Writers with most credits
I already have a list for actors with more than 300 credits. I am also including producers on this list for now.
List activity
38 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
8 people
- Writer
- Additional Crew
- Actor
William Shakespeare's birthdate is assumed from his baptism on April 25. His father John was the son of a farmer who became a successful tradesman; his mother Mary Arden was gentry. He studied Latin works at Stratford Grammar School, leaving at about age 15. About this time his father suffered an unknown financial setback, though the family home remained in his possession. An affair with Anne Hathaway, eight years his senior and a nearby farmer's daughter, led to pregnancy and a hasty marriage late in 1582. Susanna was born in May of 1583, twins Hamnet and Judith in January of 1585. By 1592 he was an established actor and playwright in London though his "career path" afterward (fugitive? butcher? soldier? actor?) is highly debated. When plague closed the London theatres for two years he apparently toured; he also wrote two long poems, "Venus and Adonis" and "The Rape of Lucrece". He may have spent this time at the estate of the Earl of Southampton. By December 1594 he was back in London as a member of the Lord Chamberlain's Men, the company he stayed with the rest of his life. In 1596 he seems to have purchased a coat of arms for his father; the same year Hamnet died at age 11. The following year he purchased the grand Stratford mansion New Place. A 1598 edition of "Love's Labors" was the first to bear his name, though he was already regarded as England's greatest playwright. He is believed to have written his "Sonnets" during the 1590s. In 1599 he became a partner in the new Globe Theatre, the company of which joined the royal household on the accession of James in 1603. That is the last year in which he appeared in a cast list. He seems to have retired to Stratford in 1612, where he continued to be active in real estate investment. The cause of his death is unknown.1820 and counting- Writer
- Additional Crew
- Soundtrack
Edgar Allan Poe was born on January 19, 1809, in Boston, Massachusetts. His father, named David Poe Jr., and his mother, named Elizabeth Arnold Hopkins Poe, were touring actors. Both parents died in 1811, and Poe became an orphan before he was 3 years old. He was adopted by John Allan, a tobacco merchant in Richmond, Virginia, and was sent to a boarding school in London, England. He later attended the University of Virginia for one year, but dropped out and ran up massive gambling debts after spending all of his tuition money. John Allan broke off Poe's engagement to his fiancée Sarah Royster. Poe was heartbroken, traumatized, and broke. He had no way out and enlisted in the army in May of 1827. At the same time Poe published his first book, "Tamerlane and Other Poems" (1827). In 1829, he became a West Point cadet, but was dismissed after 6 months for disobedience. By that time he published "Al Aaraf" (1929) and "Poems by Edgar A. Poe" (1831), with the funds contributed by his fellow cadets. His early poetry, though written in the manner of Lord Byron, already shows the musical effects of his verses.
Poe moved in with his widowed aunt, Maria Clemm, and her teenage daughter, Virginia Eliza Clemm, whom he married before she was 14 years old. He earned respect as a critic and writer. In his essays "The Poetic Principle" and "The Philosophy of Composition," Poe formulated important literary theories. But his career suffered from his compulsive behavior and from alcoholism. He did produce, however, a constant flow of highly musical poems, of which "The Raven" (1845) and "The Bells" (1849) are the finest examples. Among his masterful short stories are "Ligeia" (1838), "The Fall of the House of Usher"(1839) and "The Masque of the Red Death". Following his own theory of creating "a certain unique or single effect", Poe invented the genre of the detective story. His works: "The Murder in the Rue Morgue" (1841) is probably the first detective story ever published.
Just when his life began to settle, Poe was devastated by the death of his wife Virginia in 1847. Two years later he returned to Richmond and resumed a relationship with his former fiancée, Sarah Royster, who, by that time, was a widow. But shortly after their happy reconciliation he was found unconscious on a street in Baltimore. Poe was taken to the Washington College Hospital where Doctor John Moran diagnosed "lesions on the brain" (the Doctor believed Poe was mugged). He died 4 days later, briefly coming in and out of consciousness, just to whisper his last words, "Lord, help my poor soul." The real cause of his death is still unknown and his death certificate has disappeared. Poe's critic and personal enemy, named Rufus Griswold, published an insulting obituary; later he visited Poe's home and took away all of the writer's manuscripts (which he never returned), and published his "Memoir" of Poe, in which he forged a madman image of the writer.
The name of the woman in Poe's poem "Annabel Lee" was used by Vladimir Nabokov in 'Lolita' as the name for Humbert's first love, Annabelle Leigh. Nabokov also used in 'Lolita' some phrases borrowed from the poem of Edgar Allan Poe. "The Fall of the House of Usher" was set to music by Claude Debussy as an opera. Sergei Rachmaninoff created a musical tribute to Poe by making his favorite poem "The Bells" into the eponymous Choral Symphony.479 and counting- Producer
- Actor
- Additional Crew
Walter Elias Disney was born on December 5, 1901 in Chicago, Illinois, the son of Flora Disney (née Call) and Elias Disney, a Canadian-born farmer and businessperson. He had Irish, German, and English ancestry. Walt moved with his parents to Kansas City at age seven, where he spent the majority of his childhood. At age 16, during World War I, he faked his age to join the American Red Cross. He soon returned home, where he won a scholarship to the Kansas City Art Institute. There, he met a fellow animator, Ub Iwerks. The two soon set up their own company. In the early 1920s, they made a series of animated shorts for the Newman theater chain, entitled "Newman's Laugh-O-Grams". Their company soon went bankrupt, however.
The two then went to Hollywood in 1923. They started work on a new series, about a live-action little girl who journeys to a world of animated characters. Entitled the "Alice Comedies", they were distributed by M.J. Winkler (Margaret). Walt was backed up financially only by Winkler and his older brother Roy O. Disney, who remained his business partner for the rest of his life. Hundreds of "Alice Comedies" were produced between 1923 and 1927, before they lost popularity.
Walt then started work on a series around a new animated character, Oswald the Lucky Rabbit. This series was successful, but in 1928, Walt discovered that M.J. Winkler and her husband, Charles Mintz, had stolen the rights to the character away from him. They had also stolen all his animators, except for Ub Iwerks. While taking the train home, Walt started doodling on a piece of paper. The result of these doodles was a mouse named Mickey. With only Walt and Ub to animate, and Walt's wife Lillian Disney (Lilly) and Roy's wife Edna Disney to ink in the animation cells, three Mickey Mouse cartoons were quickly produced. The first two didn't sell, so Walt added synchronized sound to the last one, Steamboat Willie (1928), and it was immediately picked up. With Walt as the voice of Mickey, it premiered to great success. Many more cartoons followed. Walt was now in the big time, but he didn't stop creating new ideas.
In 1929, he created the 'Silly Symphonies', a cartoon series that didn't have a continuous character. They were another success. One of them, Flowers and Trees (1932), was the first cartoon to be produced in color and the first cartoon to win an Oscar; another, Three Little Pigs (1933), was so popular it was often billed above the feature films it accompanied. The Silly Symphonies stopped coming out in 1939, but Mickey and friends, (including Minnie Mouse, Donald Duck, Goofy, Pluto, and plenty more), were still going strong and still very popular.
In 1934, Walt started work on another new idea: a cartoon that ran the length of a feature film. Everyone in Hollywood was calling it "Disney's Folly", but Snow White and the Seven Dwarfs (1937) was anything but, winning critical raves, the adoration of the public, and one big and seven little special Oscars for Walt. Now Walt listed animated features among his ever-growing list of accomplishments. While continuing to produce cartoon shorts, he also started producing more of the animated features. Pinocchio (1940), Dumbo (1941), and Bambi (1942) were all successes; not even a flop like Fantasia (1940) and a studio animators' strike in 1941 could stop Disney now.
In the mid 1940s, he began producing "packaged features", essentially a group of shorts put together to run feature length, but by 1950 he was back with animated features that stuck to one story, with Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953). In 1950, he also started producing live-action films, with Treasure Island (1950). These began taking on greater importance throughout the 50s and 60s, but Walt continued to produce animated features, including Lady and the Tramp (1955), Sleeping Beauty (1959), and One Hundred and One Dalmatians (1961).
In 1955 he opened a theme park in southern California: Disneyland. It was a place where children and their parents could take rides, just explore, and meet the familiar animated characters, all in a clean, safe environment. It was another great success. Walt also became one of the first producers of films to venture into television, with his series The Magical World of Disney (1954) which he began in 1954 to promote his theme park. He also produced The Mickey Mouse Club (1955) and Zorro (1957). To top it all off, Walt came out with the lavish musical fantasy Mary Poppins (1964), which mixed live-action with animation. It is considered by many to be his magnum opus. Even after that, Walt continued to forge onward, with plans to build a new theme park and an experimental prototype city in Florida.
He did not live to see the culmination of those plans, however; in 1966, he developed lung cancer brought on by his lifelong chain-smoking. He died of a heart attack following cancer surgery on December 15, 1966 at age 65. But not even his death, it seemed, could stop him. Roy carried on plans to build the Florida theme park, and it premiered in 1971 under the name Walt Disney World. His company continues to flourish, still producing animated and live-action films and overseeing the still-growing empire started by one man: Walt Disney, who will never be forgotten.Producer 701- Writer
- Producer
- Actor
Arthur Conan Doyle was a British writer of Irish descent, considered a major figure in crime fiction. His most famous series of works consisted of the "Sherlock Holmes" stories (1887-1927), consisting of four novels and 56 short stories. His other notable series were the "Professor Challenger" stories (1912-1929) about a scientist and explorer, and the "Brigadier Gerard" stories (1894-1910) about a French soldier in the Napoleonic Wars. Doyle's literary works have frequently been adapted into film and television.
In 1859, Doyle was born in Edinburgh, Scotland to an Irish Catholic family. His father was Charles Altamont Doyle (1832 - 1893), a professional illustrator and water-colorist who is primarily remembered for fantasy-style paintings. Doyle's mother was Mary Foley (1837-1920). Through his father, Doyle was a nephew of the antiquarian James William Edmund Doyle (1822 - 1892), the illustrator Richard Doyle (1824-1883), and the gallery director Henry Edward Doyle (1827 -1893). Doyle's paternal grandfather was the political cartoonist and caricaturist John Doyle (1797-1868).
During his early years, Doyle's family had financial problems due to his father's struggles with depression and alcoholism. They received financial support from affluent uncles, who also financed Doyle's education. From 1868 to 1870, Doyle was educated at Hodder Place, a Jesuit preparatory school located at Stonyhurst, Lancashire. From 1870 to 1875, Doyle attended Stonyhurst College, a Roman Catholic boarding school. He disliked the school due to its rather limited curriculum, and the constant threats of corporal punishment and ritual humiliation used to discipline students.
From 1875 to 1876, Doyle received further education at Stella Matutina, a Jesuit school located at Feldkirch, Austria. His family wanted him to perfect his use of the German language, but this school offered a wider range of study subjects. Stella Matutina attracted student from many countries, and was more cosmopolitan in nature than Doyle's previous schools.
Doyle decided to follow a medical career. From 1876 to 1881, Doyle studied medicine at the University of Edinburgh Medical School. He also took botany lessons at the Royal Botanic Garden in Edinburgh. During his university years, Doyle started writing short stories. He had trouble finding a publisher, and "Blackwood's Magazine" (1817-1980) rejected his submitted work. Doyle's first published short story was "The Mystery of Sasassa Valley" (1879), featuring a demon in South Africa. That same year, Doyle published his first academic article in a science journal. The article examined the uses of the flowering plant Gelsemium as a poison. As an experiment, Doyle self-administrated doses of the poison and recorded the symptoms.
In 1880, Doyle worked for a while as a doctor in the whaling ship "Hope". In 1881, following his graduation from medical school, Doyle served as a ship's surgeon on the SS Mayumba. In 1882, Doyle and a former classmate established a medical practice in Plymouth, Devon. Their partnership failed, and Doyle soon started his own practice in Southsea, Hampshire. He did not have many patients, so he decided to resume writing fiction to supplement his income.
In 1886, Doyle created the character of Sherlock Holmes. He loosely based his creation on his former college teacher Joseph Bell (1837 - 1911), inspired by Bell's emphasis on the importance of "deduction and inference and observation". Doyle completed the first Holmes novel, "A Study in Scarlet" (1887), and sold the rights to the publishing house "Ward, Lock & Co." (1854-1964). The novel's publication was delayed until November, 1887, but it was well-received by professional critics.
Doyle next completed the sequel novel "The Sign of the Four" (1890), commissioned from the American literary magazine Lippincott's Monthly Magazine (1868-1915). He started writing short stories about Holmes for the British literary magazine "The Strand Magazine" (1891-1950).
Besides Holmes stories, Doyle wrote seven historical novels between 1888 and 1906. He wrote "Micah Clarke" (1889), as a fictionalized account of the Monmouth Rebellion (1685) and its consequences. The novel also voices Doyle's arguments against religious extremism. He wrote "The White Company" (1891) to examine the role of mercenaries in 14th-century warfare, depicting the campaigns of Edward the Black Prince (1330-1376) in the Kingdom of Castile. He wrote "The Great Shadow" (1892) to feature the experiences of soldiers in the Battle of Waterloo (1815). He wrote "The Refugees" (1893) to examine the fates of Huguenot refugees who were fleeing 17th-century France to escape religious persecution by Louis XIV (1638-1715, reigned 1643-1715). He wrote "Sir Nigel" (1906) to examine the early phases of the Hundred Years' War (1337 - 1453). He regarded these novels to be his best literary work, though they were never as popular as his crime novels.
In 1900, Doyle served as a volunteer doctor in the Second Boer War in South Africa (1899-1902), though he had no previous military experience. He was stationed at a field hospital at Bloemfontein. At about this time, Doyle wrote the non-fiction book "The Great Boer War" (1900), which covered in detail the early phases of the war. He also wrote the companion work "The War in South Africa: Its Cause and Conduct" in order to defend the British Empire from accusations of misconduct in its military efforts. These works were translated in multiple languages, and were appreciated by the British government. For his services to the British Empire, Doyle was knighted in 1902. In 1903, Doyle became a knight of the Order of Saint John, a British royal order of chivalry that was based on the original Knights Hospitaller.
In 1906, Doyle was involved in efforts to exonerate the lawyer George Edalji, a mild-mannered man who had been convicted of animal mutilations on insufficient evidence. Doyle helped publicize other instances of miscarriages of justice, and convinced the public that there was need of reforms in the legal system. In 1907, British authorities reacted to this campaign by establishing the Court of Criminal Appeal.
In 1909, Doyle wrote the non-fiction work "The Crime of the Congo" (1909). In the book, Doyle denounced the human rights abuses in the Congo Free State, and claimed that the Belgian colonial forces had enslaved the local population. He quoted testimonies from many witnesses and tried to convince the public of a need to intervene in the area.
World War I (1914-1918) was a difficult time for Doyle , as several of his relatives and friends died due to the war. Doyle's son Kingsley was seriously wounded in the Battle of the Somme (1916), and never fully recovered. Kingsley died of pneumonia in 1918, while still hospitalized. Doyle's brother, Brigadier-general Innes Doyle, died of pneumonia in 1919. Doyle's brother-in-law, the famous author E. W. Hornung, died of pneumonia in 1921. The series of deaths led Doyle to further embrace Spiritualism, and that faith's claims about existence beyond the grave. He spend much of the 1920s as a missionary of Spiritualism, and investigated supposed supernatural phenomena. He also wrote many non-fiction spiritualist works. In 1926, Doyle financed the construction of a Spiritualist Temple in Camden, London.
In July 1930, Doyle suffered a heart attack while staying in his then-residence, Windlesham Manor, in Crowborough, Sussex. He spend his last moments in reassuring his wife Jean Leckie that she was wonderful. He was 71-years-old at the time of his death. He was survived by two sons and two daughters. His daughter Jean Conan Doyle (1912 - 1997) was the copyright holder of much of her father's works until her own death.
Since Doyle was no longer a Christian at the time of his death, his family declined giving him a Christian burial place. Doyle was buried in Windlesham Manor's rose garden. His remains were later re-interred in Minstead churchyard, New Forest, Hampshire. His wife's remains were buried beside him. His gravestone epitaph described him as "Steel true/Blade straight/Arthur Conan Doyle/Knight/Patriot, Physician and man of letters".
Doyle is long gone, but his works have remained popular into the 21st century. Doyle has been cited as an influence on later crime writers, and Agatha Christie's earliest novels were strongly influenced by Sherlock Holmes' stories. His life's events have inspired several biographies, and a number of fictionalized accounts.321 and counting- Music Department
- Writer
- Actor
He did his pre college training at George School, Newtown, Bucks County, Pennsylvania, then was in a class of 50 at Williams College majoring in music as an undergraduate distinguishing himself by writing a book, lyrics and music for two college shows based on the adaption of 'Beggar on Horseback'. He won the Hutchinson prize to study music composition for 2 years. His first professional writing was in 1953 when he co authored the script for the television series'Topper'. A year later he wrote all the music and lyrics for'Saturday night' . In 1955 he started work on 'West Side Story' and also found time to writ scripts for 'The Last Word' for Columbia Broadcasting and the background music for' The Party Girls of Summer' For the film of 'West Side Story' he created new and powerful lyrics for the 'America' sequence, which is the only major alteration from the Broadway production.Soundtrack 397- Writer
- Music Department
- Additional Crew
Oscar Hammerstein II was an American lyricist, librettist, theatrical producer, and musical theatre director from New York City. He won a total of 8 Tony Awards for his best known works, "South Pacific" (1949), "The King and I" (1951), and "The Sound of Music" (1959). He twice won the Academy Award for Best Original Song, for his songs "The Last Time I Saw Paris" (1940) and "It Might as Well Be Spring" (1945). Several of his songs became part of the standard repertoire for both singers and jazz musicians. During the 1940s and the 1950s, Hammerstein produced some of his best musicals in collaboration with the composer Richard Rodgers (1902-1979). They are credited with creating character-driven stories with dramatic moments, while American musicals were previously considered light-hearted entertainment.
In 1895, Hammerstein was born in New York City. His parents were the theatrical manager William Hammerstein (1875-1914) and his first wife Alice Nimmo (died in 1910). His father operated the Victoria Theatre in Times Square, considered for a while as the most successful theatre in New York City. Hammerstein's paternal ancestors were German Jews, while his maternal ancestors were British. Hammerstein's paternal grandfather was Oscar Hammerstein I (1846-1919), a theatrical impresario and composer who is credited with popularizing the opera genre in the United States.
In 1912, Hammerstein enrolled at Columbia University. He later studied at Columbia Law School. Following his father's death in 1914, Hammerstein participated in his first play: "On Your Way". It was performed in the Varsity Show (1894-), Columbia's regular arts presentation. During his university years, Hammerstein both wrote and performed for the Varsity Show.
In 1917, Hammerstein dropped out of law school to pursue a theatrical career. He found a mentor in the lyricist and librettist Otto Harbach (1873-1963). Harbach taught him that in musicals, the music, lyrics, and story should be closely connected. Hammerstein took this lesson to heart. Hammerstein wrote the book and the lyrics for the Broadway musical "Always You" (1920), the first musical of his career. In 1921, Hammerstein joined "The Lambs" (1874-), a New York City-based social club for theater professionals. It was named in honor of the English authors and salonists Charles Lamb (1775-1834) and Mary Lamb (1764-1847).
In 1927, Hammerstein had his first great success with the musical "Show Boat". It was an adaptation of a then-popular novel by Edna Ferber (1885-1968), and depicted life on a a Mississippi River show boat over a 40-years-period. It was considered revolutionary in musical storytelling in dealing with tragedy and serious issues, in a field previously dominated by light comedies and satirical operettas. The musical introduced the popular songs "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man". Hammerstein had partnered with the composer Jerome Kern (1885-1945) for this musical. The duo continued to work together for decades.
In the early 1940s, Hammerstein was asked by Richard Rodgers to work with him in a musical adaptation of the play "Green Grow the Lilacs" (1930) by Lynn Riggs (1899-1954). Rodgers had previously attempted to work on the adaptation with Lorenz Hart (1895-1943), but they had a falling out over Hart's declining mental state and his self-admitted lack of inspiration. The adaptation turned into the hit musical "Oklahoma!" (1943), about a love triangle in Indian Territory. It ran for an unprecedented 2,212 performances, and has often been revived. The musical's success convinced Hammerstein and Rodgers that they should collaborate further in subsequent works.
Hammerstein and Rodgers became the dominant creative force of the American musical theatre from 1943 to 1959. Their subsequent collaborations were the musicals "Carousel" (1945), "Allegro" (1947), "South Pacific" (1949), "The King and I" (1951), "Me and Juliet" (1953), "Pipe Dream" (1955), "Flower Drum Song" (1958), and "The Sound of Music" (1959). Most of them were well-received, and they never had a single flop in all these years. The duo also worked together for the music of the film "State Fair" (1945), and for the music-themed television special "Cinderella" (1957). Their works often provided social criticism, and dealt with issues such as discrimination (in various forms) and domestic abuse.
In 1943, Hammerstein wrote the book and lyrics for the musical "Carmen Jones". It was an adaptation of the opera "Carmen" by Georges Bizet, but featured African-American characters and had an all-black cast. It was considered groundbreaking for its era. The musical eventually received its own film adaptation, serving as a vehicle for Dorothy Dandridge (1922-1965).
Hammerstein was an advocate for writers' rights within the theater industry. In 1956, he was elected as the new president of the Dramatists Guild of America, a professional organization whose main goal was to negotiate better contracts for playwrights. His term lasted until 1960, when he was replaced by Alan Jay Lerner (1918 - 1986).
In August 1960, Hammerstein died at his home, Highland Farm in Doylestown, Pennsylvania. It was a 19th-century farmhouse which had served as his residence since 1940. The cause of death was stomach cancer, and he had been struggling with the disease for a while. He was 65-years-old at the time of his death. To honor his passing, the lights of Times Square were turned off for one minute, and London's West End lights were dimmed. His remains were cremated and his ashes were buried at the Ferncliff Cemetery in Hartsdale, New York. A memorial plaque for Hammerstein was placed at Southwark Cathedral in London.
Hammerstein was survived by his second wife Dorothy Hammerstein (1899-1987), a professional interior designer and decorator. They had been married since 1929. Hammerstein's son James Hammerstein (1931-1999) followed his father's footsteps as a theatre director and producer. Hammerstein's stepdaughter Susan Blanchard (1928-) worked as a lyricist and theatrical producer, though she is primarily known as a a socialite.Soundtrack 813 and counting- Music Department
- Composer
- Actor
As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.Music Department 317 and counting
Soundtrack 503 and counting- Music Department
- Composer
- Writer
He met Lorenz Hart in 1918 who was to write lyrics for Richard for the next 25 years. The produced many successful songs and musicals such as 'Pal Joey' and 'The Boys From Syracuse'. In 1943 Richard teamed up with Oscar Hammerstein to make a musical version of the play 'How Green Was Your Valley' which became 'Oklahoma' Richard also provided the music for 'Carousel', 'South Pacific'. The King and I' and 'The Sound of Music'.Soundtrack 1250 and counting