Given that The Quarry is the latest horror game from the brilliant minds behind the modern genre classic Until Dawn, it should come as no surprise that the game’s cast is filled with horror character tropes voiced (and often motion-captured) by a lot of familiar names.
Indeed, part of the fun of playing a game like The Quarry comes from trying to figure out where you know so many of its cast members from. While a few names will jump out at you instantly, others most certainly fall into that “Oh yeah, I know them” category.
So if you’re tired of scratching your head over who is who in The Quarry, here’s a breakdown of the game’s cast of primary characters and where you might know their actors from.
Abigail Blyg – Voiced by Ariel Winter
Abigail is a shy and occasionally awkward camp counselor who seemingly aspires to be an artist.
Indeed, part of the fun of playing a game like The Quarry comes from trying to figure out where you know so many of its cast members from. While a few names will jump out at you instantly, others most certainly fall into that “Oh yeah, I know them” category.
So if you’re tired of scratching your head over who is who in The Quarry, here’s a breakdown of the game’s cast of primary characters and where you might know their actors from.
Abigail Blyg – Voiced by Ariel Winter
Abigail is a shy and occasionally awkward camp counselor who seemingly aspires to be an artist.
- 6/16/2022
- by Matthew Byrd
- Den of Geek
Eddie Daniels/Roger Kellaway: Live at the Library of Congress (Ipo)
The surprising thing about this album is how wild it is. I didn't expect this clarinet/piano duo playing lots of very old standards to shoot off on weird tangents filled with such startling dissonances; I've heard Daniels and Kellaway in separate contexts before this, and they were less adventurous then. They play the themes straightforwardly, but sometimes open those tracks with left-field intros that would make even Erroll Garner smile a bit enviously. And once they get to their solos (mostly in the sense of "featured," in Daniels's case, though Kellaway really is solo and sometimes he drops out to let Daniels fly unaccompanied), you never know whether you're going to hear a sedately prim excursion on bebop-level harmonies or a spurt of exuberance that takes in a wider range of styles. Their reading of Thelonious Monk's "Rhythm-a-ning,...
The surprising thing about this album is how wild it is. I didn't expect this clarinet/piano duo playing lots of very old standards to shoot off on weird tangents filled with such startling dissonances; I've heard Daniels and Kellaway in separate contexts before this, and they were less adventurous then. They play the themes straightforwardly, but sometimes open those tracks with left-field intros that would make even Erroll Garner smile a bit enviously. And once they get to their solos (mostly in the sense of "featured," in Daniels's case, though Kellaway really is solo and sometimes he drops out to let Daniels fly unaccompanied), you never know whether you're going to hear a sedately prim excursion on bebop-level harmonies or a spurt of exuberance that takes in a wider range of styles. Their reading of Thelonious Monk's "Rhythm-a-ning,...
- 4/14/2012
- by SteveHoltje
- www.culturecatch.com
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