann Lola VFX Compositor: Jeremiah Sweeney Luma Pictures VFX Supervisor: Vincent Cirelli Luma VFX Supervising Producer: Steve Swanson Luma Sequence Supervisor: H. Haden Hammond Luma Pictures DFX Supervisor: Justin Johnson Luma Lead Compositor: Alexandre Cancado Luma Director of Business Dev: Lindsay Hallett Reliance Executive Producer: Steve Alvanos Reliance Senior Producer: Cindy Bond Reliance Associate Producer: Sherrilee Flores Reliance Image Processing Super: Ryan Gomez Aerial Unit Helicopter Camera Pilot: Marc Wolff Aerial Unit DoP: John Marzano Unit Production Manager (Iceland Unit): Leifur B. Dagfinnsson Iceland Unit Production Manager: Sam Breckman Iceland Unit Production Supervisor: Finni Johannsson Iceland Unit Art Director: Gunnar Pallson Iceland VFX Unit 1st Ass't Dir.: Lee Grummet Iceland Unit SFX Supervisor: Eddi Ketils Aerial Unit DoP (Add'l Photography): Adam Dale Aerial VFX Unit Stereographer (Add'l Photography): Adam Sculthorp Filming Dates: 21 March 2011 - 23 June 2011, 11 July 2011 - 23 July 2011 (Iceland Unit Photography), 26 September 2011 - 8 October 2011 (Add'l Photography) Camera: Red Epic (5K Redcode RAW) Lenses: PanArri Ultra Primes & Angenieux Optimo Zooms AR: 1.66:1 (IMAX 3D 70mm Version), 1.90:1 (IMAX Digital 3D Version), 2.39:1 (Super 35mm: Dual-Strip 3D) Budget: 120-130 Million USD Budget AFI (2022): 145.7-157.8 Million USD Printed on: Kodak Vision 2383 & Fuji Eterna-CP 3514DI Digital Intermediate Finishing Provided By: Company 3 Score Recorded & Mixed at: Abbey Road Studios Main Visual Effects & Animation Created by: Weta Digital, Moving Picture Company, Fuel VFX, Hammerhead Productions & Lola VFX Additional Visual Effects Provided by: Invisible FX & Luma Pictures 3D Alignment & Color Matching Provided by: Reliance Mediaworks Stereo Conversion Provided by: Genre8 Filmed in Part at: Pinewood Studios Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed with Panavision® Cameras And Lenses

Cinematographer: Dariusz Wolski ASC Cinematographer (Motion Content): Mark Patten BSC Production Designer: Arthur Max Set Decorator: Sonja Klaus Add'l Cinematographers: Shaun O'Dell, Gabriele Filippelli Camera Operators: Stefan Stankowski, Julian Morson ACO, Daniele Massaccesi, Graham Hall ACO Gaffer: Perry Evans Composer: Daniel Pemberton Film Editor: Pietro Scalia ACE DI Colorist: Stephen Nakamura DI Producer: Nick Monton DI Executive Producer (Company 3): Stefan Sonnenfeld ASC Costume Designer: Janty Yates Camera: Red Epic (5K Redcode RAW) Lenses: Panavision Primo Spherical Primes, Primo Compact Zoom & Panavision/Angenieux Optimo Zooms AR: 2.35:1 (Super 35mm) Distributed by: Walt Disney Studios Motion Pictures Digital Intermediate Provided by: Company 3 Anecdote: Filmed with Panavision Cameras And Lenses

Dedicated to: Tony Scott Co-Writer: Steven Zaillian Producer: Peter Chernin Cinematographer: Dariusz Wolski ASC Production Designer: Arthur Max Film Editor: Billy Rich Composer: Alberto Iglesias Add'l Composer: Harry Gregson-Williams Production VFX Supervisor: Peter Chiang Costume Designer: Janty Yates Stunt Coordinator: Rob Inch Unit Production Manager: Janine Modder 1st Assistant Director: Lee Grummett Key 2nd Ass't Directors: Jo Tew, Jairo Murray UK Unit Line Producer: Mary Richards Co-Producer: Adam Somner Co-Film Editor: Ali Degismis Add'l Film Editor: Stephen E. Rivkin ACE, Matt Chesse ACE Supervising Art Directors: Marc Homes, Benjamin Fernandez Associate Film Editor: Cheryl Potter Associate Producer: Teresa Kelly Production Stereographer: James Goldman Production SFX Supervisor: Neil Corbould VES Senior Art Director: Matt Grey Vehicles Senior Art Director: Oliver Hodge Set Dec Supervising Art Director: Stephen Dobric Vehicles Workshop Supervisor: Martin Gaskell A-Camera Operator: Graham Hall ACO B-Camera Operator: Julian Morson ACO C-Camera Operator: Stefan Stankowski D-Camera/Steadicam Operator: Daniele Massaccesi E-Camera Operator/Spain Unit Camera Operator: David Dominguez 3D Systems Engineer: Gareth Daley Gaffer Electrician: Perry Evans Ass't Stunt Coordinator: Stuart Clarke UK Unit SFX Supervisor: Joss Williams Ass't SFX Supervisors: Hayley Williams, Ray Ferguson SFX Floor Supervisor: Caimin Bourne Underwater Unit SFX Floor Supervisor: Stuart Heath SFX Workshop Supervisor: Dave Eves Lead Senior SFX Technician: Alistair Williams SFX Buyer: Maria Corbould UK Unit SFX Coordinator: Victoria Stokes SFX Rigger: Jon Corbett SFX Test Technician: Malcolm Crash Corbould Special Advisor to Ridley Scott: Neville Shulman DI Colorist: Stephen Nakamura Senior DI Producer & Supervisor: Nick Monton DI Producer: James Long DI Assists: Aurora Shannon, Travis Flynn Company 3 CEO: Stefan Sonnenfeld ASC Add'l Score Orchestrator & Conductor: Alistair King Production VFX Producers: Jamie Stevenson, Tim Keene Production VFX Consultant: Nikki Penny MoCap Production Supervisor: Lyndsey McFarlane DNEG VFX Supervisor: Charlie Noble DNEG CG Supervisor: Rick Leary DNEG VFX Producers: Moriah Etherington-Sparks, Ken Dailey DNEG Effects Supervisor: Mark Hodgkins DNEG VFX Associate Producer: Darcie Muangman DNEG Compositing Supervisor: Gruff Owen DNEG VFX Production Supervisors: Tracey Leadbetter, Samantha Tracey DNEG VFX Line Producer: Kate Mummery DNEG Add'l VFX Supervisor: Tim Ledbury DNEG 2D Compositing Supervisor: Jelena Stojanovic DNEG 3D Sequence Supervisor: Mike Stillwell DNEG Animation Supervisor: Stafford Lawrence DNEG 2D Sequence Supervisors: Stephen Newbold, Tom Rolfe DNEG Compositing Supervisor: Oliver Atherton DNEG Rendering Supervisor: Peter Seager MPC VFX Supervisor: Jessica Norman MPC VFX Producer: Stefan Drury MPC CG Supervisor: Max Wood MPC Senior 2D Supervisor: David Griffiths MPC 2D Supervisor: Lev Kolobov MPC VFX Consultant: Richard Stammers MPC Add'l VFX Supervisor: Arundi Asregadoo MPC Add'l VFX Producer: Pierre Escande MPC Executive VFX Producer: Christian Robertson Scanline VFX Supervisor: Stephan Trojansky Scanline VFX Art Directors: Claas Henke, Stefano Trivelli, Darren Poe Method Studios VFX Supervisor: Simon Carr Method Studios CG Supervisor: Hubert Maston Method Studios VFX Producer: Lisa Goldberg 2nd Unit Director: Luke Scott 2nd Unit Production Manager: James Smith 2nd Unit DoP: Flavio Martinez Labiano AEC 2nd Unit A-Camera Operator: Imanol Nabea 2nd Unit B-Camera Operator: Juan Carlos Sandez 2nd Unit C-Camera Operators: David Acereto, Ibon Antunano 2nd Unit D-Camera Operator: Julio Vallejo 2nd Unit 3D Rig Technician: Phil Smith Spain Unit Producers: Denise O'Dell, Mark Albela Unit Production Managers (Spain Unit): Toni Novella, Alberto Poveda Spain Unit Ass't Unit Production Manager: Sergio Gil Spain Unit Art Directors: Alejandro Fernandez, Oscar Sempere Spain Unit Set Dec Art Director: Gabriel Liste Spain Unit SFX Supervisor: Pau Costa Spain Unit SFX Coordinator: Teresa Costa Spain Unit SFX Ass't Coordinator: Lucia Zapata Spain Unit Vehicles Workshop Supervisor: Angel Beleno Canary Islands Unit Line Producer: Sebastian Alvarez Castro Unit Production Manager (Canary Islands Unit): Yousaf Bokhari Canary Islands Unit Ass't SFX Supervisor: Andrea Cuevas Egypt Unit Executive Producer: Hesham Soliman Egypt Unit Producer: Mohamed El Raie Egypt Unit Production Manager: Samer Salah Egypt Unit Ass't Producer: Mirel Soliman Egypt Unit Art Director: Emad El Khodary Aerial Unit DoP: John Marzano Underwater Unit Camera Operator/Director of Photography: Tim Wooster 2nd Unit DoP (Add'l Photography): Mark Patten BSC Aerial Unit DoP (Add'l Photography): Adam Dale Filming Dates: 16 September 2013 - 18 January 2014 Cameras: Red Epic Dragon 3D, Epic Dragon & Epic MX 3D (5K Redcode RAW) Lenses: Zeiss Ultra Primes, Angenieux Optimo 15-40mm Zooms, 28-76mm Zooms & 45-120mm Zooms AR: 2.35:1 (Dual-Strip 3D) Budget: 140 Million USD Printed on: Kodak Vision 2383 Distributed by: Walt Disney Studios Motion Pictures Digital Intermediate Provided by: Company 3 Score Recorded & Mixed at: Abbey Road Studios, London Visual Effects Provided by: Double Negative, Moving Picture Company, Scanline VFX & Method Studios 3D Conversion Provided by: Stereo D Filmed at: Pinewood Studios Attribute: Filmed in Panavision

Producer: Ridley Scott Screenplay Writer/Executive Producer: Drew Goddard Producer: Simon Kinberg Producers: Michael Schaefer, Aditya Sood, Mark Huffam Director of Photography: Dariusz Wolski ASC Production Designer: Arthur Max Film Editor: Pietro Scalia ACE Production Visual Effects Supervisor: Richard Stammers Costume Designer: Janty Yates Composer/Conductor: Harry Gregson-Williams Casting Directors: Carmen Cuba CSA, Nina Gold CSA Stunt Coordinator: Rob Inch Assistant Stunt Coordinators: CC Smiff, Stuart Clark, Neil Smith Production Visual Effects Producer: Barrie Hemsley Key Unit Production Manager: Francesca Cingolani Production Manager: Miklós Tóth First Assistant Director: Raymond Kirk Key Second Assistant Director: Sarah Hood Second Assistant Director: Bogi Moricz Supervising Art Director: Marc Homes Overall Set Decorator: Celia Bobak Film Co-Editor: Valerio Bonelli Additional Film Editor: Cheryl Potter Associate Producer: Teresa Kelly Script Supervisors: Annie Penn, Julia Chiavetta Supervising Sound Editor/Sound Designer: Oliver Tarney Re-Recording Mixers: Paul Massey, Mark Taylor Production Sound Mixer: Mac Ruth Production Stereographer: Gareth Daley Associate Spacesuit Costume Designer: Michael Mooney Costume Supervisor: Sarah Robinson Makeup & Hair Designer: Tina Earnshaw Production Special Effects Supervisor: Neil Corbould VES Vehicles Senior Art Director: Oliver Hodge Art Director/Motion Graphics: Felicity Hickson Senior Art Director: Robert Cowper Art Directors: Jason Knox-Johnston, Phil Sims, Mark Swain Storyboard Artist: Karen Tracey Wilson Set Decorator: Zoltán Horváth UK Production Buyer: Rosie Goodwin A Camera Operator: Graham Hall B Camera Operator: Daniele Massaccesi C Camera Operator: Laszlo Bille D Camera Operator: Gabor Marosi =============== Cinematographer (Florida Unit): Daniel Stilling Cinematographer (Motion Content)/2nd Unit DoP: Mark Patten BSC 2nd Unit Director: Luke Scott 2nd Assistant B-Camera: Zoltan Janossa Prop Master: Noel Cowell Gaffer: Julian White Special Effects Co-Supervisor: Steven Warner SFX Ass't Supervisor: Keith Alfred Dawson SFX Floor Supervisor: Caimin Bourne SFX Workshop Supervisor: Jason McCameron SFX Animatronics Designer: Graham Poole SFX Test Technician: Malcolm Crash Corbould VFX Shoot Supervisor: Matt Sloan VFX Associate Producer: Helen Judd 2nd 2nd Ass't Director: Nick Thomas Special Advisor to Ridley Scott: Neville Shulman Action Vehicle Coordinator: Claudia Kossik Senior Colorist: Stephen Nakamura Senior DI Producer: Todd Kleparski DI Editor: Paul Carlin Color Assistant: James Cody Baker CO3 Executive Producer: Stefan Sonnenfeld ASC MPC Senior VFX Supervisor: Anders Langlands MPC VFX Supervisor: Tim Ledbury MPC VFX Producer: Anouk L'Heureux MPC 2D Supervisors: Roca Pastor, Lev Kobolov MPC CG Supervisors: Louis Pare, Sebastian Gourdal MPC Visual Effects Production Managers: Carlos Chacin: Siobhan Bentley MPC Heads of Production: Lauren Knowlton-Parry, Uma Krishnamurthy, Scott Speirs MPC Global Head of Production: Rachel Matchett MPC Global Head of Visual Effects: Greg Butler MPC Executive Producers: Christian Roberton, Lena Scanlan Framestore VFX Supervisor: Chris Lawrence Framestore Compositing Supervisor: Bronwyn Edwards Framestore CG Supervisor: Neil Weatherley Framestore Animation Supervisor: Dale Newton Senate VFX Supervisor: Adam McInnes Senate Digital VFX Supervisor: James D. Fleming Senate CG Supervisor: Marty Waters Senate VFX Executive Producer: Sarah Hemsley Senate VFX Producer: Paula Pope Senate VFX Production Manager: Sam Spacey ILM VFX Supervisor: Mohen Leo ILM VFX Production Manager: Cynthia Crimmins ILM VFX Producer: Nina Fallon ILM Compositing Supervisor: John Galloway ILM VFX Coordinator: Timothy Trimmings ILM Digital Artist: Oliver Askew ILM Roto Artist: Benjamin Charles ILM Technical Support: Frank Dumont ILM Effects Technical Director: David Kirchner ILM Compositing Sequence Supervisor: Scott Pritchard ILM Digital Compositors: Claudio Bassi, Carlos Conceição, Luca Mignardi ILM Layout Artists: Sam Hanover, Sonia Contreras, Rosie Keane ILM Paint & Roto Artist: Gordon Marshall ILM Pipeline Technical Director: Hantong Tang ILM VFX Editor: Conor Byrne ILM Senior Stereoscopic Paint & Rotoscope Artist: Kristofer Whitford Dimension X

Scott Wilman Heather Willman Benjamin Conner Brian Schumacher 2nd Unit Production Manager: James Smith 2nd Unit Camera Operator: Imre Juhasz Jordan Unit Production Managers: James Grant, Fuad Khalil Jordan Unit Art Director: Samy Keilani Jordan Unit Aerial Camera Operator/Director of Photography: John Marzano Score Orchestrator: Alistair King Filming Dates: November 2014 - March 2015 Cameras: Red Epic Dragon & Scarlet Dragon (6K Redcode RAW) Lenses: Zeiss Ultra Primes, Fujinon Premier 19-90mm Cabrio Zoom, Angenieux Optimo 15-40mm Zooms & Optimo DP 30-80mm Zooms AR: 2.35:1 (Super 35mm: Dual-Strip 3D) Budget: 108 Million USD Printed on: Kodak Vision 2383 For More of the Ares III Story, Visit: AresLive.com Production Services in Hungary Provided by: Mid Atlantic Films Re-Recorded at: Twickenham Studios Voice Casting by: Blend Audio End Titles by: Scarlet Letters Avid Systems and Support Provided by: Vortechs, Sixteen19 Digital Intermediate Provided by: Company 3 3D Technology and Equipment Provided by: 3Ality Visual Effects By: Industrial Light & Magic, MPC, Framestore, The Senate + Atomic Arts Pre-Visualization by: Argon & The Third Floor Stereoscopic Post-Alignment by: Dimension X & Onsight 3D Conversion Provided by: Prime Focus & Stereo D Cyberscanning Services Provided by: Clear Angle Studios Ltd. Lidar Services Provided by: We Shoot Lasers & Motion Associates Ltd. Visual Effects Element Unit Provided by: Magic Camera Company Score Recorded & Mixed at: Abbey Road Studios, London Soundtrack on: Columbia Records Filmed and Recorded in Part at: Korda Studios Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed with Panavision® Cameras & Lenses

Producer: Ridley Scott Casting Director: Carmen Cuba CSA Costume Designer: Janty Yates Composer: Jed Kurzel Composer, Theme from "Alien": Jerry Goldsmith Composer, Additional Music: Harry Gregson-Williams Prod Visual Effects Supervisor: Charlie Henley Prod Special Effects Supervisor: Neil Corbould VES Film Editor: Pietro Scalia ACE Production Designer: Chris Seagers Cinematographer: Dariusz Wolski ASC Cinematographer - AP: Shaun O'Dell Producers: David Giler, Walter Hill Producers: Mark Huffam, Michael Schaefer Story Writers: Jack Paglen, Michael Green Screenplay Writers: John Logan, Dante Harper Dedicated to: Julie Payne Head of Original Design Elements: H.R. Giger Michael Fassbender Double: Tom O Sullivan Supervising Stunt Coordinator: Kyle Gardiner Assistant Stunts Coordinator: Jade Amantea Fight Choreographer: Chan Griffin Unit Production Manager: Dean Hood First Assistant Director: Raymond Kirk Key Second Assistant Director: Scott Lovelock Assoc. Producers: Teresa Kelly, Hannah Ireland Production Visual Effects Producer: Sona Pak Supervising Art Director: Ian Gracie Set Decorator: Victor J. Zolfo Sound Recordist: Ben Osmo Additional Film Editor: Cheryl Potter Supervising Sound Edit/Designer: Oliver Tarney Re-Recording Mixers: Paul Massey, Mark Taylor Associate Spacesuit Costume Designer: Michael Mooney Costume Supervisor: Sarah Robinson Make Up/Hair Designer: Lesley Vanderwalt Creature Design Supervisor: Conor O'Sullivan Art Directors: Damien Drew, Michelle McGahey, Charlie Revai, Jacinta Leong Assistant Art Directors: Jennifer Hitchcock, Andrew Chan, Nicholas Dare Assistant Set Decorator: Katie Sharrock Set Dec Leading Man: Chris Bruce Art Dept./Set Dec Coordinators: Niki Peace, Peta Logan, Lauren Wild Set Designers: Brian Nickless, Andrew Kattie, Tony Drew, Prudence Parsons, Mara Garanzini, Kate McCowage, Marko Anttonen, Axel Bartz, Belinda Cusmano, Alasdair Mott, Douglas Cook Concept Model Maker: Geoff Kemmis Asst. Concept Model Makers: Kate Rawlins, Julian Scalia Graphic Designer: Michael Wholley A Camera Operator: P. Scott Sakamoto SOC B Cam Operators: Darrin Keough, Damian Wyvill C Camera Operator: Calum McFarlane D Cam/Steadicam Operator: Andrew AJ Johnson Supervising Prop Master: Rebecca Cohen Script Supervisor: Merran Elliot Gaffer: Shaun Conway Costume Supervisor - Australia: Robyn Elliott Make Up/Hair Artists: Jen Stanfield, Kaoltina Amperidis, Lara Jade Birch, Rebecca Allen, Rachelle O'Donnell, Tess Natoli Make Up/Hair Assistant: Amy Vaughan Stunt Office Coordinator: Kim Mayes Stunt Riggers: Lee Adamson, Carly Thomas, Marky Lee Campbell, Mark Tearle Stunt Utility: Alex Kuzelicki Cast Trainer/Military Consultant: John Templeton Creature Movement Consultant: Darin Inkster Location Manager: Jeremy Peek Location Coordinator: Alice Gracie Casting Associate: Wittney Horton CSA Extras Casting Director: Morgan Smallbone Production Coordinator: Nick Copping Assistant Production Coordinators: Anna McDonnell, Merilyn Cook Equipment Coordinator: Geoff Kelly Travel and Accommodation Coordinator: James Cowling Travel Agent - Showgroup: Sushi Preen Line Producer - LA: Amy Green Production Secretary - LA: Maggie Baron Legal Attorney, Australia: Catherine McDonnell Production SFX Supervisor, Australia: Dan Oliver Special Effects Assist Supervisor: Dave Brighton Special Effects Buyer & Manager: Maria Corbould Prod Special Effects Coordinator: Jasmin Lyford Special Effects Floor Supervisor: Caimin Bourne Special Effects Workshop Supervisors: Art Spink, Ray Ferguson Hydraulics Design Supervisor, SFX: Dave Hunter Electronic Design Supervisor: Glen Winchester Special Effects Prep Supervisors: Jabin Dickins, Rod Burke, Lloyd Finnemore Special Effects Breakaways Supervisor: Tristan Fitzgerald Special Effects Rig Designer & Senior Technician: Matt Veale Senior Technicians - Rigging, SFX: Max Hughes, Nick Morrell Assistant Technicians, SFX: Jessica Power, Arlo Markantonatos, Will Power-Trengove, Simon Murrell, Warwick King Special Effects Test Technician: Malcolm Crash Corbould Creature Effects Supervisor: Adam Johansen Prosthetics Supervisor: Rob Trenton Creature Effects Workshop Supervisor: Damian Martin Fabrication Technician: Aline Joyce Unit Nurse: Katie Harris Safety Supervisor: Steve Morris Unit/Transport Supervisor: Simon Lucas Transport Coordinator: Jim Beard Assist Transport Coordinator: Ant Fallon On Set Transport Coordinator: Peter Coles Special Advisor to Ridley Scott: Neville Schulman Cast PAs: Michael Fahd, Michael Robins Unit Manager: Nat Purdon Unit Assists: Bekki Shearer, Bruce Reick, Grant Benny French, Darren Brain, Richard Olsen, Drew Stedman, Fiona Young, Harris Sharp Sound Designer: Michael Fentum Dialogue and ADR Supervisor: Rachael Tate Sound Effects Editors: James Harrison, Dillon Bennett Sound Editor: Dawn Gough Assistant Sound Editor: James Taylor-Beeson Foley Supervisor: Hugo Adams Foley Artists: Andrew King, Jack Stew, Sue Harding Foley Mixer: Adam Mendez Foley Assistant: Sophia Hardman Additional Re-Recording Mixer: Dafydd Archand Sound Mix Technician: William Miller Additional Visual Effects Supervisor: Richard Bain Additional On Set Coordinator, Visual Effects/MPC Digital Effects Supervisor: David Bowman Visual Effects Production Supervisors: Joe Carhart, Louise McNicholl Visual Effects Coordinators: Adam Lawrence, Rebecca Vujanovic, Toby White Visual Effects Assistant Coordinators: Harpreet Bahia, Marta Baidek Visual Effects Department Editorial Support: Michael Cheung, Tom Hannibal Visual Effects Compositors: Dan Rickard, Abigail Scollay, Ed Plant Visual Effects Data Wrangler: Davi Soesilo Visual Effects Assistant Data Wrangler: Bernadette Elsouri Techno Dolly Technician, Visual Effects: Ron Tatham Visual Effects Previz Artists: Lucas Newton, Bodie Clare Visual Effects Postviz Artists: Terry Bannon, Tim Strain, Peter Spinaze, Sam Getz, Brad Roddy, Andrew McGregor Visual Effects Assistants: Marta Bielecka, Brent Armfield, Mohammad Ali Pak Concept Artist, Visual Effects: Alessandro Bavari Movement Artist (Motion Capture): Javier Botet MPC Visual Effects Supervisor: Ferran Domenech MPC Visual Effects Producers: Pierre Escande, Tomi Nieminen MPC Digital Effects Supervisor: Audrey Ferrara MPC Animation Supervisors: Alexandre Ronco, Philip Morris, Gabriele Zucchelli MPC CG Supervisors: Julien Bolbach, Ben Jones, Manolo Montero MPC Compositing Supervisors: Jammie Friday, Patrick Tasse, David Griffiths MPC Asset Supervisor: Dan Zelcs MPC Visual Effects Production Supervisors: Tom Barber, Florent Villegas, Danny Huerta, Nancy Xu MPC Digital Leads: Illia Fanasiev, Jason Fittipaldi, Francis Beauregard, Pedram Christopher, Danny Guertsen, Himanshu Khatari, Alex Martinez, Ravi Pareek, Andreas Tandy Nehls, Santosh Kumar Rapeti, Nicolas Sparks, Attila Szalma, Ruth Asensio, Dan Blacker, Haslina Dasley, Marco Fogila, Kirstin Hall, Lyubomir Kirkov, Luc-Ewen Martin Fenouillet, Fabian Nowak, Amy Paskow, Geoffrey Reynaud, Johnny Spinelli, Sebastien Terme, Mathieu Assemat, Jules Bodenstein, Francois de Villiers, Jean-Sebastien Fortin, Lionel Heath, Mickael Leger, Thiago Lima Martins, Sreejit Sreedharan, Matthew Packham, Girish Patil, Marc Rice, Sreejith Venugopalan, Jonathan Attenborough, Erico Caselle, Stanley Dellimore, Abhishek Ghorui, Romain Hubert, Benoit Legros, Sean Mills, Joan Panis, Levente Peterffy, Marco Rolandi, Thomas Stoelzle, Sagar Wakankar, Durai Babu, Solene Chan-Lam, Will Fife, Brian Gossart, Alexander John, Melody Mahoney, Kiran Naidu, Christophe Paradis, John Prieto, Jeremy Sawyer, Robert Stratton, Oliver Winwood MPC Heads of Production: Lauren McCallum, Uma Krishnamurthy, Siobhan Bentley MPC Global Head of Production: Rachel Matchett MPC Heads of CG: Dann Tarmy, Elliot Newman MPC Executive Producers: Laura Fitzpatrick, Philip Greenlow, Christian Roberton Framestore Visual Effects Supervisors: Christian Kaestner, Stuart Penn Framestore Visual Effects Producers: Nicolas Belval, Daniel Matley, Carrie Rishel Framestore CG Supervisors: Jason Quintana, Robert Allman, Mathieu Bertrand Framestore Animation Supervisor: Spencer Cook Framestore Compositing Supervisors: Jeremie Lodomez, Petra Schwane Framestore Visual Effects Line Producers: Lucile Abiven, Jeanne-Elise Prevost, Will Reece, Catherine Westgate Framestore Digital Leads: Eric Aubry, Shayne Farrier, Nicola Greuter, Ludovic Iochem, Klaus Seitschek, Fabio Zangla, Martin Belleau, Lianne Forbes, Adam Goldstein, Bruno LaFlamme, Jim Stone, Alastair Stevenson, Michael Borhi, Duy Tran, Thomas Gillet, Pierre-Loic Hamon, Andre Hitsoy, Christopher Laloup, Thierry Dezarmenien, Frederikke Glick, Stanislas Paillereau, Julian Hutchens, Lars Eriksen, Jean-Baptiste Godin, Victor Pillet, Olga Velenta Framestore Editorial: Barnes Wheeler, Lukasz Bokowiecki Framestore Heads of Production: Lizi Bedford, Charles Howell, Sara Trezz Framestore Executive Producer: Lucy Killick Animal Logic VFX Visual Effects Supervisor: Paul Butterworth An Log VFX Visual Effects Producer: Jason Bath An Logic VFX Visual Effects Associate Producer: Kilou Picard Animal Logic VFX CG Supervisor: Brian Kranz Animal Logic VFX Compositing Supervisor: Alex Lay Animal Logic VFX Visual Effects Coordinators: Sarah Brims, Millie Clarke, Adam Rattur Animal Logic VFX Digital Leads: Vaughn Arnup, Nicholas Cross, Raphael Gadot, Bhakar James, Matthew Wynne Luma Executive Supervisor: Payam Shohadai Luma Executive VFX Producer: Diana Giorgiutti Luma Senior VFX Supervisor: Vincent Cirelli Luma VFX Supervising Producer: Steve Swanson Luma VFX Production Super.: Michael Perdew Luma Pictures Visual FX Producer: Brendan Seals Luma Associate VFX Supervisor: Jared Simeth Luma Pictures DFX Supervisor: Justin Johnson Luma Animation Supervisor: Raphael A. Pimentel Luma CG Supers: Andrew Zink, Alex Cancado Luma Digital Production Manager: Cathy Hughes Luma Head of Business Relations: Lindsay Hallett Luma Pictures Digital Compositor: Alex Khan Luma Pictures VFX Unit DoP: Lucas Pozzey RSP Visual Effects Supervisors: Adam Paschke, Anthony Smith RSP Visual Effects Producer: Aysha Ley RSP CG Supervisor: Hubert Maston Atomic Fiction Executive Visual Effects Producer: Marc Sadeghi Atomic Fiction Visual Effects Supervisor: Ryan Tudhope Argon Previz/Postviz Supervisor: Jason McDonald Digital Intermediate Colourist: Steve Nakamura Company 3 UK Finishing Editor: Justin Tillett Finishing Producers: Andrew Dearnley, Hershel Cohen Feature Finishing Coordinator: Francois Kamffer CO3 Colour Assistants: Chris Francis, Giovanni DiGiorgio, Jonas Jangyad, Lucie Barbier Company 3 UK System Engineer: Adam Davies Data I/O: Dan Helme, Gavin McCarron, Fiorenza Bangariol Company 3 Head of Production: Todd Kleparski Senior Manager, Feature Production: Chris Prejza Company 3 Head of Operations: Claire McGrane Company 3 London Account Executive: Jon Gray CO3 Executive Producer: Stefan Sonnenfeld ASC Score Producers, Recordists & Mixers: Peter Cobbin, Kirsty Whalley Music Programmer/Engineer: Matt Lovell Score Orchestrators: Hugh Brunt, James Brett, Adam Langston, John Ashton Thomas DMS Head of Music Preparation: David Hage Orchestra Contractor: Isobel Griffiths Assistant Orchestra Contractor: Lucy Whalley Orchestra Leader: Thomas Bowes Trumpet Solos Lead: Phil Cobb French Horn Solos Lead: Richard Watkins Cello Solo Lead: Caroline Dale Score Conductor: Cliff Masterson Contemporary Orchestra Conductor & Solo / Chamber Improvisation Lead, London: Robert Ames Chamber Improvisation Leads: Dave Brown, Galya Bisengalieve, Mayaii Kadish, Gregor Riddell Pre-Record Flute Sales Lead: Helen Greenwood Score Editors: Cecile Tournesac, Fiona Cruickshank Score Recordist: John Barrett Assistant Engineers: John Prestage, Matt Jones, Alex Fergurson Additional Midi Programming: David Menke, Jean-Gabriel Raynaud NZ Unit Production Supervisor: James Grant NZ Unit Aerial Director of Photog.: Peter Beeh A Camera Operator, NZ Unit VFX: Ben Ruffell Second Unit Director: Luke Scott Second Unit Director of Photog: Ross Emery ACS Second Unit A Camera Operator: Frank Flick Second Unit B Camera Operator: Matt Toll Second Unit C Camera Operator: John Platt Second Unit First Assistant B Camera: Jay Torta Filming Dates: 4 April 2016 - 16 July 2016 Cameras: Alexa Mini & XT (3.4K ARRIRAW) Lenses: Panavision PVintage SL Primes, Primo Compact 19-90mm Zoom Angenieux Optimo DP Rouge 16-42mm Zooms & 30-80mm Zooms AR: 1.90:1 (IMAX Version: Select Screens), 2.39:1 (Super 35mm) Budget: 97 Million USD Spacesuits Provided by: FBFX Sound Re-Recorded at: Twickenham Studios Visual Effects by: MPC, Framestore, Animal Logic VFX, Luma Pictures, Rising Sun Pictures, Atomic Fiction & Peerless Digital Imaging Pre-Visualization Provided by: Argon Post-Visualization Provided by: Proof-London Visualization Services Provided by: The Third Floor & Iloura 3D Scanning Services by: Plowman Craven Color & Finish by: Company 3 (London, UK) Music Preparation by: Dakota Music Services Score Recorded at: Abbey Road Studios & Air Lyndhurst Studios Score Mixed at: Henry Light Studio, London Filmed with: ARRI Cameras and Lenses Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Cinematographer: Dariusz Wolski ASC Production Designer: Arthur Max Aerial DP: John Marzano A-Camera Operator: Daniele Massaccesi B-Camera Operators: Shaun Cobley, Marco Sacerdoti C-Camera Operators: Andrea Arnone, Chris Bain D-Camera Operator: Will Humphris E-Camera Operator: Federico Martucci 1st Assistant Director: Adam Somner VFX Supervisor: Gary Brozenich Composer: Daniel Pemberton Film Editor: Claire Simpson ACE DI Colorist: Stephen Nakamura Costume Designer: Janty Yates Filming Dates: 31 May 2017 - August 2017, 20 November 2017 - 29 November 2017 (Reshoots) Camera: Alexa XT (3.4K ARRIRAW) Lenses: Panavision Super Speed MKII Spherical Primes AR: 2.39:1 (Super 35mm) Digital Intermediate Provided By: Company 3 Anecdote: Filmed with Panavision Cameras And Lenses

Producer: Ridley Scott Producers/Screenwriters: Ben Affleck, Matt Damon, Nicole Holofcener Exec Producer/Unit Production Manager: Kevin Halloren Cinematographer: Dariusz Wolski ASC Cinematographer (VFX Unit)/Add'l B-Cam Op: David Grennan Production Designer: Arthur Max Film Editor: Claire Simpson ACE Co-Producer: Aidan Elliott Co-Producer/Post-Production Supervisor: Teresa Kelly Composer/Score Conductor: Harry Gregson-Williams Costume Designer: Janty Yates 1st Assistant Director: Raymond Kirk 2nd Assistant Director: Dan John Associate Producer: Sasha Veneziano Supervising Stunt Coordinator/2nd Unit Director: Rob Inch Ass't Stunt Coordinator: Florian Robin Fight Coordinator: Troy Milenov Stunt Dept. Office Coordinator: Sarah Lawrence HOD Stunt Rigger: Ronan Kearns Stunt Rigger: Dan Thomas Ass't Stunt Rigger: Aaron Blackman Production VFX Supervisors: Gary Brozenich, Jessica Norman Line Producer (France): John Bernard 2nd Producers: James Flynn, Morgan O'Sullivan Production Managers: Niamh Gale, Maxime Courteret Add'l Film Editor: Sam Restivo Supervising Art Director: Cristina Onori Supervising Sound Editor/Designer: Oliver Tarney Re-Recording Mixer: Paul Massey Production VFX Producer: Helen Judd Costume Supervisor: Annie Crawford Makeup Designer: Matteo Silvi Hair Designer: Luca Vannella Prosthetics Designer: Conor O'Sullivan Set Decorator: Judy Farr Supervising Prop Master: Adam McCreight Supervising Horse Master: Dan Naprous Production SFX Supervisor: Stefano Pepin Supervising Gaffer: Perry Evans Senior Art Director: Irene O'Brien Art Directors: Gary McGinty, Ricardo Monti, Colman Corish VFX Art Director: Stephen Messing Standby Art Director: Billy Edwards Ass't Art Directors: Andrew O'Donahue, Gavin Murphy Set Dec Advisor: Jill Turner Lead Graphic Designer: Sophie Powell Ass't Graphic Designer: Ailsa Williams A-Camera/Steadicam Op: James Goldman B-Camera Operators: Ciaran Barry, Andrew O'Reilly A-Camera Operator: Fionn Comerford Add'l B-Camera Op: Simon Walsh 1st Assistant B-Camera: Brian Dungan 2nd Assistant A-Camera: Dave Boyle 2nd Assistant B-Camera: Adam Ozmin XM2 Technicians: Alex Hawtin, Jack Lawrence Drone Pilot: Sam Donaghy-Bell Drone Operator: Luke Donaghy-Bell Ass't Prop Master: Neil Hornshaw Production VFX Editor: Billy A. Campbell 1st Assistant Editor: Julia Huteau Mouglalis 2nd Assistant Editor: Mark Pigott VFX Senior Coordinator: Garry David Frost VFX Ass't Coordinator: Joanna O'Malley VFX Lead Data Wrangler: Daniel Pearson Production VFX Data Wrangler: Niamh McKenna VFX Texture Photographers: Jose Armengol, Tom Carter Gaffer (Ireland): William Doyle Genny Operator: Shaun Gannon Rigging Gaffer: John Martin O'Flatharta Crowd Hair Supervisor (Ireland): Joe Whelan Prosthetics Supervisor: Rob Trenton Prosthetics Coordinator: Viola Colditz Prosthetics Workshop Supervisor: Phil Asher Sr Prosthetic Makeup FX Techs: Chris Fitzpatrick, Charlie Bluett Prosthetic Hair Technician: Zac Coyle 3D Digital Sculptor: Colin Shulver Animatronic Designers: Adam Keenan, Matt MacMurray, Maria Cork Ass't Horse Master: Adam Francis Horse Dept. Coordinator: Nicole Chapman Armory Consultant: Simon Atherton Supervising Location Manager: Peter Conway Location Manager: Lorcon Berney Location Coordinator: Maria Hingerty Production Coordinators: Lorraine Hewson, Cara Loftus, Cian Boyne Production Accountant (US): Shanna Morrow 1st Ass't Accountant (US): Michael Vasquez Accountant (UK): Geraint Jones 2nd Ass't Accountant (US): Ryan A. Spalding 2nd Ass't Accountant (UK): Aaron Warham Payroll Accountant (US): Michael Dorner Payroll Accountant (UK): Paula Chidney Covid Production Manager: Dara McClatchie Covid H&S Supervisor: Tony Bayliss Covid Supervisor: Lisa Curry Covid 2nd Ass't Director: Alison Whearty SFX Floor Supervisor: Richard Stanbury SFX Lead Sr Floor Tech: Robbie Bevis SFX Lead Sr W/Shop Tech: Paul Kelly SFX Lead Sr Prep Technician: Nick Phillips SFX Senior Floor Techs: Mark Howard, Tom Coyne, Alex Freeman SFX Senior Prep Technician: Dave McGeary SFX Lead Senior Prep Tech (Horse Rigs): Szilard Gargely SFX Senior Design Tech: Simon Parker SFX Senior Technician: Steve Hutchinson SFX Workshop Techs: Troy Barnes, Charlie Jowers SFX W/Shop Assistant: Conor Hockley SFX Prep Technician: Tom McLaughlin SFX Floor Technician: Mike March Production SFX Rigger: Kieran McCallum SFX Workshop Co-Supervisor: Jason McCameron Production SFX Coordinator: Laura Davidson SFX Tech Modeler (Horse Rigs): Florin Catriniou SFX Ass't Techs: Archie Bones, Max Penn Rigging Supervisor: Terrence Wellings Special Advisor to Ridley Scott: Neville Schulman Exec Ass't to Ridley Scott: Emma Johns Ass't to Ridley Scott (Ireland): Jo Halpen Ass't to Ridley Scott (US): Vera Meyer Ass't to Ridley Scott (UK): Andrew Park Ass't to Kevin Halloren (US): Gage Hanlon Key 3rd Ass't Director: Natalie Wright-Cella 3rd Ass't Dir (Ridley Scott's Tent): Tom Wood 3rd Assistant Directors: Jessica Whelehan, Keiron Walshe Crowd 3rd Ass't Director: Nicola Jackson Stunts & Horses 3rd AD: Denis Fitzpatrick Crowd 2nd Ass't Director: Sarah Harte Crowd 4th Ass't Director: Keiran Kerwin Historical Advisor: Lorris Chevalier Intimacy Coordinator: Ita O'Brien Choreographer: Belinda Murphy Dailies Colorist: Gerard McCullagh Dailies Assistant: Jorge Robles French Unit 1st Ass't Dir: Ali Cherkaoui French Unit Key 2nd AD: Auriane Lacince French Unit Sup Art Director: Stéphane Cressend French Unit 1st Ass't Art Director: Loic Chavanon French Unit 2nd Ass't Art Director: Charlotte Greene French Unit Set Designers: Mary Saisselin, Joelle Aoun French Unit Ass't Set Designer: Alma Remion French Unit Graphic Artist: Lucile Gauvain French Unit Sr Set Dec Ass't: Sabine Delouvrier French Unit Graph Designer: Lea Blanchard French Unit B-Cam Op: Russell Gleeson French Unit 1st Ass't B-Cam: Cormac O'Maille French Unit 2nd Ass't A-Cam: Dorian Lebeau French Unit 2nd Ass't B-Cam: Raphael Pfertzel French Unit C-Cam Operator: Jako Raybaut French Unit 2nd Ass't C-Cam: Nathalie Leo French Unit D-Camera Op: Berto Lecluyse ACFC French Unit E-Cam Op: Hugues Espinasse French Unit 2nd Ass't E-Cam: Etienne Dang French Unit Drone Camera Op: Adam Dale French Unit Drone Pilot: Mathieu Reymond French Unit Drone Tech: Thomas De Chenevarin French Unit Drone Focus Puller: David Foquin French Unit Drone 2nd Ass't: Haruto Yokota French Unit Gaffer: Stephane Bourgoin French Unit Genny Operator: Hervé Traini French Unit Facilities Genny Op: Olivier Caroff French Unit Scorpio Head Op: Philippe Mourier French Unit ST50 Operator: Olivier LeBlanc French Unit Scorpio Arm Op: Cyrille Dufaut French Unit Electric Quad Pilot: Kevin Conseil French Unit Costume Sup: Marie Fremont French Unit Crowd Makeup Supervisor: Frederique Foglia French Unit Location Manager (Dordogne): Jerome Boussier French Unit Location Manager (Fontfroide/Berze): Arnaud Kaiser French Unit Ass't Loc Manager (Dordogne): Rohan Michel French Unit Ass't Loc Manager (Benyac): Remy Jantin French Unit SFX Supervisor: Jean-Christophe Magnaud MPC VFX Supervisor: Sébastien Raets Senior Finishing Colorist: Stephen Nakamura Senior Finishing Producer: Laura Geucherian Associate Finishing Producer: Philip Marvin Executive Finishing Producer: Stefan Sonnenfeld ASC Senior Finishing Editor: Matthew Johnson Finishing Color Assistant: John Tripp Score Orchestrator: Alistair King Orchestra Contractor: Peter Rotter Score Mixer: Alan Meyerson Filming Dates: February 14, 2020 - March 12, 2020 (Pre-Covid Lockdown), September 2020 - October 14, 2020 (Production Resuming) Cameras: Alexa LF & Mini LF (4.5K ARRIRAW) Lenses: Panavision Primo 70 Primes & Angenieux Zooms AR: 2.39:1 (Panavision Super 70) Budget: 100 Million USD Visual Effects Provided by: Moving Picture Company Color & Picture Finish Provided by: Company 3 Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Producers: Ridley Scott, Giannina Facio Scott Co-Writer: Becky Johnston Screenwriter: Roberto Bentivegna Executive Producers: Marco Valerio Pugini, Aaron L. Gilbert, Jason Cloth Cinematographer: Dariusz Wolski ASC Production Designer: Arthur Max Film Editor: Claire Simpson ACE Costume Designer: Janty Yates Composer/Score Producer: Harry Gregson-Williams Co-Producers: Francesca Cingolani, Teresa Kelly 1st Assistant Director: Raymond Kirk 1st Ass't Director (Italy): Roy Bava Key 2nd Ass't Director: Martina Gotthansova Stunt Coordinator/Key Sword Master: Massimiliano Ubaldi Ass't Stunt Coordinator: Gabriele Rasuga Add'l Film Editor: Sam Restivo Associate Producer: Marissa Bell Production Manager (Rome): Filippo Baldasso Prod Manager (Northern Italy): Diego Cavallo Production Supervisor: Marco Milani Supervising Art Director: Cristina Onori Senior Art Directors: Saverio Sammali, Gianpaolo Rifino Art Director: Rocco Ceraolo Junior Art Director: Silvia Colafranceschi Standby Art Director: Billy Edwards Ass't Supervising Art Director: Giuliana Pavesi Gucci Stores Consultant: Jeremy King Assistant to Arthur Max: Taine King Junior Concept Designer: Fausto De Rossi Graphic Designer: Tommaso Borrelli Set Decorator: Letizia Santucci Senior Ass't Set Decorator: Luisa Iemma Set Dec Assistant: Fabiana Rizzi Set Dec Buyer (Northern Italy): Letizia Perisco Set Dec Art Director: Massimo Pauletto Ass't Set Dec Art Director: Sabina Angeloni Associate Costume Designer/Senior Costume Designer: Stefano De Nardis Costume Supervisor: Sara Robinson Ass't Costume Supervisor (Italy): Marco Alzari Assistant to Janty Yates: Rachel Knowles Costume Coordinator (Northern Italy): Vittoria Spadafora Costume Coordinator (UK): Caroline Fallon Ass't Costume Coordinator (UK): Alfie Allin Costume Assistant (UK): Rosie Bath Cutter (Italy): Florentina Doina Tica Costume Prod Ass't (Rome): Gardenia Cavecchia Costume Prod Ass't (Milan): Francesco Schiavone Costume Prod Ass't (Alps): Greta Busso Supervising Prop Master: Federico Ciommo Senior Ass't Prop Master: Diego Maria Marazzi Ass't Prop Master/Prop Maker: Massimo Eleonori Props Coordinator: Laura Ninni Makeup & Prosthetics Designer: Jana Carboni Prosthetics Designer (Jared Leto): Goran Lundstrom Senior Ass't Prosthetics Designer (Jared Leto): Federica Castelli Ass't Prosthetics Designer & Wig Maker (Jared Leto): Anna Carin Lock Hair Designer: Giuliano Mariano A-Camera Operator: Daniele Massaccesi B-Camera Operator: Roberto Gentili C-Camera Operator: Matteo Ceccarelli D-Camera Operator: Armando Avallone 1st Assistant A-Camera: Alberto Torrecilla 1st Assistant B-Camera: Francesco Pintore 1st Assistant C-Camera: Giorgio Perluigi 1st Assistant D-Camera: Riccardo Pau 2nd Assistant A-Camera: Stefano Palla 2nd Assistant B-Camera: Scilla Petita 2nd Assistant C-Camera: Lorenzo Ciccarelli 2nd Assistant D-Camera: Nicolo Brindasso Ski A-Camera Operator (Alps): Thomas Dirnhofer Central Loader: Martina Fabian DIT: Ryan Nguyen Dailies Workflow Supervisor: Gastone Ferrante Dailies Manager: Davide Ulissi Ass't Prod Manager (Rome): Camilla Pugini Senior APM (North Italy): Andrea Pugini Ass't PM (North Italy & Alps): Sabrina Manna Unit Assistant (Rome): Alberto Scuderi Post-Production Supervisor: Teresa Kelly 1st Ass't Editor (Italy): Ilario Monti 1st Ass't Editor (UK): Martin Corbett 2nd Ass't Editor (Italy): Stefano De Marco 2nd Ass't Editor (UK): Callum Grummitt Re-Recording Mixer: Paul Massey Supervising Sound Editor: James Mather Chief Lighting Technician: Alex Bramucci Ass't Chief Lighting Tech: Luca Martis Production SFX Supervisor: Stefano Pepin SFX Supervisor (Italy): Paolo Galiano SFX Floor Supervisor: Richard Stanbury Production SFX Coordinator: Laura Davison Production SFX Foreperson: Franco Galiano SFX Senior Technician: Mark Howard On-Set VFX Supervisors: Lorenzo Marconi, Pasquale Di Viccaro Production Coordinator: Mona Bernal APOC (Northern Italy): Benedetta Von Normann Ass't Accomm. Coord (Rome): Simone Grussi Ass't Accomm. Coordinator (North Italy): Simone Tomasi Production Secretary (Rome): Giulia Valeri Prod Secretary (Milan): Emanuela Quaranta Prod Secretary (Gressoney): Camilla Di Nicola 2nd 2nd Ass't Director: Alberto Mangiapiane Floor 2nd Ass't Director: Lorenzo Signoretti Cast 3rd Ass't Director: Valentina De Cassan Cast Prod Assistants (North Italy): Laura Marta Garetti, Emiliano Composta Crowd Prod Ass't (Rome): Iris Gaeta Crowd Prod Ass't (Milan): Matilde Composta Covid 1st Ass't Director: Sara Rosato Executive Assistant to Ridley Scott: Emma Johns Intimacy Coordinator: Bronagh McAuley Picture Vehicles Supervisor: Simone Centioni Picture Vehicles Coordinator: Suzy Ann Bianco Picture Vehicles Floor Coord: Filippo Del Basso Picture Vehicles Set Coordinator: Lorenzo Basile H&S Supervisor: Valentina Cestari Covid Coordinator: Valeria Correale Covid Test Coordinator: Chiara Procacci MPC VFX Supervisor: Jessica Norman MPC VFX Producer: Christopher Roth MPC 2D Supervisors: Jenn Epstein, Tim Pruce MPC VFX Prod Managers: Juncal Valle Aparici, Girish Kakade, Harshit Patadia MPC VFX Consultant Supervisor: Charley Henley MPC VFX Exec Producers: Christina Graham, Virendra Chauhan MPC VFX Global Execs: Philip Greenlow, Leah Beevers Main & End Title Designer: Matt Curtis Senior Finishing Colorist: Stephen Nakamura Online Finishing Editor: Tom Sudgen Finishing Producer: Leigh Myers Finishing Coordinator: Francois Kamffer Finishing Color Assistants: Molly MacCormack, Jonas Jangvad, Shing Hong Chan Heads of Finishing Production: Laura Geucherian, Todd Kleparski Executive Finishing Producer: Stefan Sonnenfeld ASC Fashion Shows Consultant: Silvia Morani Orchestra Recordist: Peter Cobbin Score Mixer: Alan Meyerson Filming Dates: February 2021 - 8 May 2021 Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Panavision 65 Vintage Primes & Panaspeed Spherical Primes AR: 2.39:1 (4-Perf S35mm & PS70) Budget: 75 Million USD Visual Effects Provided by: Moving Picture Company Color & Finish Provided by: Company 3 Attribute: Filmed in Panavision

Producers: Ridley Scott, Kevin J. Walsh Screenwriter: David Scarpa Director of Photography: Dariusz Wolski ASC Director of Photography - VFX: Hamish Doyne-Ditmas Director of Photography, MCC Camera Dept.: Nigel Stone BSC Production Designer: Arthur Max Costume Designer: Janty Yates Production Visual Effects Supervisor: Charley Henley Production Visual Effects Producer: Sarah Tulloch Second Unit Director: Luke Scott 1st Assistant Director: Raymond Kirk Stunt Coordinator: Nicki Berwick Powell Fight Coordinator: Cali Nelle Head Stunt Rigger: Chris Manger Art Directors: Aline Leonello, Harry Pain Ass't Art Director: Dario Nolé Senior Ass't Set Decorators: Stephanie Rea, Oliver Walpole Set Dec Ass't Art Director: Corrine Silver Supervising Prop Master: Joshua Polley Props Office Supervisor: Jodie Jackman Art Dept. Coordinators: Arianna Gray, Morgan Kemeys Makeup Designer: Jana Carboni A-Camera Operator: Stefan Stankowski A Camera Operator/Second Unit Director of Photography: Daniele Massaccesi AIC First Assistant Camera: Alberto "Niño" Tornecilla Video Playback Operator: Robert Hamilton Video Assistant: Richard Osborne Special Effects & Prosthetics Supervisor: Neil Corbould VES Special Effects Assistant Supervisor: Keith Dawson SFX Supervisor (Malta): Kenneth Cassar Gaffer: Jonathan Spencer Supervising Location Manager: Steve Mortimore Ass't Loc Manager: Sam Millner Location Marshal: Ted Mortimore Locations Scout (Malta): Julian Guillaumier Unit Manager: Sam Courtnage Unit Assistants: Alastair Middler, Chris Rouse Additional Visual Effects Producer: Kaley Edwards Visual Effects Production Manager: Lydia Bland On Set Visual Effects Supervisor: Richard Bain In-House Supervisor: Dave Bowman Company 3 Finishing Colourist: Stephen Nakamura Company 3 Finishing Editors: Thomas Lambert, Jeremy Crichton Company 3 Finishing Producers: Leigh Myers, Ann Dawson Company 3 Finishing Coordinator: François Kamffer Company 3 Production Coordinator: Cody Cardarelli Company 3 Colour Assistants: Jonas Jangvad, Shing Hong Chan, Theresa Crooks, Chris Poole Company 3 Data I/O: Dan Helme, Agne Janusaityte, Leon-Ray Ryder-potter, Sam Collier, Louis Zimmer, Viktorija Tupikaite Company 3 Image Science: John Quartel, Brett Rayner Company 3 Technologists: Mark Dear, Caleb Gibson, Warren Ince, Ben Jones, Richard Barnes Company 3 Head of Production: Laura Metcalfe Company 3 Account Executive: Jon Gray Company 3 Heads of Operations: Alice Greenland, Johnny Whitehead MPC VFX Supervisor: Luc-Ewen Martin-Fenouillet MPC VFX Producer: Pooja Pandya MPC Supervisors: Stephanie Wagner, Sandip Gatak, Simran Takhar, Thierry Hamel, Valmik Chavan, Vishnu C. S., Bhavik Мента, Vijay Kumar Thirunavukarasu ILM Visual Effects Supervisor: Simone Coco ILM Visual Effects Producer: Christine Lemon ILM Assoc. VFX Producer: Donna Smith ILM Executive Visual Effects Producer: Louise Hussey Bluebolt VFX Supervisor: Henry Badgett Outpost VFX Producer: Randa Haddad Outpost VFX Supervisors: Illia Afanasiev, Richard Clegg Argon Previz Supervisor: Jason McDonald Panavision SVP, Optical Engineering: Dan Sasaki ASC Cameras: Alexa Mini LF (4.5K ARRIRAW) Lenses: Panavision Primo 3:1 135-420mm Zooms, Primo Plus 25-400mm 11:1 Zooms, Primo LF 40-470mm Zoom, 65 Vintage Primes, Panaspeed Spherical Primes, Zeiss CP.3 Primes, Nikon Nikkor 300mm, Angenieux EZ-1 45-135mm Zooms & EZ-2 22-60mm Zoom AR: 2.39:1 (4-Perf Super 35mm & Panavision Super 70) Colour & Finish by: Company 3, London, UK Visual Effects & Animation by: Industrial Light & Magic, Moving Picture Company, Bluebolt, Outpost VFX, Light VFX, One of Us, PFX + Cheap Shot Attribute: Filmed in Panavision

Producer: Ridley Scott Writer: David Scarpa Producers: Douglas Wick, Lucy Fisher, David Franzoni Executive Producers: Walter Parkes, Laurie MacDonald Executive Producers: Aidan Elliott, Raymond Kirk, Michael A. Pruss Director of Photography: John Mathieson BSC Production Designer: Arthur Max Film Editors: Sam Restivo, Claire Simpson Costume Designer: Janty Yates Co-Producer: Winston Azzopardi Composer: Harry Gregson-Williams Casting Directors: Kate Rhodes James, Salah Benchegra Unit Production Manager: Darren Chesney Production Manager: Irene Del Campo Lopez First Assistant Director: Ben Burt Second Assistant Director: Tarik Sit Ben Ali Supervising Stunt Coordinator: Nikki Berwick Stunt Coordinator: Natalie Wright-Cella Supervising Art Director: David Ingram Senior Art Directors: Claudio Campana, Anthony Caron-Delion Art Directors: Alejandro Fernandez, Daniel Kearns, Aline Leonello, Laura Miller, Olly Williams Junior Art Director: Steven X. Haber Set Decorators: Jille Azis, Elli Griff Production Special Effects Supervisor: Neil Corbould VES Military Costume Designer: David Crossman "A" Camera/Steadicam Operator: Pete Cavaciuti SOC ACO "A" First Assistant Photographer: Lewis Hume "A" Second Assistant Photographer: Sam Irwin "B" Camera Operator: Chris Plevin ACO "B" First Assistant Photographer: Ashley Bond "B" Second Assistant Photographer: Simon Dunn "C" Camera Operator: Richard Philpott "D" Second Assistant Photographer: Freddie FitzHerbert Visual Effects On Set Supervisor: Nicky Walsh Third Assistant Director: Eamonn Cawley Crowd Third Assistant Director: Callum Dawson Unit Managers: Sam Courtnage, Malcolm Ellul Second Unit First Assistant Director: Nick Thomas Second Unit Director of Photography: Katie Swain Second Unit Q Take Operator: El Mokhtar Aboukal Second Unit Digital Imaging Technician: Ryan Gatt Second Unit Gaffer: Lee Knight Morocco Unit Production Manager: Nath Rodriguez Morocco Unit Supervising Stunt Coordinator: Cedric Proust Unit Manager, Malta Unit: Matthew Camilleri ILM Visual Effects Producer: Edward Randolph ILM Visual Effects Line Producer: Amandine Gutierrez SSVFX Visual Effects Supervisor: Ed Bruce SSVFX Visual Effects Producer: Laura McDowall SSVFX Head of Studio: Nicholas Murphy Filming Dates: June 2023 - January 17, 2024 Budget: 250–310 Million USD Visual Effects & Animation by: Industrial Light & Magic, SSVFX + Framestore