All five of Oscar nominees for Best Sound Editing numbered among the contenders for the Golden Reel Awards bestowed by the Motion Picture Sound Editors on Sunday (Feb. 18). Oscar frontrunner “Dunkirk” lost the category equivalent — Sound Editing (Effects and Foley)– to “Blade Runner 2049.” The WWII epic did win for music over the sci-fi film.
Both films lost the dialogue & Adr race to “War for the Planet of the Apes,” which was snubbed by the sound branch of the academy. The other three Oscar nominees were shut out at the Golden Reel ceremony. “Baby Driver and “The Shape of Water” contended in those same three races while “Star Wars: The Last Jedi” was only nominated for its sound editing.
The 65th annual edition of these awards took place at the Westin Bonaventure Hotel in Los Angeles. Sound wiz John P. Fasal was feted for his lifetime of achievement and Kathryn Bigelow received the Filmmaker Award.
Both films lost the dialogue & Adr race to “War for the Planet of the Apes,” which was snubbed by the sound branch of the academy. The other three Oscar nominees were shut out at the Golden Reel ceremony. “Baby Driver and “The Shape of Water” contended in those same three races while “Star Wars: The Last Jedi” was only nominated for its sound editing.
The 65th annual edition of these awards took place at the Westin Bonaventure Hotel in Los Angeles. Sound wiz John P. Fasal was feted for his lifetime of achievement and Kathryn Bigelow received the Filmmaker Award.
- 2/19/2018
- by Paul Sheehan
- Gold Derby
It was a clear victory for sci-fi sound editing Sunday night at the 65th annual Mpse Golden Reel Awards at the Westin Bonaventure. “War for the Planet of the Apes” was the surprise winner for Dialogue/Adr, splitting honors with “Blade Runner 2049,” which grabbed the Effects/Foley prize. The big loser was “Dunkirk” (which won the BAFTA sound award earlier Sunday). However, Christopher Nolan’s World War II survival epic took home the Music Score award and remains the sound editing Oscar favorite.
In addition, “The Greatest Showman,” “Coco,” “Loveless,” and “Jane” earned sound editing awards for Musical, Animation, Foreign Language, and Documentary. The big TV winner was “Game of Thrones” (“The Spoils of War”) for Dialogue/Adr and Effects/Foley. Other TV honorees included “Black Mirror” (“USS Callister”) for Episodic Long Form Dialogue/Adr; “Godless” (“Homecoming”) and “Ozark” (“The Toll”) for Episodic Long Form Effects/Foley; “The Get...
In addition, “The Greatest Showman,” “Coco,” “Loveless,” and “Jane” earned sound editing awards for Musical, Animation, Foreign Language, and Documentary. The big TV winner was “Game of Thrones” (“The Spoils of War”) for Dialogue/Adr and Effects/Foley. Other TV honorees included “Black Mirror” (“USS Callister”) for Episodic Long Form Dialogue/Adr; “Godless” (“Homecoming”) and “Ozark” (“The Toll”) for Episodic Long Form Effects/Foley; “The Get...
- 2/19/2018
- by Bill Desowitz
- Indiewire
All five of our predicted Oscar nominees for Best Sound Editing number among the contenders for the Golden Reel Awards bestowed by the Motion Picture Sound Editors. Oscar frontrunner “Dunkirk” reaped three bids across the seven film categories as did three of its Oscar rivals: “Baby Driver,” “Blade Runner 2049” and “The Shape of Water.” The fifth Oscar hopeful — “Star Wars: The Last Jedi” — reaped one bid.
The 65th annual edition of these awards will take place on Feb. 18 at the Westin Bonaventure Hotel in Los Angeles. Sound wiz John P. Fasal will be feted for his lifetime of achievement and Kathryn Bigelow is to receive the Filmmaker Award.
Last year, “Arrival” was shut out of its three races at the Mpse awards but got its revenge on “Hacksaw Ridge,” which had won two of those three awards, at the Oscars. One of those wins for the WWII drama was...
The 65th annual edition of these awards will take place on Feb. 18 at the Westin Bonaventure Hotel in Los Angeles. Sound wiz John P. Fasal will be feted for his lifetime of achievement and Kathryn Bigelow is to receive the Filmmaker Award.
Last year, “Arrival” was shut out of its three races at the Mpse awards but got its revenge on “Hacksaw Ridge,” which had won two of those three awards, at the Oscars. One of those wins for the WWII drama was...
- 1/22/2018
- by Paul Sheehan
- Gold Derby
“Baby Driver,” “Blade Runner 2049,” “Dunkirk,” and “The Shape of Water” each received three Mpse sound editing nominations (Dialogue/Adr, Effects/Foley, and Music Score) in the race for the 65th Golden Reel Awards (held February 18th at the Westin Bonaventure).
Right behind with two nominations were “War for the Planet of the Apes” (Dialogue /Adr, Effects/Foley) and Pixar’s “Coco” (Animation, Musical).
Receiving single nominations were “Darkest Hour” (Dialogue /Adr), “Detroit” (Dialogue/Adr), “King Arthur: Legend of the Sword” (Music Score), “Logan” (Effects/Foley), “Star Wars: The Last Jedi” (Effects/Foley), “Three Billboards Outside of Ebbing, Missouri (Dialogue/Adr), “The Lost City of Z” (Music Score), “Thor: Ragnarok” (Effects/Foley), “Transformers: The Last Knight” (Music Score), “Wonder Woman” (Music Score).
Other Musical nominations went to Disney’s “Beauty and the Beast” and “The Greatest Showman.” Competing with “Coco” in animation were Pixar’s “Cars 3,” Illumination’s “Despicable Me 3,...
Right behind with two nominations were “War for the Planet of the Apes” (Dialogue /Adr, Effects/Foley) and Pixar’s “Coco” (Animation, Musical).
Receiving single nominations were “Darkest Hour” (Dialogue /Adr), “Detroit” (Dialogue/Adr), “King Arthur: Legend of the Sword” (Music Score), “Logan” (Effects/Foley), “Star Wars: The Last Jedi” (Effects/Foley), “Three Billboards Outside of Ebbing, Missouri (Dialogue/Adr), “The Lost City of Z” (Music Score), “Thor: Ragnarok” (Effects/Foley), “Transformers: The Last Knight” (Music Score), “Wonder Woman” (Music Score).
Other Musical nominations went to Disney’s “Beauty and the Beast” and “The Greatest Showman.” Competing with “Coco” in animation were Pixar’s “Cars 3,” Illumination’s “Despicable Me 3,...
- 1/22/2018
- by Bill Desowitz
- Indiewire
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