[To
André Previn, on being paid by the page to write music for Hollywood movies]: Listen, mon vieux. When you are orchestrating for a true musical illiterate, then it is perfectly okay to take advantage of that situation here. We don't get any credit, so the idea is to make as much money as possible. When I am asked by one of our innocents to ghost-write some chase music for western posses or gangland car rides, the music has to be very fast, eh? This means bubbidy, bubbidy, bubbidy - two seconds of music is already a page. Whereas a more normal 4/4 or 12/8 bar would only take up a quarter of a page with the same notes. Mind you, this must only be done with those employers of ours who can hardly read music. With the good ones it would be dishonest.