[on
The Omen (1976)] What was so good about that picture was that there was no blood in it, really. It's not a gorefest. Strange things happen, but it's got the mood and the music and everything. So of its type, of its kind, I think it's quite a superior film. But either way, you don't say no if you're asked to work with
Gregory Peck. And he was wonderful, by the way.