In the hours immediately following the death of Queen Elizabeth II at Balmoral on Thursday (8 September), the crowds gathering outside of Buckingham Palace in London came together to sing both “God Save the Queen” for the late sovereign and “God Save the King” for her eldest son and successor, the former Prince of Wales, now known as King Charles III.
The latter phrasing will have been eerily unfamiliar to many, having not been sung on these shores since 1952 when the reign of Elizabeth’s father, George VI, came to an abrupt end.
The song was fist adopted as the UK and Commonwealth’s national anthem in September 1745 during the reign of George III, a year after its lyrics appeared in print for the first time in The Gentleman’s Magazine and its music was set down in ink in the pages of the Thesaurus Musicus anthology at a time when...
The latter phrasing will have been eerily unfamiliar to many, having not been sung on these shores since 1952 when the reign of Elizabeth’s father, George VI, came to an abrupt end.
The song was fist adopted as the UK and Commonwealth’s national anthem in September 1745 during the reign of George III, a year after its lyrics appeared in print for the first time in The Gentleman’s Magazine and its music was set down in ink in the pages of the Thesaurus Musicus anthology at a time when...
- 9/9/2022
- by Joe Sommerlad
- The Independent - Music
In the hours immediately following the death of Queen Elizabeth II at Balmoral on Thursday (8 September), the crowds gathering outside of Buckingham Palace in London came together to sing both “God Save the Queen” for the late sovereign and “God Save the King” for her eldest son and successor, the former Prince of Wales, now known as King Charles III.
The latter phrasing will have been eerily unfamiliar to many, having not been sung on these shores since 1952 when the reign of Elizabeth’s father, George VI, came to an abrupt end.
The song was fist adopted as the UK and Commonwealth’s national anthem in September 1745 during the reign of George III, a year after its lyrics appeared in print for the first time in The Gentleman’s Magazine and its music was set down in ink in the pages of the Thesaurus Musicus anthology at a time when...
The latter phrasing will have been eerily unfamiliar to many, having not been sung on these shores since 1952 when the reign of Elizabeth’s father, George VI, came to an abrupt end.
The song was fist adopted as the UK and Commonwealth’s national anthem in September 1745 during the reign of George III, a year after its lyrics appeared in print for the first time in The Gentleman’s Magazine and its music was set down in ink in the pages of the Thesaurus Musicus anthology at a time when...
- 9/9/2022
- by Joe Sommerlad
- The Independent - Music
Gwyneth Paltrow's forthcoming singing stint in Glee has her unwittingly covering a Gary Glitter classic
Lost in Showbiz is distraught to report of a setback in Gwyneth Paltrow's ongoing musical career. Apparently the next series of Glee contains an episode called "Sexy", featuring a scene in which Paltrow leads her sex-education class in a rendition of a suitably steamy number: "Right or wrong don't it turn you on," she sings, "can't you see we're wasting time?"
Alas, no one apparently alerted the producers of Glee to the fact that the song in question – Do You Want To Touch Me (Oh Yeah), a 1982 hit in the Us for Joan Jett – was originally performed and co-written by Gary Glitter, which, with the best will in the world, rather switches the tone from "sexy" to "a bit creepy under the circumstances". An online furore subsequently followed. Admittedly, it wasn't the best...
Lost in Showbiz is distraught to report of a setback in Gwyneth Paltrow's ongoing musical career. Apparently the next series of Glee contains an episode called "Sexy", featuring a scene in which Paltrow leads her sex-education class in a rendition of a suitably steamy number: "Right or wrong don't it turn you on," she sings, "can't you see we're wasting time?"
Alas, no one apparently alerted the producers of Glee to the fact that the song in question – Do You Want To Touch Me (Oh Yeah), a 1982 hit in the Us for Joan Jett – was originally performed and co-written by Gary Glitter, which, with the best will in the world, rather switches the tone from "sexy" to "a bit creepy under the circumstances". An online furore subsequently followed. Admittedly, it wasn't the best...
- 3/11/2011
- by Alexis Petridis
- The Guardian - Film News
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