2021 abril
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- DirectorMani KaulStarsGurdeep SinghGarimaSavita BajajA woman waits for her truck driver husband, everyday, with his daily bread. Her concern for their dying relationship and her sister grows fast as she starts to doubt his loyalty.
- DirectorMani KaulStarsRekha SabnisArun KhopkarOm ShivpuriAashad Ka Ek Din is an adaptation of the play that is based on Kalidasa's life in three acts. Kalidasa is renowned as one of the greatest writers, poets and dramatists in the history of Sanskrit language.
- DirectorMani KaulStarsShekhar KapurShambhavi KaulSurekha SikriBased on F. Dostoevsky's "The Meek One", this is the saga of a Bombay-based antique dealer-cum-money lender, who at the age of 40, marries a woman who is 17, and brings her home to his spacious flat in a multi-storied building with a magnificent view, where he lives with his Bua. Their marriage is not a happy one, even though he hopes it will get better. But the bride, who had lived her live in an orphanage, is immersed in her own thoughts, and at one point even held a revolver against her husband's head while he was sleeping. Shortly thereafter, he confronts her that he was aware of this incident, and that the revolver did contain one bullet.
- DirectorJanusz MajewskiStarsJózef DuriaszEdmund FettingGustaw LutkiewiczClergy investigates folklore rumor of noblewoman birthing bear-human hybrid after attack. Nobleman's wife bitten, he disappears into woods after creature's origins uncovered.
- DirectorSharunas BartasStarsArvydas DapsysMarius Povilas Elijas MartynenkoAlina Zaliukaite-RamanauskieneA historical drama set in Lithuania in 1948, "Au Crépuscule" focuses on Ounté, a 19-year old boy who experiences passion and violence after joining a group of partisans resisting the Soviet occupation.
- DirectorMarc AllégretStarsLouis JouvetClaude DauphinOdette JoyeuxIsabelle, Cécilia and François are drama students at the "Conservatoire d'art dramatique". Cécilia is in love with François, but the young man is in love with Isabelle instead. Cécilia elaborates a desperate plan to get back at François.
- DirectorAllan A. GoldsteinStarsLeslie NielsenOphélie WinterEzio GreggioMarshal Dix is to free US president from aliens on the int'l lunar base. A clone has replaced him in The White House. Can Dix prevent an alien invasion?
- DirectorItalo ZingarelliStarsTerence HillBud SpencerJoe BugnerIn Africa, 2 expat "brothers" are usually at each other's throats but now have a common enemy. Ormond's men are shooting or catching much of the wildlife for export as well as forcing the locals off their land. Lots of fun fights follow.
- DirectorEnzo BarboniStarsTerence HillBud SpencerSteffen ZachariasA lazy, unorthodox gunfighter and his portly, horse-thieving brother defend a Mormon settlement from a land-grabbing Major, a Mexican bandit, and their henchmen.
- DirectorJean PainlevéUnderwater photography presents the octopus: breathing, swimming, eating, dying.
- DirectorEnzo BarboniStarsTerence HillBud SpencerYanti SomerBambino tries to teach his brother Trinity how to become an outlaw, but the two wind up saving a pioneer family and breaking up an arms ring instead.
- DirectorJean Painlevé
- DirectorA.-P. DufourJean PainlevéWe begin on planet Earth, with a demonstration of measuring distances using triangulation. Then, an imaginary voyage begins from earth to the moon, on to Mars, Saturn, the closest star (besides the sun), and beyond to the edge of our universe. The film depicts imagined landscapes, and it speculates on universes beyond ours. It ends with philosophical musings about the significance of Earth.
- DirectorJean PainlevéStarsMax SchreckA short look at the vampire bat sucking blood from a guinea pig.
- DirectorJean PainlevéPopular science descriptions of two marine crustaceans, both of whom camouflage themselves in found objects, moving, eating, interacting.
- DirectorJean PainlevéA close-up look at sand urchins and rock urchins. At the seashore, a man digs up a sand urchin. We look closely. He sets it back in the sand, and it burrows out of sight. Its intestines take nutrients out of sand. Using magnification 200,000 times normal size, we see a rock urchin's spines with suckers on the end; a drawing illustrates how they work. A sea urchin walks toward a rock. We see three-fingered jaws - pedicellaria at the end of flexible stems - take in algae and other bits. We also see cilia less than 0.001 ml in length; their motion constant, creating whirlpools. On the shore again, we watch the setting sun. Occasional titles in French tell us what to watch for.
- DirectorJean PainlevéExamines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge houses organs including an air ballast. Three fins propel this fish. We see a female place her eggs in a male's pouch where they are fertilized and nurtured until birth in violent contractions. Inside the pouch are nurturing blood vessels. We then follow the growth of an embryo, greatly magnified: we examine its heart beating and its dorsal fin moving. Young sea horses attach themselves to each other. The film ends with images of many sea horses moving on the ocean floor, superimposed on a horse race.
- DirectorGeneviève HamonJean PainlevéAn octopus slithers into a narrow crack near the shore; we see its eye up close; blowing water propels it through water. It feeds on a crab. In spring it's time to mate. A male grabs a female; he inserts his third arm in her respiratory cavity. We watch another pair: a larger female is the aggressor here. Mating is repeated over hours and days. With high magnification, we see many sperm; she releases strings of fertilized eggs that hang from the roof of a nest. She guards it for a month, fanning the strings to circulate water for oxygen and cleanliness. We watch the eggs up close develop at 1,400 times nature's rate. Then they're born and propel away.
- DirectorJean PainlevéIn a freshwater pond, various aquatic creatures try to eat others in order to avoid being eaten themselves.
- DirectorGeneviève HamonJean PainlevéAfter a comic introduction, we look closely at a shrimp. Eyes on stilts, color patterns, pinchered walking feet, a rostrum. We watch shrimp eat using a strong claw and a fine one; we watch digestion. After eating, shrimp clean themselves. The female lays eggs that cling to her feet. After three weeks, the eggs hatch explosively. Few larvae live to adulthood. We watch an adult shed its carapace with a final leap, leaving it vulnerable; other shrimp attack.
- DirectorGeneviève HamonJean PainlevéIn mud flats along the coast of Brittany we watch acera, small ball-shaped mollusks that are about two inches in diameter. They rest in mud; then, in water, they dance, their skirt-like hood spreading like a dervish's cassock. They spin and spin. The film adds musical accompaniment. We watch them mate and secrete eggs: acera are both male and female, and can form chains with other acera in which they simultaneously mate as a male and as a female. The eggs hatch, and the cycle begins again.
- DirectorPippa EhrlichJames ReedStarsCraig FosterTom FosterA filmmaker forges an unusual friendship with an octopus living in a South African kelp forest, learning as the animal shares the mysteries of her world.
- DirectorChris MarkerStarsGeorges RouquierA witty examination of life and culture in Siberia.
- DirectorNicole VédrèsStarsClaude DauphinRené AlexandreGuillaume ApollinaireDocumentary limning the life of Paris and its citizens during "La Belle Epoque," the years between 1900 and 1914. Beginning with the Paris Exposition of 1900 and the completion of the Eiffel Tower, the film progresses through cultural, technological, and social changes, from peaceful and sometimes näive times to the rumbling foreshadowing of the war that would disrupt France and Europe for years to come.
- DirectorMarcelo MachadoStarsGilberto GilCaetano VelosoSet against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional brazilian music of that time.