Famous People Who Lived to Be 100+
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Comedian Bob Hope was born Leslie Townes Hope in Eltham, London, England, the fifth of seven sons of Avis (Townes), light opera singer, and William Henry Hope, a stonemason from Weston-super-Mare, Somerset. His maternal grandmother was Welsh. Hope moved to Bristol before emigrating with his parents to the USA in 1908. After some years onstage as a dancer and comedian, he made his first film appearance in The Big Broadcast of 1938 (1938) singing "Thanks for the Memory", which became his signature tune.
In partnership with Bing Crosby and Dorothy Lamour, he appeared in the highly successful "Road to ..." comedies (1940-52), and in many others until the early 1970s. During World War II and the Korean and Vietnam wars he spent much time entertaining the troops in the field. For these activities and for his continued contributions to the industry he received five honorary Academy Awards.- Actor
- Producer
- Writer
George Burns was an American actor, comedian, singer, and published author. He formed a comedy duo with his wife Gracie Allen (1895-1964), and typically played the straight man to her zany roles. Following her death, Burns started appearing as a solo performer. He once won an Academy Award for Best Supporting Actor, and continued performing until his 90s. He lived to be a centenarian, was viewed as an "elder statesman" in the field of comedy.
Burns was born under the name "Nathan Birnbaum" in 1896, and was nicknamed "Nattie" by his family. His father was Eliezer "Louis" Birnbaum (1855-1903), a coat presser who also served a substitute cantor at a local synagogue in New York City. His mother was Hadassah "Dorah" Bluth (1857-1927), a homemaker. Both parents were Jewish immigrants, originally from the small town of Kolbuszowa in Austrian Galicia (currently part of Poland). Kolbuszowa had a large Jewish population until World War II, when the German occupation forces in Poland relocated the local Jews to a ghetto in Rzeszów.
The Birnbaums were a large family, and Burns had 11 siblings. He was the 9th eldest of the Birnbaum Children. In 1903, Louis Birnbaum caught influenza and died, during an ongoing influenza epidemic. Orphaned when 7-years-old, Burns had to work to financially support his family. He variously shined shoes, run errands, selling newspapers, and worked as a syrup maker in a local candy shop.
Burns liked to sing while working, and practiced singing harmony with three co-workers of similar age. They were discovered by letter carrier Lou Farley, who gave them the idea to perform singing in exchange for payment. The four children soon started performing as the "Pee-Wee Quartet", singing in brothels, ferryboats, saloons, and street corners. They put their hats down for donations from their audience, though their audience was not always generous. In Burns' words: "Sometimes the customers threw something in the hats. Sometimes they took something out of the hats. Sometimes they took the hats."
Burns started smoking cigars c. 1910, when 14-years-old. It became a lifelong habit for him. Burns' performing career was briefly interrupted in 1917, when he was drafted for service in World I. He eventually failed his physical exams, due to his poor eyesight.
By the early 1920s, he adopted the stage name "George Burns", though he told several different stories of why he chose the name. He supposedly named himself after then-famous baseball player George Henry Burns (1897-1978), or the also famous baseball player George Joseph Burns (1889-1966). In another version, he named himself after his brother Izzy "George" Birnbaum, and took the last name "Burns" in honor of Burns Brothers Coal Company.
Burns performed dance routines with various female partners, until he eventually married his most recent partner Gracie Allen in 1926. Burns made his film debut in the comedy short film "Lambchops" (1929), which was distributed by Vitaphone. The film simply recorded one of Burns and Allen's comedy routines from vaudeville.
Burns made his feature film debut in a supporting role of the musical comedy "The Big Broadcast" (1932). He appeared regularly in films throughout the 1930s, with his last film role for several years appearing in the musical film "Honolulu" (1939). Burns was reportedly considered for leading role in "Road to Singapore" (1940), but the studio replaced him with Bob Hope (1903-2003).
Burns and Allen started appearing as comic relief for a radio show featuring bandleader Guy Lombardo (1902-1977). By February 1932, they received their own sketch comedy radio show. The couple portrayed younger singles, until the show was retooled in 1941 and started featuring them as a married couple. By the fall of 1941, the show had evolved into a situational comedy about married life. Burns and Allen's supporting cast included notable voice actors Mel Blanc, Bea Benaderet, and Hal March.
The radio show finally ended in 1949, reworked into the popular television show "The George Burns and Gracie Allen Show" (1950-1958). Allen would typically play the "illogical" housewife, while Burns played the straight man and broke the fourth wall to speak to the audience. The couple formed the production company McCadden Corporation to help produce the show.
Allen developed heart problems during the 1950s, and by the late 1950s was unable to put up the energy needed for the show. She fully retired in 1958. The show was briefly retooled to "The George Burns Show" (1958-1959), but Burns comedic style was not as popular as that of his wife. The new show was canceled due to low ratings.
Following Allen's death in 1964, Burns attempted a television comeback by creating the sitcom "Wendy and Me" (1964-1965) about the life of a younger married couple. The lead roles were reserved for Ron Harper and Connie Stevens, while Burns had a supporting role as their landlord. He also performed as the show's narrator.
As a television producer, Burns produced the military comedy "No Time for Sergeants", and the sitcom "Mona McCluskey". As an actor, he mostly appeared in theaters and nightclubs. Burns had a career comeback with the comedy film "The Sunshine Boys" (1975), his first film appearance since World War II. He played faded vaudevillian Al Lewis, who has a difficult relationship with his former partner Willy Clark (played by Walter Matthau). The role was met with critical success, and Burns won the Academy Award for Best Supporting Actor. At age 80, Burns was the oldest Oscar winner at the time. His record was broken by Jessica Tandy in 1989.
Burns had his greatest film success playing God in the comedy film "Oh, God!" (1977). The film 51 million dollars at the domestic box office, and was one of the greatest hits of 1977. Burns returned to the role in the sequels "Oh, God! Book II" (1980) and "Oh, God! You Devil" (1984). He had a double role as both God and the Devil in the last film.
Burns had several other film roles until the 1990s. His most notable films in this period were the musical comedy "Sgt. Pepper's Lonely Hearts Club Band" (1978), the comedy film "Just You and Me, Kid" (1979), the caper film "Going in Style" (1979), and the fantasy-comedy "18 Again!" (1988). The last of the four featured him as a grandfather who exchanges souls with his grandson.
Burns' last film role was a bit part in the mystery film "Radioland Murders" (1994), which was a box office flop. In July 1994, Burns fell in his bathtub and underwent surgery to remove fluid in his skull. He survived, but his health never fully recovered. He was forced to retire from acting and stand-up comedy.
On January 20, 1996, Burns celebrated his 100th birthday, but was in poor health and had to cancel a pre-arranged comeback performance. In March 1996, he suffered from cardiac arrest and died. He was buried in Forest Lawn Memorial Park Cemetery, Glendale, next to Gracie Allen.- Actress
- Soundtrack
Luise Rainer, the first thespian to win back-to-back Oscars, was born on January 12, 1910 in Dusseldorf, Germany, into a prosperous Jewish family. Her parents were Emilie (Königsberger) and Heinrich Rainer, a businessman. She took to the stage, and plied her craft on the boards in Germany. As a young actress, she was discovered by the legendary theater director Max Reinhardt and became part of his company in Vienna, Austria. "I was supposed to be very gifted, and he heard about me. He wanted me to be part of his theater," Rainer recounted in a 1997 interview. She joined Reinhardt's theatrical company in Vienna and spent years developing as an actress under his tutelage. As part of Reinhardt's company, Rainer became a popular stage actress in Berlin and Vienna in the early 1930s. Rainer was a natural talent for Reinhardt's type of staging, which required an impressionistic acting style.
Rainer, who made her screen debut as a teenager and appeared in three other German-language films in the early 1930s, terminated her European career when the Austrian Adolf Hitler consolidated his power in Germany. With his vicious anti-Semitism bringing about the Draconian Nuremberg Laws severely curtailing the rights of Germany's Jews, and efforts to expand that regime into the Sudetenland and Austria, Hitler and his Nazi government was proving a looming threat to European Jewry. Rainer had been spotted by a talent scout, who offered her a seven-year contract with the American studio Metro-Goldwyn-Mayer. The 25-year-old Rainer took the deal and emigrated to the United States.
She made her American debut in the movie Escapade (1935), replacing Myrna Loy, who was originally slated for the part. It was her luck to have William Powell as her co-star in her first Hollywood film, as he mentored her, teaching her how to act in front of the camera. Powell, whom Rainer remembers as "a dear man" and "a very fine person," lobbied MGM. boss Louis B. Mayer, reportedly telling him, "You've got to star this girl, or I'll look like an idiot."
During the making of "Escapade", Rainer met, and fell in love with, the left-wing playwright Clifford Odets, then at the height of his fame. They were married in 1937. It was not a happy union. MGM cast Rainer in support of Powell in the title role of the The Great Ziegfeld (1936), its spectacular bio-epic featuring musical numbers that recreated his "Follies" shows on Broadway. As Anna Held, Ziegfeld's common-law wife, Rainer excelled in the musical numbers, but it is for her telephone scene that she is most remembered. "The Great Ziegfeld" was a big hit and went on to win the Academy Award as Best Picture of 1936. Rainer received her first of two successive Best Actress Oscars for playing Held. The award was highly controversial at the time as she was a relative unknown and it was only her first nomination, but also because her role was so short and relatively minor that it better qualified for a supporting nomination. (While 1936 was the first year that the Academy of Motion Picture Arts & Sciences honored supporting players, her studio, Metro-Goldwyn-Mayer, listed her as a lead player, then got out its block vote for her.) Compounding the controversy was the fact that Rainer beat out such better known and more respected actresses as Carole Lombard (her sole Oscar nomination) in My Man Godfrey (1936), previous Best Actress winner Norma Shearer (her fifth nomination) in Romeo and Juliet (1936), and Irene Dunne (her second of five unsuccessful nominations) in Theodora Goes Wild (1936). Some of the bitchery was directed toward Louis B. Mayer, whom non-MGM Academy members resented for his ability to manipulate Academy votes. Other critics of her first Oscar win claimed it was the result of voters being unduly impressed with the great budget ($2 million) of "The Great Ziegfeld" rather than great acting. Most observers agree that Rainer won her Oscar as the result of her moving and poignant performance in just one single scene in the picture, the famous telephone scene in which the broken-hearted Held congratulates Ziegfeld over the telephone on his upcoming marriage to Billie Burke while trying to retain her composure and her dignity. During the scene, the camera is entirely focused on Rainer, and she delivers a tour-de-force performance. Seventy years later, it remains one of the most famous scenes in movie history. With another actress playing Held, the scene could have been mawkish, but Rainer brought the pathos of the scene out and onto film. She based her interpretation of the scene on Jean Cocteau's play "La Voix Humaine". "Cocteau's play is just a telephone conversation about a woman who has lost her beloved to another woman", Rainer remembered. "That is the comparison. As it fit into the Ziegfeld story, that's how I wrote it. It's a daily happening, not just in Cocteau." In an interview held 60 years after the film's release, Rainer was dismissive of the performance. "I was never proud of anything", she said. "I just did it like everything else. To do a film - let me explain to you - it's like having a baby. You labor, you labor, you labor, and then you have it. And then it grows up and it grows away from you. But to be proud of giving birth to a baby? Proud? No, every cow can do that."
Rainer would allay any back-biting from Hollywood's bovines over her first Oscar with her performance as O-Lan in MGM producer Irving Thalberg's spectacular adaptation of Pearl S. Buck's "The Good Earth", the former Boy Wonder's final picture before his untimely death. The role won Rainer her second Best Actress Award. The success of The Good Earth (1937) was rooted in its realism, and its realism was enhanced by Rainer's acting opposite the legendary Paul Muni as her husband. When Thalberg cast Muni in the role of Wang Lung, he had to abandon any thought of casting the Chinese-American actress Anna May Wong as O-Lan as the Hays Office would not allow the hint of miscegenation, even between an actual Chinese woman and a Caucuasian actor in yellow-face drag. So, Thalberg gave Rainer the part, and she made O-Lan her own. She refused to wear a heavy makeup, and her elfin look helped her to assay a Chinese woman with results far superior to those of Myrna Loy in her Oriental vamp phase or Katharine Hepburn in Dragon Seed (1944). In the late 1990s, Rainer praised her director, Sidney Franklin, as "wonderful", and explained that she used an acting technique similar to "The Method" being pioneered by her husband's Group Theatre comrades back in New York. "I worked from inside out", she said. "It's not for me, putting on a face, or putting on makeup, or making masquerade. It has to come from inside out. I knew what I wanted to do and he let me do it." The win made Rainer the first two-time Oscar winner in an acting category and the first to win consecutive acting awards (Spencer Tracy, her distaff honoree for Captains Courageous (1937) would follow her as a consecutive acting Oscar winner the next year, and Walter Brennan, Best Supporting Actor Oscar winner for Come and Get It (1936) the year Rainer won her first, would tie them both in 1937 with his win for Kentucky (1938) and trump them with his third win for The Westerner (1940), a record subsequently tied by Ingrid Bergman, Jack Nicholson, Meryl Streep, Daniel Day-Lewis, and surpassed by Katharine Hepburn.)
Rainer's career soon went into free-fall and collapsed, as she became the first notable victim of the "Oscar curse", the phenomenon that has seem many a performer's career take a nose-dive after winning an Academy Award. "For my second and third pictures I won Academy Awards. Nothing worse could have happened to me", Rainer said. A non-conformist, Rainer rejected Hollywood's values of Hollywood. In the late 1990s, she said, "I came from Europe where I was with a wonderful theater group, and I worked. The only thing on my mind was to do good work. I didn't know what an Academy Award was." MGM boss Mayer, the founding force behind the Academy of Motion Picture Arts and Sciences, had to force her to attend the Awards banquet to receive her Oscar. She rebelled against the studio due to the movies that MGM forced her into after "The Good Earth".
In one case, director Dorothy Arzner had been assigned by MGM producer Joseph M. Mankiewicz (whose wife, Rose Stradner had been Rainer's understudy in the Vienna State Theater) in 1937 to direct Rainer in "The Girl from Trieste", an unproduced Ferenc Molnár play about a prostitute trying to go reform herself who discovers the hypocrisies of the respectable class which she aspires to. After Thalberg's death in 1936, Mayer's lighter aesthetic began to rule the roost at MGM. Mayer genuinely believed in the goodness of women and motherhood and put women on a pedestal; he once told screenwriter Frances Marion that he never wanted to see anything produced by MGM that would embarrass his wife and two daughters.
Without the more sophisticated Thalberg at the studio to run interference, Molnar's play was rewritten so that it was no longer about a prostitute, but a slightly bitter Cinderella story with a happy ending. Retitled by Mankiewicz as The Bride Wore Red (1937), Rainer withdrew and was replaced by Joan Crawford. In a 1976 interview in "The New York Times", Arzner claimed that Rainer "had been suspended for marrying a Communist" (Clifford Odets). This is unlikely as MGM, like all Hollywood studios, had known or suspected communists on its payroll, most of whose affiliations were known by MGM vice president E.J. Mannix. (Mannix, one of whose functions was responsibility for security at the studio, once said it would have been impossible to fire them all, as "the communists" were the studio's best writers.) The studio never took action against alleged communists until an industry-wide agreement to do so was sealed at the Waldorf Conference of 1947, which was held in reaction to the House of Un-American Activities Committee (HUAC) launching a Hollywood witch hunt.
It was more likely that Rainer, fussy over her projects and wanting to use her Academy Award prominence to ensure herself better roles, withdrew on her own due to her lack of enthusiasm for the reformulated product. In the late 1990s, Rainer recalled the satisfaction of being a European stage actress. "One day we were on a big tour", she told an interviewer in the late 1990s. "We did a play by Pirandello, and Reinhardt was in the theater. I shall never forget, it was the greatest compliment I ever got, better than any Academy Award. He came to me, looked at me and said - we were never called by first names - 'Rainer, how did you do this?' It was so wonderful. 'How did you create this?' I was so startled and happy. That was my Academy Award." Rainer still is dismissive of the Academy Awards. "I can't watch the Oscars," she said. "Everybody thanking their mother, their father, their grandparents, their nurse - it's a crazy, horrible." She blames the studio and Mayer for the rapid decline in her career. "What they did with me upset me very much", she said in a 1997 interview. "I was dreaming naturally like anyone to do something very good, but after I got the two Academy Awards the studio thought, it doesn't matter what she gets. They threw all kinds of stuff on me, and I thought, no, I didn't want to be an actress."
Mayer pulled his famous emotional routines when Rainer, whom he wanted to turn into a glamorous star, would demand meatier roles. "He would cry phony tears", she recalled. Mayer had opposed her being cast as O-Lan in "The Good Earth", but Thalberg, who had a connection with MGM capo di tutti capi Nicholas Schenck, the president of MGM corporate parent Loew's, Inc., appealed to Schenck, who overrode Mayer's veto. (Mayer, who was involved in a power struggle with Thalberg before the latter's death, had opposed his filming Pearl Buck's novel. Mayer's reasoning was that American audiences wouldn't patronize movies about American farmers, so what made anyone think they'd flock to see a film about Chinese farmers, especially one with such a big budget, estimated at $2.8 million. (Upon release, the film barely broke even.) Thalberg died during the filming of "The Good Earth" (the only film of his released by MGM whose title credits bore his name, in the form of a posthumous tribute).
Rainer felt lost without her protector. She recalled that Mayer "didn't know what to do with me, and that made me so unhappy. I was on the stage with great artists, and everything was so wonderful. I was in a repertory theater, and every night I played something else." Rainer asked to play Nora in a film of Ibsen's "A Doll's House" or portray Madame Curie, but instead, Mayer - now in complete control of the studio - had her cast in The Toy Wife (1938), a movie she actually wound up liking, as she was charmed by her co-star, the urbane, intellectually and politically enlightened Melvyn Douglas. She recalls Douglas, ultimately a double-Oscar winner like herself, as her favorite leading man. "He was intelligent, and he was interested also in other things than acting."
Her problems with the culture of Hollywood, or the lack thereof, were worsening. The lack of intellectual conversation or concern with ideas by the denizens of the movie colony she was forced to work with was depressing. Hollywood was an unsophisticated place where materialism, such as the stars' preoccupation with clothes, was paramount. As she tells it, "Soon after I was there in Hollywood, for some reason I was at a luncheon with Robert Taylor sitting next to me, and I asked him, 'Now, what are your ideas or what do you want to do', and his answer was that he wanted to have 10 good suits to wear, elegant suits of all kinds, that was his idea. I practically fell under the table."
MGM teamed her with fellow Oscar-winner Tracy in Big City (1937), a movie about conflict between rival taxi drivers. The memory of the movie disgusted her. "Supposedly it wasn't a bad film, but I thought it was a bad film!" She was also cast in The Emperor's Candlesticks (1937), reteaming her with "Ziegfeld" co-star Powell, a movie she didn't like, as she couldn't understand its story. A detective tale, the script thoroughly confused Rainer, who was expected to soldier on like a good employee. Instead, she resisted.
After appearing in The Great Waltz (1938) and Dramatic School (1938), her career was virtually over by 1938. She never made another film for MGM. "I just had to get away", she said about Hollywood. "I couldn't bear this total concentration and interviews on oneself, oneself, oneself. I wanted to learn, and to live, to go all over the world, to learn by seeing things and experiencing things, and Hollywood seemed very narrow." When World War II broke out in Europe, Rainer was joined by her family, as her German-born father was also an American citizen, allowing them all to escape Hitler and the Holocaust. Even before the outbreak of war, Rainer had been very worried about the state of affairs of the world, and she could not abide the escapist trifles that MGM wanted to cast her in. When she protested, Mayer told Rainer that if she defied him, he would blackball her in Hollywood.
Disturbed by Hollywood's apathy over fascism in Europe and Asia and by labor unrest and poverty in the U.S., she decided to walk out on her contract. She and Odets returned to New York. They were divorced in 1940. "Hollywood was a very strange place", she remembered. "To me, it was like a huge hotel with a huge door, one of those rotunda doors. On one side people went in, heads high, and very soon they came out on the other side, heads hanging." Her frustration with Hollywood was so complete, she abandoned movie acting in the early 1940s, after making the World War II drama Hostages (1943) for Paramount.
She made her Broadway debut in the play "A Kiss for Cinderella", which was staged by Lee Strasberg, which opened at the Music Box Theatre on March 10, 1942 and closed April 18th after 48 performances. Rainer then worked for the war effort during World War II, appearing at war bond rallies. She went on a tour of North Africa and Italy for the Army Special Service, socializing with soldiers to build their morale, and supplying them with books. The experience changed her life, allowing her to get over the shyness she'd had all her life. It also broadened her experience, forcing her to deal with the obvious fact that there were more important things than movie acting, which had proven unfulfilling to her.
Fortunately, Rainer found happiness in a long-lived marriage with the publisher Robert Knittel, a wealthy man whom she married in 1945. The couple had a daughter and made their home mostly in Switzerland and England as Rainer essentially left acting behind, although she did do some television in the 1940s, '50s, and '60s. Her retirement from the movies lasted for 53 years, until her brief comeback in The Gambler (1997), a movie based on Fyodor Dostoevsky's eponymous story. In the film, Rainer played the role of the matriarch of an aristocratic Russian family in the 1860s who is in hock due to the family members' obsession with gambling.
Toward the end of her life, Rainer lived in a luxurious flat in Eaton Square in London's Belgravia district, in a building where Vivien Leigh once lived. Blessed with a good memory, she claimed she could not remember the 1937 Academy Awards ceremony, when she won her first Oscar. She says the glamour of the event was out of sync with her life at the time, which was one of great sadness. "I married Clifford Odets. The marriage was for both of us a failure. He wanted me to be his little wife and a great actress at the same time. Somehow I could not live up to all of that."
She had intriguing offers during her long retirement. Federico Fellini had wanted Rainer for a role in La Dolce Vita (1960), but though she admired the director, she didn't like the script and turned it down. Rainer occasionally plied her craft as an actress on the stage. She made one more stab at Broadway, appearing in a 1950 production of Ibsen's "The Lady from the Sea", which was staged by Sam Wanamaker and Terese Hayden and co-starred Steven Hill, one of the founding members of Lee Strasberg's Actor's Studio. The play was a flop, running just 16 performances. "I was living in America and was on the stage there - sporadically. I always lived more than I worked. Which doesn't mean that I do not love my profession, and every moment I was in it gave me great satisfaction and happiness."
Rainer had no regrets over not becoming the star she might have been. She outlived all of the legendary stars of her era, which likely is the best revenge for the loss of her career after bidding adieu to a company town she could not abide.- Actress
- Soundtrack
Gloria Stuart was born on a dining room table on 4th Street in Santa Monica, California on July 4, 1910. Her early roles as a performing artist were in plays she produced in her home as a young girl. She was the star of her senior class play at Santa Monica High School in 1927. Attending the University of California, at Berkeley, she continued to perform on the stage. Stuart married and move to Carmel, where she performed in a production of "The Seagull" which was transferred to the Pasadena Playhouse in 1932. It was there that talent scouts for both Paramount and Universal saw her. In a famous dispute, the heads of the two studios flipped a coin and Universal won. She played lead roles for director James Whale, including (The Old Dark House (1932), The Invisible Man (1933) and The Kiss Before the Mirror (1933)). The hard work at the studio estranged her from her first husband (Stuart helped create the Screen Actors Guild). She played the leading lady in Roman Scandals (1933), on the set of which she met her husband Arthur Sheekman. She was dissatisfied with the roles in which she was cast at Universal and played roles in films for other studios. Ultimately, a few years after having her daughter Sylvia (named after the role she was playing when she met Sheekman), she left the cinema and sought roles on the stage in New York. In the 1940s, she opened an art furniture shop where she created decoupage lamps, tables and trays, many of which sold to stars like Judy Garland and others. Later, Stuart took up oil painting and was very prolific, showing and selling her work in New York, Los Angeles and elsewhere. Her landscapes of The Watts Towers are on permanent collection at The Los Angeles County Museum. She also took up and mastered the art of bonsai and some of her trees are on permanent collection in the Huntington Library Japanese Garden. When her husband fell ill in the 1970s (he died in 1978), she returned to acting doing a range of television series. In 1982, she returned to the screen appearing in a brief dance scene with Peter O'Toole in My Favorite Year (1982).
About this time a friend, she knew half a century earlier in Carmel, who was a master printer, re-entered her life and from him, Stuart learned the craft of fine printing. She established a printing press in her home studio called Imprenta Glorias. where she created a body of fine artist's books. Her greatest book, "Flight of Butterfly Kites" is in permanent collection at the J. Paul Getty Museum. Gloria Stuart won a Screen Actors Guild Award and an Oscar-nomination for her performance as the Old Rose in Titanic (1997). In July 2010, The Academy of Motion Picture Arts & Sciences honored Gloria Stuart with a Centennial Celebration. She was the first such honoree to be living for a centennial. At 100 years of age, she had completed her greatest artist's book with her great-granddaughter working as her apprentice and also her final appearance on film in her grandson's documentary about her, entitled Secret Life of Old Rose: The Art of Gloria Stuart (2012) when she died at home at the age of 100 on September 26, 2010.- Actor
- Producer
- Director
Cleft-chinned, steely-eyed and virile star of international cinema who rose from being "the ragman's son" (the name of his best-selling 1988 autobiography) to become a bona fide superstar, Kirk Douglas, also known as Issur Danielovitch Demsky, was born on December 9, 1916 in Amsterdam, New York. His parents, Bryna (Sanglel) and Herschel Danielovitch, were Jewish immigrants from Chavusy, Mahilyow Voblast (now in Belarus). Although growing up in a poor ghetto, Douglas was a fine student and a keen athlete and wrestled competitively during his time at St. Lawrence University. Professional wrestling helped pay for his studies as did working on the side as a waiter and a bellboy. However, he soon identified an acting scholarship as a way out of his meager existence, and was sufficiently talented to gain entry into the American Academy of Dramatic Arts. He made his Broadway debut in "Spring Again" before his career was interrupted by World War II. He joining the United States Navy in 1941, and then after the end of hostilities in 1945, returned to the theater and some radio work. On the insistence of ex-classmate Lauren Bacall, movie producer Hal B. Wallis screen-tested Douglas and cast him in the lead role in The Strange Love of Martha Ivers (1946). His performance received rave reviews and further work quickly followed, including an appearance in the low-key drama I Walk Alone (1947), the first time he worked alongside fellow future screen legend Burt Lancaster. Such was the strong chemistry between the two that they appeared in seven films together, including the dynamic western Gunfight at the O.K. Corral (1957), the John Frankenheimer political thriller Seven Days in May (1964) and their final pairing in the gangster comedy Tough Guys (1986). Douglas once said about his good friend: "I've finally gotten away from Burt Lancaster. My luck has changed for the better. I've got nice-looking girls in my films now."
After appearing in "I Walk Alone," Douglas scored his first Oscar nomination playing the untrustworthy and opportunistic boxer Midge Kelly in the gripping Champion (1949). The quality of his work continued to garner the attention of critics and he was again nominated for Oscars for his role as a film producer in The Bad and the Beautiful (1952) and as tortured painter Vincent van Gogh in Lust for Life (1956), both directed by Vincente Minnelli. In 1955, Douglas launched his own production company, Bryna Productions, the company behind two pivotal film roles in his career. The first was as French army officer Col. Dax in director Stanley Kubrick's brilliant anti-war epic Paths of Glory (1957). Douglas reunited with Kubrick for yet another epic, the magnificent Spartacus (1960). The film also marked a key turning point in the life of screenwriter Dalton Trumbo, who had been blacklisted during the McCarthy "Red Scare" hysteria in the 1950s. At Douglas' insistence, Trumbo was given on-screen credit for his contributions, which began the dissolution of the infamous blacklisting policies begun almost a decade previously that had destroyed so many careers and lives.
Douglas remained busy throughout the 1960s, starring in many films. He played a rebellious modern-day cowboy in Lonely Are the Brave (1962), acted alongside John Wayne in the World War II story In Harm's Way (1965), again with The Duke in a drama about the Israeli fight for independence, Cast a Giant Shadow (1966), and once more with Wayne in the tongue-in-cheek western The War Wagon (1967). Additionally in 1963, he starred in an onstage production of Ken Kesey's "One Flew Over the Cuckoo's Nest," but despite his keen interest, no Hollywood studio could be convinced to bring the story to the screen. However, the rights remained with the Douglas clan, and Kirk's talented son Michael Douglas finally filmed the tale in 1975, starring Jack Nicholson. Into the 1970s, Douglas wasn't as busy as previous years; however, he starred in some unusual vehicles, including alongside a young Arnold Schwarzenegger in the loopy western comedy The Villain (1979), then with Farrah Fawcett in the sci-fi thriller Saturn 3 (1980) and then he traveled to Australia for the horse opera/drama The Man from Snowy River (1982).
Unknown to many, Kirk has long been involved in humanitarian causes and has been a Goodwill Ambassador for the US State Department since 1963. His efforts were rewarded with the Presidential Medal of Freedom (1981), and with the Jefferson Award (1983). Furthermore, the French honored him with the Chevalier of the Legion of Honor. More recognition followed for his work with the American Cinema Award (1987), the German Golden Kamera Award (1987), The National Board of Reviews Career Achievement Award (1989), an honorary Academy Award (1995), Recipient of the American Film Institute's Lifetime Achievement Award (1999) and the UCLA Medal of Honor (2002). Despite a helicopter crash and a stroke suffered in the 1990s, he remained active and continued to appear in front of the camera. Until his passing on February 5 2020 at the age of 103, he and Olivia de Havilland were the last surviving major stars from the Golden Years of Hollywood.- Actress
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Olivia Mary de Havilland was born on July 1, 1916 in Tokyo, Japan to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her sister Joan, later to become famous as Joan Fontaine, was born the following year. Her surname comes from her paternal grandfather, whose family was from Guernsey in the Channel Islands. Her parents divorced when Olivia was just three years old, and she moved with her mother and sister to Saratoga, California.
After graduating from high school, where she fell prey to the acting bug, Olivia enrolled in Mills College in Oakland, where she participated in the school play "A Midsummer Night's Dream" and was spotted by Max Reinhardt. She so impressed Reinhardt that he picked her up for both his stage version and, later, the Warner Bros. film version in 1935. She again was so impressive that Warner executives signed her to a seven-year contract. No sooner had the ink dried on the contract than Olivia appeared in three more films: The Irish in Us (1935), Alibi Ike (1935), and Captain Blood (1935), this last with the man with whom her career would be most closely identified: heartthrob Errol Flynn. He and Olivia starred together in eight films during their careers. In 1939 Warner Bros. loaned her to David O. Selznick for the classic Gone with the Wind (1939). Playing sweet Melanie Hamilton, Olivia received her first nomination for an Academy Award for Best Supporting Actress, only to lose out to one of her co-stars in the film, Hattie McDaniel.
After GWTW, Olivia returned to Warner Bros. and continued to churn out films. In 1941 she played Emmy Brown in Hold Back the Dawn (1941), which resulted in her second Oscar nomination, this time for Best Actress. Again she lost, this time to her sister Joan for her role in Suspicion (1941). After that strong showing, Olivia now demanded better, more substantial roles than the "sweet young thing" slot into which Warners had been fitting her. The studio responded by placing her on a six-month suspension, all of the studios at the time operating under the policy that players were nothing more than property to do with as they saw fit. As if that weren't bad enough, when her contract with Warners was up, she was told that she needed to make up the time lost because of the suspension. Irate, she sued the studio, and for the length of the court battle she didn't appear in a single film. The result, however, was worth it. In a landmark decision, the court said that not only would Olivia not need to make up the time, but also that all performers would be limited to a seven-year contract that would include any suspensions handed down. This became known as the "de Havilland decision": no longer could studios treat their performers as chattel. Olivia returned to the screen in 1946 and made up for lost time by appearing in four films, one of which finally won her the Oscar that had so long eluded her: To Each His Own (1946), in which she played Josephine Norris to the delight of critics and audiences alike. Olivia was the strongest performer in Hollywood for the balance of the 1940s.
In 1948 she turned in another strong showing in The Snake Pit (1948) as Virginia Cunningham, a woman suffering a mental breakdown. The end result was another Oscar nomination for Best Actress, but she lost to Jane Wyman in Johnny Belinda (1948). As in the two previous years, she made only one film in 1949, but she again won a nomination and the Academy Award for Best Actress for The Heiress (1949). After a three-year hiatus, Olivia returned to star in My Cousin Rachel (1952). From that point on, she made few appearances on the screen but was seen on Broadway and in some television shows. Her last screen appearance was in The Fifth Musketeer (1979), and her last career appearance was in the TV movie The Woman He Loved (1988).
Her turbulent relationship with her only sibling, Joan Fontaine, was press fodder for many decades; the two were reported as having been permanently estranged since their mother's death in 1975, when Joan claimed that she had not been invited to the memorial service, which she only managed to hold off until she could arrive by threatening to go public. Joan also wrote in her memoir that her elder sister had been physically, psychologically, and emotionally abusive when they were young. And the iconic photo of Joan with her hand outstretched to congratulate Olivia backstage after the latter's first Oscar win and Olivia ignoring it because she was peeved by a comment Joan had made about Olivia's new husband, Marcus Goodrich, remained part of Hollywood lore for many years.
Nonetheless, late in life, Fontaine gave an interview in which she serenely denied any and all claims of an estrangement from her sister. When a reporter asked Joan if she and Olivia were friends, she replied, "Of course!" The reporter responded that rumors to the contrary must have been sensationalism and she replied, "Oh, right--they have to. Two nice girls liking each other isn't copy." Asked if she and Olivia were in communication and spoke to each other, Joan replied "Absolutely." When asked if there ever had been a time when the two did not get along to the point where they wouldn't speak with one another, Joan replied, again, "Never. Never. There is not a word of truth about that." When asked why people believe it, she replied "Oh, I have no idea. It's just something to say ... Oh, it's terrible." When asked if she had seen Olivia over the years, she replied, "I've seen her in Paris. And she came to my apartment in New York often." The reporter stated that all this was a nice thing to hear. Joan then stated, "Let me just say, Olivia and I have never had a quarrel. We have never had any dissatisfaction. We have never had hard words. And all this is press." Joan died in 2013.
During the hoopla surrounding the 50th anniversary of GWTW in 1989, Olivia graciously declined requests for all interviews as the last of the four main stars. She enjoyed a quiet retirement in Paris, France, where she resided for many decades, and where she died on 26 July, 2020, at the age of 104.
As well as being the last surviving major cast member of some of cinema's most beloved pre-war and wartime film classics (including The Adventures of Robin Hood (1938) and Gone with the Wind (1939)), and one of the longest-lived major stars in film history, Olivia de Havilland was unquestionably the last surviving iconic figure from the peak of Hollywood's golden era during the late 1930s, and her passing truly marked the end of an era.- Writer
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Legendary Broadway writer/producer/director George Abbott was born in 1887 in Forestville, New York. His father was mayor of Salamanca, New York, for two terms. In 1898 his family moved to Cheyenne, Wyoming, and Abbott attended Kearney Military Academy. The family returned to New York, where Abbott attended Hamburg High School, graduating in 1907, and the University of Rochester (BA degree in 1911). He wrote the play "Perfectly Harmless" for University Dramatic Club. He attended Harvard University from 1911-1912, studying play writing under George Pierce Baker, and wrote "The Head of the Family" for Harvard Dramatic Club. In 1912 he won $100 in a play contest sponsored by the Bijou Theatre in Boston, Massachusetts, for "The Man in the Manhole", and worked at the Bijou for a year as assistant stage manager. He made his Broadway debut as an actor in 1913 in "The Misleading Lady" (as Babe Merrill, a drunken student), followed by "The Yeoman of the Guard" (1915), "The Queen's Enemies" (1916), "Daddies" (1918), "The Broken Wing" (1920), "Dulcy" (on tour) (1921), "Zander the Great" (1923), "White Desert" (1923), "Hell-Bent for Heaven" (1924), "Lazybones" (1924), "Processional" (1925) and "Cowboy Crazy" (1926). From that point he concentrated on writing and directing, with "The Fall Guy" (his Broadway's debut, 1925), "Three Men on a Horse" (1935), "Jumbo" (1935), "On Your Toes" (1936), "The Boys from Syracuse" (1938), "Too Many Girls" (1939), "Pal Joey" (1940), "Best Foot Forward" (1941), "On the Town" (1944), "High Buttom Shoes" (1947), "Where's Charley?" (1948), "Call Me Madam" (1950), "A Tree Grows in Brooklyn" (1951), "Wonderful Town" (1953), "The Pajama Game" (1954), "Damn Yankees" (1955), "New Girl Town" (1957), "Fiorello!" (1959), "A Funny Thing Happened on the Way to Forum" (1962), "Flora, the Red Menace" (1965; Liza Minnelli's Broadway debut).
He won five Tony Awards and the Pulitzer Prize (for "Fiorello!"). He was nominated for an Oscar for writing All Quiet on the Western Front (1930). His daughter, Judith Abbott, is a stage actress/director and was married (1946-49) to Tom Ewell.- Producer
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Hal Roach was born in 1892 in Elmira, New York. After working as a mule skinner, wrangler and gold prospector, among other things, he wound up in Hollywood and began picking up jobs as an extra in comedies, where he met comedian Harold Lloyd in 1913 in San Diego. By all accounts, including his own, he was a terrible actor, but he saw a future in the movie business and in Harold Lloyd. Roach came into a small inheritance and began producing, directing and writing a series of short film comedies, under the banner of Phun Philms (soon changed to Rolin, which lasted until 1922), starring Lloyd in early 1915. Initially these were abysmal, but with tremendous effort, the quality improved enough to be nominally financed and distributed by Pathe, which purchased Roach's product by the exposed foot of film. The Roach/Lloyd team morphed through two characters. The first, nominally tagged as "Will E. Work", proved hopeless; the second, "Lonesome Luke," an unabashed imitation of Charles Chaplin, proved more successful with each new release. Lloyd's increasing dissatisfaction with the Chaplin clone character irritated Roach to no end, and the two men engaged in a series of battles, walkouts and reconciliations. Ultimately Lloyd abandoned the character completely in 1917, creating his now-famous "Glasses" character, which met with even greater box-office success, much to the relief of Roach and Pathe. This new character hit a nerve with the post-war public as both the antithesis and complement to Chaplin, capturing the can-do optimism of the age. This enabled Roach to renegotiate the deal with Pathe and start his own production company, putting his little studio on a firm financial foundation. Hal Roach Productions became a unique entity in Hollywood. It operated as a sort of paternalistic boutique studio, releasing a surprising number of wildly popular shorts series and a handful of features. Quality was seldom compromised and his employees were treated as his most valuable asset.
Roach's relationship with his biggest earner was increasingly acrimonious after 1920 (among other things, Lloyd would bristle at Roach's demands to appear at the studio daily regardless of his production schedule). After achieving enormous success with features (interestingly, his only real feature flop of the 1930s was with General Spanky (1936), a very poorly conceived vehicle for the property), Lloyd had achieved superstar status by the standards of "The Roaring Twenties" and wanted his independence. The two men severed ties, with Roach retaining re-issue rights for Lloyd's shorts for the remainder of the decade. While both men built their careers together, it was Lloyd who first recognized his need for creative freedom, no longer needing Roach's financial support. This realization irked Roach, and from this point forward he found it difficult, if not impossible, to offer unadulterated praise for his former friend and star (while Lloyd himself was far more generous in his later praise of Roach, he, too, could be critical, if more accurate, in his recollections). Lloyd went on to much greater financial success at Paramount.
Despite facing the prospect of losing his biggest earner, Roach was already preoccupied with building his kiddie comedy series, Our Gang, which became an immediate hit with the public. By the time he turned 25 in 1917, Roach was wealthy and increasingly spending time away from his studio. He traveled extensively across Europe. By the early 1920s he had eclipsed Mack Sennett as the "King of Comedy" and created many of the most memorable comic series of all time. These included the team of Stan Laurel and Oliver Hardy, Charley Chase, Edgar Kennedy, 'Snub' Pollard and especially the long-running Our Gang series (AKA "The Little Rascals" in TV distribution). Pathe, which distributed his films, shut down its U.S. operations after its domestic representative, Paul Brunet, returned to France in 1927. But Roach was able to secure an even better deal with MGM (his key competitor, Mack Sennett, was also distributed by Pathe, but he was unable to land a deal, ultimately declaring bankruptcy in 1933). For the next eleven years Roach shored up MGM's bottom line, although the deal was probably more beneficial to Roach. In the mid-'30s Roach became inexplicably enamored of 'Benito Mussolini', and sought to secure a business alliance with the fascist dictator's recently completed film complex, Cinecitta. After Roach asked for (and received) assurances from Mussolini that Italy wasn't about to seek sanctions against the Jews, the two men formed RAM ("Roach And Mussolini") Productions, a move that appalled the powers at MGM parent company, Leow's Inc. These events coincided with Roach selling off "Our Gang" to MGM and committing himself solely to feature film production. In September 1937, Il Duce's son, Vittorio Mussolini, visited Hollywood and Roach's studio threw a lavish party celebrating his 21st birthday. Soon afterward the Italian government took on an increasingly anti-Semitic stance and, in retribution, Leow's chairman Nicholas Schenck canceled his distribution deal. Roach signed an adequate deal with United Artists in May 1938 and redeemed his previous record of feature misfires with a string of big hits: Topper (1937) (and its lesser sequels), the prestigious Of Mice and Men (1939) and, most significantly, One Million B.C. (1940), which became the most profitable movie of the year. Despite the nearly unanimous condemnation by his industry peers, Roach stubbornly refused to re-examine his attitudes over his dealings with Mussolini, even in the aftermath of World War II (he proudly displayed an autographed portrait of the dictator in his home up until his death). His tried-and-true formula for success was tested by audience demands for longer feature-length productions, and by the early 1940s he was forced to try his hand at making low-budget, full-length screwball comedies, musicals and dramas, although he still kept turning out extended two-reel-plus comedies, which he tagged as "streamliners"; they failed to catch on with post-war audiences. By the 1950s he was producing mainly for television (My Little Margie (1952), Blondie (1957) and The Gale Storm Show: Oh! Susanna (1956), for example). His willingness to delve into TV production flew in the face of most of the major Hollywood studios of the day. He made a stab at retirement but his son, Hal Roach Jr., proved an inept businessman and drove the studio to the brink of bankruptcy by 1959. Roach returned and focused on facilities leasing and managing the TV rights of his film catalog.
In 1983 his company developed the first successful digital colorization process. Roach then became a producer for many TV series on the Disney Channel, and his company still produces most of their films and videos. He died peacefully just shy of his 101st birthday, telling stories right up until the end.- Producer
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Norman Lloyd was born Norman Perlmutter in Jersey City, New Jersey, to Sadie (Horowitz), a housewife and singer, and Max Perlmutter, a furniture store manager. His family was Jewish (from Hungary and Russia). He began his acting career in the theater, first "treading the boards" at Eva Le Gallienne's Civic Repertory in New York. Aspiring to work as a classical repertory player, he gradually shed his Brooklyn accent and became a busy stage actor in the 1930s; he next joined the original company of the Orson Welles-John Houseman Mercury Theatre. Lloyd was brought to Hollywood to play a supporting part (albeit the title role) in Alfred Hitchcock's Saboteur (1942). Hitchcock, who later used the actor in Spellbound (1945) and other films, made him an associate producer and a director on TV's long-running Alfred Hitchcock Presents (1955) (then in its third year). In the course of his eight years on the series, Lloyd became a co-producer (with Joan Harrison) and then executive producer. He has since directed for other series (including the prestigious Omnibus (1952)) and for the stage, produced TV's Tales of the Unexpected (1979) and Journey to the Unknown (1968), and played Dr. Auschlander in TV's acclaimed St. Elsewhere (1982).- Actress
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Carla Laemmle was born on 20 October 1909 in Chicago, Illinois, USA. She was an actress, known for The Adventures of Frank Merriwell (1936), King of Jazz (1930) and The Gate Crasher (1928). She died on 12 June 2014 in Los Angeles, California, USA.- Connie Sawyer was born on 27 November 1912 in Pueblo, Colorado, USA. She was an actress, known for Dumb and Dumber (1994), Pineapple Express (2008) and Out of Sight (1998). She was married to Marshall Schacker. She died on 21 January 2018 in Woodland Hills, California, USA.
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Mean, miserly and miserable-looking, they didn't come packaged with a more annoying and irksome bow than Charles Lane. Glimpsing even a bent smile from this unending sourpuss was extremely rare, unless one perhaps caught him in a moment of insidious glee after carrying out one of his many nefarious schemes. Certainly not a man's man on film or TV by any stretch, Lane was a character's character. An omnipresent face in hundreds of movies and TV sitcoms, the scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis. Whether a Grinch-like rent collector, IRS agent, judge, doctor, salesman, reporter, inspector or neighbor from hell, Lane made a comfortable acting niche for himself making life wretched for someone somewhere.
He was born Charles Gerstle Levison on January 26, 1905 in San Francisco and was actually one of the last survivors of that city's famous 1906 earthquake. He started out his working-class existence selling insurance but that soon changed. After dabbling here and there in various theatre shows, he was prodded by a friend, director Irving Pichel, to consider acting as a profession. In 1928 he joined the Pasadena Playhouse company, which, at the time, had built up a solid reputation for training stage actors for the cinema. While there he performed in scores of classical and contemporary plays. He made his film debut anonymously as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney and was one of the first to join the Screen Actor's Guild. He typically performed many of his early atmospheric roles without screen credit and at a cost of $35 per day, but he always managed to seize the moment with whatever brief bit he happened to be in. People always remembered that face and raspy drone of a voice. He appeared in so many pictures (in 1933 alone he made 23 films!), that he would occasionally go out and treat himself to a movie only to find himself on screen, forgetting completely that he had done a role in the film. By 1947 the popular character actor was making $750 a week.
Among his scores of cookie-cutter crank roles, Lane was in top form as the stage manager in Twentieth Century (1934); the Internal Revenue Service agent in You Can't Take It with You (1938); the newsman in Mr. Smith Goes to Washington (1939); the rent collector in It's a Wonderful Life (1946); the recurring role of Doc Jed Prouty, in the "Ellery Queen" film series of the 1940s, and as the draft board driver in No Time for Sergeants (1958). A minor mainstay for Frank Capra, the famed director utilized the actor's services for nine of his finest films, including a few of the aforementioned plus Mr. Deeds Goes to Town (1936), Arsenic and Old Lace (1944) and State of the Union (1948).
Lane's career was interrupted for a time serving in the Coast Guard during WWII. In post-war years, he found TV quite welcoming, settling there as well for well over four decades. Practically every week during the 1950s and 1960s, one could find him displaying somewhere his patented "slow burn" on a popular sitcom - Topper (1953), The Real McCoys (1957), The Many Loves of Dobie Gillis (1959), Mister Ed (1961), Bewitched (1964), Get Smart (1965), Gomer Pyle: USMC (1964), The Munsters (1964), Green Acres (1965), The Flying Nun (1967) and Maude (1972). He hassled the best sitcom stars of the day, notably Lucille Ball (an old friend from the RKO days with whom he worked multiple times), Andy Griffith and Danny Thomas. Recurring roles on Dennis the Menace (1959), The Beverly Hillbillies (1962) and Soap (1977) made him just as familiar to young and old alike. Tops on the list had to be his crusty railroad exec Homer Bedloe who periodically caused bucolic bedlam with his nefarious schemes to shut down the Hooterville Cannonball on Petticoat Junction (1963). He could also play it straightforward and serious as demonstrated by his work in The Twilight Zone (1959), Perry Mason (1957), Little House on the Prairie (1974) and L.A. Law (1986).
A benevolent gent in real life, Lane was seen less and less as time went by. One memorable role in his twilight years was as the rueful child pediatrician who chose to overlook the warning signs of child abuse in the excellent TV movie Sybil (1976). One of Lane's last on-screen roles was in the TV-movie remake of The Computer Wore Tennis Shoes (1995) at age 90. Just before his death he was working on a documentary on his long career entitled "You Know the Face".
Cinematically speaking, perhaps the good ones do die young, for the irascible Lane lived to be 102 years old. He died peacefully at his Brentwood, California home, outliving his wife of 71 years, former actress Ruth Covell, who died in 2002. A daughter, a son and a granddaughter all survived him.- Actress
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When Estelle saw the girl on a white horse at the circus, she then decided that she wanted to be an actress. And she was from the age of 5, to the disapproval of her father. Her mother had her train with the Liverpool Repertory Company, and Estelle performed in many plays and many roles in the West End. In 1916, she made her debut on Broadway and worked with a number of acclaimed stage actors. Estelle spent the rest of the 'teens and '20s working in plays on both sides of the Atlantic. Being an actor in the theater, Estelle was not about to be one of those who acted in flicks and held out for a very long time. In fact, besides a small role in a few English films in the early 1930s, her real debut was Quality Street (1937), a picture that she undertook when she was in her 50s. Anyway, that was enough as it would be almost two decades before she would return to the big screen. She appeared on the stage in the plays "The Merry Wives of Windsor," "Ten Little Indians," and "The Importance of Being Earnest." But, in 1955, Estelle did return to the movies as Leslie Caron's "fairy godmother" in The Glass Slipper (1955). Estelle would spend the next 10 years appearing in films, often cast as eccentric, frail old ladies, some of whom could be deadly. Not to be left out, Estelle also would work on Television, doing guest spots in a number of shows. At 84, Estelle played a woman who was enamored by crooked Zero Mostel in the comedy The Producers (1967). Her last film would be the detective spoof Murder by Death (1976). When Estelle was asked, on the occasion of her 100th birthday, how she felt to have lived so long, she replied, "How rude of you to remind me!".- Actress
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The multifaceted Ellen Albertini was a student of dance and piano at the age of five, and obtained a B.A. and M.A. in theater from Cornell University. She moved to New York, and studied and worked with the legendary likes of Hanya Holm, Martha Graham, Michael Shurtleff, Uta Hagen, Marcel Marceau, and Jacques Lecoq in Paris. She was an acting coach before she made her debut film appearance in American Drive-in (1985), and later became memorable as the rapping grandmother in The Wedding Singer (1998), "Disco Dottie" in 54 (1998) and the homophobic grandmother in Wedding Crashers (2005).- Queen Elizabeth the Queen Mother was born on 4 August 1900 in St. Paul's Waldenbury, Hertfordshire, England, UK. She was married to King George VI. She died on 30 March 2002 in Windsor, Berkshire, England, UK.
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Silent moppet star Jackie Coogan, immortalized as Charles Chaplin's The Kid (1921), had only one screen rival during the early 1920s, and that was none other than Baby Peggy. She was "discovered" while visiting the Century Studios lot on Sunset Boulevard with her mother when she was a mere 19 months old and went on to appear in nearly 150 shorts (between 1920 and 1923) and nine feature films during her silent heyday. Often considered a precursor to Shirley Temple, Baby Peggy's most popular film vehicle was the child classic Captain January (1924), which would be made a decade later as a vehicle for Temple.
She was born Peggy-Jean Montgomery in 1918 in San Diego, California, of acting stock. She was the daughter of Marian (Baxter), from Wisconsin, and Jack Montgomery, a Nebraska-born cowboy for years all over the western states. He ended up in the movies as a stuntman and extra, driving stagecoaches and buckboards. He supported himself as Tom Mix's double, but never achieved the rugged stardom he yearned for. In fact, his daughter was the one who became the celebrity and chief breadwinner for the family.
Many of Baby Peggy's popular comedies were parodies of movies that grown-up stars had made, and she delightfully imitated such legends as Rudolph Valentino, Pola Negri, Mary Pickford and Mae Murray. Her first feature-length film was Penrod (1922); her first film with Universal, The Darling of New York (1923), shot when she was 3-1/2 years old, was a solid hit. A few more, including Helen's Babies (1924), were also certifiable winners. However, by the age of 8, she was finished.
Her fortune reportedly was depleted by her father Jack's stepfather, a banker to whom she had entrusted all her money. Within a short time, she was forced to turn to the vaudeville circuit for survival. A comeback in early talkies with the new moniker Peggy Montgomery was very short-lived. Her credits, as a result, are often mixed up with another actress named Peggy Montgomery, who was a western ingénue for many years.
The former child star lived in dire straits and suffered from nervous breakdowns and near poverty for many years until she found a new and unexpectedly successful career as a book publisher and writer, using the pseudonym "Diana Serra Cary". As the author of "Hollywood Posse" (1975) and (later) "Hollywood's Children", she wrote about her youthful career, post-stardom years, child stars in general, and Hollywood history in all its fascinating glory. Her own autobiography, "Whatever Happened to Baby Peggy?", was released in 1996.
In 2016, Diana was inducted into the Classic Film Hall of Fame at the Rheem Theater in Moraga, CA. Diana was present, at age 98, to receive the honor and answer questions. She is considered to have been the last living star of the silent film era. Per Robert Garfinkle, a board member of the Niles Essanay Silent Film Museum in Fremont, CA, Diana now has the longest acting career of all time, from 1920 to 2015. Her last film was a silent film she made at the above-referenced museum. The film was actually made using one of their antique hand-cranked cameras!
Baby Peggy died on February 24, 2020 in Gustine, California. She was 101.- Actress
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Dolores Hope was born on 27 May 1909 in Harlem, Manhattan, New York City, New York, USA. She was an actress, known for Soup for Nuts (1934), There Were Times, Dear (1985) and The Christophers (1952). She was married to Bob Hope. She died on 19 September 2011 in Toluca Lake, Los Angeles, California, USA.- Beverly Cleary was born on 12 April 1916 in McMinnville, Oregon, USA. She was a writer, known for Ramona and Beezus (2010), Ramona (1988) and ABC Weekend Specials (1977). She was married to Clarence Thomas Cleary. She died on 25 March 2021 in Carmel, California, USA.
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Irving Berlin was born Israel Isidor Baline on May 11, 1888 in Mogilev, Belarus, Russian Empire. Towering composer, songwriter, ("God Bless America", "Always", "Blue Skies", "White Christmas") author and publisher, he came to the United States at age 5 and was educated in New York's public schools. His earliest musical education was from his father, a cantor. He earned Honorary degrees from Bucknell University and Temple University. Beginning his career as a song-plugger for publisher Harry von Tilzer, Berlin worked as a singing waiter in Chinatown. In 1909, he was hired as a staff lyricist by the Ted Snyder Company, and became a partner to that firm four years later.
In 1910, he began doing vaudeville appearances in the United States and abroad, and also appeared with Snyder in the Broadway musical "Up and Down Broadway", that ran for 72 performances. He joined ASCAP as a charter member in 1914, and served on its first board of directors between 1914-1918. Berlin enlisted the United States Army infantry in World War I, and was a sergeant at Camp Upton, New York. After the war, he established his own public-relations firm, and in 1921, he built the 1025-seat Music Box Theatre (at 239 W. 45th Street, New York) with Sam H. Harris. After Harris' death in 1941, Berlin assumed full ownership and the theatre remains a Broadway institution to this day.
Among his many awards was the Medal for Merit for his 1942 all-soldier show "This Is the Army", which toured the United States, Europe and South Pacific battle zones; all proceeds were assigned to Army Emergency Relief and other service agencies. Berlin was also a member of the French Legion of Honor and held the Congressional Medal of Honor for "God Bless America", the proceeds from which went to the God Bless America Fund. His songs were sung by Fred Astaire, Al Jolson, Judy Garland, Bing Crosby, Dick Powell, Alice Faye and many others. Irving Berlin died at the age of 101 of natural causes on September 22, 1989 in New York City.- Grandma Moses was born on 7 September 1860 in Greenwich, New York, USA. She was married to Thomas Salmon Moses. She died on 13 December 1961 in Hoosick Falls, New York, USA.
- Born in Oklahoma City, Oklahoma, Louise Currie attended Sarah Lawrence College in Bronxville, New York, became interested in acting and began taking courses at Max Reinhardt's drama school in Hollywood. Talent scouts spotted the aspiring actress in the acting workshop's stage productions and pressed her to make the rounds of the Hollywood studios, but Currie remained adamant about staying out of the limelight until she felt she was ready. After graduation, she found an agent (Sue Carol, wife of actor Alan Ladd) and began working in pictures, generally at smaller studios like Monogram and PRC. She appeared in Columbia two-reelers, many B-Westerns and two of Republic's "Golden Age" serials (Adventures of Captain Marvel (1941) and The Masked Marvel (1943)) before leaving the picture profession in the early '50s. With her husband, former actor John Good, she went into a new business: Good (an architectural designer) remodeled houses and Currie decorated them.
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She was the standard prototype of the porcelain-pretty collegiate and starry-eyed romantic interest in a host of Depression-era films and although her name may not ring a bell to most, Mary Carlisle enjoyed a fairly solid decade in the cinematic limelight.
The petite Boston-born, blue-eyed blonde was born on February 3, 1914, and brought to Hollywood in 1918, at age 4, by her mother after her father passed away. The story goes that the 14-year-old and her mother were having lunch at the Universal commissary when she was noticed by producer Carl Laemmle Jr., who immediately gave her a screen test. Her age was a hindering factor, however, and Mary completed her high school studies before moving into the acting arena. An uncle connected to MGM helped give the young hopeful her break into the movies as a singer/dancer a few years later.
Mary started out typically as an extra and bit player in such films as Madam Satan (1930), The Great Lover (1931) and in Grand Hotel (1932) in which she played a honeymooner. The glamorous, vibrant beauty's career was given a build-up as a "Wampas Baby Star" in 1933 and soon she began finding work in films playing stylish, well-mannered young co-eds. Although she performed as a topline actress in a number of lightweight pictures such as Night Court (1932) with Anita Page, Murder in the Private Car (1934) starring Charles Ruggles, and It's in the Air (1935) alongside Jack Benny, she is perhaps best remembered as a breezy co-star to Bing Crosby in three of his earlier, lightweight '30s musicals: College Humor (1933), Double or Nothing (1937) and Doctor Rhythm (1938). In the last picture mentioned she is the lovely focus of his song "My Heart Is Taking Lessons". Her participation in weightier material such as Kind Lady (1935) was often overshadowed by her even weightier co-stars, in this case Basil Rathbone and Aline MacMahon.
Disappointed with the momentum of her career and her inability to extricate herself from the picture-pretty, paragon-of-virtue stereotype, Mary traveled and lived in London for a time in the late '30s. Following her damsel-in-distress role in the horror opus Dead Men Walk (1943) with George Zucco and Dwight Frye, Mary retired from the screen, prompted by her marriage to James Blakeley, a flying supervisor, the year before. The Beverly Hills couple had one son. Her husband, a former actor who also appeared in '30s musicals with Crosby as a dapper second lead (e.g., in Two for Tonight (1935)), later became an important executive (producer, editor, etc.) at Twentieth Century-Fox.
In later years Mary managed an Elizabeth Arden Salon in Beverly Hills and received a star on the Hollywood Walk of Fame. Her husband passed away in 2007. Mary herself lived to the ripe old age of 104 on August 1, 2018.- Professor Irwin Corey, "The World's Foremost Authority," was born on July 29, 1914, in Brooklyn, New York. He and his five siblings were wards of the Brooklyn Hebrew Orphan Asylum, and during the Great Depression, he worked for the Civilian Conservation Corp. Possessing brawn as well as brains, Professor Irwin Corey is proud to tell anyone who will listen that he was the C.C.C.'s boxing champ in the 112-pound weight class.
Before becoming certified (as a professor purveying the surreal), the young Irwin caught the performing bug by appearing in a borscht belt show, "Pots and Pans," in a bit part. He made his debut in a musical comedy in a U.S.O. presentation of "Oklahoma" in Europe, in which he played the part of the Arab peddler Ali Hakim.
Perfecting his crazy professor shtick, who always appeared in an old-fashioned tuxedo with tails like Groucho Marx, Corey broke through as a stand-up comic at San Francisco's "hungry i" and New York City's Copacabana and Village Vanguard nightclubs. His lectures, characterized by a constant barrage of non-sequitur and double-talk, were rooted in the word-play epitomized by Groucho Marx and Chico Marx in such classic routines as "Why a Duck?" However, whatever "logic" The Marx Brothers might display (at least in exasperated double takes by Groucho) was missing in the Professor's shtick. Before the Talking Heads ever sang about it, Professor Irwin Corey made an art form out of "Stop Making Sense."
Theater critic Kenneth Tynan said of the Professor, "[Corey is] a cultural clown, a parody of literacy, a travesty of all that our civilization holds dear and one of the funniest grotesques in America. He is Chaplin's clown with a college education."
Corey thrived on the radio, memorably appearing on Edgar Bergen's radio show as a tutor to Charlie McCarthy. Television was another natural medium for the professor, and he appeared as a regular on The Jackie Gleason Show (1952) and also made the rounds of the talk show circuit of the 1950s, '60s and '70s, appearing with 'Steve Allen', Jack Paar, Johnny Carson, Dick Cavett, Merv Griffin, and Mike Douglas. He also was on "The Ed Sullivan Show" (aka The Ed Sullivan Show (1948)) as well as appeared with the new lessor of the Ed Sullivan Theater, David Letterman.
Irwin Corey also has appeared on Broadway, in "Heaven on Earth," "Happy as Larry," "Fla-hooley," and "Mrs. McThing," as well as recent productions of "The Taming of the Shrew" and "Hamlet." Off-Broadway, he appeared as the eponymous lead in "The Good Soldier Schweik" and as Marlo Thomas' father in Herb Gardner's play "Thieves," reprising the role in the film (Thieves (1977)). He also appeared in numerous episodes of series television, including The Andy Griffith Show (1960), "Doc" (with Barnard Hughes), The Smothers Brothers Comedy Hour (1967), and Pat Paulsen's Half a Comedy Hour (1970).
The Professor's last film was Woody Allen's The Curse of the Jade Scorpion (2001). At 91, and still going strong, Professor Irwin Corey truly is the dean of stand-up comedians, if not quite at the head of his class. - Actor
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This velvet-toned jazz baritone and sometime actor was (and perhaps still is) virtually unknown to white audiences. Yet, back in the late 1930s and early 1940s, Herb Jeffries was very big...in black-cast films. Today he is respected and remembered as a pioneer who broke down rusted-shut racial doors in Hollywood and ultimately displayed a positive image as a black actor on celluloid.
The Detroit native was born Umberto Alejandro Ballentino on September 24, 1911 (some sources list 1914). His white Irish mother ran a rooming house, and his father, whom he never knew, was of mixed ancestry and bore Sicilian, Ethiopean, French, Italian and Moorish roots. Young Herb grew up in a mixed neighborhood without experiencing severe racism as a child. He showed definitive interest in singing during his formative teenage years and was often found hanging out with the Howard Buntz Orchestra at various Detroit ballrooms.
After moving to Chicago, he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Erskine Tate signed the 19-year-old Herb to a contract with his Orchestra at the Savoy Dance Hall in Chicago. While there Herb was spotted by Earl 'Fatha' Hines, who hired him in 1931 for a number of appearances and recordings. It was during the band's excursions to the South that Jeffries first encountered blatant segregation. He left the Hines band in 1934 and eventually planted roots in Los Angeles after touring with Blanche Calloway's band. There he found employment as a vocalist and emcee at the popular Club Alabam. And then came Duke Ellington, staying with his outfit for ten years. Herb started his singing career out as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range.
The tall, debonair, mustachioed, blue-eyed, light-complexioned man who had a handsome, matinée-styled Latin look, was a suitable specimen for what was called "sepia movies" -- pictures that played only in ghetto and/or segregated theaters and were advertised with an all-black cast. Inspired by the success of Gene Autry, Herb made his debut as a crooning cowboy with Harlem on the Prairie (1937), which was considered the first black western following the inauguration of the talkies. Dark makeup was applied to his light skin and he almost never took off his white stetson which would have revealed naturally brown hair. A popular movie, Herb went on to sing his own songs (to either his prairie flower and/or horse) in both The Bronze Buckaroo (1939) and Harlem Rides the Range (1939). Outside the western venue, he starred in the crimer Two-Gun Man from Harlem (1938). As the whip-snapping, pistol-toting, melody-gushing Bronze Buckaroo, Jeffries finally offered a positive alternative to the demeaning stereotypes laid on black actors. Moreover, he refused to appear in "white" films in which he would have been forced to play in servile support.
In the midst of all this, Herb continued to impress as a singer and made hit records of the singles "In My Solitude", "I Got It Bad and That Ain't Good", "When I Write My Song", Duke Ellington's "Jump for Joy" and his signature song "Flamingo", which became a huge hit in 1941. Some of the songs he did miss out on which could have furthered his name, were "Love Letters" and "Native Boy". During the 1950s Herb worked constantly in Europe, especially in France, where he owned his own Parisian nightclub for a time. He also starred in the title film role of Calypso Joe (1957) co-starring Angie Dickinson and later appeared on episodes of "I Dream of Jeannie", "The Virginian" and "Hawaii Five-0".
Although he very well could have with his light skin tones, the man dubbed "Mr. Flamingo" never tried to pass himself off as white. He was proud of his heritage and always identified himself as black. In the mid-1990s, westerns returned in vogue and Herb recorded a "comeback album" ("The Bronze Buckaroo Rides Again") for Warner Western. During this pleasant career renaissance he has also been asked to lecture at colleges, headline concerts and record CDs. In 1999-2000, at age 88, he recorded the CD "The Duke and I", recreating songs he did with Duke. It also was a tribute honoring the great musician's 100th birthday.
His five marriages, including one to notorious exotic dancer Tempest Storm, produced five children. At age 90-plus, Herb "Flamingo" Jeffries, lived in the Palm Springs area with significant other (and later his fifth wife) Savannah Shippen, who is 45 years his junior, remaining one of the last of the original singing cowboys still alive (along with Monte Hale) until he finally passed away on May 25, 2014, having hit the century mark.
In 2003 he was inducted into the Cowboy Hall of Fame and was invited to sing for President Bush at the White House. He is also the last surviving member of The Great Duke Ellington Orchestra, and certainly deserves proper credit for his historic efforts in films and music.- Actress
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Lovely brown-eyed, brunette Claire Du Brey enjoyed a rich, four-decade film career in all. Born Clara Violet Dubrey on August 31, 1892, in Bonner's Ferry Idaho, her family traveled the rugged Sierra Madre terrain by covered wagon in their move to California when she was 13.
Educated in a convent setting and once trained to be a nurse, Claire responded to an newspaper ad and found employment working part time in motion pictures. From there, she found herself in front of the camera, making her movie debut as star Billie Burke's friend in the Triangle release Peggy (1916). Universal saw a leading lady vamp in her, however, and from 1917 she enjoyed star billing in such silent short and feature-length vehicles as Princess Dione in the Rex Ingram-directed The Reward of the Faithless (1917); The Fighting Gringo (1917), opposite Harry Carey; Anything Once (1917) and The Winged Mystery (1917) both co-starring Franklyn Farnum; Brace Up (1918) with Herbert Rawlinson; the family drama The Magic Eye (1918); and A Man in the Open (1919) with Dustin Farnum. She also appeared in a number of Lon Chaney's early Universal vehicles such as The Rescue (1917) Pay Me! (1917) and Triumph (1917).
A versatile player whether asked to portray royalty, servants, temptresses or prairie flowers, Claire turned to Los Angeles stage plays during an early 1920s lull in film offers and graced such vehicles as "Madame X," "Spring Cleaning" and "The Youngest". Later "jazz age" film roles included The Sea Hawk (1924), Drusilla with a Million (1925) Exquisite Sinner (1926), and The Devil Dancer (1927).
During the declining period of her career (1928), Claire met actress Marie Dressler and they became close friends. Claire wound up serving as Dressler's secretary, fan mail handler and travel companion. In reward, Dressler arranged for Claire to get small roles a few of her talking films Politics (1931) and Prosperity (1932). She also served as Dressler's nurse in 1933 when the elder woman was dying of cancer.
As a character actress, Claire became much in demand throughout the late 1930s, 1940s and 1950s, appearing in general purpose roles as secretaries, nurses, salesladies, housekeepers, matrons, spinsters, relatives, etc. On a rare occasion she managed to stand out, none more so than in her mad scene as Bertha Rochester in a "B"-level version of Jane Eyre (1934) starring Colin Clive and Virginia Bruce. Seen sporadically on TV into the 1950s, she retired by the end of the decade. Her last film roles were in Girls Town (1959) and The Miracle (1959), both unbilled.
An early marriage to a doctor, Mark Gorman, ended in divorce. She lived another four decades after leaving the limelight. In her final years she grew deaf and her health quite fragile, dying at the age of 100 on August 1, 1993.- Helen Bray was born on 25 November 1889 in Missouri, USA. She was an actress, known for Big Timber (1917), Little Miss Optimist (1917) and Bob's Love Affairs (1915). She was married to George C. Pearce. She died on 15 October 1990 in Redwood City, California, USA.
- Earl Cameron did not set out to be an actor. Bermudian by birth, Cameron joined the British Merchant Navy in the 1930s for the travel opportunities that it afforded. By the early 1940s, with World War II in full swing, Cameron found himself in London working menial jobs to survive. After seeing a West End revival of the musical comedy Chu Chin Chow, he got the acting bug. When an actor didn't show up for a performance, Cameron replaced the actor in the production. This was followed by a series of roles on the London stage.
In 1951, he received a big break when he was cast in Pool of London (1951). The film directed by Basil Dearden in which Cameron played a dockworker who falls in love with a local woman, was significant in that it was one of the first British films to feature a Black man in a non-stereotypical role. He was essentially the UK counterpart to Sidney Poitier, who made his film debut around the same time, although equally talented, he never became a star. Toward the end of the decade, he would work with Dearden again in Sapphire (1959), where he would play a physician who is the brother of the title character, who was murdered while passing for White.
Other significant film film roles in Cameron's career include Thunderball (1965) where he played opposite Sean Connery as Pinder, Bond's Bahamian assistant. Cameron played an ambassador in A Warm December (1973), a film starring and directed by Poitier. In The Interpreter (2005), a film directed by Sydney Pollack , in which he played Edmond Zuwanie, a dictator loosely based on Robert Mugabe.
Cameron continued to work steadily in film and television into his nineties. One of his last appearances was in They've Gotta Have Us (2018), a documentary on Black actors in Hollywood produced by BBC Two.
He died in 2020 at the age of 102. - Wally Cassell was born on 3 March 1912 in Agrigento, Sicily, Italy. He was an actor, known for White Heat (1949), Sands of Iwo Jima (1949) and Story of G.I. Joe (1945). He was married to Marcy McGuire. He died on 2 April 2015 in Palm Desert, California, USA.
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One of the great dancer and choreographers in both movies and stage, Marge Champion was best known as the former wife of Gower Champion, when they worked together as a highly successfully dancing team in the MGM musical years. After retiring from movies, Champion worked as a dance teacher and as a choreographer in New York.- Additional Crew
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Julie Gibson was born on 6 September 1913 in Grant County, Washington, USA. She was an actress, known for Bowery Buckaroos (1947), The Contender (1944) and Chick Carter, Detective (1946). She was married to Charles Barton, Dean Dillman Jr. and Jimmie Grier. She died on 2 October 2019 in Los Angeles, California, USA.- A pretty, diminutive (4'11") actress of the silent and early sound era, Barbara Cloutman (later Kent) was born in Gadsby, Alberta, Canada on December 16, 1907. Upon graduating from Hollywood High School in 1925, Kent won the Miss Hollywood Pageant, and set her sights on a career in the movies. She was 18 when Universal Studios signed her; she made her film debut in the western Prowlers of the Night (1926). That same year, Kent established herself with the classic romantic melodrama Flesh and the Devil (1926), in which she played the rival to femme fatale Greta Garbo's affections for John Gilbert. She was loaned to MGM for that movie. Kent was selected as one of the WAMPAS Baby Stars of 1927 as a result of the popularity of her film No Man's Law (1927), in which she had a nude scene.
Kent subsequently appeared opposite Richard Barthelmess in The Drop Kick (1927) and had a starring role in another silent classic, Lonesome (1928), before smoothly making the transition to talkies. She played Harold Lloyd's love interest in his first two sound movies, Welcome Danger (1929) and Feet First (1930). Kent had supporting parts opposite Gloria Swanson in Indiscreet (1931) and Marie Dressler in Emma (1932), as well as playing the role of the aunt in Oliver Twist (1933) (notable since the character is often omitted from dramatizations of the novel).
In 1933, Kent took a year-long hiatus from acting so that her new husband, talent agent Harry E. Edington, could groom her for what he intended to be a high-profile return. Unfortunately, Kent's popularity had declined by the time she did return. She made three more films between 1935 and 1941, before retiring from the screen.
Edington died in 1949, and Kent remarried in 1954, to Jack Monroe, an engineer. They settled in Palm Desert, California, where Kent remained after Monroe's death. Her retirement was long and peaceful; she passed away on October 13, 2011 at the age of 103. - Actor
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Frantisek Lederer was born on November 6th, 1899, in Czechoslovakia. His father was a leather merchant, and young Frantisek began his working life as a department store delivery boy in Prague. He fell in love with acting from a young age, and was soon on stage touring Moravia and then all over Central Europe with people like Peter Lorre.
Lederer was easily lured into film by German actress Henny Porten and her producer husband. And it wasn't long before he was starring in the legendary German silent movie Pandora's Box (1929).
Whilst Lederer, who was using the German name of Franz, shifted from silents to talkies easily and was fast becoming one of Germany's top stars, he hadn't yet learned to speak any English.
By 1934, Lederer, (now using Francis), had begun working in America. And he was getting top billing too. Irving Thalberg had planned to make Lederer "the biggest star in Hollywood" but Thalberg's untimely death put a stop to that. But Lederer continued successfully in film and TV for many years.
After two brief marriages his third lasted 59 years. He invested in property well and made a fortune in the Canoga Park, California area. He founded the National Academy of Performing Arts on which his close friend Joan Crawford was on the Advisory Board. He loved to teach.
Lederer was still teaching the week before he died in 2000, aged 100 years.- Born in the film capital of the world near the end of World War I, he made his film debut under the name John Henry Jr. in a Valentine's Day film short. During the 1920s he was considered to be one of the most popular film stars of the decade, alongside Mickey Rooney, Peggy Montgomery, and the many "Our Gang" cast members. When the Depression came, however, Marion found himself getting fewer parts, and when he resumed his film career at the start of his adulthood he was often subjected to less-than-desirable roles, in some of which he would only have one sentence to speak. Despite his film setbacks in adulthood, he made a name for himself by performing in a handful of radio shows, even though he was almost always uncredited. He left acting in 1953 to focus on family and his church.
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Fay Eunice McKenzie was born February 19, 1918 into a show business family where she was the youngest of two sisters and an actress cousin, and made her screen debut at only ten weeks old in "Station Content" (1918) in which she was carried in the arms of Gloria Swanson. Her parents, Eva & Bob "Pops" McKenzie were already veteran performers and apparently wanted their daughter to get an early start in films. She nearly stole the show from Oliver Hardy as "the baby" in the Alice Howell short "Distilled Love" (filmed in 1918 but released two years later). By the time she was six, Fay was considered an old hand, having played diverse parts in her father's stock company. Among her early films was the 1924 Photoplay Medal Winner, "The Dramatic Life of Abraham Lincoln."
A native of Hollywood, she got most of her schooling on movie sets including the famous Little Red Schoolhouse at MGM. Her classmates included Betty Grable, Ann Rutherford and June Storey. As a teenager in the early 1930's Fay appeared in a number of low budget westerns with Wally Wales and Buddy Roosevelt as well as the all-star MGM musical "Student Tour" (1934). In 1937 she starred in the cult propaganda film about the dangers of marijuana entitled "Assassin of Youth". She also had a small part in the 1939 classic "Gunga Din". Her first Broadway venture was at age 17 and in 1940 she appeared as Miss Hollywood in "Meet the People", a popular review of that season starring Jack Gilford and Jack Albertson.
But she is probably best remembered for her work with Gene Autry at Republic Studios, where she was the feminine interest in "Down Mexico Way" (1941), "Sierra Sue" (1941), "Home in Wyomin'" (1942), "Heart of the Rio Grande" (1942) and "Cowboy Serenade" (1942). Finally getting the leading lady roles she deserved, the raven-haired beauty was an immediate hit with audiences. In 1942 Republic co-starred her with Don 'Red' Barry in the war-time flag waver, "Remember Pearl Harbor!" During WWII she toured with the Hollywood Victory Caravan and appeared in dozens of USO shows with various show biz legends including Frank Sinatra, Phil Silvers and Desi Arnaz. At the same time she could be heard on radio in "Pabst's Blue Ribbon Town" starring Groucho Marx. Featured film roles continued to come her way with Universal's "The Singing Sheriff" (1944), Warner Bros' "Night and Day" (1946) and "Murder in the Music Hall" (1946), the latter filmed at her home studio of Republic.
In 1946 she married the dark, husky actor Steve Cochran, but their union was short lived and they divorced two years later. She went back to Broadway to appear opposite comedian Bert Lahr (best known as The Cowardly Lion in "The Wizard of Oz") in the 1946 revival of "Burlesque." During the 1950's she studied with Sanford Meisner and at The Actor's Studio with Lee Strasberg in NYC. She was seen to favorable advantage on a number of TV shows including "The Millionaire" (1959), "Mr. Lucky" (1960), "Bonanza" (1961), and "Experiment in Terror" (1962).
She also appeared in a number of films for close friend and director Blake Edwards, including "Breakfast at Tiffany's" (1961) as the party guest laughing in the mirror, "The Party" (1968) and "S.O.B." (1981). She was especially proud of "The Party" with Peter Sellers and agreed to play the cameo role of Alice Clutterbuck (the hostess of the party) because the script was co-written by her husband, Tom Waldman. She and Waldman married in 1949 and had two children Tom Jr. and Madora. Waldman Sr. passed away in 1985. Her older sister Ella "Lolly" McKenzie was also an actress and was married to well-known comedian Billy Gilbert. Her other sister Ida Mae McKenzie started in silent films as well and went on to work behind the scenes of popular game shows including the original "Hollywood Squares".
McKenzie traveled extensively as a Christian Science Practitioner, lecturing all over the country and in Europe. In 2012 she received the Career Achievement Award at the Cinecon Classic Film Festival and in 2017 she was on-hand to present some of her family's home movies at the TCM Film Festival (those films are now housed the Academy Film Archive in Hollywood). During the summer of 2018 she made a cameo appearance alongside her son Tom as Mrs. Van Proosdy in the film "Kill A Better Mousetrap". Her performance marks the first century-spanning career in motion picture history. She passed away peacefully in her sleep on the morning of April 16th at the age of 101. She is survived by her son, actor Tom Waldman, Jr., daughter Madora McKenzie Kibbe and her two grandchildren.- Actress
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Doris Merrick was born on 6 June 1919 in Chicago, Illinois, USA. She was an actress, known for The Big Noise (1944), Untamed Women (1952) and The Fighting Stallion (1950). She was married to Matthew Lawton Hatfield, John Meagher Knoll and Max Marek. She died on 30 November 2019 in Yuma, Arizona, USA.- Actress
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Born January 1st 1919 in Hull Sheila started her stage career with Sir Donald Wolfit;s company as did her brother, Brian Rix, During the war she was a WAAF adjutant then in 1955 she joined her brother's Whitehall Theatre Company and was with him for 11 years .She joined the new television soap Emmerdale Farm playing Annie Sugden, She was married to theatrical producer Peter Merier and had as son Nigel- Actress
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Woefully misused while in her prime screen years at Paramount during the late '30s and '40s, Patricia Morison, lovely and exotic with Rapunzel-like long, dark hair, nevertheless became a star in her own right -- as a supremely talented diva on the singing stage.
Born on March 19, 1915, in New York City, her father, William Morison, was a playwright and occasional actor who billed himself under the name Norman Rainey. Patricia's mother worked for British Intelligence during WWI. Graduating from Washington Irving High School in New York, Patricia studied at the Art Students League and proceeded to take acting classes at the Neighborhood Playhouse while also studying dance with the renowned Martha Graham. She earned a steady check at the time as a dress shop designer.
At age 19 Patricia made her Broadway debut in the short-lived play "Growing Pains" and proceeded to understudy the legendary Helen Hayes in her classic role of "Victoria Regina". She never went on. In 1938, shortly after opening in the musical "The Two Bouquets" opposite musical star Alfred Drake, Paramount talent scouts, looking for exotic, dark-haired glamour types then to rein in their star commodity, Dorothy Lamour, scoped Patricia out and tested her. The blue-eyed beauty who indeed resembled Lamour was signed and made her film debut the following year, showing bright promise in the "B" film Persons in Hiding (1939).
Patricia's stock did not improve, however, despite such promise, and she was relegated to such second-string westerns as I'm from Missouri (1939), Rangers of Fortune (1940), Romance of the Rio Grande (1940), and The Round Up (1941). When things didn't improve with such stilted fare as Night in New Orleans (1942), Beyond the Blue Horizon (1942), and Are Husbands Necessary? (1942), she left Paramount. She freelanced in 'other woman' roles which included the Tracy/Hepburn vehicle Without Love (1945) and The Fallen Sparrow (1943), and played Empress Eugenie in The Song of Bernadette (1943), but the focus was seldom on her. Overlooked when cast in top leads at 'poverty row' programmers, her best chance at film stardom came as Victor Mature's despairing wife who takes her own life (which was to have been shown on screen) in Kiss of Death (1947), but her juicy role was excised from the film by producers (or, more likely, the Breen Commission) who felt audiences weren't ready for such shocking displays.
During the war years, Patricia had trained her voice and performed in USO tours. Cole Porter heard her sing in Hollywood one evening and decided she had the right tenacity, feistiness and vocal expertise to play the female lead in his new show. In 1948, over the objections of both the producer and director, stardom was clenched in the form of Porter's classic musical-within-a-musical "Kiss Me Kate." As the sweeping, vixenish Lilli Vanessi, a severe-looking stage diva whose own volatile personality coincided with that of her onstage role (Kate from "The Taming of the Shrew"), Patricia found THE role of her career, giving over 1,000 performances in all. Playing again alongside her former Broadway co-star Alfred Drake, Patricia basked in the multitude of glowing reviews, and such songs as "I Hate Men," "Wunderbar" and "So In Love" rightfully became signature songs. Following this triumph, film work never became a top priority again.
Patricia continued on successfully in the London version of "Kate" and went on to conquer other classic leads in the musicals "The King and I," "Kismet," "The Merry Widow," "Song of Norway" and Pal Joey," among others. Her last movie role was a cameo part as writer George Sand in the mildly received biopic Song Without End (1960) starring Dirk Bogarde as composer Franz Liszt.
On TV Patricia recreated her Kate role with Mr. Drake and made a few scattered but lively appearances over the years. One of her later guest shots was on a 1989 episode of "Cheers" and a 1991 episode of "Gabriel's Fire." In later years the never-married actress devoted herself to painting (an early passion) and enjoyed many showings in the Los Angeles area. The lovely lady with the trademark long hair died in L.A. at the age of 103, on May 20, 2018.- Meg Mundy was born on 4 January 1915 in London, England, UK. She was an actress, known for Fatal Attraction (1987), The Doctors (1963) and Ordinary People (1980). She was married to Konstantinos "Dino" Yannopoulos. She died on 12 January 2016 in The Bronx, New York, USA.
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Sol Saks, the screenwriter and TV executive who became a millionaire for writing the pilot for the TV series Bewitched (1964), was born on December 13, 1910 n New York City, though he was raised Chicago from the time he was two-years-old.
A radio actor as a child, Saks started out his professional life as an adult as a journalist, serving a stint as a cub reporter while attending Northwestern University's Medill School of Journalism. In the generation preceding him, it was newspapers that served as the field in which a young man could become a working writer and make a living from his pen. In Saks's generation, radio served that purpose. He also became a published short story-writer before becoming a writer for Chicago-based radio programs in the 1930s. He was paid the princely sum of $20 for his first radio script.
While Saks always dreamed of transitioning to drama, it was comedy writing that became his forte and made his fortune. Radio died off in Chicago at the start of the 1940s. He was specializing in Westerns and airplane scripts at the time and would put jokes in otherwise serious scripts, which gave him a reputation as a comedy writer. In 1943, Saks relocated to Los Angeles, as he heard there was a demand for comedy writers. Handled by the William Morris Talent agency in Chicago, the Los Angeles office ignored him, so he went to the advertising agency that sponsored Red Skelton's radio show. (At the time, the agencies were the producers of the shows.) Hired at $200 week for The Red Skelton Hour (1951), he quit after two weeks in order to go to work for Duffy's Tavern (1954), the most prestigious comedic radio show of its time.
On the staff at "Duffy's Tavern", he worked with the legendary Abe Burrows, the creator and head-writer of the series, but the two did not get along. Saks was too independent minded to take orders from Burrows. But it was the hours that got to Saks, The show became a demanding mistress. The writers worked 80 hours a week on a script, typically working 30 hours straight the day before the show aired, delivering the script one-half hour before air time.
After a year, Saks left "Duffy's Tavern" and went on to write for the radio shows "The Baby Snooks Show" with Fanny Brice,and "The Beulah Show" with Hattie McDaniel. He served as the head writer for one of two teams on "Beluah", the other team being headed by Sherwood Schwartz.
He also was a writer on Dinah Shore's radio show, which was a failure as no one knew how to write for her at the time. He worked on Ozzie Nelson and Harriet Nelson's radio show, transitioning it from a variety show to a story show. Sherwood Schwartz also worked on the show, and both resented the fact that they received no credit, which was typical of radio, but also because Ozzie took credit for writing the show himself by word-of-mouth.
Writers were as disrespected in radio and TV as they had been in the movies. Once a script was written, producers did not want the writer around.
In the early 1950s, radio showed began to be transformed for TV, and Saks segued into television as that's where the jobs were. Saks found that writing for TV was a lot easier than writing for the radio. Radio was written one line at the time, unlike TV, which was more story-driven. He had his first credit with the sitcom My Favorite Husband (1953), which originally was a radio series starring Lucille Ball (who was otherwise engaged in her epochal show). Saks himself approached CBS with the idea for adapting the radio show for TV. It was his idea not to use comedians but dramatic actors for the show, even though it was a comedy. Saks later developed the sitcom Mr. Adams and Eve (1957) (1957) for Ida Lupino. and wrote for other TV series and anthology programs.
Known for his independence, i.e., his penchant for quitting jobs he didn't like. Offered a writing job on I Married Joan (1952)m he refused as he did not like star Joan Davis. He soon relented and took a seven week-long writing-gig on the show simply to get enough money to buy a swimming pool. His independence was misinterpreted as his having great wealth, a misperception that made producers respect him.
He grew to loath writing for a weekly series due to the grind of putting the same characters into the same situations week after week. He moved on to writing pilots for TV series, plays that never made it to Broadway, and a script for Cary Grant's last movie, Walk Don't Run (1966), a remake of George Stevens's classic The More the Merrier (1943). In the 1960s, CBS hired him and put him in charge of its comedy series.
Ironically, after writing the script for the pilot of "Bewitched" for ABC, Saks never wrote another word for the hit series that ran on ABC for nine season from 1964 to 1972. The royalties accrued from creating the series made him rich. He admitted he based the idea for the series on he 1942 movie I Married a Witch (1942) and Bell Book and Candle (1958).
He published the book "The Craft of Comedy Writing" in 1985.
Sol Saks died of respiratory failure caused by pneumonia on April 16, 2011. He was 100 years old.- Producer
- Director
- Actress
Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures. With Fanck as her mentor, Riefenstahl began directing films.
Her penchant for artistic work earned her acclaim and awards for her films across Europe. It was her work on Triumph of the Will (1935), a documentary commissioned by the Nazi government about Adolf Hitler and the Third Reich, that would come back to haunt her after the atrocities of World War II. Despite her protests to the contrary, Riefenstahl was considered an intricate part of the Third Reich's propaganda machine. Condemned by the international community, she did not make another movie for over 50 years.- Helen Shaw was born on 25 July 1897 in Michigan, USA. She was an actress, known for Parenthood (1989), Twilight Zone: The Movie (1983) and Wicked Stepmother (1989). She died on 8 September 1997 in Los Angeles, California, USA.
- Miriam Seegar was born on September 1, 1907, to Frank and Carrie (née Wall) Seegar, both teachers. Raised in Greentown, Indiana, in the Seegar-Sewell home on 404 S. Main Street, she was the fourth of five daughters. Her sisters, known around town as the Seegar Sisters, were educator Helen Seegar-Stone (1895-1976) stage actress and opera singer Dorothy Seegar-Hatch (1897-1999) Mildred Seegar (1905-1913) and actress Sara Seegar (1914-1990.)
Seegar viewed her first movies in Kokomo, Indiana at the age of eight. As the sisters started acting and singing, Frank Seegar left teaching to open a hardware store in efforts to support his daughters' growing singing and acting pursuits. After his death at Seegar's age of 14, her two older sisters invited her to spend summers with them in their bedbug-laden Upper West Side apartment in New York City. Helen, working in a theatrical producer's office and Dorothy, acting and singing on Broadway, sent Miriam to an agent, and she began appearing on stage in minor, uncredited roles. She would return to Greentown in the winter upon her mother's insistence to complete her schooling with her younger sister, Sara.
After finishing school, Seegar acted in her first Broadway production as a Spanish blonde in a now-forgotten play at the 48th Street Theatre, followed by five more stage stints. While playing the part of the ingenue in The Squall (1926-1927) prolific producer Albert H. Woods took notice, and offered Seegar to star with Ernest Truex in the London West End production of his hit show Crime (1928.) At the age of 18, Seegar accepted Woods' offer and moved to London, soon followed by her mother and sister Sara to live with her in the Park Lane Hotel: "All my life I had wanted to go to England. I was just beginning to get a start in New York, but I was glad to be transferred to England." Between Stage engagements with multiple productions in London, she acted in her first two films The Price of Divorce and The Valley of Ghosts (film), both released in 1928. Next Miriam was chosen to co-star with Nelson Keyes in When Knights Were Bold (1929 film), as her figure of just under 5'1 and 100lbs would make her shorter and smaller than Keyes. The film was being directed by American director Tim Whelan, whom Miriam had just met. After the film's release she and Whelan, 14 years her senior, moved to Hollwood in 1929 and started dating. She quickly went to work making three pictures in 1929, signing with Paramount for Fashions in Love and the love doctor then making Seven Keys to Baldpate for RKO. For the next three years, Seegar made 11 more films, most being B-movies.
Blonde haired, blue eyed Miriam was one of the tiniest women in pictures, standing at just under 5'1 tall and weighing 100lbs. From a 1930 Photoplay magazine: "The question of clothes is a problem to her. Everything must be specially made, since she has no desire to step out in twelve-year-old dimities from a department store. She sees a gown model she likes and has it duplicated in a more miniature form. She likes frocks of rich material, but made without fuss and furbelows." Miriam didn't consider her name good for screen purposes as she said people were inclined to accent the last syllable, as if it were "cigar." However, she refused to change it unlike some Hollywood actresses, even after being asked by Albert H. Woods while offering to send her to London for "Crime." Also from Photoplay in 1930: "Miriam has had no very serious love affairs, although she does admit that she has been in love. In fact, several times. The only trouble is that she falls out of love so easily. She says that she believes married men are far more interesting than the young eligibles, but she's an old-fashioned girl and does not care to be the "heavy" in a real life triangle drama.
Seegar married Tim Whelan in 1931, and the couple had two sons, Tim Junior and Michael(1935-1997,) born with down's syndrome. Miriam's last film, false faces, was made in 1932. It played the Times Square Paramount, where her first American picture had been premiered just three and a half years earlier. Seegar retired from acting to raise her first child, Tim Whelan Jr, and found her career at odds with her husband's: "The sort of roles I got latterly were not becoming for a woman whose husband was then a major force in motion pictures. Selznick and Cukor offered me work, but after a while I just said no."
In 1953, she received her ASID certification and began working as an interior decorator, first with Harriet Shellenberger and later on her own. She did not retire until 1995. Her husband died in 1957, and decades later, both sons died within a span of nine months. Tim Whelan, Jr. died from cancer in 1997, and son Michael, who was born with Down syndrome, died in 1998. In 2000, at the age of 93, Seegar appeared in the documentary I Used to Be in Pictures, which featured commentary from many of her contemporaries. Thereafter she made a series of guest appearances at film festivals which culminated in an award for her screen work from the Memphis Film Festival when she was 95. On her 102nd birthday she sailed from Southampton to New York on the RMS Queen Mary 2 and back again.
Miriam Seegar had two grandchildren and four great-grandchildren at the time of her death on January 2, 2011. No specific cause of death was given, but her daughter-in-law Harriet Whelan stated that Seegar was very frail and had died from "age-related causes". - Actress
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Doris Eaton was born in Norfolk, Virginia, into a show business family. The young Doris began appearing on stage with her brothers Charles and Joseph and her sisters Mary and Pearl when she was five years old. She made her Broadway debut aside her brother Charles in "Mother Carey's Chickens" in 1917. The following year, the 14-year-old Doris became a Ziegfeld Girl, performing in the "Ziegfeld Follies" of 1918 and 1920 and the "Ziegfeld Midnight Frolic" in 1919. After having served her dance apprenticeship in legendary theatrical impresario Florenz Ziegfeld Jr.'s chorus for three years, she decamped for the movies. She made her screen debut in "At the Stage Door" (1921) in support of Billie Dove.
She moved to England to appear as the lead in three films, Tell Your Children (1922), The Call of the East (1922), and The Call of the East (1922). Back in America, she made The Broadway Peacock (1922) with Pearl White and High Kickers (1923) with Jack Cooper and the Gorham Follies Girls.
Doris returned to Broadway in 1924, appearing in the musical "No Other Girl" and the plays "The Sap" and "Excess Baggage." In 1925, she co-starred with Al Jolson in the musical comedy "Big Boy." She then appeared in the comedy "Excess Baggage" in 1927, and the musical comedy "Cross My Heart" the next year. Moving to Hollywood in 1929, she began a career as a featured dancer at the Music Box Review Theater on Sunset Boulevard. It was there that she introduced the song "Singin' in the Rain." Her last appearance on Broadway in a legitimate production was in the comedy "Page Pygmalion" in 1932.
Her career as a dancer began to peter out during the Great Depression, and she became an Arthur Murray dance instructor in 1936. Relocating to the state of Michigan, she eventually became the operator of 18 Arthur Murray dance schools. Eventually, Doris retired to Oklahoma with her husband Paul Tavis, where they operated a quarter horse ranch. When they built their house in Norman, Oklahoma, Doris demanded that the house have a foyer large enough for dancing. Doris still dances in the foyer at night.
"I have my little Victrola there and I play the records and I dance the foxtrot and the waltz and the rumba, though swaying by myself."
Doris has become a regular performer at Broadway's annual AIDS benefit. People express surprise that she was a Ziegfeld Girl.
"It seems that when people find out about it, they're astonished; and possibly because I'm still walking around."
Since her husband passed away in the year 2000, Doris lets people use the ranch to board their horses. Doris jokes, "I call it the Travis Ranch Nursing Home for Horses."
She had dropped out of school to pursue her dance career, but in the 1980s, Travis went back to college and graduated from the University of Oklahoma in 1992. She was named a member of the Phi Beta Kappa honor society while at the university.
At 101 years old, Doris was quoted as saying that dance was the primary reason for her longevity. In fact, her last stage appearance was one month short of her death at age 106.- Actress
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Stickney, who was born in Dickinson, North Dakota, studied acting in Minneapolis, after which she spent several years in summer stock and vaudeville. Her father, Victor Hugo Stickney, was a doctor who made house calls on horseback; he was among the first 10 elected to the National Cowboy Hall of Fame.
She attended the North Western Dramatic School in Minneapolis, and was one of the four singer/dancer "Southern Belles" in vaudeville. Her initial failure to obtain acting roles in New York in the 1920s led her to write a poem, "You're Not the Type", published in Liberty magazine. Her 1926 Broadway debut was a bit part in "The Squall", after which she often played character roles as an eccentric.
She created the role of Mollie Molloy (who jumps out of the window) in "The Front Page." Other plays included "Chicago," "Another Language," and "On Borrowed Time." "Life With Father," written by her husband Howard Lindsay, was turned down by everyone (including Lunt and Fontanne), so she and Lindsay played the parts in summer stock, bringing it finally to Broadway's Empire Theater on November 8, 1939. It closed seven years and 3,224 performances later, still the longest running non-musical on Broadway. When the Empire was demolished, she and Lindsay put two salvaged orchestra seats in their East Side townhouse; she died there, aged 101.- Actor
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The Spanish born ventriloquist Senor Wences was one of the highest paid vaudeville acts in the world. Hugely popular with American TV audiences Wences was also a top nightclub favorite.
Born Wenceslao Moreno in Peñaranda de Bracamonte, Salamanca (Spain), Wences began performing ventriloquism as a child An early career in bullfighting proved unsuccessful so he took up ventriloquism and juggling professionally. Wences toured Europe in the 1920s before coming to America in 1935 where he made his New York debut at the Club Chico.
He became an overnight sensation on "The Milton Berle Show" and later made appearances on "The Ed Sullivan Show" and TV specials with Jack Benny and Perry Como. In 1947 he had stand-out cameo in the film comedy Mother Wore Tights (1947), starring Dan Dailey and Betty Grable.
Among his famous vent characters were 'Johnny', ingeniously formed by one of Wences's hands and 'Pedro', a torso-less head in a box. In the middle of a routine Wences would lift the lid of the box and say "Are you alright?" to which Pedro would reply "S'alright". "S'alright" - which became a classic catchphrase.
In 1986 Wences toured America with Mickey Rooney and Ann Miller in the musical Sugar Babies. He also received the Lifetime Achievement Award from the National Comedy Hall of Fame which was inscribed "For his devotion to entertaining generations of audiences and bringing countless hours of joy and happiness to millions throughout the world."- Actress
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Pauline Wagner was born on 18 August 1910 in Shattuck, Oklahoma, USA. She was an actress, known for Up Pops the Duke (1931). She was married to Mike Lally and Alfred J. McCourtney. She died on 2 May 2014 in Montrose, California, USA.- Mary Ward was born on 6 March 1915 in Fremantle, Western Australia, Australia. She was an actress, known for Blue Heelers (1994), If This Be Sin (1949) and Homicide (1964). She died on 19 July 2021 in Murrumbeena, Melbourne, Victoria, Australia.
- Rose Fitzgerald Kennedy was born Rose Elizabeth Fitzgerald on July 22, 1890 to Josie Hannon and the future mayor of Boston, John Francis Fitzgerald. She grew up with several brothers and sisters and thanks to her father, the family was very well off. Rose went to a series of Catholic Schools in Boston, and when she graduated her father presented her diploma and their picture appeared in the newspaper. Rose wanted to go to Wellesley Collage, but during that time her father was in the middle of a scandal and needed the support of the Catholics of Boston and said no to her going to a WASP school. Instead she, her parents,and her sister went to Europe that summer so that the Fitzgeralds could get their daughters into a Catholic boarding school in Holland.
The stay in Holland was a very difficult time for Rose. It was very strict and English was not spoken, only French and German. She and her sister spent about a year there before going home. Shortly after she came home she re-met the son of one of her father's cronies, Joseph Patrick Kennedy. They fell in love, but it was not until Joe, as he was called, became a bank manager, did Honey Fitz (John Fitzgerald's nickname) allow her to marry. Joe and Rose were married on October 7, 1914 and soon got busy making babies. First was Joe, Jr. in 1915, then John Fitzgerald in 1917, Rosemary in 1918, Kathleen Agnes in 1920, Eunice in 1921, Patricia in 1924, Robert Francis in 1925, Jean in 1928, and Edward Moore in 1932. These years were far from easy for Rose. When she was very pregnant with Kathleen she left Joe and went to live with her parents for a while because she could not take it anymore. She went back shortly before the birth. Also during this time she had to contend with her absent husband. Joe was almost always away, either in California with his mistress Gloria Swanson, or in New York making money.
When the youngest of the Kennedy brood were young the family moved to New York, so that they could be closer to Joe. Also during this time Rose became the wife of the Ambassador to the Court of Saint James. Joe had gotten president Franklin Roosevelt to appoint him the ambassador to the Court of Saint James and soon had his family over to London in waves. Joe and Rose were only in London for a short time thought before World War Two began and Rose and the children went back to the United States. Shortly after, Joe wanted out and he gave a speech that said that Democracy might be gone in England and maybe in the United States, as well, that ended his political career. During this time Rose watched as her children helped in World War Two. Joe, Jr. was an aviator in England and was killed when his plane exploded in 1944. John (Jack) was on a boat in the Pacific, and Kathleen was a nurse for the red cross in London.
During the war, Rose had problems with Kathleen who was in London. Kathleen wanted to marry William Cavendish, Marquess of Hartington, a Protestant. Rose, a devout Catholic, was very upset at this and felt it was divine intervention when months after their marriage William died fighting in World War Two. She was also mad when she heard that Kathleen was set on marrying a not yet divorced Protestant in 1948 and also felt that it was divine intervention when the plane that they were in crashed killing everybody on board in May 1948.
After these tragedies Rose helped her family. She campaigned for her sons John and Robert and watched as her children married and had grandchildren. She was thrilled in 1961 when her son John became the 35th President of the United States and since John's wife Jacqueline had just given birth, Rose and her daughters Pat, and Eunice, as well as her daughter-in-law Ethel (the wife of Robert) helped host some of the events that were held at the White House.
While this was going on another tragedy happened. Joe had a stroke and was partially paralyzed. Then came November 22, 1963 when President Kennedy was assassinated and the 1968 assassination of Robert Kennedy, as well as the 1969 scandal involving son Edward in Chappaquidick. Shortly after that scandal Joe died.
Rose spent the rest of her life in relative peace. She watched her grandchildren grow up, some getting married and giving her great grandchildren before dying at the ripe old age of 104 on January 22, 1995. Luckily she died before seeing the death and scandals associated with her grandchildren: JFK Jr, Michael Kennedy, and divorce scandal of Kerry Kennedy Cuomo. - Actress
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Born in Oaxaca, Mexico, Lupita Tovar appeared first in silent Fox films before making the move to Universal and co-starring in the Spanish-language version of 1930's "The Cat Creeps" (La voluntad del muerto (1930)). For the same producer, Czech-born Paul Kohner, she appeared as Eva Seward (the Spanish-language counterpart of Helen Chandler's Mina) in Universal's Spanish Dracula (1931). In 1932, she married Kohner, who later became one of the top agents in Hollywood. (Their actress-daughter, Susan Kohner, was Oscar-nominated for her performance in Universal's 1959 Imitation of Life (1959); their son, Pancho Kohner, is a producer). Tovar gave up films in the 1940s and has been widowed since 1988.- Animation Department
Ruth Tompson was born on 22 July 1910 in Portland, Maine, USA. She is known for The Lord of the Rings (1978), Popeye the Sailor (1960) and Metamorphoses (1978). She died on 10 October 2021 in Woodland Hills, California, USA.- Actor
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Born in 1919 in Jerusalem, Nehemiah Persoff emigrated with his family to America in 1929.
Following schooling at the Hebrew Technical Institute of New York, he found a job as a subway electrician doing signal maintenance until an interest in the theater altered the direction of his life.
He joined amateur groups and subsequently won a scholarship to the Dramatic Workshop in New York. This led to what would have been his Broadway debut in a production of "Eve of St. Mark", but he was fired before the show opened. He made his official New York debut in a production of "The Emperor's New Clothes" in 1940.
WWII interrupted his young career in 1942, when he was inducted into the United Sates Army, returning to the stage after his hitch was over in 1945, three years later. He sought work in stock plays and became an intern of Stella Adler and, as a result, a strong exponent of the Actor's Studio. Discovered by Charles Laughton and cast in his production of "Galileo" in 1947, Persoff made his film debut a year later with an uncredited bit in The Naked City (1948).
Short, dark, chunky-framed and with a distinct talent for dialects, Persoff became known primarily for his ethnic villainy, usually playing authoritative Eastern Europeans.
In a formidable career which had him portraying everything from cab drivers to Joseph Stalin, standout film roles would include Leo in The Harder They Fall (1956) with Humphrey Bogart, Gene Conforti in Alfred Hitchcock's The Wrong Man (1956), Albert in This Angry Age (1958) and gangster Johnny Torrio in Al Capone (1959). That same year he played another gangster, the small role of Little Bonaparte, in Some Like It Hot (1959).
He was a durable performer during TV's "Golden Age" (Gunsmoke (1955), The Twilight Zone (1959)) and well beyond (Chicago Hope (1994), Law & Order (1990)), playing hundreds of intense, volatile and dominating characters.
In later years, his characters grew a bit softer as Barbra Streisand's Jewish father in Yentl (1983) and the voice of Papa Mousekewitz in the An American Tail (1986) will attest. Later stage work included well-received productions of "I'm Not Rappaport" and his biographical one-man show "Sholem Aleichem".
After declining health and high blood pressure forced him to slow down, Persoff took up painting in 1985, studying sketching in Los Angeles. Specializing in watercolor, he created more than 100 works of art, many of which have been exhibited up and down the coast of California. He celebrated his 100th birthday in 2019.- Earl Schuman was born on 24 February 1916 in Pawhuska, Oklahoma, USA. He was an actor, known for Taxi (2004), Mr. Deeds (2002) and Dodgeball: A True Underdog Story (2004). He was married to Edith (Edie) Bartnof and Beulah. He died on 24 March 2016 in Santa Clarita, California, USA.
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Stardom somehow eluded this vastly gifted actress. Had it not perhaps been for her low-level profile compounded by her McCarthy-era blacklisting in the early 1950s, there is no telling what higher tier Marsha Hunt might have attained. Perhaps her work was not flashy enough, or too subdued, or perhaps her intelligence too often disguised a genuine sex appeal to stand out among the other lovelies. Two studios, Paramount in the late 1930s and MGM in the early 1940s, failed to complete her star. Nevertheless, her talent and versatility cannot be denied. This glamorous, slimly handsome leading lady offered herself to well over 50 pictures during the 1930s and 1940s alone.
Christened Marcia Virginia Hunt, the Chicago-born actress was the younger of two girls born to an attorney and voice teacher/accompanist. The family relocated to New York when she was quite young and she attended such schools as PS #9 and Horace Mann School for Girls. She developed an interest in acting at an early age (3), performing around and about in school plays and at church functions. Following her high school graduation the young beauty found work as a John Powers model and as a singer on radio, a gift obviously inherited from her mother. Marcia (she later changed the spelling of her first name to Marsha) studied drama at the Theodora Irvine Drama School (one of her fellow students was Cornel Wilde).
Encouraged to try Hollywood by various New York people in the business, the young photogenic hopeful moved there in 1934. She was only 17 but was accompanied by her older sister. It didn't take long for the studios to take an interest in her and she was signed up by Paramount not long after. Marsha's very first movie was in a featured role opposite Robert Cummings and Johnny Downs in the old-fashioned The Virginia Judge (1935). Displaying an innate, fresh-faced sensitivity, she moved directly into her second film, playing the title role in Gentle Julia (1936), this time with Tom Brown as her romantic interest.
Marsha continued to show promise but these well-acted roles were, more often than not, overlooked in mild "B"-level offerings. Appearing in co-starring roles in everything from westerns (Desert Gold (1936) and Thunder Trail (1937)) to folksy or flyweight comedy (Easy to Take (1936) and Murder Goes to College (1937)), she could not find decent enough scripts at Paramount. Though she was once deemed one of the studio's promising starlets, one of her last films there was another prairie flower role--[error]--with cowboys John Wayne and Johnny Mack Brown vying for her attention. At about this time (1938) she married Jerry Hopper, a Paramount film editor who turned to directing in the 1950s. This marriage lasted but a few years.
Freelancing for a time for many studios, Marsha's more noticeable war-era work in sentimental comedy and staunch war dramas came from MGM, and she finally signed with the studio in 1939. The roles offered, which included a featured part as one of the sisters in Pride and Prejudice (1940) starring Greer Garson, and again as a sister to Garson in Blossoms in the Dust (1941), which showed much more promise. Some of her better war-era roles came in the films Cheers for Miss Bishop (1941), Kid Glove Killer (1942) and The Affairs of Martha (1942). During this time she also sang on extended USO tours and stayed busy on radio. Her best known film is arguably The Human Comedy (1943) but she wasn't the star. Other film roles had her in support of others, such as Margaret Sullavan in Cry 'Havoc' (1943), little Margaret O'Brien in Lost Angel (1943) and Garson again in The Valley of Decision (1945). Leading roles did not come in "A" pictures.
Her MGM contract was allowed to lapse in 1945 and a second marriage in 1946, to screenwriter Robert Presnell Jr., became a higher priority. The marriage was long and happy (exactly 40 years) and lasted until his passing in June of 1986. The few pictures she made were, again, uneventful or in support of the star, although she did have a catchy, unsympathetic role in the Susan Hayward starrer Smash-Up: The Story of a Woman (1947) as a scheming secretary. In Raw Deal (1948), starring Dennis O'Keefe, she got the "raw deal" being overshadowed as a "good girl" by the "bad girl" posturings of Claire Trevor. At this point of her career she decided to try the stage and made her Broadway debut in "Joy to the World" (1948). Other plays down the road would include "The Devil's Disciple" with Maurice Evans, "The Lady's Not for Burning" with Vincent Price and "The Little Hut" with Leon Ames. She even had a chance to return to her beloved singing as Anna in a production of "The King and I" and (much later) in productions of "State Fair" and "Meet Me in St. Louis". TV also yielded some new work opportunities, including a presentation of "Twelfth Night" in which she portrayed Viola.
The seams of her film career fell apart in the early 1950s. During the late 1930s and into the 1940s she signed a number of petitions promoting liberal ideals, and was a member of the Committee for the First Amendment. A strong supporter of freedom of speech, these associations led to her name appearing in the pamphlet "Red Channels", a McCarthy-era publication that "exposed" alleged Communists and "subversives". Although she and her husband were never called before the House Un-American Activities Commission, their names were nevertheless smeared all over Hollywood as "Reds". While she still found film work on occasion, it was rare. Although she had worked steadily from 1935 until 1949, appearing in over 50 films, she made only three films in the next eight years. Her screenwriter husband would be credited for only one film from 1948 to 1955.
Semi-retired by the early 1960s, stage and TV became Marsha's focal points. She also devoted herself to civil rights causes and such humanitarian efforts as UNICEF, The March of Dimes and The Red Cross. She became actively involved with the United Nations. On the acting front she appeared only in smaller roles in five films but in numerous TV programs and made-for-TV movies, playing everything from judges to grandmas. She became the Honorary Mayor of Sherman Oaks, California, in 1983, and published a book on fashion entitled "The Way We Wore" in 1993. Widowed in 1986, the ever-vibrant Marsha, in her 90s, continues to serve on the Advisory Board of Directors for the San Fernando Valley Community Mental Health Center, a large non-profit that advocates for adults and children affected by homelessness and mental illness. As recently as 2006, she appeared to good advantage in the movie Chloe's Prayer (2006) and, at age 91, was seen in Empire State Building Murders (2008).- Doreen Brownstone was born on 28 September 1922 in Leeds, Yorkshire, England, UK. She was an actress, known for Silent Night (2012), The Murdoch Mysteries (2004) and Therapy (2018). She was married to William Brownstone. She died on 16 December 2022 in Winnipeg, Manitoba, Canada.
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Bert I. Gordon, affectionately nicknamed "Mr. B.I.G." by Forrest J. Ackerman, produced, directed, and wrote more than twenty-five Sci/Fi and Horror features, such as The Magic Sword (1962), The Amazing Colossal Man (1957), Village of the Giants (1965), The Cyclops (1957), in addition to comedies such as How to Succeed with Sex (1970). His film, The Food of the Gods (1976), was awarded the Grand Prix du Festival International Du Paris Fantastique 1977.- Actress
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Gloria Dea was born on 25 August 1922 in Oakland, California, USA. She was an actress, known for Plan 9 from Outer Space (1957), King of the Congo (1952) and The Prodigal (1955). She was married to Sam J. Anzalone, Hal Borne, John F. Statham and Jack Shulem . She died on 18 March 2023 in Las Vegas, Nevada, USA.- Cinematographer
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Bill Butler was born on 7 April 1921 in Cripple Creek, Colorado, USA. He was a cinematographer, known for One Flew Over the Cuckoo's Nest (1975), Jaws (1975) and Grease (1978). He was married to Iris Butler and Alma Hortense Smith. He died on 5 April 2023 in Los Angeles, California, USA.- Animation Department
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Al Jaffee was born on 13 March 1921 in Savannah, Georgia, USA. He was an actor and writer, known for The Mad Magazine TV Special (1974), Bum Future (2013) and When We Went MAD!. He was married to Joyce Revenson and Ruth Ahlquist. He died on 10 April 2023 in Manhattan, New York City, New York, USA.- Nikolai Dupak was born on 5 October 1921 in village Starobeshevo, Mariupol uyezd, Donetsk Governorate, Ukrainian SSR [now Starobesheve, Starobesheve Raion, Donetsk Oblast, Ukraine]. He was an actor, known for Captain Nemo (1975), Captain Nemo (1976) and Yaroslav Mudry (1982). He died on 26 March 2023 in Moscow, Russia.
- Guido Gorgatti was born on 5 December 1919 in Rovigo, Veneto, Italy. He was an actor, known for Vos y yo, toda la vida (1978), Quiere casarse conmigo...?! (1967) and Bárbara atómica (1952). He died on 11 May 2023 in Buenos Aires, Argentina.
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- Additional Crew
Heinz Alfred grew up in his hometown, where he attended school. When the persecution of the Jewish population in Germany intensified as a result of Adolf Hitler's rise to power in January 1933, he emigrated to the USA with his parents Paula Stern and Ludwig Kissinger in 1938. Kissinger attended high school in New York City. A little later he had to help support the family by working in a factory, which is why he switched to night school. In 1943 Kissinger received US citizenship. He then served in the Army until 1946, for which he was deployed in Germany. After the end of the war, Kissinger initially stayed in Europe, where he worked as a lecturer at the European Command Intelligence School in Oberammergau. In 1947, Kissinger returned to the United States to enroll at Harvard University. In 1952 he completed his master's degree there. Two years later he received his doctorate. phil.
From 1952 to 1969, Kissinger headed the summer university at his university called the Harvard International Seminar. Here he got to know many foreign authorities with whom he would later have to deal as a foreign policy expert. In 1957 he was appointed lecturer and in 1962 professor at Harvard, where he held a full teaching position until 1965. Kissinger's entry into a decidedly political activity dates back to the early 1960s. Under Presidents John F. Kennedy and Lyndon B. Johnson, he served as an advisor to the National Security Council until 1962 and as an advisor on disarmament issues until 1967. In 1965 he was appointed as an advisor to the State Department, which had to deal with the situation in Vietnam. In the following two years, Kissinger visited Vietnam several times. In 1969, President Richard Nixon elevated the veteran foreign policy expert to head the National Security Council. In this position, which he held until 1975, Kissinger opposed the policy of reconciliation and rapprochement that Kennedy and Johnson had previously initiated towards the Soviet Union.
Nevertheless, as one of his first foreign policy successes, he contributed to the conclusion of the SALT negotiations with the USSR, which culminated in the signing of the treaty by Nixon and Leonid Brezhnev in Moscow. Kissinger also played a role in bringing about the agreement on the four-power status of West Berlin, which was reached on September 3, 1971 and contributed significantly to facilitating exchange and travel between both parts of the city. Kissinger also had a great influence on the secret diplomatic preparations that led to a rapprochement between the USA and the People's Republic of China under Nixon's presidency. When faced with the Vietnam problem, Kissinger sought to protect US interests with a policy of military strength, which brought him the most criticism. Nevertheless, he reached a ceasefire with Le Duc Tho in 1973, which earned both the Nobel Peace Prize and initiated the withdrawal of American troops from Vietnam. In 1973, Kissinger was promoted to Secretary of State under Nixon. After his resignation as a result of the Watergate affair, he was confirmed in this position for the entire term of office of the successor Gerald Rudolph Ford from 1974 to 1977.
As Foreign Minister, Kissinger tried to mediate between the Arab and Israeli sides, especially in the Middle East conflict, through intensive travel known as "shuttle diplomacy". This enabled him, among other things, In 1974 the conclusion of the troop disengagement agreement. After Kissinger left the ministerial office as a result of Ford's election defeat in 1977, he founded the consulting firm "Kissinger Associates, Inc." in 1982, which produces analyzes for governments and commercial companies worldwide. In 1987 Kissinger was awarded the International Charlemagne Prize of the city of Aachen. After the upheavals of 1989/90 in the former Eastern Bloc states, Kissinger campaigned for the maintenance of the transatlantic alliance systems between the USA and Europe, for the rapid reunification of Germany and the continuation of European unification. He continued to speak out through numerous publications. In 2001 his treatise "Does America Need a Foreign Policy?" was published. In 2005 he received the Bavarian Order of Merit. In 2007, Kissinger was awarded the Baden-Württemberg Medal of Merit.
Henry Kissinger died on November 29, 2023 in Kent.- Producer
- Writer
- Production Manager
Norman Lear enjoyed a long career in television and film, political and social activism, and philanthropy.
Born in 1922 in New Haven, Connecticut, Lear flew 52 combat missions over Europe in World War II before beginning his television career. His classic shows of the 1970s and '80s - All in the Family, Maude, Good Times, The Jeffersons, Sanford and Son and Mary Hartman, Mary Hartman, among others - collectively reached as many as 120 million viewers per week and are said to have transformed the American cultural landscape, bringing the social and political issues of the day into American living rooms for the first time. With the rise of the radical religious right, Lear put his career on hold in 1980 to found People For the American Way, the nonprofit organization that remains a relevant and effective force defending all aspects of the First Amendment.
Lear was among the first seven television pioneers inducted in 1984 into the Television Academy Hall of Fame. In 1999, President Clinton presented him with the National Medal of Arts, noting that "Norman Lear has held up a mirror to American society and changed the way we look at it." His memoir, Even This I Get to Experience, was published in 2014, and the 2016 documentary Norman Lear: Just Another Version of You received an Emmy nomination as the representative program for the PBS American Masters series. In 2017, Lear received a Peabody Lifetime Achievement Award and was a Kennedy Center Honoree.
He was the father of six, the grandfather of four, and the husband of Lyn Davis Lear.- Camera and Electrical Department
- Cinematographer
- Producer
Stan Waterman was born on 5 April 1923 in Maine, USA. He was a cinematographer and producer, known for The Deep (1977), The Lost Treasure of the Concepcion (1979) and The World of Survival (1971). He died on 10 August 2023 in the USA.- Director
- Writer
- Producer
Ebrahim Golestan is an Iranian filmmaker and literary figure with a career spanning half a century. He has lived in Sussex, United Kingdom, since 1975. He was closely associated with the controversial and eminent Iranian poet Forough Farrokhzad until her death, whom he met at his studio in 1958. He is said to have inspired her to live more independently. Golestan was married to his cousin, Fakhri Golestan. He is the father of Iranian photojournalist Kaveh Golestan, and Lili Golestan, translator and owner and artistic director of the Golestan Gallery in Tehran, Iran. His grandson, Mani Haghighi, is also a film director. His other grandson Mehrak, is a rapper. Golestan was a member of Tudeh Party of Iran, but he broke away in January 1948. After Farrokhzâd's death, Golestân was protective of her privacy and memory. For example, in response to the publication of a biographical/critical study by Michael Craig Hillmann called A Lonely Woman: Forugh Farrokhzad and Her Poetry (1987), he published a lengthy attack against Hillmann in a Tehran literary magazine, to which Hillmann responded to the attack at length in an article part of which was also published in the same Tehran literary magazine and which is available online at Academia.edu/Michael Hillmann under the title "Az Shâ'eri-ye Nâder Nâderpur to Fârsi'khâni dar Qalb-e Tekzâs, Javâbiyeh'i be Ebrâhim Golestân." In February 2017, on the occasion of 50 years after Farrokhzad's death, the 94-year-old Golestan broke his silence about his relationship with Forough, speaking to the Guardian's Saeed Kamali Dehghan. "I rue all the years she isn't here, of course, that's obvious," he said. "We were very close, but I can't measure how much I had feelings for her. How can I? In kilos? In meters?"- Katherine Johnson was born on 26 August 1918 in White Sulphur Springs, West Virginia, USA. She was married to James Arthur Johnson and James Francis Goble. She died on 24 February 2020 in Newport News, Virginia, USA.
- Composer
- Music Department
Walter Arlen was born on 31 July 1920 in Vienna, Austria. He was a composer, known for The City Without Jews (1924), Die Öscars (2016) and Das erste Jahrhundert des Walter Arlen (2019). He was married to Howard Myers. He died on 2 September 2023 in Santa Monica, California, USA.- Louise Meriwether was born on 8 May 1923 in Haverstraw, New York, USA. She was an actress, known for Nat Turner: A Troublesome Property (2003), Maya Angelou And Still I Rise (2016) and American Masters (1985). She was married to Angelo Meriwether and Earle Howe. She died on 10 October 2023 in Manhattan, New York City, New York, USA.
- Mervin Shiner was born on 20 February 1921. He was an actor, known for Holiday Rhythm (1950). He died on 23 October 2023 in Tampa, Florida, USA.
- Wei Wei was born on 17 May 1922 in Zhenjiang, Jiangsu, China. She was an actress, known for Spring in a Small Town (1948), The Great Reunion (1948) and Fire of Conscience (2010). She died on 2 November 2023 in Hong Kong, China.
- Ida Keeling was born on 15 May 1915 in Manhattan, New York City, New York, USA. She died on 28 August 2021.
- Music Department
- Additional Crew
- Soundtrack
Composer, songwriter ("Managua, Nicaragua"), pianist, arranger, conductor and publisher, educated at the Eastman School of Music and the Masters Institute. He led his own trio on television and in hotels and nightclubs, and made many records. He appeared in concerts at Carnegie Hall and at Boston's Symphony Hall, and wrote the nightclub scores for the Latin Quarter in New York. Joining ASCAP in 1946, his chief musical collaborator was Henry Tobias, and his other popular-song and instrumental compositions include "Miami Beach Rhumba", "Chantez Chantez" and "Take Her to Jamaica".- Tao Porchon was born on 13 August 1918 in Pondicherry, French India [now Puducherry, India]. She was an actress, known for I Married Joan (1952), The Adventures of McGraw (1957) and I Know a Woman Like That (2009). She was married to Bill Lynch. She died on 21 February 2020 in White Plains, New York, USA.
- Actress
- Script and Continuity Department
Guje Lagerwall was born on 13 January 1918 in Stockholm, Sweden. She was an actress, known for Farligt löfte (1955), Doktor Glas (1942) and Maria på Kvarngården (1945). She was married to Sture Lagerwall. She died on 8 January 2019 in Stockholm, Sweden.- Walter Munk was born on 19 October 1917 in Vienna, Austria. He was married to Mary Coakley, Judith Horton and Mary Chapin. He died on 8 February 2019 in La Jolla, California, USA.
- Edith Iglauer was born on 10 March 1917 in Cleveland, Ohio, USA. She was a writer, known for Navigating the Heart (2000), Modern Marvels (1993) and Ice Road Truckers (2000). She was married to Franklin Wetmore White, Philip Hamburger and John Heywood Daly. She died on 13 February 2019 in Sechelt, British Columbia, Canada.
- Hilde Zadek was born on 15 December 1917 in Bromberg, Posen, Germany [now Bydgoszcz, Kujawsko-Pomorskie, Poland]. She was an actress, known for Großstadtnacht (1950), Unsterblicher Mozart (1954) and Was wurde aus...? (2011). She died on 21 February 2019 in Karlsruhe, Germany.
- Thanga Darlong was born on 20 July 1920 in Marui village, Tripura, British India. He died on 3 December 2023 in Kailashahar, Tripura, India.
- Strom Thurmond is an American politician who served for 48 years as a United States Senator from South Carolina. He ran for president in 1948 as the States' Rights Democratic Party candidate, receiving 2.4% of the popular vote and 39 electoral votes. Thurmond represented South Carolina in the United States Senate from 1954 until 2003, at first as a Southern Democrat and, after 1964, as a Republican.
Thurmond left office as the only member of either chamber of Congress to reach the age of 100 while still in office, and as the oldest-serving and longest-serving senator in U.S. history (although he was later surpassed in the latter by Robert Byrd and Daniel Inouye). Thurmond holds the record as the longest-serving member of Congress to serve exclusively in the Senate. He is also the longest-serving Republican member of Congress in U.S. history. At 14 years, he was also the longest-serving Dean of the United States Senate in U.S. history.
In opposition to the Civil Rights Act of 1957, he conducted the longest speaking filibuster ever by a lone senator, at 24 hours and 18 minutes in length. - Writer
- Actress
Norma Barzman was born on 15 September 1920 in Manhattan, New York City, New York, USA. She was a writer and actress, known for Fanciulle di lusso (1952), Never Say Goodbye (1946) and Theatre 70 (1960). She was married to Ben Barzman and Claude Shannon. She died on 17 December 2023 in Beverly Hills, California, USA.- Actor
- Art Department
I.M. Pei was born on 26 April 1917 in Canton, China. He was an actor, known for Une nuit, le Louvre avec Lambert Wilson (2017), A Place to Be (1979) and Berlin Babylon (2001). He was married to Eileen Loo. He died on 16 May 2019 in Manhattan, New York City, New York, USA.- Writer
- Actor
- Soundtrack
Herman Wouk was born on 27 May 1915 in New York City, New York, USA. He was a writer and actor, known for The Caine Mutiny (1954), Slattery's Hurricane (1949) and Her First Romance (1951). He was married to Betty Sarah Brown. He died on 17 May 2019 in Palm Springs, California, USA.- Actor
- Visual Effects
- Animation Department
Milton Quon was born on 22 August 1913 in Los Angeles, California, USA. He was an actor, known for Speed (1994), Sweet Jane (1998) and Chill Factor (1989). He was married to Peggy Wong. He died on 18 June 2019 in Torrance, California, USA.- Music Department
- Soundtrack
David Bartholomew was born on 24 December 1918 in Edgard, Louisiana, USA. He is known for The Blues Brothers (1980), Gangster Squad (2013) and Road House (1989). He was married to Pearl and Rhea Douse. He died on 23 June 2019 in New Orleans, Louisiana, USA.- Composer
- Music Department
- Soundtrack
Sid Ramin was born on 22 January 1919 in Boston, Massachusetts, USA. He was a composer, known for West Side Story (1961), Demolition Man (1993) and Secretary (2002). He was married to Gloria Breit. He died on 1 July 2019 in New York City, New York, USA.- Producer
- Writer
- Actor
Artur Brauner was born on 1 August 1918 in Lódz, Lódzkie, Poland. He was a producer and writer, known for Babij Jar (2003), Europa Europa (1990) and The Vengeance of Doctor Mabuse (1972). He was married to Maria Brauner. He died on 7 July 2019 in Berlin, Germany.- Dorothy Fong Toy was born on 28 May 1917 in Menlo Park, California, USA. She died on 10 July 2019 in Oakland, California, USA.
- Sound Department
- Editor
- Editorial Department
Morton Tubor was born on 29 April 1917 in Chicago, Illinois, USA. He was an editor, known for Vigilante Force (1976), Cannonball! (1976) and Daddy-O (1958). He died on 22 August 2019 in Los Angeles, California, USA.- Director
- Actress
Alda Grimaldi was born on 6 October 1919 in San Pier d'Arena [now Genoa], Liguria, Italy. She was a director and actress, known for Papà investigatore (1968), Vivere ancora (1945) and La signora è servita (1945). She was married to Giovanni Francesco Rubino. She died on 28 December 2023 in Turin, Piedmont, Italy.- Actress
- Writer
Helen Shingler was born on 29 August 1919 in Richmond, Surrey, England, UK. She was an actress and writer, known for Portrait of Alison (1955), The Caretaker's Daughter (1952) and Enemy at the Door (1978). She was married to Seafield Head. She died on 8 October 2019.- Lucy Jarvis was born on 24 June 1917 in New York City, New York, USA. She was a producer and actress, known for The Peking Ballet: First Spectacular from China (1972), The Kremlin (1963) and Christopher Discovers America (1969). She was married to Serge Jarvis. She died on 26 January 2020 in New York City, New York, USA.
- Writer
- Producer
- Director
A.E. Hotchner was born on 28 June 1917 in St. Louis, Missouri, USA. He was a writer and producer, known for The Fifth Column (1960), Playhouse 90 (1956) and Bob Hope Presents the Chrysler Theatre (1963). He was married to Virginia Kiser, Ursula Robbins and Geraldine Mavor. He died on 15 February 2020 in Westport, Connecticut, USA.- Zoe Gail was born on 20 February 1920 in Cape Town, South Africa. She was an actress, known for Val Parnell's Sunday Night at the London Palladium (1955), No Orchids for Miss Blandish (1948) and Lady Luck (1948). She was married to Bert Bernard and Hubert Gregg. She died on 20 February 2020 in Las Vegas, Nevada, USA.
- Actress
- Soundtrack
Prototype of the sexy cheeky French lady, Suzy Delair was discovered by Henri-Georges Clouzot, who became her companion and gave her two memorable roles : Mila Malou, inspector Wens' unbearable girlfriend in two films, Le dernier des six (1941), which he wrote, and The Murderer Lives at Number 21 (1942), which he penned and directed; and the mythical one of Jenny Lamour, a frivolous music-hall singer prepared to do anything to become famous who makes her poor husband insanely jealous in Jenny Lamour (1947). The rest of her filmography is rather disappointing, with a few exceptions such as Jean Grémillon's White Paws (1949) , where she is -once again - an unfaithful companion ; Gervaise (1956), René Clément's masterpiece as Gervaise's obnoxious rival or Luchino Visconti's Rocco and His Brothers (1960), another cinema milestone, even if her part in this film is minor. An excellent singer (Who has forgotten "Avec son tra la la"?), delightful in operettas, Suzy Delair could hardly choose between her two careers. This may be the reason why she missed out on more great roles than she finally interpreted. Nevertheless, Mila Malou and Jenny Lamour are now part of the French film heritage. Not everybody can boast having left such an imprint on several generations of movie-goers.- Armando Francioli was born on 21 October 1919 in Rome, Lazio, Italy. He was an actor, known for Il cavaliere di Maison Rouge (1954), The Pharaohs' Woman (1960) and Barber of Seville (1961). He died on 6 April 2020 in Rome, Italy.
- Lois Kelly-Miller was born on 15 October 1917 in Crossroads, Saint Andrew, Jamaica. She was an actress, known for Meet Joe Black (1998). She died on 8 April 2020 in Kingston, Jamaica.
- Ida Schuster was born on 28 September 1918 in Glasgow, Scotland, UK. She was an actress, known for Death Watch (1980), The Revenue Men (1967) and Living Apart Together (1982). She was married to Allan Berkeley. She died on 8 April 2020 in Glasgow, Scotland, UK.
- Actress
- Additional Crew
Jean Erdman was born on 20 February 1916 in Honolulu, Hawaii, USA. She was an actress, known for Medusa (1949), Camera Three (1955) and The Hero's Journey: The World of Joseph Campbell (1987). She was married to Joseph Campbell. She died on 4 May 2020 in Kailua. Hawaii, USA.- Lily Lian was born on 1 May 1917 in France. She was an actress, known for The Cut Runs Deep (1999) and La chance aux chansons (1984). She died on 24 May 2020 in Ivry-sur-Seine, Val-de-Marne, France.
- Actress
- Music Department
- Soundtrack
Vera Lynn was born on 20 March 1917 in East Ham, London, England, UK. She was an actress, known for Hellboy (2004), Lolita (1997) and Pink Floyd: The Wall (1982). She was married to Harry Lewis. She died on 18 June 2020 in Ditchling, East Sussex, England, UK.