The Believer's 2012 Film Issue is out and you can sample every essay, interview and list that's in it, though only a handful of texts are online in full. Joshua Jelly-Schapiro, for example, talks with Peter Doig, "a figurative painter whose lush dreamscapes at once evoke his medium's past and suggest the feel of photos and films," who also co-runs the StudioFilmClub in Trinidad: "In an airy old rum factory with a digital projector on one wall, a large screen on another, and a homey bar stocked with coconut water and local Stag beer, he hosts free screenings. Each Thursday night, FilmClub's patrons thrill to independent and art-house films ranging from Killer of Sheep and Klute to — on the night of my first visit a couple years ago — Nagisa Oshima's 1976 classic of sensual obsession, In the Realm of the Senses." You can see more of the flyers Doig's painted for the FilmClub here.
- 3/5/2012
- MUBI
Production designer David Doernberg, who brought a sensitive, finely crafted and observant touch to many excellent independent films, died in New York on Friday after a battle with cancer.
Doernberg began his career in the late ’80s/early ’90s working on music videos for bands like Sonic Youth, Yo La Tengo and Superchunk. He quickly moved into independent features, working as a propmaster for films by Hal Hartley (Amateur), Daisy von Scherler Mayer (Party Girl) and Eric Schaeffer (If Lucy Fell). Soon after he became a production designer, bookending his career with films by Kelly Reichardt. He designed her 1994 debut film, River of Grass, as well as her 2010 period tale of frontier life on the Oregon Trail, Meek’s Cutoff. Other notable credits include Phil Morrison’s Junebug, Alison Maclean’s Jesus’s Son, Morgan J. Freeman’s Desert Blue, Todd Solondz’s Palindromes and Pete Sollett’s Nick and Norah’s Infinite Playlist.
Doernberg began his career in the late ’80s/early ’90s working on music videos for bands like Sonic Youth, Yo La Tengo and Superchunk. He quickly moved into independent features, working as a propmaster for films by Hal Hartley (Amateur), Daisy von Scherler Mayer (Party Girl) and Eric Schaeffer (If Lucy Fell). Soon after he became a production designer, bookending his career with films by Kelly Reichardt. He designed her 1994 debut film, River of Grass, as well as her 2010 period tale of frontier life on the Oregon Trail, Meek’s Cutoff. Other notable credits include Phil Morrison’s Junebug, Alison Maclean’s Jesus’s Son, Morgan J. Freeman’s Desert Blue, Todd Solondz’s Palindromes and Pete Sollett’s Nick and Norah’s Infinite Playlist.
- 3/5/2012
- by Scott Macaulay
- Filmmaker Magazine - Blog
"I don't know what making a film is like," Kelly Reichardt says near the end of our conversation. She's referring to the way other filmmakers work, but it could just as easily apply to her own work since in the past few years, she's been making experiences. In a celebrated run with screenwriter Jonathan Raymond that began in 2006 with the drama "Old Joy" and has continued on with two collaborations with Michelle Williams in "Wendy and Lucy" and "Meek's Cutoff," the director has become one of the most striking voices in cinema today by letting life take its course and gently adhere to Murphy's Law when it comes to her characters who battle against the unforgiving nature of the elements in Oregon and the hegemony that's been in place long before the protagonists ever enter the frame.
In fact, one of the most memorable shots in "Meek's Cutoff" seems to...
In fact, one of the most memorable shots in "Meek's Cutoff" seems to...
- 4/22/2011
- by Stephen Saito
- ifc.com
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