[on working with
Jean Gabin in
Port of Shadows (1938)] There was a scene in which I was in the bed, in the bedroom, and Gabin was not in the bed. He was sitting on the bed. Oh, it was very, very modest, it was not something very daring when you compare that sort of thing with what they do now. In fact, that scene was more exciting than what they do now, I suppose, because mystery is a great part in a love scene.