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- DirectorWilliam HeiseStarsMay IrwinJohn C. RiceIn a medium close-up shot of the first kiss ever recorded on screen, two fervent lovers cuddle and talk passionately at hair's breadth, just before the love-smitten gentleman decides to give his chosen one an innocent peck.
- DirectorLouis LumièreStarsAndrée LumièreSuzanne Lumière"Two babies are shown seated in high chairs and apparently enjoying themselves. Suddenly one snatches a toy from the other, and they indulge in hair-pulling."
- DirectorAuguste LumièreAlexandre PromioA train is leaving a railway station at the outskirts of Jerusalem. From the very end of the train a barren, rocky landscape is seen, and some ruins of very old buildings,. Five men walk along the track, tipping their hats when the train departs. When it approaches the station building more people are seen, people of different ethnicity and religion. Some men wear fezzes on their heads and canes in their hands. A Franciscan monk comes walking in the middle of a mixed group of people. The platform outside the station is crowded with people waiting for the next train. Among them is a man with a sword at his side. The big windows of the station are covered with shutters. After the station the train passes a long fence, enclosing a lumberyard.
- DirectorLouis LumièrePeople start a snowball fight on a street in Lyons, France.
- "An exciting run by a portion of the Philadelphia Fire Departrment from the Central Station."
- DirectorLouis LumièreStarsAuguste LumièreFour workers demolish an old factory wall. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of dust whirls up. Three workers continue with picks.
- A stationary camera looks across Burgundy's River Sâone toward a small military encampment. Four horsemen enter the water in the foreground, each riding his horse as it swims across toward camp or leading it by the bridle as they swim. The men are shirtless. When they reach the middle of the river, seven more shirtless young men, each with a horse, start the crossing. Most begin astride their mount, but end up swimming alongside. Across the river, men stand in front of a large tent to watch and talk. Three officers on a makeshift pier talk to each other and ignore the young men's crossing.
- DirectorAlexandre PromioOne toddler and about ten children, not yet adolescents, use a shovel, rakes, and nets to scour an eddy by the sea as fully-dressed women (hats and all) and a few men look on and give advice. The boys are in short pants; the girls have pulled up their skirts and petticoats and stuck in their sashes. Not a clam is to be seen, although one lass checks her net a couple of times. The children's outfits (trim hats on each child and lace on each girl) suggest wealth and high society.
- A stationary camera placed amidships looks toward the round end of a 10- or 12-foot boiler that's been loaded onto the open deck. Three men climb down from atop the boiler and then remove their ladder. Four or five other workers tie the boiler down to the deck. Their pace is leisurely. In the background is a busy harbor.
- DirectorLouis LumièreCarmaux is in south-central France, near the Tarn River. As a brick of coke, about four feet high and three feet wide, is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers buzz in and out of the foreground of the stationary camera. Atop the first level of the brick smelter, workers push full carts of coal along a track.
- DirectorLouis LumièreStarsFélicien TreweyThe transformation of the same character in six different characters. A vision of the act of transformation.
- DirectorAlexandre PromioA male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
- DirectorJames H. WhiteThe camera shows a view of the American Falls and Goat Island.
- DirectorJames H. White"A burning wagon is dragged from the barn by the firemen, and four horses are rescued from the flames by the stablemen. Thick volumes of smoke pour from the doors and windows." - from the Edison Catalog
- DirectorLouis LumièreFin de siécle elegance. A parade of sorts passes in front of a stationary camera. An ostrich pulls a cart in which two well-dressed girls sit, two mules pull a large cart full of children, two horses pass with children astride, a camel follows with two children atop; last comes a large elephant with children on top and a small elephant alongside. Each animal, except the baby elephant, is decked out and each is attended by at least one man. The children are all in hats and frills. After the animals pass, we see adults out for a walk, the women with parasols and the men with silk hats.
- DirectorAlexandre PromioA stationary camera is set at a curve in the train tracks, with the Brooklyn Bridge in the background. From the bridge, a four-car streetcar approaches and turns to he viewer's left. As it passes, a train going toward the bridge passes on the tracks in front. It has four cars as well, with a few passengers aboard. A train engine that is moving backwards follows that train. A man atop a tall ladder works on a light pole.
- DirectorGeorges MélièsStarsGeorges MélièsA man tries to get a good night's sleep, but is disturbed by a giant spider that leaps onto his bed, and a battle ensues in hilarious comic fashion.
- DirectorWilliam K.L. DicksonStarsJoseph JeffersonThe first of eight short black and white films from director William K.L. Dickson in which he chronicles the story of Rip Van Winkle. In this film, two men - one of them being Rip himself - toast and enjoy their drinks.
- DirectorAlexandre PromioShort film depicting New York's Broadway and Union Square that gives an insight of everyday life and traffic at that time.
- DirectorJames H. WhiteStarsJ. Stuart BlacktonThomas A. EdisonArtist draws Thomas Edison.
- DirectorRobert W. PaulAn actuality record of Blackfriars Bridge, London, taken from the southern end looking northwards over the Thames by R.W.Paul in July 1896. It was screened as part of his Alhambra Theatre programme shortly afterwards, certainly no later than 31 August, as it is included in a printed programme of that date (as 'Traffic on Blackfriars Bridge'). Two or three of the pedestrians seem aware of the camera's presence, though not to any particularly noticeable extent.
- DirectorGeorges MélièsStarsJehanne d'AlcyJules-Eugène LegrisGeorges MélièsWith the help of a magic cauldron, Mephistopheles conjures up a variety of supernatural characters.
- DirectorJames H. WhiteMembers of the New York state militia enjoy some relaxing time during a meal break.
- DirectorRobert W. PaulThe Derby is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul's Kinetoscopes, featuring the end of the 29 May 1895 Epsom Derby viewed from a raised position close to the finishing line with the main stand in the distance. A stationary camera looks diagonally across a racetrack toward the infield showing the horses as they pass. Once the horses have passed the camera it is clear that the race has come to an end and there is a close finish between three horses. Once the race is over police officers run onto the field. The camera also displays various members of the audience moving around.
- DirectorJames H. WhiteThe camera shows a water ride at Bergen Beach at Coney Island. A raised track filled with water forms a chute, and a small boat full of park visitors slides down the chute. Alongside, empty boats are hauled back to the top of the ride.