The Best Actress 1930
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Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.1500 points- Actress
- Soundtrack
Harlean Carpenter, who later became Jean Harlow, was born in Kansas City, Missouri, on March 3, 1911. She was the daughter of a successful dentist and his wife. In 1927, at the age of 16, she ran away from home to marry a young businessman named Charles McGrew, who was 23. The couple pulled up stakes and moved to Los Angeles, not long after they were married, and it was there Jean found work as an extra in films, landing a bit part in Moran of the Marines (1928). From that point on she would go to casting calls whenever she could. In 1929 she had bit parts in no less than 11 movies, playing everything from a passing woman on the street to a winged ballerina. Her marriage to McGrew turned out to be a disaster--it lasted barely two years--and they divorced. The divorce enabled her to put more of her efforts into finding roles in the movie business. Although she was having trouble finding roles in feature movies, she had more luck in film shorts. She had a fairly prominent role in Hal Roach's Double Whoopee (1929). Her big break came in 1930, when she landed a role in Howard Hughes' World War I epic Hell's Angels (1930), which turned out to be a smash hit. Not long after the film's debut, Hughes sold her contract to MGM for $60,000, and it was there where her career shot to unprecedented heights. Her appearance in Platinum Blonde (1931) cemented her role as America's new sex symbol. The next year saw her paired with Clark Gable in John Ford's Red Dust (1932), the second of six films she would make with Gable. It was while filming this picture (which took 44 days to complete at a cost of $408,000) that she received word that her new husband, MGM producer Paul Bern, had committed suicide. His death threatened to halt production of the film, and MGM chief Louis B. Mayer had even contacted Tallulah Bankhead to replace Harlow if she were unable to continue, a step that proved to be unnecessary. The film was released late in 1932 and was an instant hit. She was becoming a superstar. In MGM's glittering all-star Dinner at Eight (1933) Jean was at her comedic best as the wife of a ruthless tycoon (Wallace Beery) trying to take over another man's (Lionel Barrymore) failing business. Later that year she played the part of Lola Burns in director Victor Fleming's hit Bombshell (1933). It was a Hollywood parody loosely based on Clara Bow's and Harlow's real-life experiences, right down to the latter's greedy stepfather, nine-room Georgian-style home with mostly-white interiors, her numerous pet dogs - right down to having her re-shoot scenes from the Gable and Harlow hit, Red Dust (1932) here! In 1933 Jean married cinematographer Harold Rosson, a union that would only last eight months. In 1935 she was again teamed with Gable in another rugged adventure, China Seas (1935) (her remaining two pictures with Gable would be Wife vs. Secretary (1936) and Saratoga (1937)). It was her films with Gable that created her lasting legacy in the film world. Unfortunately, during the filming of Saratoga (1937), she was hospitalized with uremic poisoning. On June 7, 1937, she died from the ailment. She was only 26. The film had to be finished by long angle shots using a double. Gable said he felt like he was in the arms of a ghost during the final touches of the film. Because of her death, the film was a hit. Record numbers of fans poured into America's movie theaters to see the film. Other sex symbols/blonde bombshells have followed, but it is Jean Harlow who all others are measured against.748 points- Actress
- Soundtrack
Marguerite Churchill was born on 26 December 1910 in Kansas City, Missouri, USA. She was an actress, known for The Big Trail (1930), Riders of the Purple Sage (1931) and The Walking Dead (1936). She was married to George O'Brien. She died on 9 January 2000 in Broken Arrow, Oklahoma, USA.742 points- Dita Parlo was born on 4 September 1906 in Stettin, Pomerania, Germany [now Szczecin, Zachodniopomorskie, Poland]. She was an actress, known for The Grand Illusion (1937), L'Atalante (1934) and Melody of the Heart (1929). She was married to Frank Guetal. She died on 12 December 1971 in Courbevoie, Hauts-de-Seine, France.733 points
- Actress
- Soundtrack
Leila Hyams was one of the top leading ladies of the early talkie pre-code years. She was a likable, pleasing actress with a charming presence. She had much spark, personality and charisma, and a touch of down-to-earthiness and naturalness that won over movie fans; they could relate to her. A versatile, excellent actress she was, able to conform to any role and maintain that special heartfelt sincerity she always displayed in her role. Freaks (1932) was her best-known movie, in which she played Venus and gave a compassionate performance. Her image on screen was beautiful but not conceited, not high and mighty, tough but sweet and she had sex appeal but always came across as a lady who managed to keep her innocence. Those were the qualities that carried her to fame and set her apart from the other leading ladies of early Hollywood.724 points- Actress
- Writer
- Soundtrack
Tragic songstress Lillian Roth (nee Lillian Rutstein) was born in Boston, Massachusetts, on December 13, 1910. She was given her first name in honor of singer Lillian Russell. She was the daughter of stage parents who groomed her and younger sister Ann for stardom at an early age.
The girls did not disappoint. In 1916, Lillian moved with her family to New York City, where the youngsters found work as extras in films. Lillian's precocious talent was picked up on quickly, and at age six she made her Broadway debut in "The Inner Man." All the while, the girls trained at the Professional Children's School. They became billed as "Broadway's Youngest Stars" after putting together a successful vaudeville tour billed as "The Roth Kids." In this act Lillian did serious dramatic impersonations of famous stars of the day, with Anna delivering amusing satires of Lillian's readings.
Lillian's vocal talents also impressed, and she was cast in the show "Artists and Models" at age 15. Shy by nature, the ever-increasing thrust into the limelight caused Lillian to develop severe nervous disorders, but somehow she persevered. At age 17, Florenz Ziegfeld Jr. signed her up as an ingénue headliner in his new show "Midnight Frolics."
This attention led to impresario Ernst Lubitsch's invitation to Hollywood for his glossy musical The Love Parade (1929) with Maurice Chevalier and Jeanette MacDonald. Lillian was a hit in her second lead role. She also impressed as Huguette in The Vagabond King (1930), a rather dated early musical talkie. Paramount cast her in Honey (1930), in which she debuted her signature standard "Sing You Sinners." Other roles included Cecil B. DeMille's Madam Satan (1930) and the Marx Brothers' vehicle Animal Crackers (1930), which countered her vocal stylings with the boys' zany antics.
The sudden death of her fiancé in the early '30s drove Lillian over the brink. She found that liquor gave her a calming sensation, which led to a full-scale addiction. Marriages, one to renowned Municipal Court Justice Benjamin Shalleck, came and went at a steady pace. There would be six in all. Her career deteriorated as she spiraled further and further down into alcoholic delirium.
Decades would be spent in and out of mental institutions until she met and married T. Burt McGuire, Jr., a former alcoholic, in the late '40s. With his support, Lillian slowly revived her career with club work. She became a singing sensation again and toured throughout the world, receiving ecstatic reviews wherever she went. Lillian's daring autobiography, "I'll Cry Tomorrow," was published in 1954 and topped The New York Times Best Seller list. She left out few details of her sordid past and battles with substance abuse. She became the first celebrity to associate her name with alcoholism and Alcoholics Anonymous, putting a well-known face on the disease (as Rock Hudson would later do for AIDS, albeit less willingly) while doing her part in helping to remove the social stigma.
A bold, no-holds-barred film adaptation of Lillian's book followed. Susan Hayward's gutsy portrayal of Lillian won her a fourth Oscar nomination. Lillian herself would return to films in her twilight years, but only in small roles and to minor fanfare. A beautiful and touching vocalist and actress, she put her own wonderful spin on such vintage songs as "When the Red, Red Robin," "I Wish I Had My Old Gal Back Again," and "Eadie Was a Lady." She overcame unimaginable odds and somehow lived to tell about it.
Lillian's turbulent life came to an end in New York City after suffering a fatal stroke on May 12, 1980. She was 69.723 points- Actress
- Stunts
- Soundtrack
Lilian Harvey was born on January 19th, 1906 in London. Her mother was English and her father was German. When she was eight her family moved to Berlin shortly before the outbreak of WW1. She spent much of the war at school in Switzerland where she broadened her knowledge of languages and classical dance.
After graduating high school in Berlin, she worked in theatre revues before debuting in her first film "Der Fluch" for Robert Land. After many roles in silent films, UFA found great use for her acting, dancing and language skills in many famous light operettas made with the advent of sound. These highly popular films (usually co-starring Willy Fritsch, with whom she became irrevocably associated in the public's mind as the romantic dream-team of the European cinema) were usually made in three different languages at once. The cast would be switched around her for the various takes in German, French and English (Laurence Olivier had his first film role in one of her vehicles).
Her most successful film, 1931's "Der Kongress Tanzt"/"Le congress s'amuse"/"Congress Dances" led to a contract in Hollywood with the Fox Film Company. She dissolved this contract after a few pictures, walking out on a role that was filled by then-unknown Alice Faye and returning to UFA to be with director Paul Martin, with whom she was romantically involved. The Nazi regime had come to power in her absence and Lilian Harvey found it difficult to work under Goebbels.
She was instrumental in helping those persecuted by the Nazis escape until her film popularity waned and she was forced to escape as well. She eventually landed in the USA and spent most of WW2 in Los Angeles working as a volunteer nurse. Her former directors and co-workers like Michael Curtiz and Billy Wilder remained social contacts, but the stigma of having been UFA's biggest star of the early thirties kept her from reigniting her own film career. She did theatre work and continued to work on European stages after the war. She received war reparations in the early sixties and lived on the Riviera until her death on July 27th, 1968.722 points- Actress
- Soundtrack
She won a beauty contest at age fourteen. In 1920 her mother, Edith Shearer, took Norma and her sister Athole Shearer (Mrs. Howard Hawks) to New York. Ziegfeld rejected her for his "Follies," but she got work as an extra in several movies. She spent much money on eye doctor's services trying to correct her cross-eyed stare caused by a muscle weakness. Irving Thalberg had seen her early acting efforts and, when he joined Louis B. Mayer in 1923, gave her a five year contract. He thought she should retire after their marriage, but she wanted bigger parts. In 1927, she insisted on firing the director Viktor Tourjansky because he was unsure of her cross-eyed stare. Her first talkie was in The Trial of Mary Dugan (1929); four movies later, she won an Oscar in The Divorcee (1930). She intentionally cut down film exposure during the 1930s, relying on major roles in Thalberg's prestige projects: The Barretts of Wimpole Street (1934) and Romeo and Juliet (1936) (her fifth Oscar nomination). Thalberg died of a second heart attack in September, 1936, at age 37. Norma wanted to retire, but MGM more-or-less forced her into a six-picture contract. David O. Selznick offered her the part of Scarlett O'Hara in Gone with the Wind (1939), but public objection to her cross-eyed stare killed the deal. She starred in The Women (1939), turned down the starring role in Mrs. Miniver (1942), and retired in 1942. Later that year she married Sun Valley ski instructor Martin Arrouge, eleven years younger than she (he waived community property rights). From then on, she shunned the limelight; she was in very poor health the last decade of her life.718 points- Actress
- Soundtrack
Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Colbys (1985). But she was known to millions of other fans for her movie career, which spanned the period from 1927 until 1964, after which she appeared on television until 1986. It was a career that lasted for 59 years.
Barbara Stanwyck was born Ruby Catherine Stevens on July 16, 1907, in Brooklyn, New York, to working class parents Catherine Ann (McPhee) and Byron E. Stevens. Her father, from Massachusetts, had English ancestry, and her Canadian mother, from Nova Scotia, was of Scottish and Irish descent. Stanwyck went to work at the local telephone company for fourteen dollars a week, but she had the urge (a dream--that was all it was) somehow to enter show business. When not working, she pounded the pavement in search of dancing jobs. The persistence paid off. Barbara was hired as a chorus girl for the princely sum of $40 a week, much better than the wages she was getting from the phone company. She was seventeen, and was going to make the most of the opportunity that had been given her.
In 1928 Barbara moved to Hollywood, where she was to start one of the most lucrative careers filmdom had ever seen. She was an extremely versatile actress who could adapt to any role. Barbara was equally at home in all genres, from melodramas, such as Forbidden (1932) and Stella Dallas (1937), to thrillers, such as Double Indemnity (1944), one of her best films, also starring Fred MacMurray (as you have never seen him before). She also excelled in comedies such as Remember the Night (1939) and The Lady Eve (1941). Another genre she excelled in was westerns, Union Pacific (1939) being one of her first and TV's The Big Valley (1965) (her most memorable role) being her last. In 1983, she played in the ABC hit mini-series The Thorn Birds (1983), which did much to keep her in the eye of the public. She turned in an outstanding performance as Mary Carson.
Barbara was considered a gem to work with for her serious but easygoing attitude on the set. She worked hard at being an actress, and she never allowed her star quality to go to her head. She was nominated for four Academy Awards, though she never won. She turned in magnificent performances for all the roles she was nominated for, but the "powers that be" always awarded the Oscar to someone else. However, in 1982 she was awarded an honorary Academy Award for "superlative creativity and unique contribution to the art of screen acting." Sadly, Barbara died on January 20, 1990, leaving 93 movies and a host of TV appearances as her legacy to us.708 points- Actress
- Writer
- Director
Once you saw her, you would not forget her. Despite her age and weight, she became one of the top box office draws of the sound era. She was 14 when she joined a theater group and she went on to work on stage and in light opera. By 1892, she was on Broadway and she later became a star comedienne on the vaudeville circuit. In 1910, she had a hit with 'Tillie's Nightmare' which Mack Sennett adapted to film as Tillie's Punctured Romance (1914) with Charles Chaplin. Marie took top billing over a young Chaplin, but her film career never took off and by 1918, she was out of films and out of work. Her role in the chorus girls' strike of 1917 had her blacklisted from the theaters. In 1927, MGM screenwriter Frances Marion got her a small part in The Joy Girl (1927) and then a co-starring lead with Polly Moran in The Callahans and the Murphys (1927) (which was abruptly withdrawn from circulation thanks to objections of Irish-American groups over its depiction of gin-guzzling Irish). Her career stalled and the 59-year old actress found herself no longer in demand. In the late 1920s she had been largely forgotten and reduced to near-poverty. Despite her last film being a financial disaster, Irving Thalberg, somewhat incredibly, sensed her potential was determined to re-build her into a star. It was a slow return in films but her popularity continued to grow. But it was sound that made her a star again. Anna Christie (1930) was the movie where Garbo talks, but everyone noticed Marie as Marthy. In an era of Harlow, Garbo and Crawford, it was homely old Marie Dressler that won the coveted exhibitor's poll as the most popular actress for three consecutive years. In another film from the same year, Min and Bill (1930) she received a best actress Oscar for her dramatic performance. She received another Academy Award nomination for Emma (1932). She had more success with Dinner at Eight (1933) and Tugboat Annie (1933). In 1934, cancer claimed her life.708 points- Actress
- Soundtrack
Brunette Dorothy Jordan was a graduate of Southwestern University and the American Academy of Dramatic Arts. Trained as a ballerina, she first graced the stage as a chorus girl in top flight musicals, like "Funny Face" (1927), with Fred Astaire, and "Treasure Girl" (1928), with Gertrude Lawrence and Clifton Webb. This led to what turned out to be a fairly short and desultory movie career, beginning with a run-of-the-mill thriller, Black Magic (1929). Dorothy was soon cast as assorted sultry dames in Devil-May-Care (1929) and Call of the Flesh (1930), opposite Latin star Ramon Novarro. Rather more demure was her Bianca, the overtly obedient (but deceptively cunning) younger sister of Kate (Mary Pickford) in The Taming of the Shrew (1929). Contemporary critics were frequently unimpressed with Dorothy's acting, whether it was speaking her lines too quickly (Hell Bound (1931)) or delivering them as a 'memory citation' (Beloved Bachelor (1931)). She gave rather better account of herself in more downtrodden waif-like roles, notably as Marie Dressler's daughter in Min and Bill (1930), as an unwed mother in Bondage (1933) and as simple-minded Southern girl Betty Wright in The Cabin in the Cotton (1932).
After her marriage to famed producer Merian C. Cooper in 1933 -- and finding decent roles ever harder to come by -- Dorothy gave up acting to raise a family. She emerged from retirement in 1937, unsuccessfully screen testing for the role of Melanie in Gone with the Wind (1939). She made a second comeback upon her husband's successful entreaties to a long-term friend and collaborator, the director John Ford. Dorothy appeared in supporting roles in three of Ford's films, before leaving the screen for the final time. In her later years, she became somewhat reticent about discussing her career as a movie actress.708 points- Actress
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Born July 15, 1889 in San Francisco, unappreciated character player Marjorie Rambeau worked on the stage from the age of 12. In the 1910s and 1920s, she became a prominent Broadway lead, noted for her serene beauty, elegant poise and touching theatrics. Around the same time she made a few silent films that went nowhere. Leaving the Broadway scene in the late 20s she focused on Hollywood but, by this time, her looks had hardened enough that she would only be considered for character, not romantic leads.
Marjorie surprised everybody and turned in sterling, flashy support work as blowsy, aging floozies and other pathetic, hard-luck dames. She played an alcoholic mom in Min and Bill (1930) opposite Wallace Beery and Marie Dressler, then succeeded Dressler herself as the salty waterfront title character in Tugboat Annie Sails Again (1940). Nominated twice for Oscars as the prostitute mother of Ginger Rogers in Primrose Path (1940) and the mother at odds with daughter/star Joan Crawford in Torch Song (1953), Marjorie was never given the acclaim she deserved. Her versatility was for all to see in such roles as the backwoods Bessie Lester in Tobacco Road (1941), and she continued to own her own scenes in such films as A Man Called Peter (1955), The View from Pompey's Head (1955) and as Steve Cochran's alcoholic mom in Slander (1957).
Offscreen, her private life proved as stormy and difficult as those of her characters. She married three times, her first husband being actor/writer/director Willard Mack. Moreover, alcohol played a strong, sad part in her personal life as well. A number of serious car accidents left her in disabled health for much of her later life. Sadly, she is little remembered except by the most devoted fans of film trivia. In all fairness, her films are definitely worth a look, if but for her scenes alone. Marjorie passed away in 1970 at age 80.708 points- Actress
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Laura La Plante was 15 years old when she entered films as a Christie Comedy Bathing Beauty. By 1921, she had played a number of roles including a Tom Mix Western called The Big Town Round-Up (1921) for Fox and The Old Swimmin' Hole (1921) for First National. Laura, now 17, next signed with Universal, where she appeared in shorts, serials and many supporting roles. Over the next few years, she would become one of the leading stars at Universal and acted in in dramas, mysteries and comedies. Some of her more important films were the adventure Crooked Alley (1923), the comedy Sporting Youth (1924), the drama Smouldering Fires (1925) and the mystery The Cat and the Canary (1927). One of her successful comedies, Skinner's Dress Suit (1926), was directed by her husband, William A. Seiter. When sound came to Universal, she was one of the silent film stars who made the transition. She played a leading role in the sound film Show Boat (1929) and made her first all-talking picture with Hold Your Man (1929). By 1930, she decided that she had enough and left Universal, which terminated her contract. She went to England, where she would appear in a few more films over the years. Laura returned to Hollywood in 1935, where she again retired from the screen.705 points- Actress
- Additional Crew
Virginia-born Mary Duncan went to Hollywood after critics praised her acting in the lead in "The Shanghai Gesture" on Broadway. While making Five and Ten (1931), she became friends with the film's lead, Marion Davies. The two women attended a polo match, where Davies introduced Duncan to Stephen "Laddie" Sanford, an international polo star and director of the Bigelow-Sanford Carpet Company. She and Sanford married in 1933, after which she retired from films and moved with him to Palm Beach, Florida. They also maintained three homes in the New York area.
In retirement, she devoted herself to philanthropic works, doing in major fund-raising for several charities. In addition, the Sanfords were socially very prominent, and for many years the former Mary Duncan reigned as the grande dame of Palm Beach society. A neighbor who became a close friend was Rose Kennedy, mother of President John F. Kennedy. Those whom the Sanfords entertained at their mansion included the King and Queen of Jordan and the Duke and Duchess of Windsor. She continued her charity work until very late in life, and died quietly in her sleep, aged 98.705 points