The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The Australian Film Television and Radio School has unleashed a new crop of talent on the industry with the 2015 Graduation Ceremony. . .
A highlight of the ceremony was the awarding of the Aftrs. Honorary Degree (Doctor of Arts) to broadcaster, commentator and filmmaker Phillip Adams.
Adams played a key role in the revival of the Australian film industry in the 1970s. .
He was the author of a 1969 report that led to legislation by Prime Minister Gorton in 1970 for an Australian Film and Television Development Corporation (later the Australian Film Commission) and the Experimental Film Fund as well as the eventual creation of an Australian national film School (now Aftrs). Phillip was one of the original members of council for the interim School.
The Dressmaker producer Sue Maslin present the degree. .
Maslin is a graduate of the Aftrs Masters of Screen Arts & Business degree.
Graduates include Imogen Banks, one of the producers...
A highlight of the ceremony was the awarding of the Aftrs. Honorary Degree (Doctor of Arts) to broadcaster, commentator and filmmaker Phillip Adams.
Adams played a key role in the revival of the Australian film industry in the 1970s. .
He was the author of a 1969 report that led to legislation by Prime Minister Gorton in 1970 for an Australian Film and Television Development Corporation (later the Australian Film Commission) and the Experimental Film Fund as well as the eventual creation of an Australian national film School (now Aftrs). Phillip was one of the original members of council for the interim School.
The Dressmaker producer Sue Maslin present the degree. .
Maslin is a graduate of the Aftrs Masters of Screen Arts & Business degree.
Graduates include Imogen Banks, one of the producers...
- 12/8/2015
- by Staff Writer
- IF.com.au
The Water Diviner and The Dressmaker dominated the feature categories at the 19th Australian Screen Sound Guild Awards held at The Establishment hotel ballroom in Sydney.
Russell Crowe.s drama won the prizes for feature film soundtrack of the year, best sound design and Assg members. choice for best film soundtrack.
Jocelyn Moorhouse.s dramedy was feted for best film sound recording and sound mixing .
The Syd Butterworth lifetime achievement award went to James Currie, whose career spans 38 years and includes A Month of Sundays, Charlie's Country, Red Dog, Ten Canoes, Man of Flowers, Incident at Raven.s Gate and Bad Boy Bubby.
The Principal was named best sound for a TV drama series while Deadline Gallipoli — episode 2 was best sound for a telefeature and Only the Dead best documentary sound.
The Greg Bell student encouragement award was given to Alex Gastrell, a recent North Sydney Tafe graduate. The full...
Russell Crowe.s drama won the prizes for feature film soundtrack of the year, best sound design and Assg members. choice for best film soundtrack.
Jocelyn Moorhouse.s dramedy was feted for best film sound recording and sound mixing .
The Syd Butterworth lifetime achievement award went to James Currie, whose career spans 38 years and includes A Month of Sundays, Charlie's Country, Red Dog, Ten Canoes, Man of Flowers, Incident at Raven.s Gate and Bad Boy Bubby.
The Principal was named best sound for a TV drama series while Deadline Gallipoli — episode 2 was best sound for a telefeature and Only the Dead best documentary sound.
The Greg Bell student encouragement award was given to Alex Gastrell, a recent North Sydney Tafe graduate. The full...
- 11/23/2015
- by Don Groves
- IF.com.au
The Australian Screen Sound Guild, supported by Sennheiser, yesterday announced the winners of the 2013 Assg Awards at a lunchtime ceremony held at the Establishment Ballroom in Sydney..
Hosted by the hilarious Rhys Muldoon, it is the second consecutive year the Assg have held the ceremony on a Sunday, which has proved a popular choice with attendees..
Baz Luhrmann's The Great Gatsby was the favourite on the day, taking home four gongs in total, including the Assg Member's Choice and Best Soundtrack of the Year..
The Syd Butterworth Lifetime Achievement Award went this year to two recipients - the outstanding team of.Gary Wilkins and Mark Wasiutak.
.
A full list of winners can be found below.. Greg Bell Student Encouragement Award Sponsored by Amber Technology Jonathon Tooke (Sae) Best Sound for a Television Commercial or Promo Sponsored by Sound Devices. A Day in Creative Kathleen Burrows, Bruce Heald Best Sound...
Hosted by the hilarious Rhys Muldoon, it is the second consecutive year the Assg have held the ceremony on a Sunday, which has proved a popular choice with attendees..
Baz Luhrmann's The Great Gatsby was the favourite on the day, taking home four gongs in total, including the Assg Member's Choice and Best Soundtrack of the Year..
The Syd Butterworth Lifetime Achievement Award went this year to two recipients - the outstanding team of.Gary Wilkins and Mark Wasiutak.
.
A full list of winners can be found below.. Greg Bell Student Encouragement Award Sponsored by Amber Technology Jonathon Tooke (Sae) Best Sound for a Television Commercial or Promo Sponsored by Sound Devices. A Day in Creative Kathleen Burrows, Bruce Heald Best Sound...
- 11/18/2013
- by Staff Writer
- IF.com.au
Roger Savage; photo by Zorro Gamarnik
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
- 11/26/2012
- by Colin Delaney
- Encore Magazine
The Australian Sound Guild has announced the winners of.the 2012 Assg Awards.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
- 11/25/2012
- by Emily Blatchford
- IF.com.au
Price in what is arguably his greatest role as The Witchfinder General, graced the cover of Cinema Retro issue #5.
The Sirius radio network is offering a Vincent Price tribute all day October 29 on Channel 82. (Sirius is a subscription-based service). Here is the official announcement:
Radio Classics brings back the king of the horror pictures—Vincent Price—with a replay of the Vincecentennial, 24-hour centennial birthday special broadcasts from his hometown of St. Louis, Missouri. The special not only features many of Price’s best horror radio work, Pit & The Pendulum, Three Skeleton Key, and Blood Bath but also contains channel host Greg Bell’s visits with Price’s son and daughter as well as famed motion picture producer/director, Roger Corman. (All Day)...
The Sirius radio network is offering a Vincent Price tribute all day October 29 on Channel 82. (Sirius is a subscription-based service). Here is the official announcement:
Radio Classics brings back the king of the horror pictures—Vincent Price—with a replay of the Vincecentennial, 24-hour centennial birthday special broadcasts from his hometown of St. Louis, Missouri. The special not only features many of Price’s best horror radio work, Pit & The Pendulum, Three Skeleton Key, and Blood Bath but also contains channel host Greg Bell’s visits with Price’s son and daughter as well as famed motion picture producer/director, Roger Corman. (All Day)...
- 10/27/2011
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Tomorrow, When the War Began took the Soundtrack of the Year and Best Film Sound Recording trophies at the Australian Screen Sound Guild (Assg) Sound Awards
Beneath Hill 60 won the Sound Design Category, while the Sound Mixing prize went to Daybreakers.
The ceremony took place last Friday in North Sydney.
These are the 2010 winners:
Feature Film Soundtrack of the Year.
Tomorrow When The War Began
Best Achievement in Sound for Film Sound Recording.
Tomorrow When The War Began
David Lee, Gerry Nucifora, Emma Barham.
Best Achievement in Sound for Film Sound Design.
Beneath Hill 60
Liam Egan, Tony Murtagh, Alicia Slusarski,
Leah Katz, Blair Slater, Mario Vaccaro,
Liesl Pieterse, Andy Wright, Jennifer Sochackyj,
Ruth Vance, Michelle Child, Cara Harvey.
Best Achievement in Sound for Film Sound Mixing.
Daybreakers
Phil Heywood, Wayne Pashley.
Best Achievement in Sound for a Television Commercial or Program.
Centrebet “Don’t Just Watch itâ€.
Scott Collins...
Beneath Hill 60 won the Sound Design Category, while the Sound Mixing prize went to Daybreakers.
The ceremony took place last Friday in North Sydney.
These are the 2010 winners:
Feature Film Soundtrack of the Year.
Tomorrow When The War Began
Best Achievement in Sound for Film Sound Recording.
Tomorrow When The War Began
David Lee, Gerry Nucifora, Emma Barham.
Best Achievement in Sound for Film Sound Design.
Beneath Hill 60
Liam Egan, Tony Murtagh, Alicia Slusarski,
Leah Katz, Blair Slater, Mario Vaccaro,
Liesl Pieterse, Andy Wright, Jennifer Sochackyj,
Ruth Vance, Michelle Child, Cara Harvey.
Best Achievement in Sound for Film Sound Mixing.
Daybreakers
Phil Heywood, Wayne Pashley.
Best Achievement in Sound for a Television Commercial or Program.
Centrebet “Don’t Just Watch itâ€.
Scott Collins...
- 10/31/2010
- by Miguel Gonzalez
- Encore Magazine
A while back FirstShowing.net posted this story about Jerry Bruckheimer acquiring the rights to a short story written by Wanted and 3:10 to Yuma scribe, Derek Haas. The story is titled Shake was one of many that Haas featured on his short story website PopcornFiction.com.
If you haven’t heard of PopcornFiction.com, it’s a website that Haas created so that he and other screenplay writers/writers could flex their genre short fiction muscles. As a subscriber to the site, I get updated each time a new story is published. I read Shake and actually emailed Haas to let him know how much I loved the story and that I hoped there would be a part two. Crafty devil that he is, he ended the story in a bit of a cliffhanger. The short story deals with an FBI agent who is on the hunt for a...
If you haven’t heard of PopcornFiction.com, it’s a website that Haas created so that he and other screenplay writers/writers could flex their genre short fiction muscles. As a subscriber to the site, I get updated each time a new story is published. I read Shake and actually emailed Haas to let him know how much I loved the story and that I hoped there would be a part two. Crafty devil that he is, he ended the story in a bit of a cliffhanger. The short story deals with an FBI agent who is on the hunt for a...
- 10/6/2009
- by Tracy Ladd
- HeyUGuys.co.uk
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