Alternative 78th Academy Awards In Memoriam
Here's a list of people i would have included in an alternative In Memoriam for the 78th Academy Awards
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43 people
- Producer
- Additional Crew
- Director
Syrian-American Moustapha Akkad produced a series of "Halloween" movies but it was The Lion of the Desert (1980) and The Message (1976), on the history of Islam, into which he poured his heart. It was reportedly difficult for him to make it in Hollywood but no one could deny his talent as a director and producer. He was killed along with his daughter, Rima Al Akkad Monla, in a bombing in 2005 in Amman, Jordan.- Actor
- Producer
- Writer
A graduate of the University of Minnesota, Eddie Albert was a circus trapeze flier before becoming a stage and radio actor. He made his film debut in 1938 and has worked steadily since, often cast as the friendly, good-natured buddy of the hero but occasionally being cast as a villain; one of his most memorable roles was as the cowardly, glory-seeking army officer in Robert Aldrich's World War 2 film, Attack (1956).- Actress
- Director
- Writer
Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in Don't Bother to Knock (1952) in 1952, and over the next five years appeared in a lot of undistinguished movies such as Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955), Nightfall (1956) and The Girl in Black Stockings (1957). By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in The Miracle Worker (1962), for which she won an Oscar. Bancroft went on to give acclaimed performances in The Pumpkin Eater (1964), The Slender Thread (1965), Young Winston (1972), The Prisoner of Second Avenue (1975), The Elephant Man (1980), To Be or Not to Be (1983), 84 Charing Cross Road (1987) and other movies, but her most famous role would be as Mrs. Robinson in The Graduate (1967). Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than Katharine Ross and just six years older than Dustin Hoffman. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as Love Potion No. 9 (1992), Point of No Return (1993), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000) and Up at the Villa (2000). She also started to make some TV films, including Deep in My Heart (1999) for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, Mel Brooks, and their son Max Brooks, who was born in 1972. Her final film, the animated feature Delgo (2008), was released posthumously in 2008 and dedicated to her memory.- Production Designer
- Art Department
- Art Director
John Box was born on 27 January 1920 in Hampstead, London, England, UK. He was a production designer and art director, known for Rollerball (1975), Lawrence of Arabia (1962) and Doctor Zhivago (1965). He was married to Doris Lee and Barbara Courtenay. He died on 7 March 2005 in Leatherhead, Surrey, England, UK.- Actor
- Writer
- Additional Crew
Edward Bunker was born on 31 December 1933 in Hollywood, Los Angeles, California, USA. He was an actor and writer, known for Reservoir Dogs (1992), Runaway Train (1985) and The Longest Yard (2005). He was married to Jennifer Steele. He died on 19 July 2005 in Burbank, California, USA.Showed back to back with his Reservoir Dogs co-star Chris Penn- Actress
- Soundtrack
Sandra Dee was born Alexandria Zuck on April 23, 1942 in Bayonne, New Jersey, to Mary (Cymboliak) and John Zuck. She was of Carpatho-Rusyn descent. Her mother envisioned a show business career for her daughter and would often lie about her age in order to get Sandy where she wanted to go. For example, her mother enrolled her in school early so she could have a head start. Sandy was only four years old when she entered the second grade. Sandra was an extremely pretty young lady, which enabled her to get into modeling. In fact, she was already very successful at her craft by the time she was 12 years old. This in turn led to television commercials for local companies, an added benefit for the young model.
Through her mother's prodding and the talent scouts, Sandra was signed to do a movie when she was 14 called Until They Sail (1957), released in 1957. While the film didn't exactly top the charts, it would lay the foundation for Sandra's career. The new young actress was then signed to two more films for 1958, The Reluctant Debutante (1958) and The Restless Years (1958), both with a young actor, John Saxon. In 1959, Sandra appeared in five productions with Gidget (1959) and A Summer Place (1959) being the two most popular. Sandra was 17 years old and becoming the heartthrob of teenage boys all across America. In 1960, Sandra appeared in only one film, Portrait in Black (1960), but is remembered by her for something else. She married teen idol Bobby Darin in December of that year. It may have sunk a few teen boys' hearts, but most still were enamored of her. Her work, once again, took off. The 1961 releases were Come September (1961), Romanoff and Juliet (1961), and as Tammy Tyree in Tammy Tell Me True (1961).
Sandra had replaced the ever-popular Debbie Reynolds in the "Tammy" series, but the film and its 1963 sequel, Tammy and the Doctor (1963), didn't do all that well at the box-office. The films were now slowing for Sandra. The last few that she made were I'd Rather Be Rich (1964), That Funny Feeling (1965), A Man Could Get Killed (1966), Doctor, You've Got to Be Kidding! (1967), and Rosie! (1967). By 1967, her marriage to Darin ended and so did her film career. There was little call for a teenage movie star to play daughters and such, when everyone knew that she was a divorcée. Plus, the face of movies had changed and sugary stories were not the ones that people wanted to see. Sandra did nail down the part of "Nancy Wagner" in 1970's The Dunwich Horror (1970).
In the 1970s, Dee made a few appearances in made-for-television movies, but it was the film Grease (1978) that made her famous to a new generation. While she was not in the film, one of the popular songs was "Look At Me, I'm Sandra Dee".
Sandra's last silver screen role was in Lost (1983). She died of kidney complications on February 20, 2005.- Cinematographer
- Camera and Electrical Department
- Actor
Tonino Delli Colli was born on 20 November 1922 in Rome, Lazio, Italy. He was a cinematographer and actor, known for The Name of the Rose (1986), Life Is Beautiful (1997) and Once Upon a Time in America (1984). He was married to Alexandra Delli Colli. He died on 16 August 2005 in Rome, Lazio, Italy.- Actor
- Additional Crew
- Soundtrack
Best known as Scotty in Star Trek he was educated at High School in Sarnia, Ontario, where he acted in school productions.
When WWII began he joined the Royal Regiment of Canadian Artillery eventually obtaining the rank of Captain. He was wounded on D-Day, suffering severe damage to his right middle finger which was removed ahead of first knuckle, then became a flying observer for the rest of the war. His daring aerial maneuvers flying in an observation plane got him known as the craziest pilot in the Royal Canadian Air Force.
Once the war ended, he found himself on many other adventures although none of them would come anywhere close to what he experienced before.
He would become a popular voice actor who participated in thousands of CBC programs spread across both radio and television.
Later on, during the mid-1960's, he would develop into the Star Trek great we now know as Montgomery Scott, "Scotty".
In 1946 he won a 2 year scholarship to the Neighbourhood Playhouse in New York City and from there went to teach for three years.
In 1953 he returned to Canada and lived in Toronto for 8 years acting on radio, television and some films before moving to Hollywood where he also appeared in a number of popular television series such as the Canadian version of The Howdy Doody Show, Hawkeye and the Last of the Mohicans, R.C.M.P., Gunsmoke, The Twilight Zone, Hazel, The Gallant Men, Bonanza, The Richard Boone Show, The Outer Limits, Ben Casey, Voyage to the Bottom of the Sea, The Fugitive, Laredo, Bewitched, The Virginian, The Man from Uncle, The F.B.I., Peyton Place, Daniel Boone, Marcus Welby M.D., Fantasy Island, Magnum P.I., Danger Bay and The Bold and The Beautiful, while in between he made a return to the stage for various plays.
James Doohan departed the scene at the age of 85 on 20 July 2005.
Many current-day engineers credit Scotty with being their childhood inspiration and in honour of his memory a portion of Doohan's ashes were sprinkled in space by the rocket SpaceLoft XL.- Director
- Writer
- Cinematographer
Morris Engel was born on 8 April 1918 in Brooklyn, New York City, New York, USA. He was a director and writer, known for Little Fugitive (1953), Weddings and Babies (1958) and Lovers and Lollipops (1956). He was married to Ruth Orkin. He died on 5 March 2005 in New York City, New York, USA.- Actor
- Soundtrack
Typical of busy character actors, Fiedler made his face (and voice) recognizable to millions. Many know the bald-pated Fiedler as therapy patient "Mr. Peterson" on The Bob Newhart Show (1972); others might first recognize him for the 1968 movie, The Odd Couple (1968), and spin-off TV show, The Odd Couple (1970), or perhaps even from the Broadway play that preceded them. Even kids would know that helium-high voice from animated Disney features like Robin Hood (1973), The Fox and the Hound (1981) and the "Winnie the Pooh" stories, in which he voiced "Piglet". The son of an Irish-German beer salesman, Fiedler knew he wanted to be an actor from his childhood days, when he had a full head of reddish-yellow hair. He made his first professional appearances onstage, branched out into live TV in New York and, then, during the 20 years he lived in Hollywood (1960-80), he turned up in many movies and an ever greater number of popular TV shows.- Actress
- Writer
- Producer
Geraldine Fitzgerald was the only actress to appear as both Laurence Olivier's wife and Rodney Dangerfield's mother-in-law, which surely qualifies her as running the gamut (if not the gauntlet, in the latter case) of A to Z for co-starring with cinema immortals. The Irish lass appeared in many masterpieces of Hollywood's Golden Age, including Wuthering Heights (1939) and Dark Victory (1939), to say nothing of her late-career screen work in the blue-collar white-trash classic, Easy Money (1983).
She was born in Dublin, Ireland, on November 24, 1913, and made her theatrical debut at her hometown's Gate Theater in 1932. She appeared in English films from 1934 to 1937 before emigrating to New York City, where she acted with Orson Welles (who had appeared at the Gate when he was all of 16 years old as a protégé of Micheál MacLiammóir). In 1938 she made her Broadway debut with Welles' Mercury Theater in their production of George Bernard Shaw's "Heartbreak House," but her connection with Welles was sundered when she was signed by a Warner Bros. talent scout and decamped to Hollywood. Her first American film turned out to be a masterpiece. Her portrayal of Isabella, the wife of Olivier's Heathcliff in William Wyler's "Wuthering Heights" brought her a Best Supporting Actress Oscar nomination in her very first role in Tinseltown. She followed that up with a supporting turn in the Bette Davis three-hankie tearjerker "Dark Victory." Other major films she appeared in at Warner Bros. were Shining Victory (1941), The Gay Sisters (1942) and Watch on the Rhine (1943), but her career was stymied by a rebellious streak. Like Warner Bros. divas Davis and Olivia de Havilland, Fitzgerald refused roles she disliked and was put on suspension by the studio. Unlike Davis and de Havilland, however, she never won an Oscar, nor did she ever become a star. She matured into a character actress, appearing in a wide variety of quality movies, including Ten North Frederick (1958), The Pawnbroker (1964), Rachel, Rachel (1968) and Harry and Tonto (1974). In later years she appeared in several hit comedies, among them Arthur (1981).
Fitzgerald appeared on Broadway and off-Broadway in many plays, including revivals of the works of Irish-American playwright Eugene O'Neill (I)'; she was Mary Tyrone in a 1971 off-Broadway production of "Long Day's Journey into Night" opposite Robert Ryan and was in the 1977 Broadway revival of "A Touch of the Poet" with Jason Robards. She also appeared earlier that year on Broadway in the Pulitzer Prize- and Tony Award-winning play "The Shadow Box." The previous year she had performed in her own cabaret act for a one-week engagement on Broadway, which she then revived in New York nightclubs as "Streetsongs." In addition to singing, she would reminisce about her life. Later, she received Tony Award and Drama Desk nominations for directing "Mass Appeal," a play about Catholic priests.
Geraldine Fitzgerald died in New York City on July 19, 2005, of complications from Alzheimer's disease. She was 91 years old.- Franciosa was born Anthony Papaleo on October 25, 1928, in New York City. The son of a construction worker and seamstress who divorced when he was a year old, he seldom saw his father after this and never man really got to know the other. After graduating high school, during a visit to a YMCA to take a free dance lesson, Franciosa came across an audition for a play. Intrigued, he auditioned and was offered a part.
Franciosa began acting professionally, taking his mother's maiden name as his stage name, and had his breakthrough in Calder Willingham's play "End as a Man" (1955), which opened off-Broadway at the Theatre de Lys on September 15, 1953 and transferred to Broadway on October 14 after 32 performances. It was directed by Jack Garfein and co-starred Ben Gazzara (who won a Theatre World Award and would appear in the movie version), both of whom were associated with the Actors Studio, as was Franciosa. His first wife, Beatrice Bakalyar, was a writer.
In 1955, he first appeared in the role that would make him famous: "Polo Pope", the brother of a heroin addict, in an Actors Studio workshop production of Michael V. Gazzo's A Hatful of Rain (1957). The production later moved to Broadway, where Franciosa earned an Outer Critics Circle Award and a Tony Award nomination. Hollywood beckoned, and he made his film debut in Robert Wise's This Could Be the Night (1957) with Paul Douglas and Jean Simmons.
He appeared in Actors Studio co-founder Elia Kazan's A Face in the Crowd (1957) before reprising the role of "Polo Pope" in Fred Zinnemann's A Hatful of Rain (1957). Franciosa won an Academy Award nomination for Best Actor in 1958 for "Hatful" and, with his good looks, was a very hot commodity in Hollywood. He followed up his strong debut by starring in a variety of top A-list films, including George Cukor's Wild Is the Wind (1957), Martin Ritt's The Long, Hot Summer (1958) and The Naked Maja (1958), in which he played painter Francisco Jose de Goya, opposite Ava Gardner.
Franciosa's career began to run out of momentum almost as quickly as it had started, as he rapidly developed a reputation as a combative personality, earning him a reputation as "difficult". Although he starred in George Roy Hill's adaptation of Tennessee Williams' Period of Adjustment (1962), by 1964 he was reduced to appearing in a TV series, Valentine's Day (1964), which lasted a single season. In 1968 he was cast as one of three alternating leads in the television series The Name of the Game (1968), a spin-off from the 1966 TV movie Fame Is the Name of the Game (1966) (the first TV-movie ever made as a pilot for a TV series that was subsequently picked up as a series). Although the show was popular with audiences, Franciosa was fired after appearing in the first two seasons; NBC justified giving him the sack because the actor's mercurial temper was causing too many problems on the set. Looking back at his career in a 1996 interview, Franciosa acknowledged that he was too inexperienced to handle sudden stardom. "It was an incredible amount of attention, and I wasn't quite mature enough psychologically and emotionally for it".
He starred in the series Matt Helm (1975), which only lasted one season, but his talent and charm meant he was in demand throughout the five decades of his career, though not in the kinds of roles that characterized the first two decades of his star period. He continued to act in supporting roles in movies and starring roles in TV movies and series until he retired in 1996. He appeared in one last project, "Manifest Mysteries: Coronation" (2006), shortly before his death on January 19, 2006 in Los Angeles, at the age of 77, five days after that of his ex-wife, actress Shelley Winters. - Actress
- Soundtrack
Arguably best remembered for her role as Miss Ellie, the Ewing family matriarch on the long-running TV series Dallas (1978), Barbara Bel Geddes had earlier scored success on stage and screen long before gaining more lasting fame on television. She was born in New York City on Halloween Day 1922, the daughter of noted theatrical and industrial designer Norman Bel Geddes, who staged more than 200 plays. After growing up amidst the theatre, Bel Geddes began acting on stage at age 18 and soon moved on to Broadway. The silver screen also beckoned; she made her film debut in The Long Night (1947). She was quickly labeled a star, gracing the cover of Life magazine on April 12, 1948. Her third motion picture, I Remember Mama (1948), garnered Bel Geddes an Academy Award nomination for best supporting actress. Other notable films include Panic in the Streets (1950) directed by Elia Kazan; Alfred Hitchcock's classic mystery-thriller Vertigo (1958) with James Stewart and Kim Novak; and The Five Pennies (1959) opposite Danny Kaye. Though she achieved immediate success in films, Bel Geddes also continued to tread the boards on Broadway, since theatre was her first love. In 1952, she received the prestigious Woman of the Year Award from Hasty Pudding Theatricals USA, America's oldest theater company. She was nominated for Tony Awards as best dramatic actress for Cat on a Hot Tin Roof in 1956 and for the lead in Mary, Mary in 1961. Bel Geddes made several TV appearances on Alfred Hitchcock Presents (1955) and other programs in the mid 1950s, but her greatest television role came as Miss Ellie Ewing Farlow on Dallas (1978), which enjoyed a run of 13 years (1978-1991). She won the Emmy Award for best actress in 1980 and was nominated in the same category in 1979 and 1981. Bel Geddes left the show for health reasons during the 1984-85 season, with Donna Reed taking over the role of Miss Ellie. Bel Geddes returned for the 1985-86 season and continued on Dallas (1978) until 1990, when she effectively retired from acting. She did not appear in either of the two Dallas TV reunion movies. On August 8, 2005, she died following a long illness.- Art Director
- Production Designer
- Art Department
Alexander Golitzen was a legendary art director, a field in which most worker's names remain relatively unknown. His prolific work in hundreds of films, predominantly at Universal, made his name familiar to many film-goers, at least among those who read credits. Possibly only Cedric Gibbons, at MGM, shared a similar fame. Golitzen was nominated for Academy Awards fourteen times, winning on three occasions.
Golitzen's family, noble descendants of princes of Lithuania, fled Moscow following the Russian Revolution, so he found himself in America at the age of 16. The family settled in Seattle and Alexander earned a degree in architecture from the University of Washington. He moved to Los Angeles in 1933 and became an assistant to the fellow Russian-born art director, Alexander Toluboff at MGM working as an illustrator for Queen Christina (1933). He became an art director in 1935, and went on to work at various studios for independent producers, including Samuel Goldwyn and Walter Wanger. His older sister, Natalie Galitzine, appeared in two Hollywood films, including Cecil B. DeMille's King of Kings.
Golitzen was Oscar-nominated for his work on Hitchcock's Foreign Correspondent (1940) before Wanger brought Golitzen to work with him at Universal on the film Arabian Nights (1942) for which he earned his first Academy Award nomination. He continued to show his flair for the design of Technicolor films at this studio, and won his first academy award the very next year for Phantom of the Opera (1943).
In 1954 Alexander was named Supervising Art Director at Universal, a title he held until his retirement in 1974. Although considered a genius for his work in color films, with his contributions adding considerably to the impact of diverse film subjects, including westerns, musicals, and even the science fiction film, This Island Earth (1955), he was also adept in black & white, earning an Oscar for To Kill a Mockingbird (1962). Golitzen also did some notable work for television series such as The Twilight Zone (1959) and One Step Beyond (1959). He retired on a high note, with his very last work, on the film Earthquake (1974), being Oscar-nominated.Not featured in either the Oscars Memoriam or TCM Remembers- Writer
- Animation Department
- Art Department
Joe Grant was born on 15 May 1908 in New York City, New York, USA. He was a writer, known for Fantasia (1940), Dumbo (1941) and Alice in Wonderland (1951). He was married to Jenny Grant. He died on 6 May 2005 in Glendale, California, USA.- Director
- Cinematographer
- Camera and Electrical Department
Guy Green is well known to film audiences. Formerly a cinematographer, he was the first British D.P. to receive an Academy Award for his black-and-white photography on David Lean's Great Expectations (1946). He founded the British Society of Cinematographers together with Freddie Young and Jack Cardiff.
Green worked with Lean on several films, and it was this close association that inspired him to give up cinematography at the height of his career to become a director. While directing two early pictures, Triple Deception (1956) and Desert Patrol (1958), Green became associated with actors Richard Attenborough and Michael Craig, and The Angry Silence (1960) was first conceived when the three were involved in filming "Sea Of Sand" in the 140-degree heat of the Libyan desert. The film became a landmark in the careers of all concerned, and brought Green international attention. It was Britain's first entry at the Berlin Film Festival, where it won the International Critic's Award.
"The Angry Silence" was followed by The Mark (1961), which was critically applauded both in the US and Europe. Rod Steiger and Stuart Whitman give outstanding performances and Whitman was nominated for an Academy Award as Best Actor. The picture received the Samuel Goldwyn International Award and many other accolades.
Next came Light in the Piazza (1962), Green's first American production for MGM, followed by Diamond Head (1962) and the much acclaimed A Patch of Blue (1965). The screenplay for "Patch Of Blue," which was written by Green, was nominated for a Writer's Guild award and later received five Academy nominations, including Best Actress for newcomer Elizabeth Hartman. Shelley Winters received an Academy Award for her supporting performance as the mother.
Green then directed Luther (1974), the screen version of John Osborne's play, for the prestigious American Film Theater, with Stacy Keach in the leading role. Jacqueline Susann's Once Is Not Enough (1975) followed and subsequently he has directed a number of important made-for-television movies.
Born in the west of England, Green had a love of movies at a very young age. His first job was as a projectionist aboard the ocean liner The Majestic, which brought him to America for the first time. He also worked in London as a portrait photographer and as an assistant cameraman for an advertising agency. Eventually he managed to land a job as a camera assistant at Shepperton Studios in London and worked his way up from there.
He met his wife Josephine while they were both working on David Lean's Oliver Twist (1948)/ They have two children, Marilyn and Michael, who both work in the film industry.- Actress
- Soundtrack
June Haver was born on June 10, 1926, in Rock Island, Illinois, with the birth name of Beverly June Stovenour. Her parents divorced at an early age and she was adopted by Bert Haver, her stepfather. Her mother and new father moved to Cincinnati, where she appeared on the stage for the first time at the age of six in a local theater production of "Midnight in a Toyshop". Very soon after, June was winning musical contests around the Queen City. By 1936, little June and her mother had returned to the city of her birth, after a film screen test the year before. It was here that she blossomed even further with her singing, appearing on local radio. Later, while touring with various musical bands, June and her mother found their way to sunny California, in the entertainment mecca of Los Angeles. While in high school, she played in various secondary productions.
In 1942, at the age of 16, June joined Fox Studios as a fringe actress. Dropped because the studio thought she was too young, they signed her the following year to appear in The Gang's All Here (1943). It was an uncredited part, but a start in the film world, nonetheless. Unless one looked hard, she would have been easy to miss in the film. Her next one with Fox was in 1944's Home in Indiana (1944). But it was her next film where she was able to showcase her acting talent in Irish Eyes Are Smiling (1944). In 1945, she appeared in Where Do We Go from Here? (1945) with her future husband, Fred MacMurray, who she wed in 1954.
It was the only film the two of them would be in together. In 1946, at the age of 20, June got top billing for the first time in Three Little Girls in Blue (1946). Her only other film that year was Wake Up and Dream (1946). After only one film in 1947, June resurfaced the next year in the utterly forgettable Scudda Hoo! Scudda Hay! (1948). This was one of the starting vehicle's for a rising talent named Marilyn Monroe. In 1949, June was in two productions. They were Look for the Silver Lining (1949) and Oh, You Beautiful Doll (1949). By now, it was obvious that she was being groomed to take over the Fox throne held by Betty Grable. It was not to be, because June was about to leave films, altogether. The filming of 1953's The Girl Next Door (1953) proved to be her last silver screen appearance. She had announced, the year before, that she would become a nun after her contract ran out. True to her word, she entered the convent but only stayed a few months.
It was after she left the convent that she was seen with Fred MacMurray. After they were wed, the couple adopted twin girls. June's last foray into the glare of the camera lights was when she played herself in the television production of The Lucy-Desi Comedy Hour (1957). She died of respiratory failure in Brentwood, California on July 6, 2005.- Actress
- Soundtrack
Dana Hill was born Dana Lynne Goetz on May 6, 1964, in a suburb of Los Angeles, to parents Sandy Hill and Ted Goetz, a commercial director. Despite diabetes ending a promising future in athletics when she was just ten years old, Dana gamely threw herself into acting when still in her early teen years, taking her mother's maiden name as her professional acting name. She found success early on with her performances in both Fallen Angel (1981) and Shoot the Moon (1982), winning high praise from critics. For her stage work, Hill won the 1986 Los Angeles Drama Critics Circle Award as Best Featured Actress for her performance in "Picnic." However, complications from her diabetes set in and the consequent decline in her health meant that from the mid-1980s on, Dana increasingly turned to voice-over roles in animated movies and television programs such as Jetsons: The Movie (1990), Goof Troop (1992) and Duckman: Private Dick/Family Man (1994). In early 1996, Dana's health grew increasingly fragile as was evident to her friends and costars. Late that May, she slipped into a diabetic coma. On June 5th she suffered a paralytic stroke and on July 15th she died peacefully in the hospital at the age of 32 years, bringing an untimely end to a career that in less than two decades had spanned the big and small screen, animation and the theatre.- Composer
- Music Department
- Writer
Joel Hirschhorn shared two Academy Awards for theme songs in "The Poseidon Adventure" and "The Towering Inferno," with longtime collaborator Al Kasha. During his long career Hirschhorn's songs sold more than 90 million records, and were featured in more then 20 films and were recorded by various artists including Elvis Presley. Hirschorn and Kasha, won their first Oscar in 1973 for "The Morning After" from "The Poseidon Adventure," a film about a luxury cruise ship capsized by an enormous wave. They then earned a second Academy Award in 1975 for "We May Never Love Like This Again" from "The Towering Inferno," a film about a catastrophic blaze in a high-rise building. They were also nominated for another pair of Oscars for songs from the Disney animated film "Pete's Dragon." They were also nominated for two Tony Awards.- A graduate of the University of Michigan School of Drama, Ruth Hussey's first show-business job was as a fashion commentator on a local radio station. She journeyed to New York City, where she was signed as a model by the world-famous Powers agency. She obtained some stage roles with touring companies and was noticed by MGM, which signed her and with whom she made her film debut in 1937. She quickly became a leading lady in MGM's "B" unit, usually playing sophisticated, worldly roles. She was nominated for an Academy Award for her turn as a cynical photographer in The Philadelphia Story (1940). She soon focused her main energies on the stage, however, and returned to the screen only occasionally.
- Writer
- Producer
- Director
One of the most critically and commercially successful screenwriters in Hollywood history, Lehman grew up on Long Island, graduated from NY's City College. One of his first jobs was as a copywriter for a Broadway publicist. This experience would later be reflected in his novel and screenplay, "Sweet Smell of Success." He also worked as a radio comedy writer, and as editor of a financial magazine. He freelanced short stories for the likes of Collier's magazine and one of these fiction piece 'The Comedian' led to his first job in Hollywood as a screenwriter for Paramount in the mid 1950s. Nick Roddick, in Dictionary of Literary Biography, praised Lehman as "a champion of the well-crafted, what-happens-next screenplay." Served as president of the Writers Guild of America from 1983-85.- Editor
- Editorial Department
Academy Award winner film editor and also recipient of the Eddie award from the American Cinema Editors, Stu Linder is best remembered for his editing in several films from director Barry Levinson.
Stewart Bridgewater Linder was born on November 8, 1931 in Geneva, Illinois. He began his career as assistant editor on The Misfits (1961) and The Man Who Shot Liberty Valance (1962), working alongside Hollywood's Golden era directors such as John Huston and John Ford. Thanks to his meticulous work on Seconds (1966), director John Frankenheimer offered him the editing duties on Grand Prix (1966). Along with editors Fredric Steinkamp, Henry Berman and Frank Santillo they composed some of the most fascinating car races ever created, and for their work in the film they won the Academy Award of Best Editing.
After the film's success Linden became an important editor, at times working as an editorial assistant in films for Mike Nichols in the early 1970's. With Diner (1982), a long collaboration with director Barry Levinson has started, spanning for more than 20 years. Their stylistic choices, rhythm and experience can be viewed in countless films and of many different stories and settings, from drama to comedy and suspense. Among the titles Levinson & Linder made together are The Natural (1984), Young Sherlock Holmes (1985), Tin Men (1987), Good Morning, Vietnam (1987), Avalon (1990), Bugsy (1991), Sleepers (1996), Wag the Dog (1997) and Rain Man (1988), where Linder was once again nominated for a Best Editing Oscar and Levinson won as Best Director.
The duo collaboration was abruptly ended while filming Man of the Year (2006), when Linden was found dead after suffering a heart-attack on January 12, 2006. It would be their 18th film together.- Producer
- Director
- Actor
Ismail Merchant was born on 25 December 1936 in Bombay, Bombay Presidency, British India [now Mumbai, Maharashtra, India]. He was a producer and director, known for Howards End (1992), A Room with a View (1985) and The Remains of the Day (1993). He died on 25 May 2005 in London, England, UK.- Actor
- Producer
- Director
Sir John Mills, one of the most popular and beloved English actors, was born Lewis Ernest Watts Mills on February 22, 1908, at the Watts Naval Training College in North Elmham, Norfolk, England. The young Mills grew up in Felixstowe, Suffolk, where his father was a mathematics teacher and his mother was a theater box-office manager. The Oscar-winner appeared in more than 120 films and TV movies in a career stretching over eight decades, from his debut in 1932 in Midshipmaid Gob (1932) through Bright Young Things (2003) and The Snow Prince (2009).
After graduating from the Norwich Grammar School for Boys, Mills rejected his father's academic career for the performing arts. After brief employment as a clerk in a grain merchant's office, he moved to London and enrolled at Zelia Raye's Dancing School. Convinced from the age of six that performing was his destiny, Mills said, "I never considered anything else."
After training as a dancer, he started his professional career in the music hall, appearing as a chorus boy at the princely sum of four pounds sterling a week in "The Five O'Clock Revue" at the London Hippodrome, in 1929. The short, wiry song-and-dance man was scouted by Noël Coward and began to appear regularly on the London stage in revues, musicals and legitimate plays throughout the 1930s. He appeared in a score of films before the war, "quota quickies" made under a system regulating the import of American films designed to boost local production. He was a juvenile lead in The Ghost Camera (1933), appeared in the musical Car of Dreams (1935), and then played lead roles in Born for Glory (1935), Nine Days a Queen (1936) and The Green Cockatoo (1937). His Hollywood debut was in Goodbye, Mr. Chips (1939) with Robert Donat, but he refused the American studios' entreaties to sign a contract and stayed in England.
Mills relished acting in films, finding it a challenge rather than the necessary economic evil that many English actors at the time, such as Laurence Olivier, felt it was, and it was the cinema that would make him an internationally renowned star. He anchored his film career in military roles, such as those in his early pictures Born for Glory (1935) (a.k.a. "Forever England") and Raoul Walsh's You're in the Army Now (1937). He appeared in the classic In Which We Serve (1942), where he worked with his mentor Coward and with Coward's co-director David Lean, who would go on to direct Mills in some of his most memorable performances.
Throughout his film career Mills played a wide variety of military characters, portraying the quintessential English hero. He later tackled more complex characterizations, such as the emotionally troubled commander in Tunes of Glory (1960). He also played Field Marshal Haig in the satire Oh! What a Lovely War (1969) that mocked the entire genre. However, it was in his World War II films, which included We Dive at Dawn (1943), Waterloo Road (1945) and Johnny in the Clouds (1945), that Mills established himself as an innovative English film star.
With his ordinary appearance and everyman manner, Mills seemed "the boy-next-door," but the Mills hero was decent, loyal and brave, as well as tough and reliable under stress. In his military roles, he managed throughout his career to include enough subtle variations on the Mills heroic type to avoid appearing typed. He could play such straight heroes as Scott of the Antarctic (1948) as well as deconstruct the type in Ice Cold in Alex (1958) and "Tunes of Glory." The latter film features one of his finest film roles, that of the brittle Col. Basil Barrow, the new commander of a Scots battalion. Mills superbly played an emotionally troubled martinet in a role originally slated for Alec Guinness, his Great Expectations (1946) co-star, who decided to take the flashier role of the colonel's tormentor. It was one of Mills' favorite characters.
No male star of English cinema enjoyed such a long and rewarding career as a star while appearing predominantly in English films. As an actor, Mills chose his roles on the basis of the quality of the script rather than its propriety as a "star" turn. Because of this, he played roles that were more akin to character parts, such as shoemaker Willy Mossop in Hobson's Choice (1954). As he aged, his proclivity for well-written roles enabled him to make a seamless transition from a lead to character lead to character actor from the 1950s to the 1960s.
Almost 40 years after his film debut, Mills won the Best Supporting Actor Academy Award for playing the mute village idiot in Lean's Ryan's Daughter (1970), an uncharacteristic part. In addition to "In Which We Serve" and "Ryan's Daughter," Lean had also directed Mills in memorable performances in This Happy Breed (1944) and "Hobson's Choice". He gave one of his finest turns as Pip in Lean's masterpiece "Great Expectations", in which Mills' performance was central to the success of the picture.
Other significant films in which Mills appeared include The Rocking Horse Winner (1949), King Vidor's War and Peace (1956), The Chalk Garden (1964), King Rat (1965), The Wrong Box (1966), Lady Caroline Lamb (1972), Young Winston (1972) and Stanley Kramer's Oklahoma Crude (1973). He also appeared with his daughter Hayley Mills in Tiger Bay (1959) and The Family Way (1966) and had a cameo in her Disney hit The Parent Trap (1961). Mills appeared in a Disney hit of his own, Swiss Family Robinson (1960), as the paterfamilias. He had one of the better cameo parts in producer Mike Todd's epic Around the World in 80 Days (1956), playing a carriage driver, and appeared in a non-speaking part as Old Norway in Kenneth Branagh's Hamlet (1996).
In 1967 he appeared in the short-lived American TV series Dundee and the Culhane (1967) on CBS. In the hour-long series Mills played an English lawyer named Dundee who roamed the Wild West with a young American lawyer named Culhane, who was also a fast draw with a six-gun. The network was disappointed with the quality of the show's writing and cancelled it after 13 episodes. One of the series' directors was Ida Lupino, who played Mills' sister in "The Ghost Camera" over 30 years before (Lupino also directed Hayley in The Trouble with Angels (1966)). Mills' most famous television role was probably the title character in ITV's Quatermass (1979).
He appeared on Broadway during the 1961-62 season as the lead character in Terence Rattigan's "Ross," a fictionalization of the life of T.E. Lawrence, for which he was nominated for a Best Actor Tony Award. His only other Broadway appearance was in the 1987 revival of George Bernard Shaw's "Pygmalion," in which he played Alfred Doolittle. The play was nominated for a Tony for Best Revival, and Amanda Plummer, playing his character's daughter, Eliza, also received a Tony nomination.
After divorcing Aileen Raymond, whom he had married at the age of 19, Mills married playwright Mary Hayley Bell on January 16, 1941. Since he was serving in the army, they could not have a church service, and they renewed their vows at St. Mary's Church, next to their home, Hills House, in Denham, England, in 2001.
Mills has worked as both producer and director: in 1966, he directed daughter Hayley in Gypsy Girl (1966) (a.k.a. "Gypsy Girl), from a script written by his wife. He produced "The Rocking Horse Winner" and The History of Mr. Polly (1949), the latter film featuring his older daughter Juliet Mills as a child. Whistle Down the Wind (1961) in which Hayley's character mistakes a runaway convict played by Alan Bates for Jesus Christ, was based on a novel written by Mary.
Living in Hollywood during the 1960s where his daughter Hayley enjoyed her own Oscar-winning career as a child star, Mills and his wife became very popular with members of the movie colony. After Hayley grew out of her child actress roles, Mills returned to England, where he continued his film work. He became a council member of the Royal Academy of Dramatic Art and a life patron of the Variety Club.
Mills was appointed a Commander of the British Empire in 1960 and was knighted in 1976. Although he suffered from deafness and failing eyesight and went almost completely blind in 1990, he continued to act, playing both blind and sighted characters with his customary joie de vivre and panache. The British Academy of Film and Television Arts honored him with a Special Tribute Award in 1987 and a Fellowship, its highest award, in 2002. He was honored with a British Film Institute Fellowship in 1995 and was named a Disney Legend by The Walt Disney Co.
After a brief illness, Sir John Mills died at the age of 97 on April 23, 2005, in Denham, Buckinghamshire, England. He was survived by his widow (who survived him by eight months), his son Jonathan, his daughters Juliet and Hayley, and his grandson Crispian Mills, the lead singer of the hit pop music group Kula Shaker. He was the author of an autobiography, "Up in the Clouds, Gentleman Please," published in 1981.- Actor
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Abundantly busy and much-loved Asian-American actor who became an on-screen hero to millions of adults and kids alike as the wise and wonderful Mr. Miyagi in The Karate Kid (1984), the sparkling Noriyuki Morita was back again dishing out Eastern philosophy and martial arts lessons for The Karate Kid Part II (1986) and The Karate Kid Part III (1989), and even for The Next Karate Kid (1994). However, putting all that karate aside, the diminutive Morita actually first started out as a stand-up comedian known as the Hip Nip in nightclubs and bars, and made his first on-screen appearance in Thoroughly Modern Millie (1967). He quickly adapted to the screen and showed up in small parts in such comedy films as The Shakiest Gun in the West (1968), alongside Don Knotts, and in Evil Roy Slade (1972) supporting John Astin. He also appeared in such popular series as Sanford and Son (1972) and M*A*S*H (1972).
Morita got his next break playing the often-perplexed restaurant owner Matsho "Arnold" Takahashi in 26 episodes of the hugely popular sitcom Happy Days (1974) between 1975 and 1976, and again between 1982 and 1983. Morita was quite in demand on the small screen and also scored the lead in his own police drama Ohara (1987), and guest-starred on other high-profile television series including Magnum, P.I. (1980), Murder, She Wrote (1984), Baywatch (1989) and The Hughleys (1998). Although most often used as a minor character actor, he remained consistently busy and occasionally lent his vocal talents to animated features such as Mulan (1998). However, his real strengths lay in portraying slightly oddball or unusual characters in offbeat films. He died at age 73 of natural causes at Sunrise Hospital in Las Vegas, Nevada on November 24, 2005.- Actor
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Fayard Nicholas was one-half of The Nicholas Brothers, a famous African-American tap dancing team who appeared in several movies and became one of the famous and most beloved dance team of all time. Both brothers appeared in films such as An All-Colored Vaudeville Show (1935), The Pirate (1948) and The Five Heartbeats (1991). Fayard's brother, Harold Nicholas died on July 3, 2000, while Fayard died on January 24, 2006.- Actress
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Sheree North was born on 17 January 1932 in Los Angeles, California, USA. She was an actress, known for Breakout (1975), Lawman (1971) and The Shootist (1976). She was married to Phillip Alan Norman, Dr. Gerhardt Ralph Sommer, John M. "Bud" Freeman and Frederick Arnold Bessire Jr.. She died on 4 November 2005 in Los Angeles, California, USA.- Actor
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Daniel Peter "Dan" O'Herlihy was born on 1 May 1919 at Odessa Cottage, Wexford Town, County Wexford (Ireland) to John Robert O'Herlihy, a civil servant from Cork who later worked in the Department of Industry and Commerce, and Ellen (née Hanton). Dan had at least two siblings, a sister and a younger brother (Michael O'Herlihy, who became a television director). The family moved to Dublin when Dan was one year old. Educated at CBS Eblana (Dún Laoghaire Christian Brothers School), as a teenager he developed literary ambitions. Upon entering UCD, he applied to study law but rapidly switched to architecture which allowed him to use his drawing skills. While a student he published political cartoons in Irish newspapers under the initials "TOC".
O'Herlihy decided not to follow in his father's footsteps, forsaking the life of an architect in favour of the acting profession. The tall, distinguished-looking university graduate boasted a rich, resonant voice which enabled him to easily find work in radio plays, as well on the stage. He first came to note as a small part actor with the Gate and Abbey Theatre Players, on occasion putting his architectural qualifications to use as a set designer. His first leading role was in Sean O'Casey's play 'Red Roses for Me' in 1944. During one of his performances in Dublin, he was spotted by the director Carol Reed and cast as an IRA terrorist in Odd Man Out (1947). This, and another London-produced film, Hungry Hill (1947), resulted in good critical notices , prompting another genial filmmaker, Orson Welles, to cast O'Herlihy in the role of Macduff for his Mercury/Republic production of Macbeth (1948). While this enterprise was far from successful, the actor's rugged, bearded appearance sufficiently impressed Luis Buñuel to cast him in the titular role of Robinson Crusoe (1954).
Until the arrival of "Friday", the only other featured character, this definitive version of Daniel Defoe's shipwrecked 17th century mariner was a tour-de-force one man show, a compelling, wordless portrayal of agonised solitude. However, as the Mexican production was considered merely a B-movie in Hollywood, O'Herlihy was forced to invest some of his own money to have the film exhibited in Los Angeles. While he was rewarded with an Oscar nomination, few worthy job offers came his way. For the remainder of the decade, he worked under short-term contracts as a character actor (often billed as "Daniel O'Herlihy") for Universal and 20th Century Fox, typically cast in costume dramas like The Black Shield of Falworth (1954), The Purple Mask (1955) and The Virgin Queen (1955). When movie roles became scarce, he branched out into anthology television, eventually becoming a much sought-after guest star on popular prime time shows like The Untouchables (1959), Bonanza (1959) and The Man from U.N.C.L.E. (1964). Work on radio shows, like 'Johnny Dollar', 'Suspense' and 'Lux Radio Theatre', also continued to provide him with a steady source of income.
From the mid-1960s, he was afforded several better film opportunities: first, in a memorable dual role as the sinister, voyeuristic Dr.Caligari AND the handsome psychiatrist treating repressed mental patient Jane Lindstrom (Glynis Johns), in Robert Bloch's off-beat psycho-thriller, The Cabinet of Caligari (1962). Second, he played an anguished U.S. Air Force general contemplating orders to drop a hydrogen bomb over New York, in Sidney Lumet's gripping anti-war drama Fail Safe (1964). He was also, among later big screen appearances, one of many name actors in the star-studded military epic Waterloo (1970) (as Napoleon's "Marshal Ney"); unrecognisable in make-up as a reptilian alien in the 'Star Wars' clone The Last Starfighter (1984); as irredeemable villains in Halloween III: Season of the Witch (1982) and RoboCop (1987); and as the inscrutable Andrew Packard in Twin Peaks (1990) on television. He continued to alternate film work with acting on stage in Los Angeles and at the Abbey Theater. Dan O'Herlihy died on 17 February 2005, aged 85. He left his papers to the care of University College Dublin (UCD) where he had graduated with a degree in architecture in 1945.- Actress
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Jean Parker was born Lois Mae Green in 1915. Her father was Lewis Green, a gunsmith and hunter, and her mother was Pearl Melvina Burch (later known professionally as Mildred Brenner), one of 18 children of a pioneer family that came to Montana from Missouri and Iowa. Jean's maternal grandfather was a Presbyterian minister.
Parker was an accomplished gymnast and dancer, and was adopted by the Spickard family of Pasadena during her formative years when both her father and mother were unemployed during the Great Depression. As Lois Green, she entered a poster-painting contest and won for portraying Father Time. Ida Koverman, assistant to MGM studio chief Louis B. Mayer, heard that a pretty teenage girl had won the contest; she contacted the would-be starlet, and had Mayer offer her an MGM contract.
Parker made several important films in her career, including The Ghost Goes West (1935) with Robert Donat; Sequoia (1934) with Russell Hardie, shot in the Sequoia National Forest near Springville, California; Little Women (1933) with Joan Bennett and Katharine Hepburn; Operator 13 (1934) with Marion Davies; and many other films.
After several successful cross-country trips entertaining injured servicemen during World War II, Parker wed and divorced Curt Grotter of the Braille Institute in Los Angeles; and moved on to New York to star in the play "Loco". She also starred on Broadway in "Burlesque" with Bert Lahr, and in the hit "Born Yesterday", filling in for Judy Holliday. Parker's fourth and last husband, actor Robert Lowery, played opposite her as Brock in the play for a short stint. By this marriage, Parker bore her only child, a son, Robert Lowery Hanks.
Parker died on November 30, 2005 at the Motion Picture Country Home and Hospital in Woodland Hills, California, aged 90, from a stroke. She was survived by her son and two granddaughters, Katie and Nora Hanks.- Actor
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Christopher Shannon Penn was born on October 10, 1965 in Los Angeles, California, the third son of actress Eileen Ryan (née Annucci) and director, actor, and writer Leo Penn. His siblings are musician Michael Penn and actor Sean Penn. His father was from a Lithuanian Jewish/Russian Jewish family, and his mother is of half-Italian and half-Irish descent.
Penn set out to follow in his parents' footsteps and started acting at age twelve in the Loft Studio. While in high school he and his brother Sean made several shorts with their classmates, which included such would-be stars as Emilio Estevez and Rob Lowe. Penn made his onscreen debut in the Christopher Cain movie, Charlie and the Talking Buzzard (1979). After a few years Penn caught the eye of acclaimed director Francis Ford Coppola, who cast him in a supporting role in the teen drama Rumble Fish (1983). Although the film was a flop critically and commercially, Penn's career was well under way.
That same year he acted in All the Right Moves (1983), a high school drama film starring a young Tom Cruise. The next year Penn gave a performance in Footloose (1984), starring Kevin Bacon and dealing with a small town which bans rock & roll music. The movie was a smash hit, and remains a classic to this day. Penn followed this up with a villainous role in Clint Eastwood's Pale Rider (1985), and the crime movie At Close Range (1986), starring Christopher Walken.
Penn acted in a few smaller productions until he was cast as Travis Brickley in the sports drama Best of the Best (1989). Penn's character is a martial arts fighter who joins the other main characters when they enter a taekwondo tournament against the Korean team. The movie spawned several sequels, though Penn only appeared in the first and second films. A few more jobs followed until Penn landed what is known as his most famous movie: Quentin Tarantino's Reservoir Dogs (1992). The indie crime film concerned a heist gone wrong, as the criminals search for a rat in their midst. Penn played the role of Nice Guy Eddie, the son of the old gangster that arranges the heist. The film continues to receive acclaim as a classic movie and as the start of Tarantino's directing career. Penn also acted in the Tarantino-scripted Tony Scott crime movie True Romance (1993), albeit in a much smaller role. Penn also took a supporting role in the ensemble film Short Cuts (1993) by Robert Altman.
After participating in these acclaimed films, Penn took on several smaller projects, including a role as the villain in the second "Beethoven" movie. In this period of time, Penn acted in such films as the crime film Mulholland Falls (1996), set in the 1950s. Penn then gave one of his greatest performances in the Abel Ferrara crime drama The Funeral (1996). The movie starred Christopher Walken, Penn, and Vincent Gallo as three brothers who are involved in the world of crime, even as it threatens to take them all down. Penn plays Chez, the middle brother, who has a very short temper. Penn also sang a song in the film as his character. While the film was well received critically and Penn received an award for Best Supporting Actor at the Venice Film Festival for his excellent performance, The Funeral (1996) went largely unseen. Penn followed up with the Canadian film The Boys Club (1996), the crime thriller One Tough Cop (1998), and a supporting role in the hit comedy Rush Hour (1998).
Following his latest success, Penn acted in the drama-comedy The Florentine (1999), the English comedy Kiss Kiss Bang Bang (2001), and the crime thriller Murder by Numbers (2002). Penn was also one of the many stars that acted in the box office failure Masked and Anonymous (2003), starring Bob Dylan. The last few years of his career mainly featured supporting roles in such movies as After the Sunset (2004), Starsky & Hutch (2004), and the Canadian crime film King of Sorrow (2007), his last film appearance. Throughout his life Penn had had battles with heart disease and multiple drug use. He was found dead in his home on January 24, 2006. He was only forty years old.
Penn left behind a career that featured many roles in small, independent productions as well as several very well-known films. Penn worked with several esteemed directors and fellow actors, lending his talent to both television and film. Although he never received nearly as much attention or as many awards as his brother Sean, Chris Penn will always be remembered by those who watch movies and appreciate his work.Showed back to back with his Reservoir Dogs co-star Edward Bunker- Actor
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Born of African and West Indian ancestry on July 2, 1927 in New York City, Brock Peters set his sights on a show business career early on, at age ten. A product of NYC's famed Music and Arts High School, Peters initially fielded more odd jobs than acting jobs as he worked his way up from Harlem poverty. Landing a stage role in "Porgy and Bess" in 1949, he quit physical education studies at CCNY and went on tour with the acclaimed musical. His film debut came in Carmen Jones (1954), but he really began to make a name for himself - having dropped his real name, George Fisher, in 1953 - in such films as To Kill a Mockingbird (1962) and The L-Shaped Room (1962). He received a Tony Award nomination for his starring stint in Broadway's "Lost in the Stars" in 1973. He also appeared in Star Trek IV: The Voyage Home (1986) and Star Trek VI: The Undiscovered Country (1991), two sequels to the popular Star Trek films. Brock Peters died at age 78 of pancreatic cancer on August 23, 2005.- Actor
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Highly influential, and always controversial, African-American actor/comedian who was equally well known for his colorful language during his live comedy shows, as for his fast paced life, multiple marriages and battles with drug addiction. He has been acknowledged by many modern comic artist's as a key influence on their careers, and Pryor's observational humor on African-American life in the USA during the 1970s was razor sharp brilliance.
He was born Richard Franklin Lennox Pryor III on December 1, 1940, in Peoria, Illinois, the son of Gertrude L. (Thomas) and LeRoy "Buck Carter" Pryor. His mother, a prostitute, abandoned him when he was ten years of age, after which he was raised in his grandmother's brothel. Unfortunately, Pryor was molested at the age of six by a teenage neighbor, and later by a neighborhood preacher. To escape this troubled life, the young Pryor was an avid movie fan and a regular visitor to local movie theaters in Peoria. After numerous jobs, including truck driver and meat packer, the young Pryor did a stint in the US Army between 1958 & 1960 in which he performed in amateur theater shows. After he left the services in 1960, Pryor started singing in small clubs, but inadvertently found that humor was his real forte.
Pryor spent time in both New York & Las Vegas, honing his comic craft. However, his unconventional approach to humor sometimes made bookings difficult to come by and this eventually saw Pryor heading to Los Angeles. He first broke into films with minor roles in The Busy Body (1967) and Wild in the Streets (1968). However, his performance as a drug addicted piano player in Lady Sings the Blues (1972), really got the attention of fans and film critics alike.
He made his first appearance with Gene Wilder in the very popular action/comedy Silver Streak (1976), played three different characters in Which Way Is Up? (1977) and portrayed real-life stock-car driver "Wendell Scott" in Greased Lightning (1977). Proving he was more than just a comedian, Pryor wowed audiences as a disenchanted auto worker who is seduced into betraying his friends and easy money in the Paul Schrader working class drama Blue Collar (1978), also starring Yaphet Kotto and Harvey Keitel. Always a strong advocate of African-American talent, Pryor next took a key role in The Wiz (1978), starring an all African-American cast, including Diana Ross and Michael Jackson, retelling the story of The Wizard of Oz (1939). His next four screen roles were primarily cameos in California Suite (1978); The Muppet Movie (1979); Wholly Moses! (1980) and In God We Trust (or Gimme That Prime Time Religion) (1980). However, Pryor teamed up with Gene Wilder once more for the prison comedy Stir Crazy (1980), which did strong box office business.
His next few films were a mixed bag of material, often inhibiting Pryor's talent, with equally mixed returns at the box office. Pryor then scored second billing to Christopher Reeve in the big budget Superman III (1983), and starred alongside fellow funny man John Candy in Brewster's Millions (1985) before revealing his inner self in the autobiographical Jo Jo Dancer, Your Life Is Calling (1986). Again, Pryor was somewhat hampered by poor material in his following film ventures. However, he did turn up again in See No Evil, Hear No Evil (1989) with Gene Wilder, but the final product was not as sharp as their previous pairings. Pryor then partnered on-screen with two other very popular African-American comic's. The legendary Redd Foxx and 1980s comic newcomer Eddie Murphy starred with Pryor in the gangster film Harlem Nights (1989) which was also directed by Eddie Murphy. Having contracted multiple sclerosis in 1986, Pryor's remaining film appearances were primarily cameos apart from his fourth and final outing with Gene Wilder in the lukewarm Another You (1991), and his final appearance in a film production was a small role in the David Lynch road flick Lost Highway (1997).
Fans of this outrageous comic genius are encouraged to see his live specials Richard Pryor: Live and Smokin' (1971); the dynamic Richard Pryor: Live in Concert (1979); Richard Pryor: Live on the Sunset Strip (1982) and Richard Pryor... Here and Now (1983). In addition, The Richard Pryor Show (1977) is a must-have for any Richard Pryor fans' DVD collection.
Unknown to many, Pryor was a long time advocate against animal cruelty, and he campaigned against fast food chains and circus shows to address issues of animal welfare. He was married a total of seven times, and fathered eight children.
After long battles with ill health, Richard Pryor passed away on December 10th, 2005.Pryor would have closed the tribute- Writer
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Joseph Ranft was an American writer, voice actor, animator, storyboard artist and magician. He worked for Disney and Pixar. He worked on The Lion King, The Brave Little Toaster, Toy Story, A Bug's Life, Cars, Monsters, Inc and Finding Nemo. He voiced in the many films he worked on, notably as Heimlich the Caterpillar from A Bug's Life and the outtakes of Toy Story 2. He passed away in August 2005.- Vincent Schiavelli, selected in 1997 by Vanity Fair as one of the best character actors in America, had made over 120 film and television appearances. He studied acting at NYU's Theatre Program. Aside from his acting career, Vincent was the author of three cookbooks, and has written numerous articles on food for magazines and newspapers. In 2001, he received the James Beard Journalism Award.
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Moira was born the daughter of Harold Charles King, a civil engineer, in Dunfermline, Scotland. She was educated at Dunfermline High School, Ndola in Zambia (formerly Northern Rhodesia) and Bearsden Academy, Scotland. She received her professional training at the Mayfair School and The Nicholas Legat Studio. She made her debut in the International Ballet with 1941 and then danced at Sadler's Wells in 1942. From 1942 to 1952 she danced all the major classic roles and a full repertoire of revivals and new ballets. Her first role as prima ballerina was "Sleeping Beauty" at the Royal Opera House, Covent Garden in 1946 which was followed by 'Coppelia' and. 'Swan Lake'. She toured the United States with the Sadler's Wells Ballet in 1949 and in 1950/51. She toured as Sally Bowles in "I am a Camera" in 1955 and appeared at the Bristol Old Vic as "Major Barbara" in 1956. Although these performances were the start of her secondary career as an actress, she continued her primary career as a ballerina. She has appeared on TV as a ballerina and as an actress- Actress
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Diminutive, fiery-tempered Simone Simon was born in France, but spent much of her early childhood in Madagascar, where her father managed a graphite mine. Her schooling was somewhat unsettled, her family moving from city to city (Berlin, Budapest, Turin) before finally establishing themselves in Paris in 1930. Simone started as a dress designer, fashion model and occasional performer in stage musicals. She eventually met the director Marc Allégret, who took her under his wing. Her film debut was in 1931 and she had her first major hit as Jean Gabin's co-star in La Bête Humaine (1938), directed by Jean Renoir.
There were two halves to Simone's history in Hollywood. In 1936, Darryl F. Zanuck signed her to a contract at 20th Century Fox on the strength of a picture she had made two years earlier, Allegret's Ladies Lake (1934). She was launched with an expensive publicity campaign which accentuated her continental allure, particularly, her 'sexy pout'. During her tenure, problems surfaced regarding her command of English and also her limited singing skills. Dissatisfied with the roles she was given, Simone returned to France and 'La Bete Humaine'. She made a second attempt at Hollywood, acting in William Dieterle's The Devil and Daniel Webster (1941) as Belle, the devil's handmaiden. The New York Times review of October 17 considered her 'completely out of key'. Simone's best work, however, was to come in the shape of the cult horror classic Cat People (1942). Producer Val Lewton and director Jacques Tourneur used her triangular-faced feline qualities to best effect in the story of a girl who obsesses about an ancient Balkan curse turning her into a panther. The film was stylish and subtle, creating imagined rather than actual menace. Simone's performance was commensurate with perfectly studied cat-like mannerisms. During the production of 'Cat People', Simone was under FBI surveillance because of her relationship with MI5 spy Dusko Popov. She made two further, less successful, films at RKO, then returned to France for good. Simone made several films there and worked on the stage. In spite of many affairs and relationships, she never married.- Actor
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Lane Smith was born on 29 April 1936 in Memphis, Tennessee, USA. He was an actor, known for My Cousin Vinny (1992), Red Dawn (1984) and The Mighty Ducks (1992). He was married to Deborah Lynn Price and Sydnee Roberta Balaber. He died on 13 June 2005 in Northridge, California, USA.- John Spencer was born John Speshock III in Paterson, New Jersey, the only son of Mildred (Benzeroski), a homemaker and occasional waitress, and John Speshock, a truck driver. He grew up near Paterson, New Jersey, and left at age 16 to attend the Professional Children's School. In 1963, he landed a recurring role on The Patty Duke Show (1963). After that ended, he attended Fairleigh Dickenson University and later New York University, but dropped out to return to acting. John had been an acknowledged alcoholic, who remained sober ever since getting therapy. He had quit smoking in 1999, which he described as "hell on earth". He passed away of a heart attack on December 16, 2005. He will be missed.Not featured in either the Oscars Memoriam nor TCM Remembers
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Never a big name but always a reliable staple on TV crime shows during the 1960s and 1970s, Harold J. Stone usually was seen in a strong, unsympathetic vein -- an unyielding father or husband, corrupt businessman, menacing crime figure, etc. A sober-looking gent with a block jaw, Romanesque-styled nose and steely gray-black hair, he was also prone to playing ethnic types of varying origins.
Born Harold Jacob Hochstein in New York City on March 3, 1913, the scion of a Jewish acting family who established themselves in the Yiddish theater, Stone started on stage with his father as a child. He once entertained a career in medicine, attaining a BA degree at the University of Buffalo Medical School, but acting proved too strong a desire. After initially finding work in radio, Stone made his Broadway bow with "The World We Make" (1939), which led to other productions such as "Morning Star" (1940) and "A Bell for Adano" (1944). His early work in New York on stage and TV eventually paved the way to a modest character career in movies and a move to Hollywood.
In the 1950s Stone began to provide a minor, shady presence in such "A" films as Humphrey Bogart's The Harder They Fall (1956), Alfred Hitchcock's The Wrong Man (1956), the Rocky Graziano biopic Somebody Up There Likes Me (1956), the ultimate gladiator spectacle Spartacus (1960) and the gangster epic The St. Valentine's Day Massacre (1967) in which he played Chicago mobster Frank Nitti. He also played a no-nonsense foil to good friend Jerry Lewis in a few of his wacky 60s comedies. None of these, however, did much to improve his standing. Television, on the other hand, became a strong and steady medium for Stone, and he became a fixture in hundreds of police dramas including 77 Sunset Strip (1958), Naked City (1958), The Untouchables (1959), Mannix (1967), Mission: Impossible (1966), The Rockford Files (1974) and Kojak (1973). He was once Emmy-nominated for a dramatic guest role.
Left a widower by his first wife Joan in 1960, by whom he had two children, he continued to work primarily on episodic TV into the mid-1980s before retiring and settling down with his second wife Miriam (from 1962), who bore him another child. He died in Woodland Hills, California at age 92.- Additional Crew
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Onna White was born on 24 March 1922 in Inverness, Nova Scotia, Canada. She is known for Oliver! (1968), Pete's Dragon (1977) and The Music Man (1962). She was married to Larry Douglas. She died on 8 April 2005 in West Hollywood, California, USA.- Actress
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Shelley Winters was born Shirley Schrift of very humble beginnings on August 18, 1920 (some sources list 1922) in East St. Louis, Illinois. Her mother, Rose Winter, was born in Missouri, to Austrian Jewish parents, and her father, Jonas Schrift, was an Austrian Jewish immigrant. She had one sibling, a sister, Blanche. Her father moved the family to Brooklyn when she was still young so that he, a tailor's cutter, could find steadier work closer to the city's garment industry. An unfailing interest in acting began quite early for Shelley, and she appeared in high school plays. By her mid- to late teens she had already been employed as a Woolworth's store clerk, model, borscht belt vaudevillian and nightclub chorine, all in order to pay for her acting classes. During a nationwide search in 1939 for GWTW's Scarlett O'Hara, Shelley was advised by auditioning director George Cukor to get acting lessons, which she did. Apprenticing in summer stock, she made her Broadway debut in the short-lived comedy "The Night Before Christmas" in 1941 and followed it with the operetta "Rosalinda" (1942) initially billing herself in both shows as Shelley Winter (without the "s").
Within a short time, Shelley pushed ahead for a career out west. Hollywood proved to be a tough road. Toiling in bit roles for years, many of her scenes were excised altogether during her early days. Obscurely used in such movies as What a Woman! (1943), The Racket Man (1944), Cover Girl (1944) and Tonight and Every Night (1945), her breakthrough did not occur until 1947, and it happened on both the stage and big screen. Not only did she win the replacement role of Ado Annie Carnes in "Oklahoma!" on Broadway but, around the same time, scored excellent notices on film as the party girl waitress who ends up a victim of deranged strangler (and Oscar winner) Ronald Colman in the critically-hailed A Double Life (1947) directed by Cukor. From this moment, she achieved a somewhat earthy film stardom, playing second-lead broads who often met untimely ends (as in Cry of the City (1948) and The Great Gatsby (1949)), or tawdry-black-stockinged and feather-boa-adorned leads, as in South Sea Sinner (1950) in which her eclectic co-stars included Macdonald Carey and Liberace!
As a tarnished glamour girl and symbol of working-class vulgarity in Hollywood, Shelley was about to be written off in pictures altogether when one of her finest movie roles arrived on her front porch. Her best hard luck girl storyboard showed up in the form of depressed, frumpy-looking Alice Tripp, a factory girl seduced and abandoned by wanderlust Montgomery Clift in A Place in the Sun (1951). Favoring gorgeous society girl Elizabeth Taylor who is totally out of his league, Clift is subsequently blackmailed by Winters' pathetic (and now pregnant) character into marrying her. For her desperate efforts, she is purposely drowned by Clift after he tips their canoe. The role, which garnered Shelley her first Oscar nomination, finally plucked her out of the sordid starlet pool she was treading and into the ranks of serious femme star contenders. But not for long.
Winters just couldn't escape the lurid bottle-blonde quality she instilled in her characters. During what should have been her peak time in films were a host of badly-scripted "B" films. The obvious, two-dimensional chorines, barflies, floozies and gold diggers she played in Behave Yourself! (1951), Frenchie (1950), Phone Call from a Stranger (1952), Playgirl (1954), and also Mambo (1954), in which co-starred second husband Vittorio Gassman, pretty much said it all. She grew extremely disenchanted and decided to return to dramatic study. Earning membership into the famed Actors' Studio, she went to Broadway and earned kudos, thereby reestablishing her reputation as a strong actress with the drug-themed play "A Hatful of Rain" (1955). Co-starring in the show was the up-and-coming Anthony Franciosa, who became her third husband in 1957. Her renewed dedication to pursuing quality work was shown by her appearances in a number of heavyweight theater roles including Blanche in "A Streetcar Named Desire" (1955). In later years, the Actors' Studio enthusiast became one of its most respected coaches, shaping up a number of today's fine talents with the Strasberg "method" technique.
By the late 1950s, she had started growing in girth and wisely eased into colorful character supports. The switch paid off. After a sterling performance as the ill-fated wife of sadistic killer Robert Mitchum in Charles Laughton's The Night of the Hunter (1955), she scored big in the Oscar department when she won "Best Supporting Actress" for the shrill and hypertensive but doomed Mrs. Van Daan in The Diary of Anne Frank (1959). From this period sprouted a host of revoltingly bad mamas, blowsy matrons, and trashy madams in such film fare as Lolita (1962), The Chapman Report (1962), The Balcony (1963) Wives and Lovers (1963), and A House Is Not a Home (1964). She topped things off as the abusive prostitute mom in A Patch of Blue (1965) who was not above pimping her own blind daughter (the late Elizabeth Hartman) for household money. The actress managed to place a second Oscar on her mantle for this riveting support work.
With advancing age and increasing size, she found a comfortable niche in the harping Jewish wife/mother category with loud, flashy, unsubtle roles in Enter Laughing (1967), Next Stop, Greenwich Village (1976) and, most notably, The Poseidon Adventure (1972). She earned another Oscar nomination for "Poseidon" while portraying her third drowning victim. At around the same time, she scored quite well as the indomitable Marx Brothers' mama in "Minnie's Boys" on Broadway in 1970.
In the 1970s and 1980s, she developed into an oddly-distracted personality on TV, making countless talk show appearances and becoming quite the raconteur and incessant name dropper with her juicy Hollywood behind-the-scenes tales. Candid would be an understatement when she published two scintillating tell-all autobiographies that reached the bestsellers list. "Shelley, Also Known as Shirley" (1981) and "Shelley II: The Middle of My Century" (1989) detailed dalliances with Errol Flynn, Burt Lancaster, Marlon Brando, William Holden, Sean Connery and Clark Gable, to name just a few.
Thrice divorced (her first husband was a WWII captain; her only child, Vittoria, was the daughter of her second husband, Gassman), she remained footloose and fancy free after finally breaking it off with the volatile Franciosa in 1960. Her stormy marriages and notorious affairs, not to mention her ambitious forays into politics and feminist causes, kept her name alive for decades. She worked in films until the beginning of the millennium, her last film being the easily-dismissed Italian feature La bomba (1999). She enjoyed Emmy-winning TV work and had the recurring role of Roseanne Barr's tell-it-like-it-is grandmother on the comedienne's self-named sitcom. Her last years were marred by failing health and, for the most part, she was confined to a wheelchair. Suffering a heart attack in October of 2005, she died in a Beverly Hills nursing home of heart failure on January 14, 2006.
It was reported that only hours earlier on her deathbed she had entered into a "spiritual" union with her longtime companion of 19 years, Gerry McFord; a relationship of which her daughter disapproved. Gregarious, brazen, ambitious and completely unpredictable -- that would be Shelley Winters, the storyteller, whose amazing career lasted over six colorful decades.- Director
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Robert Earl Wise was born on September 10, 1914 in Winchester, Indiana, the youngest of three sons of Olive R. (Longenecker) and Earl Waldo Wise, a meat packer. His parents were both of Pennsylvania Dutch (German) descent. At age nineteen, the avid moviegoer came into the film business through an odd job at RKO Radio Pictures. A head sound effects editor at the studio recognized Wise's talent, and made Wise his protégé. Around 1941, Orson Welles was in need of an editor for Citizen Kane (1941), and Wise did a splendid job. Welles really liked his work and ideas. Wise started as a director with some B-movies, and his career went on quickly, and he made many classic movies. His last theatrical film, Rooftops (1989), proved that he was a filmmaker still in full command of his craft in his 80s. The carefully composed images, tight editing, and unflagging pace make one wish that Wise had not stayed away from the camera for very long. Robert Wise died of heart failure on September, 14, 2005, just four days after his 91st birthday.- Actress
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A natural and lovely talent who was discovered for films by Samuel Goldwyn, the always likable Teresa Wright distinguished herself early on in high-caliber, Oscar-worthy form -- the only performer ever to be nominated for Oscars for her first three films. Always true to herself, she was able to earn Hollywood stardom on her own unglamorized terms.
Born Muriel Teresa Wright in the Harlem district of New York City on October 27, 1918, her parents divorced when she was quite young and she lived with various relatives in New York and New Jersey. An uncle of hers was a stage actor. She attended the exclusive Rosehaven School in Tenafly, New Jersey. The acting bug revealed itself when she saw the legendary Helen Hayes perform in a production of "Victoria Regina." After performing in school plays and graduating from Columbia High School in Maplewood, New Jersey, she made the decision to pursue acting professionally.
Apprenticing at the Wharf Theatre in Provincetown, Massachusetts during the summers of 1937 and 1938 in such plays as "The Vinegar Tree" and "Susan and God", she moved to New York and changed her name to Teresa after she discovered there was already a Muriel Wright in Actors Equity. Her first New York play was Thornton Wilder's "Our Town" wherein she played a small part but also understudied the lead ingénue role of Emily. She eventually replaced Martha Scott in the lead after the actress was escorted to Hollywood to make pictures and recreate the Emily role on film. It was during her year-long run in "Life with Father" that Teresa was seen by Goldwyn talent scouts, was tested, and ultimately won the coveted role of Alexandra in the film The Little Foxes (1941). She also accepted an MGM starlet contract on the condition that she not be forced to endure cheesecake publicity or photos for any type of promotion and could return to the theater at least once a year. Oscar-nominated for her work alongside fellow cast members Bette Davis (as calculating mother Regina) and Patricia Collinge (recreating her scene-stealing Broadway role as the flighty, dipsomaniac Aunt Birdie), Teresa's star rose even higher with her next pictures.
Playing the good-hearted roles of the granddaughter in the war-era tearjerker Mrs. Miniver (1942) and baseball icon Lou Gehrig's altruistic wife in The Pride of the Yankees (1942) opposite Gary Cooper, the pretty newcomer won both "Best Supporting Actress" and "Best Actress" nods respectively in the same year, ultimately taking home the supporting trophy. Teresa's fourth huge picture in a row was Alfred Hitchcock's psychological thriller Shadow of a Doubt (1943) and she even received top-billing over established star Joseph Cotten who played a murdering uncle to her suspecting niece. Wed to screenwriter Niven Busch in 1942, she had a slip with her fifth picture Casanova Brown (1944) but bounced right back as part of the ensemble cast in the "Best Picture" of the year The Best Years of Our Lives (1946) portraying the assuaging daughter of Fredric March and Myrna Loy who falls in love with damaged soldier-turned-civilian Dana Andrews.
With that film, however, her MGM contract ended. Remarkably, she made only one movie for the studio ("Mrs. Miniver") during all that time. The rest were all loanouts. As a freelancing agent, the quality of her films began to dramatically decline. Pictures such as Enchantment (1948), Something to Live For (1952), California Conquest (1952), Count the Hours! (1953), Track of the Cat (1954) and Escapade in Japan (1957) pretty much came and went. For her screenwriter husband she appeared in the above-average western thriller Pursued (1947) and crime drama The Capture (1950). Her most inspired films of that post-war era were The Men (1950) opposite film newcomer Marlon Brando and the lowbudgeted but intriguing The Search for Bridey Murphy (1956) which chronicled the fascinating story of an American housewife who claimed she lived a previous life.
The "Golden Age" of TV was her salvation during these lean film years in which she appeared in fine form in a number of dramatic showcases. She recreated for TV the perennial holiday classic The Miracle on 34th Street (1955) in which she played the Maureen O'Hara role opposite Macdonald Carey and Thomas Mitchell. Divorced from Busch, the father of her two children, in 1952, Teresa made a concentrated effort to return to the stage and found consistency in such plays as "Salt of the Earth" (1952), "Bell, Book and Candle" (1953), "The Country Girl" (1953), "The Heiress" (1954), "The Rainmaker" (1955) and "The Dark at the Top of the Stairs" (1957) opposite Pat Hingle, in which she made a successful Broadway return. Marrying renowned playwright Robert Anderson in 1959, stage and TV continued to be her primary focuses, notably appearing under the theater lights in her husband's emotive drama "I Never Sang for My Father" in 1968. The couple lived on a farm in upstate New York until their divorce in 1978.
By this time a mature actress now in her 50s, challenging stage work came in the form of "The Effect of Gamma Rays on Man-in-the Moon Marigolds", "Long Day's Journey Into Night", "Morning's at Seven" and "Ah, Wilderness!" Teresa also graced the stage alongside George C. Scott's Willy Loman (as wife Linda) in an acclaimed presentation of "Death of a Salesman" in 1975, and appeared opposite Scott again in her very last play, "On Borrowed Time" (1991). After almost a decade away from films, she came back to play the touching role of an elderly landlady opposite Matt Damon in her last picture, John Grisham's The Rainmaker (1997). Teresa passed away of a heart attack in 2005.Wright would have opened the tribute