May on the Criterion Channel will be good to the auteurs. In fact they’re giving Richard Linklater better treatment than the distributor of his last film, with a 13-title retrospective mixing usual suspects—the Before trilogy, Boyhood, Slacker—with some truly off the beaten track. There’s a few shorts I haven’t seen but most intriguing is Heads I Win/Tails You Lose, the only available description of which calls it a four-hour (!) piece “edited together by Richard Linklater in 1991 from film countdowns and tail leaders from films submitted to the Austin Film Society in Austin, Texas from 1987 to 1990. It is Linklater’s tribute to the film countdown, used by many projectionists over the years to cue one reel of film after another when switching to another reel on another projector during projection.” Pair that with 2008’s Inning by Inning: A Portrait of a Coach and your completionism will be on-track.
- 4/21/2022
- by Leonard Pearce
- The Film Stage
At the start of April, SXSW and Amazon announced that films from this year’s canceled SXSW would stream for free on Prime Video, giving some filmmakers the opportunity to get their projects seen by Us audiences after the Covid-19 pandemic nixed plans for the annual festival, and now the full lineup has been confirmed.
Only a small section of filmmakers who were set to debut their titles at SXSW have taken Amazon up on its streaming offer, but 39 projects will be available to watch from April 27 to May 6.
“This is really an unprecedented time. People are waiting for the new normal. And others are waiting for the return to normal,” SXSW director of film Janet Pierson remarked to THR. “We’re just trying to make best of a complicated situation. And this was a concrete and exciting offer from Amazon to give a wider swath of filmmakers an opportunity...
Only a small section of filmmakers who were set to debut their titles at SXSW have taken Amazon up on its streaming offer, but 39 projects will be available to watch from April 27 to May 6.
“This is really an unprecedented time. People are waiting for the new normal. And others are waiting for the return to normal,” SXSW director of film Janet Pierson remarked to THR. “We’re just trying to make best of a complicated situation. And this was a concrete and exciting offer from Amazon to give a wider swath of filmmakers an opportunity...
- 4/22/2020
- by Kirsten Howard
- Den of Geek
Online film festival to include narrative and documentary features, shorts and episodics.
Udated: A little over five percent of the 135 features originally selected for SXSW 2020 have opted in to Amazon Prime Video and SXSW’s Prime Video presents the SXSW 2020 Film Festival Collection, set to stream from April 27-May 6.
The online festival will comprise 39 films overall – seven narrative and documentary features, short films and episodic titles – and will be available in front of the Prime Video paywall, free to all Us audiences with or without an Amazon Prime membership.
Prior to Tuesday’s publication of the list, several leading sales...
Udated: A little over five percent of the 135 features originally selected for SXSW 2020 have opted in to Amazon Prime Video and SXSW’s Prime Video presents the SXSW 2020 Film Festival Collection, set to stream from April 27-May 6.
The online festival will comprise 39 films overall – seven narrative and documentary features, short films and episodic titles – and will be available in front of the Prime Video paywall, free to all Us audiences with or without an Amazon Prime membership.
Prior to Tuesday’s publication of the list, several leading sales...
- 4/21/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Thom Powers on Daniel Roher’s Once Were Brothers: Robbie Robertson and the Band; Eva Orner’s Bikram: Yogi, Guru, Predator, and Ebs Burnough’s The Capote Tapes on Truman Capote via George Plimpton: “The films that we choose for Opening Night, Centerpiece, and Closing Night, are films that we want to give a big bright spotlight to.” Photo: Anne-Katrin Titze
In the second part of my conversation at Cinépolis Chelsea with Doc NYC Artistic Director Thom Powers, we discussed juxtapositions such as Reiner Holzemer’s Martin Margiela: In His Own Words, Todd Hughes and P David Ebersole’s House of Cardin with the Pierre Cardin: Future Fashion exhibition at the Brooklyn Museum; nature in the Short List programme with John Chester’s The Biggest Little Farm, Ljubomir Stefanov and Tamara Kotevska’s Honeyland, and Mark Deebles and Victoria Stone’s The Elephant Queen; identity with Elegance Bratton...
In the second part of my conversation at Cinépolis Chelsea with Doc NYC Artistic Director Thom Powers, we discussed juxtapositions such as Reiner Holzemer’s Martin Margiela: In His Own Words, Todd Hughes and P David Ebersole’s House of Cardin with the Pierre Cardin: Future Fashion exhibition at the Brooklyn Museum; nature in the Short List programme with John Chester’s The Biggest Little Farm, Ljubomir Stefanov and Tamara Kotevska’s Honeyland, and Mark Deebles and Victoria Stone’s The Elephant Queen; identity with Elegance Bratton...
- 11/10/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Church of the SubGenius may not be a household name across the country, but beginning in the early 1970s, a pair of enterprising Texas-area satirists turned one wildly overt religious experiment into a genuine phenomenon. That evolving story forms the foundation of “J.R. ‘Bob’ Dobbs and the Church of the SubGenius,” a documentary that’s set to play this month’s SXSW Film Festival.
The film is the directorial debut of Sandy K. Boone, who’s served as an executive producer on films like the Ethan Hawke-directed “Blaze,” Keith Maitland’s recounting of the 1966 University of Texas-Austin shooting “Tower,” and Louis Black and Karen Bernstein’s 2016 cinematic profile “Richard Linklater — Dream is Destiny.”
The “Church of the SubGenius” doc features interviews with a number of notable Texans and people who have memories of the church, including Linklater himself, plus Nick Offerman, Penn Jillette, Gerald Casale, and the late Margaret Moser.
The film is the directorial debut of Sandy K. Boone, who’s served as an executive producer on films like the Ethan Hawke-directed “Blaze,” Keith Maitland’s recounting of the 1966 University of Texas-Austin shooting “Tower,” and Louis Black and Karen Bernstein’s 2016 cinematic profile “Richard Linklater — Dream is Destiny.”
The “Church of the SubGenius” doc features interviews with a number of notable Texans and people who have memories of the church, including Linklater himself, plus Nick Offerman, Penn Jillette, Gerald Casale, and the late Margaret Moser.
- 3/5/2019
- by Steve Greene
- Indiewire
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