Projects from Riz Ahmed, David Harewood and The Fall creator Allan Cubitt lead an ambitious line-up of new commissions from BBC Two. The British public broadcaster has unveiled a huge slate of shows for its second channel ranging from high-end dramas and comedies through to documentary series.
In drama, it has ordered Englistan, created by The Night Of star Riz Ahmed. The nine-part series, which is produced by BBC Studios Drama London and Ahmed’s own Left Handed Films, is the story of three generations of a British Pakistani families as they pursue their dreams over four tumultuous decades, navigating shifting circumstances and evolving loyalties. The drama will re-frame recent British history, and shine a light on the forces that have remade British society what it is today. It will be exec produced by Ahmed, Esther Springer, Hilary Salmon and Lucy Richer.
The Fall creator Cubitt is adapting Eugene McCabe...
In drama, it has ordered Englistan, created by The Night Of star Riz Ahmed. The nine-part series, which is produced by BBC Studios Drama London and Ahmed’s own Left Handed Films, is the story of three generations of a British Pakistani families as they pursue their dreams over four tumultuous decades, navigating shifting circumstances and evolving loyalties. The drama will re-frame recent British history, and shine a light on the forces that have remade British society what it is today. It will be exec produced by Ahmed, Esther Springer, Hilary Salmon and Lucy Richer.
The Fall creator Cubitt is adapting Eugene McCabe...
- 4/30/2018
- by Peter White
- Deadline Film + TV
Theatrical hell-raisers and the art world's enfants terribles take centre stage in our roundup of the biggest risk-takers of 2014
Theatre
Oh! What a Lovely War
Theatre-maker Joan Littlewood was a visionary, an iconoclast and a subversive. Her 1963 "documentary collage" about the bitter ironies of the first world war was way ahead of its time, using popular period song and hard-hitting testimony. Lyn Gardner Theatre Royal Stratford East, London E15 (020-8534 0310), 1 February to 15 May.
Macbeth
Shakespeare's dark tale as you've never seen it before, taking place in a secret location from dawn to dusk. Party with Duncan, bed down in Macbeth's castle on the 27th floor of a tower block, glimpse the witches in an underground car park, and join the feast at which Banquo will be an uninvited guest. The spectres will be bloody – but the food will be vegetarian. LG Secret location, London, 4 April to 31 May.
Grit
This...
Theatre
Oh! What a Lovely War
Theatre-maker Joan Littlewood was a visionary, an iconoclast and a subversive. Her 1963 "documentary collage" about the bitter ironies of the first world war was way ahead of its time, using popular period song and hard-hitting testimony. Lyn Gardner Theatre Royal Stratford East, London E15 (020-8534 0310), 1 February to 15 May.
Macbeth
Shakespeare's dark tale as you've never seen it before, taking place in a secret location from dawn to dusk. Party with Duncan, bed down in Macbeth's castle on the 27th floor of a tower block, glimpse the witches in an underground car park, and join the feast at which Banquo will be an uninvited guest. The spectres will be bloody – but the food will be vegetarian. LG Secret location, London, 4 April to 31 May.
Grit
This...
- 1/1/2014
- by Lyn Gardner, Andrew Dickson, Jonathan Jones, Adrian Searle, Imogen Tilden, Andrew Clements, Tom Service, Mark Lawson, Tim Jonze, Brian Logan, Oliver Wainwright, Ben Beaumont-Thomas, Henry Barnes, Judith Mackrell
- The Guardian - Film News
I, Malvolio “Some are born mad,” mutters Tim Crouch’s Malvolio, standing before us in filthy long johns, face begrimed, crowned with devil horns. “Some achieve madness. And some have madness thrust upon them.” Which category does ol’ Mal — the famously abused prig of Shakespeare’s Twelfth Night — fall into? After being baited by scheming carousers with a fake love letter from his beautiful employer, fooled into shedding his austere high-buckled mufti for yellow-plaid tights, and finally, pitiably, thrown into a dungeon as a loony, what is he? Delightful figure of fun? Or innocent victim, more than owed a shot at the revenge he keeps promising? Crouch, a U.K. theater artist of growing renown, leaves that up to the audience — and reactions will almost certainly vary from crowd to crowd.I, Malvolio is Crouch’s partially improvised, audience-goading defense of Illyria’s most controversial butler: Whether he’s the bully or the bullied,...
- 1/15/2013
- by Scott Brown
- Vulture
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