The original 1954 "Godzilla" film may look a bit worn 70 years after its release, but one aspect of the movie is still capable of reaching across time and space to rattle the nerves of modern moviegoers: that famous kaiju roar. Ishirō Honda's groundbreaking film brought its eponymous creature to life with a screeching, discordant sound that sends tingles down the spine, and it's a noise that the latest Toho Studios masterpiece, the critically acclaimed "Godzilla Minus One," aimed to emulate and expand upon.
In an interview with A Frame, the sound team behind the Oscar-winning film explained exactly how they put together the new Godzilla roar, a stunning noise that punctuated the film's first trailer and sounds even better in context. According to writer-director Takashi Yamazaki, he and the sound team decided to create the latest roar in part by replaying the original audio in a space that would allow for major echoes and reverberations.
In an interview with A Frame, the sound team behind the Oscar-winning film explained exactly how they put together the new Godzilla roar, a stunning noise that punctuated the film's first trailer and sounds even better in context. According to writer-director Takashi Yamazaki, he and the sound team decided to create the latest roar in part by replaying the original audio in a space that would allow for major echoes and reverberations.
- 4/26/2024
- by Valerie Ettenhofer
- Slash Film
Unveiling the Mystery of Godzilla As Godzilla x Kong dominates box offices, we’re reminded of the 70-year legacy of a creature that has become an international symbol. From its conception in post-war Japan to its latest CGI iterations, Godzilla has evolved while maintaining its iconic status. The Birth of a Legend The original Gojira, directed by Ishiro Honda, struck a chord with its 1954 audience, embodying the fears of an era. The kaiju was a direct response to nuclear anxieties, with producer Tomoyuki Tanaka stating, the theme of the film was the terror of the bomb. A Symbol of Nature’s
The post Exploring Godzilla’s 70-Year Reign as Cinema’s Iconic Monster first appeared on TVovermind.
The post Exploring Godzilla’s 70-Year Reign as Cinema’s Iconic Monster first appeared on TVovermind.
- 4/11/2024
- by Steve Delikson
- TVovermind.com
Gorgo promotional imageImage: Courtesy Metro-Goldwyn-Mayer
Why do we love kaiju movies so much? Is it the sight of an enormous creature stomping its way through a metropolis, tapping into our secret desires to see them leveled? Or the representation of nature’s wrath against humanity for its mistreatment of the planet?...
Why do we love kaiju movies so much? Is it the sight of an enormous creature stomping its way through a metropolis, tapping into our secret desires to see them leveled? Or the representation of nature’s wrath against humanity for its mistreatment of the planet?...
- 4/10/2024
- by Cindy White
- avclub.com
Clockwise from top left: The Holdovers (Focus Features), The Last Temptation Of Christ (Universal Pictures), Red Eye (DreamWorks Pictures), Música (Amazon MGM Studios)Image: The A.V. Club
An Oscar-winning drama-comedy, a controversial Martin Scorsese movie about Jesus, an underappreciated Wes Craven movie starring Cillian Murphy, and a music-filled rom-com lead...
An Oscar-winning drama-comedy, a controversial Martin Scorsese movie about Jesus, an underappreciated Wes Craven movie starring Cillian Murphy, and a music-filled rom-com lead...
- 4/3/2024
- by Robert DeSalvo
- avclub.com
Is there any movie opinion more wrong-headed than saying that Godzilla isn’t my Godzilla? Sure, you might prefer the serious allegorical Godzilla from the 1954 movie or, more recently, Shin Godzilla and Godzilla Minus One. Or you might like the goofier Godzilla from Godzilla vs. Gigan and the newest film, Godzilla x Kong: The New Empire. Heck, it is absolutely okay if the American Iguana monster Zilla is your jam.
The only thing that’s unacceptable, that’s absolutely dumb and worthless, is saying that a particular movie doesn’t understand Godzilla. A movie may botch everything else around the giant lizard monster, as happens often in the United States, but the lizard always works. Not only would every movie be improved by the inclusion of a giant fire-breathing monster, but the King of the Monsters fits in a wide range of movies, making him (or her!) pop culture’s most versatile star.
The only thing that’s unacceptable, that’s absolutely dumb and worthless, is saying that a particular movie doesn’t understand Godzilla. A movie may botch everything else around the giant lizard monster, as happens often in the United States, but the lizard always works. Not only would every movie be improved by the inclusion of a giant fire-breathing monster, but the King of the Monsters fits in a wide range of movies, making him (or her!) pop culture’s most versatile star.
- 4/2/2024
- by Joe George
- Den of Geek
Adam Wingard's "Godzilla x Kong: The New Empire" features an epic team-up between the legendary beasts, Godzilla and Kong, underlining the necessity to push aside a millennia-spanning feud to tackle an even greater threat. Firmly rooted in the perspective of the monsters, where most of the storytelling stems from nonverbal, evocative visuals (which are also cool as heck), "Godzilla x Kong" understands the appeal of the monster movie genre -- it's pure spectacle that often tugs at the heartstrings. While it cannot get much simpler than that, the film does a commendable job of pitting two giants against a villain scorned, whose motivations culminate in destroying the world without a second thought about the cost of such an act.
The monster movie franchise is as gargantuan as the beasts that are featured in it, spanning back to 1933's "King Kong," which kickstarted a cultural phenomenon that still feels fresh and fun to this day.
The monster movie franchise is as gargantuan as the beasts that are featured in it, spanning back to 1933's "King Kong," which kickstarted a cultural phenomenon that still feels fresh and fun to this day.
- 3/31/2024
- by Debopriyaa Dutta
- Slash Film
Godzilla X Kong: The New Empire truly shocked everybody, even though it didn’t have much money behind it. It stormed the box office, getting a huge $35 million on its first day, much more than anybody anticipated. This most recent film in the Monsterverse series demonstrates the way that large spectacles and fan excitement can beat budget issues any day.
Godzilla x Kong: The New Empire
It’s setting an entirely different norm for blockbuster hits. And with a particularly huge start, it’s on target to break a wide range of records in the cinematic world, showing that people actually love watching giant beasts battle it out in the cinema.
Godzilla X Kong Smashes Box Office Records Despite Low-Budget
A recent report by Deadline revealed Godzilla x Kong: The New Empire had a production cost of about $135 million. Unbelievably covered 75% of the spending plan, with Warner Bros. disclosure contributing...
Godzilla x Kong: The New Empire
It’s setting an entirely different norm for blockbuster hits. And with a particularly huge start, it’s on target to break a wide range of records in the cinematic world, showing that people actually love watching giant beasts battle it out in the cinema.
Godzilla X Kong Smashes Box Office Records Despite Low-Budget
A recent report by Deadline revealed Godzilla x Kong: The New Empire had a production cost of about $135 million. Unbelievably covered 75% of the spending plan, with Warner Bros. disclosure contributing...
- 3/31/2024
- by Muskan Chaudhary
- FandomWire
Adam Wingard's new film "Godzilla x Kong: The New Empire" has, tonally speaking, strayed far from Gareth Edwards' 2014 MonsterVerse kickoff film "Godzilla." Edwards' film was somber and sad, featuring very little "fun" monster destruction. As the MonserVerse series has progressed, however, it has crept inexorably toward a sillier tone before striking it rich with Wingard's 2021 entry "Godzilla vs. Kong." That film featured a battle between the titular titans, but also a cameo from Mechagodzilla, a monstrous robot extrapolated from the skull of the dead King Ghidorah. "GvK" also featured a fleet of human-built UFOs and a magical portal that led into the Hollow Earth, an unusual underground realm ruled by monsters.
The Hollow Earth idea is straight out of Jules Verne, but the mayhem-forward approach to a Godzilla movie comes from several of Toho's films released in the 1970s. Indeed, many critics and pundits have been comparing "GxK" to the series' Shōwa era,...
The Hollow Earth idea is straight out of Jules Verne, but the mayhem-forward approach to a Godzilla movie comes from several of Toho's films released in the 1970s. Indeed, many critics and pundits have been comparing "GxK" to the series' Shōwa era,...
- 3/29/2024
- by Witney Seibold
- Slash Film
When it comes to the question of which character has the best rogue’s gallery, most people immediately go with Batman or Spider-Man. Some of the more initiated might even go with The Flash. But be encouraged to think bigger — much bigger.
Over 69 years, and four eras — Showa, Heisei, Millennium and Reiwa — Godzilla has faced many threats. While some have proven to be more memorable than others, they’ve all worked in the service of Godzilla’s longevity and legacy. Much of Godzilla’s lasting appeal, and how he subsists in pop culture, is due to the popular “Godzilla vs.” concept that has seen some of his greatest adversaries rebooted and reimagined through the eras, alongside the creation of new enemies — a more difficult but no less necessary endeavor.
As Godzilla’s popularity continues to grow, irradiated by recent releases like Monarch: Legacy of Monsters, the Oscar-winning Godzilla: Minus One...
Over 69 years, and four eras — Showa, Heisei, Millennium and Reiwa — Godzilla has faced many threats. While some have proven to be more memorable than others, they’ve all worked in the service of Godzilla’s longevity and legacy. Much of Godzilla’s lasting appeal, and how he subsists in pop culture, is due to the popular “Godzilla vs.” concept that has seen some of his greatest adversaries rebooted and reimagined through the eras, alongside the creation of new enemies — a more difficult but no less necessary endeavor.
As Godzilla’s popularity continues to grow, irradiated by recent releases like Monarch: Legacy of Monsters, the Oscar-winning Godzilla: Minus One...
- 3/29/2024
- by Richard Newby
- The Hollywood Reporter - Movie News
Godzilla has defeated giant spiders, giant lobsters, giant robots, giant dinosaurs, giant space dragons, giant plant monsters, giant beetles, and of course, giant monkeys. But recently, the King of the Monsters conquered a foe that many thought him incapable of taking on: the Academy of Motion Picture Arts and Sciences.
With “Godzilla Minus One,” Toho’s iconic kaiju (or giant monster) franchise “Godzilla” earned its first Academy Award, receiving the Oscar for Best Visual Effects after wowing audiences with its impressive CGI re-creation of cinema’s most iconic movie monster. It became the first Japanese production to win the award, bookending a successful season for the film, which broke through in America in a major way. After years of the franchise’s Japanese films reaching relatively niche U.S. audiences, “Godzilla Minus One” grossed $110 million worldwide and attracted critical acclaim, bringing the franchise new fans and newfound recognition.
“Godzilla Minus One...
With “Godzilla Minus One,” Toho’s iconic kaiju (or giant monster) franchise “Godzilla” earned its first Academy Award, receiving the Oscar for Best Visual Effects after wowing audiences with its impressive CGI re-creation of cinema’s most iconic movie monster. It became the first Japanese production to win the award, bookending a successful season for the film, which broke through in America in a major way. After years of the franchise’s Japanese films reaching relatively niche U.S. audiences, “Godzilla Minus One” grossed $110 million worldwide and attracted critical acclaim, bringing the franchise new fans and newfound recognition.
“Godzilla Minus One...
- 3/28/2024
- by Wilson Chapman
- Indiewire
Franchise animation Kung Fu Panda 4 and creature clash Godzilla x Kong: The New Empire lead a bumper weekend of 16 new films at the UK-Ireland box office.
Universal’s Kung Fu Panda 4 has the biggest opening of the weekend in 715 sites – a significant jump for the series, after 2008’s Kung Fu Panda (448) and sequels in 2011 (514) and 2016 (585), all through Paramount.
Conversely, the total grosses of each film have dropped, with the first title making £20.4m, followed by £17m and £14.2m for the sequels. All of these were pre-pandemic; number four will look to cross the £10m mark before challenging any of those totals.
Universal’s Kung Fu Panda 4 has the biggest opening of the weekend in 715 sites – a significant jump for the series, after 2008’s Kung Fu Panda (448) and sequels in 2011 (514) and 2016 (585), all through Paramount.
Conversely, the total grosses of each film have dropped, with the first title making £20.4m, followed by £17m and £14.2m for the sequels. All of these were pre-pandemic; number four will look to cross the £10m mark before challenging any of those totals.
- 3/28/2024
- ScreenDaily
It’s been nearly 70 years since Godzilla first step foot on the silver screen with Ishiro Honda’s 1954 opus, Gojira. What started as an allegory about the horrors of the atomic bomb and war has since been reimagined myriad times to cover everything from the awesome forces of nature to geopolitical alliances, the absurdities of consumerism to mankind’s inability to curb pollution. Whether Godzilla is a tragic monster, a defender of earth, or children’s role model, there’s no denying the appeal the Big G has to audiences.
After all, it’s damn entertaining to watch a giant monster stomping around the streets of a metropolis and leaving a path of destruction. Sure, American movies like King Kong and The Beast from 20,000 Fathoms primed American audiences for features of this magnitude. But really, it was Godzilla and the evolution of the IP’s unique genre of films — kaiju...
After all, it’s damn entertaining to watch a giant monster stomping around the streets of a metropolis and leaving a path of destruction. Sure, American movies like King Kong and The Beast from 20,000 Fathoms primed American audiences for features of this magnitude. But really, it was Godzilla and the evolution of the IP’s unique genre of films — kaiju...
- 3/28/2024
- by Kyle Cubr
- bloody-disgusting.com
With Godzilla and Kong preparing for a titan-sized team-up in this weekend’s Godzilla x Kong: The New Empire, now seems like as good a time as any to revisit the first time these larger than life monsters crossed paths: 1962’s King Kong vs Godzilla. The third film in both franchises and the first in both franchises to be presented in widescreen and color, this entry was a major turning point for the Godzilla seres in particular and is often credited with keeping the series alive after the disappointing Godzilla Raids Again.
Yet despite its massive influence, the film is also strangely difficult to come by in the West. Universal released a bare-bones Blu-ray of the English dub in 2014 and the Japanese version is included in The Criterion Collection’s “Godzilla: The Showa Era” box set; but both versions are strangely absent from that set’s digital release; on top...
Yet despite its massive influence, the film is also strangely difficult to come by in the West. Universal released a bare-bones Blu-ray of the English dub in 2014 and the Japanese version is included in The Criterion Collection’s “Godzilla: The Showa Era” box set; but both versions are strangely absent from that set’s digital release; on top...
- 3/27/2024
- by Callie Hanna
- FandomWire
"Star Wars" is filled with memorable side characters, weird little guys who populate the galaxy and make it feel like a massive, lived-in place, where everyone has a story to tell.
Take the fan-favorite pirate Hondo Ohnaka. He was first introduced in "The Clone Wars," and named after "Godzilla" director Ishiro Honda and actor Seiji Onaka. Hondo was something the movies had alluded to but not actually shown — a pirate scoundrel. Sure, we'd seen parts of that lifestyle, like with Lando and Boba Fett, but the latter had barely any lines or anything to do and the former didn't do much piracy. Hondo, on the other hand, was introduced as a resourceful scum, a guy willing to work with anyone on any side as long as there was profit. At one point he kidnapped Count Dooku (which not even the Republic managed to do), as well as Obi-Wan Kenobi and Anakin Skywalker,...
Take the fan-favorite pirate Hondo Ohnaka. He was first introduced in "The Clone Wars," and named after "Godzilla" director Ishiro Honda and actor Seiji Onaka. Hondo was something the movies had alluded to but not actually shown — a pirate scoundrel. Sure, we'd seen parts of that lifestyle, like with Lando and Boba Fett, but the latter had barely any lines or anything to do and the former didn't do much piracy. Hondo, on the other hand, was introduced as a resourceful scum, a guy willing to work with anyone on any side as long as there was profit. At one point he kidnapped Count Dooku (which not even the Republic managed to do), as well as Obi-Wan Kenobi and Anakin Skywalker,...
- 3/23/2024
- by Rafael Motamayor
- Slash Film
Takashi Yamazaki's "Godzilla Minus One" was an unexpectedly large hit in the United States, and currently holds the distinction of being the highest-grossing Japanese-language Godzilla film in U.S. box office history. "Minus One" is also unique in the Godzilla canon in that it affects an optimistic worldview. Several Godzilla movies in the franchise tended to zero in on Godzilla's horrifying nuclear origins, pointing out that the monster is the direct result of atomic testing. Humans were only able to destroy Godzilla in Ishiro Honda's 1954 film "Gojira" by creating a new weapon even more devastating than the atomic bomb. That film is sad and dour and pessimistic. In contrast, "Godzilla Minus One" is about how ingenuity and redemption are still possible after World War II, and that humans needn't be hopeless or obsessed with death. It's okay, "Minus One" argues, to let go of the violence.
"Minus One,...
"Minus One,...
- 3/18/2024
- by Witney Seibold
- Slash Film
The Twins themselves, Arnold Schwarzenegger and Danny DeVito, took to the stage at the 96th Academy Awards to announce the winner of the Best Visual Effects category, and the honor went to Godzilla Minus One . The film directed by Takashi Yamazaki joins Hayao Miyazaki's The Boy and the Heron in a historic night for Japanese cinema. Godzilla Minus One beat out competition that includes The Creator , Guardians of the Galaxy Vol. 3 , Mission: Impossible - Dead Reckoning Part One and Napoleon . This is the first Academy Award nomination and the first win for Godzilla. This win falls in the 70th anniversary year of Ishiro Honda's original Godzilla film, which was released in 1954. Related: Hayao Miyazaki’s The Boy and the Heron Wins Oscar for Best Animated Feature Film Godzilla Minus One opened in Japan on November 3, 2023, before it rolled out internationally on December 1. Toho released the film around...
- 3/11/2024
- by Joseph Luster
- Crunchyroll
“Godzilla Minus One” already made history at the Oscars on January 23 when it became the first film in the Godzilla franchise’s 70 years to be nominated for Best Visual Effects. Now, director Takashi Yamazaki can claim the title of Japan’s first ever winner of the Best Visual Effects Oscar. Even more, this is the first Godzilla film to win an Oscar, period.
Yet even more history was by the Toho Studios production on March 10 at the 96th Academy Awards: director Yamazaki is also the winner of this particular Visual Effects prize, as he also served as the film’s visual effects supervisor. A director winning the Best Visual Effects Academy Award has only happened once more before, with Stanley Kubrick taking the honor in 1969 for “2001: A Space Odyssey” as VFX supervisor on that Best Picture nominee as well. (That’s also the only Oscar Kubrick won in his nearly 50-year-long career.
Yet even more history was by the Toho Studios production on March 10 at the 96th Academy Awards: director Yamazaki is also the winner of this particular Visual Effects prize, as he also served as the film’s visual effects supervisor. A director winning the Best Visual Effects Academy Award has only happened once more before, with Stanley Kubrick taking the honor in 1969 for “2001: A Space Odyssey” as VFX supervisor on that Best Picture nominee as well. (That’s also the only Oscar Kubrick won in his nearly 50-year-long career.
- 3/11/2024
- by Ryan Lattanzio
- Indiewire
Merian C. Cooper and Ernest B. Schoedsack's 1933 mega-hit "King Kong" was a marvel of special effects. It employed stop-motion animation, outsize models, rear-projection, and novel composting methods to convince audiences that a giant ape was interacting with human co-stars. Compared to modern, ultra-slick CGI effects, the 1933 King Kong may not look as realistic, but the ape shimmers with life and personality beyond what many modern effects can accomplish. Kong is the most sympathetic character in the movie, as he was kidnapped from his home and exploited by would-be entertainment moguls. Using bi-planes to shoot Kong off the top of the Empire State Building wasn't a moment of triumph for a masterful humanity, but the tragic execution of an animal that doesn't understand what it was thrust into. Not bad for a film that's going to celebrate its 91st birthday in April of 2024.
Interpreting "King Kong" in 2024 is fraught. Cooper...
Interpreting "King Kong" in 2024 is fraught. Cooper...
- 2/17/2024
- by Witney Seibold
- Slash Film
As one of the main selling points of their films, Toho Studios has spent a vast majority of their time crafting monsters of various quantity and quality to be involved in their films whether it be in their main Godzilla series or their other features. While Godzilla has remained their big money-maker and longest-lasting series, that there have been other attempts at creating these kinds of movies that have meant the need for crafting either allies or opponents for these films over the years. Some are better than others, but when they hit a great idea for a creature or concept it should make sense to reuse the particular creature over and over again, such as with popular beasts like Anguirus, Rodan, King Ghidora, and Mothra, to name just a few. That makes it even weirder how some of the creatures were never given another shot as they provided a...
- 2/9/2024
- by Don Anelli
- AsianMoviePulse
The first trailer for upcoming MonsterVerse movie "Godzilla x Kong: The New Empire" featured a baby Kong and a new giant ape villain called Skar King, but both were overshadowed by the star of the show: Pink Godzilla.
Though Godzilla is most commonly associated with his classic white-blue atomic breath, director Adam Wingard isn't the first filmmaker to experiment with the color spectrum when it comes to Godzilla's most lethal power. There have been a dozen different continuities featuring the giant lizard, who has been reinvented and redesigned both drastically and subtly over the years.
The pink-glowing version of Godzilla is the same one that was featured in Warner Bros. Pictures and Legendary Pictures' "MonsterVerse" movies -- starting with "Godzilla" in 2014 and most recently appearing in the spin-off series "Monarch: Legacy of Monsters." But even within the decade-long lifespan of the MonsterVerse, we've also seen other versions of the big...
Though Godzilla is most commonly associated with his classic white-blue atomic breath, director Adam Wingard isn't the first filmmaker to experiment with the color spectrum when it comes to Godzilla's most lethal power. There have been a dozen different continuities featuring the giant lizard, who has been reinvented and redesigned both drastically and subtly over the years.
The pink-glowing version of Godzilla is the same one that was featured in Warner Bros. Pictures and Legendary Pictures' "MonsterVerse" movies -- starting with "Godzilla" in 2014 and most recently appearing in the spin-off series "Monarch: Legacy of Monsters." But even within the decade-long lifespan of the MonsterVerse, we've also seen other versions of the big...
- 2/7/2024
- by Hannah Shaw-Williams
- Slash Film
The original 1954 "Godzilla" was directed by Ishirō Honda, butithout minimizing his importance, it's impossible that the film would have turned out the same way without the special effects Director Eiji Tsuburaya. Portraying a giant monster with the convincing scale of Godzilla had almost never been done before and crafting the monster was Tsuburaya's responsibility.
Tsuburaya had a prolific career that began almost 30 years before he worked on "Godzilla," and included previous collaborations with Honda on the war films "Eagle of the Pacific" and "Farewell Rabaul." Today, though, he is mostly remembered as "the father of Tokusatsu" or effects-heavy Japanese film/TV. Such productions typically depict actors in costume as giant monsters, robots, or superheroes. Tsuburaya earned this title not just through his work on "Godzilla" and subsequent films (such as "Rodan"), but by creating the 1967 TV series turned media phenomenon "Ultraman."
While Ultraman is a hero, Godzilla is (at least...
Tsuburaya had a prolific career that began almost 30 years before he worked on "Godzilla," and included previous collaborations with Honda on the war films "Eagle of the Pacific" and "Farewell Rabaul." Today, though, he is mostly remembered as "the father of Tokusatsu" or effects-heavy Japanese film/TV. Such productions typically depict actors in costume as giant monsters, robots, or superheroes. Tsuburaya earned this title not just through his work on "Godzilla" and subsequent films (such as "Rodan"), but by creating the 1967 TV series turned media phenomenon "Ultraman."
While Ultraman is a hero, Godzilla is (at least...
- 2/4/2024
- by Devin Meenan
- Slash Film
When the monster was invented in 1954, Godzilla stood as a symbol of nuclear devastation. Indeed, in March of 1954, shortly before Ishiro Honda's film "Gojira" was made, a group of fishermen aboard the ship Daigo Fukuryu Maru was exposed to radiation from a nearby American nuclear bomb test in the Bikini Atoll. One of the fishermen died of radiation poisoning and their fish were irradiated, causing a public panic about the safety of their food and the effects nuclear fallout may be having on the local fauna. As all cineastes know, Godzilla was an animal mutated by nuclear tests, turning into a nuclear-powered, unstoppable force of destruction. Godzilla echoed the devastation of the nuclear bomb that Japan had suffered at the hands of America. Honda's original "Gojira" is a somber and downbeat film about how weapons of mass destruction will never be done destroying us.
In the years since...
In the years since...
- 1/26/2024
- by Witney Seibold
- Slash Film
It all began with the sound of thundering footsteps and a now-iconic roar before giving way to Akira Ifukube’s equally iconic music. Japanese cinema and monster movies worldwide would never be the same again. In the beginning, Godzilla represented the ultimate in fear and destruction. A creature so colossal, he could lay waste to entire cities just by lumbering through them and swinging his mighty tail before setting them ablaze with a burst of his atomic breath. Over the years he evolved from national terror to national treasure, becoming a protector and kind of mascot to the nation of Japan. He was transplanted and championed all over the world. Eventually he became a joke and a marketing tool used to sell everything from Fiats, to Snickers bars, to Nike shoes in a one-on-one pickup game with Charles Barkley. Within the past year, Godzilla has come full circle with the...
- 1/24/2024
- by Brian Keiper
- bloody-disgusting.com
Nearing $35 million at the U.S. box office, besting the almost-$30 million it’s made internationally, it’s safe to say Takashi Yamazaki’s Godzilla Minus One is a monster hit. Now, following in the recent footsteps of George Miller, Bong Joon Ho, Guillermo del Toro, and more, a black-and-white version of the film titled Godzilla-1.0/C will be arriving in Japanese theaters starting January 12 and a new trailer and poster have arrived. While no U.S. release plans have been confirmed for this version, considering the success of the film here, expect news soon.
Ryan Swen said in his review of Godzilla Minus One, “For much of Takashi Yamazaki’s Godzilla Minus One, Toho Studios’ 33rd film in the beloved kaiju franchise, the iconic monster exists as an abstraction. After a brief, brutal rampage to start, he is kept offscreen, a shadow in the mind of our hero Kōichi...
Ryan Swen said in his review of Godzilla Minus One, “For much of Takashi Yamazaki’s Godzilla Minus One, Toho Studios’ 33rd film in the beloved kaiju franchise, the iconic monster exists as an abstraction. After a brief, brutal rampage to start, he is kept offscreen, a shadow in the mind of our hero Kōichi...
- 12/20/2023
- by Jordan Raup
- The Film Stage
A failed kamikaze pilot, one furious radioactive lizard and a Japan devastated by war collide in Takashi Yamazaki’s unashamedly redemptive action thriller
Ever since he first lumbered on to the big screen in Ishiro Honda’s 1954 original film, Godzilla has been more than just a monster. The city-crunching prehistoric mega-reptile has been cast as a metaphor for the nuclear threat, American military might and environmental abuses. He also represents a seemingly boundless franchise opportunity, having appeared in almost 40 films, of wildly varying quality. Of all these, the terrific Godzilla Minus One is one of the very best. Written and directed by Takashi Yamazaki (best known for sci-fi horror films Parasyte: Parts 1 and 2 and the comedy drama Always: Sunset on Third Street), this thunderously entertaining prequel, set in Japan in the immediate aftermath of the second world war, takes the king of monsters back to his roots.
In this version,...
Ever since he first lumbered on to the big screen in Ishiro Honda’s 1954 original film, Godzilla has been more than just a monster. The city-crunching prehistoric mega-reptile has been cast as a metaphor for the nuclear threat, American military might and environmental abuses. He also represents a seemingly boundless franchise opportunity, having appeared in almost 40 films, of wildly varying quality. Of all these, the terrific Godzilla Minus One is one of the very best. Written and directed by Takashi Yamazaki (best known for sci-fi horror films Parasyte: Parts 1 and 2 and the comedy drama Always: Sunset on Third Street), this thunderously entertaining prequel, set in Japan in the immediate aftermath of the second world war, takes the king of monsters back to his roots.
In this version,...
- 12/17/2023
- by Wendy Ide
- The Guardian - Film News
For a film series that has severed into various franchise strands over the past seventy years, it’s fantastic that Godzilla has finally been reborn into a form that’s both refreshing for viewers and comparable to beloved past embodiments. Despite the surface central concept/draw of “big monster smashes city”, Godzilla has famously teemed with metaphors and allegories relating to Japan’s post-Hiroshima and Nagasaki fear of nuclear weapons and atomic devastation. So, with this latest instalment being set in mid post-war Tokyo, mid 1945, makes Godzilla’s origins more pertinent to the plot and characters than most of its recent predecessors.
The story follows Koichi Shikishima (Ryunosuke Kamiki), a kamikaze pilot who lands on the army-occupied Odo Island to get his plane repaired, but when no mechanical faults are found, our “hero” is brandished a coward. Koichi then returns to Tokyo to discover most of his hometown obliterated by Godzilla,...
The story follows Koichi Shikishima (Ryunosuke Kamiki), a kamikaze pilot who lands on the army-occupied Odo Island to get his plane repaired, but when no mechanical faults are found, our “hero” is brandished a coward. Koichi then returns to Tokyo to discover most of his hometown obliterated by Godzilla,...
- 12/12/2023
- by Daniel Goodwin
- HeyUGuys.co.uk
The MonsterVerse returns for its fifth installment with the new trailer of “Godzilla x Kong: The New Empire.” The film comes after Legendary Pictures’ 2021 feature “Godzilla vs. Kong” helmed by Adam Wingard, who returns to direct this upcoming monster movie.
Rebecca Hall, Brian Tyree Henry and Kaylee Hottle reprise their 2021 roles as Dr. Illene Andrews, Bernie Hayes and Jia, respectively. The film also stars franchise newcomers Dan Stevens and Fala Chen.
Per the “The New Empire’s” official synopsis: “This latest entry follows up the explosive showdown of Godzilla vs. Kong with an all-new cinematic adventure, pitting the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence – and our own. The epic new film will delve further into the histories of these Titans, their origins and the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped...
Rebecca Hall, Brian Tyree Henry and Kaylee Hottle reprise their 2021 roles as Dr. Illene Andrews, Bernie Hayes and Jia, respectively. The film also stars franchise newcomers Dan Stevens and Fala Chen.
Per the “The New Empire’s” official synopsis: “This latest entry follows up the explosive showdown of Godzilla vs. Kong with an all-new cinematic adventure, pitting the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence – and our own. The epic new film will delve further into the histories of these Titans, their origins and the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped...
- 12/3/2023
- by Sophia Scorziello
- Variety Film + TV
I’ve been a Godzilla fan for as long as I can remember, with my childhood fascination with the radioactive reptile likely stemming from the 1998 animated series which served as a sequel to the first American remake. From there, I soon begged my parents to feed me with whatever Godzilla-related media they could find. As a teenager, I became a little more selective in my enjoyment of movies featuring the King of the Monsters, gravitating towards the horror aspects of the original and a handful of its successors. As a grown man, however, I have no shame in admitting that I frequently rewatch the cheesiest of these flicks while rooting for the monsters as if they were professional wrestlers in rubber suits.
That’s why I don’t say it lightly when I claim that I’m not aware of any other movie monster as versatile as this one.
That’s why I don’t say it lightly when I claim that I’m not aware of any other movie monster as versatile as this one.
- 12/1/2023
- by Luiz H. C.
- bloody-disgusting.com
Over the years, Godzilla has been largely depicted as a destroyer. A living and breathing embodiment of death and destruction. The 1960s and ‘70s, however, are a notable exception. After having previously decimated Japan on more than one occasion, the iconic kaijū returned in a different capacity. Godzilla had gone from the planet’s leading ruiner to its greatest savior. This radical change now entailed Godzilla protecting humans as opposed to threatening them upon each landfall. The transformation, weird as it is, was gradual enough that fans were able to acclimate. Or, in the case of those who began their Godzilla education with these “heroic” films rather than the very first, certain G-Fans always saw Godzilla as mankind’s supreme guardian. As if turning the walking metaphor for Wmd into a hulking humanitarian wasn’t bizarre enough, Godzilla assumed an even stranger role early into his career: he was suddenly a single parent.
- 12/1/2023
- by Paul Lê
- bloody-disgusting.com
After countless variations and sequels, plus major studio Hollywood versions, Toho is back in the driver’s seat for the first time since 2016 with a new take on the 70-year-old Godzilla franchise, a consistent run far longer than Bond and just about anything else. The very good news here is that just when you thought there was nothing new to do with the giant lizard who enjoys stomping on cities and all their inhabitants, along comes what might be called the first Godzilla art film — or at least one where the humans actually are three-dimensional and recognizable.
In writer-director and VFX supervisor Takashi Yamazaki’s (The Eternal Zero) hands, Godzilla’s screen time adds up to more of a supporting turn to the humans whose lives are deeply affected by his re-emergence. And unlike any previous film, including Ishiro Honda’s irresistible 1954 original, this one isn’t dubbed into English.
In writer-director and VFX supervisor Takashi Yamazaki’s (The Eternal Zero) hands, Godzilla’s screen time adds up to more of a supporting turn to the humans whose lives are deeply affected by his re-emergence. And unlike any previous film, including Ishiro Honda’s irresistible 1954 original, this one isn’t dubbed into English.
- 12/1/2023
- by Pete Hammond
- Deadline Film + TV
For much of Takashi Yamazaki’s Godzilla Minus One, Toho Studios’ 33rd film in the beloved kaiju franchise, the iconic monster exists as an abstraction. After a brief, brutal rampage to start, he is kept offscreen, a shadow in the mind of our hero Kōichi Shikishima (Ryunosuke Kamiki). To a certain extent, this entirely symbolic usage is nothing new: the deeply ingrained allegory for nuclear annihilation that Ishiro Honda’s 1954 original presented has persisted, and often been adapted to fit the times: the most recent Japanese live-action predecessor, Hideaki Anno and Shinji Higuchi’s ferociously incisive Shin Godzilla, tackled the tangled bureaucracy ill-equipped to deal with the Fukushima disaster head-on.
But Yamazaki moves back before the source: his prologue begins at the end of World War II, on an island where Kōichi, a would-be kamikaze pilot, touches down after claiming to have technical issues. That night, a smaller-but-still-fearsome incarnation of...
But Yamazaki moves back before the source: his prologue begins at the end of World War II, on an island where Kōichi, a would-be kamikaze pilot, touches down after claiming to have technical issues. That night, a smaller-but-still-fearsome incarnation of...
- 11/30/2023
- by Ryan Swen
- The Film Stage
Clockwise from bottom left: Godzilla (2014) (Warner Bros.), Godzilla Vs. Destoroyah (Toho), Shin Godzilla (Toho), Godzilla: King Of The Monsters (Warner Bros.), Godzilla (Toho)Graphic: The A.V. Club
Across four eras—Showa, Heisei, Millenium, and Reiwa—Godzilla has helped chart the course of both a country and a culture, speaking to the fears,...
Across four eras—Showa, Heisei, Millenium, and Reiwa—Godzilla has helped chart the course of both a country and a culture, speaking to the fears,...
- 11/30/2023
- by Richard Newby
- avclub.com
Like a contracted movie star loaned out by a studio in Hollywood’s heyday, Godzilla has returned to Japanese parent company Toho after doing a stint in the U.S. MonsterVerse to take center stage in “Godzilla Minus One,” a stellar entry in the world’s longest continually running film franchise. Set in a devastated post-war Japan, Takashi Yamazaki’s reboot gets back to basics in grand style, with engrossing human drama alongside spectacular mass destruction. Since opening in Japan on Nov. 3, “Minus One” has accumulated a whopping $20 million. Its American and overseas theatrical assault commences Dec. 1, with solid prospects of further expanding the legendary monster’s already massive fanbase.
Hewing closer to the spirit of Ishiro Honda’s 1954 original than other films in the 37-strong series, Toho’s first live-action entry since “Shin Godzilla” (2016) is markedly different from the creature’s recent outings. Produced at a fraction of the...
Hewing closer to the spirit of Ishiro Honda’s 1954 original than other films in the 37-strong series, Toho’s first live-action entry since “Shin Godzilla” (2016) is markedly different from the creature’s recent outings. Produced at a fraction of the...
- 11/22/2023
- by Richard Kuipers
- Variety Film + TV
Exploring the Historical Significance of Godzilla When we talk about Godzilla’s legacy, we’re delving into a narrative that began over six decades ago. The iconic monster first made waves in 1954, and since then, has become a formidable figure in pop culture. Fans of this colossal creature have watched it evolve through various eras, each bringing a fresh perspective while honoring the original’s allegorical roots. “It’s been 69 years since director Ishirō Honda and special effects master Eiji Tsuburaya’s Godzilla changed cinema forever when it first graced the big screen,” cementing its status as a cinematic titan. The expectations for...
- 11/22/2023
- by Steve Delikson
- TVovermind.com
Takashi Yamazaki's latest feature, “Godzilla Minus One,” is a terrific new entry to the title monster's extensive franchise. Prior, the director had depicted the character in various media, most notably a cameo in the opening of “Always: Sunset on Third Street 2.” For “Minus One,” Yamazaki sets the story in postwar Japan and draws influence from the original “Godzilla” directed by Ishiro Honda, Shusuke Kaneko's “Gmk: Giant Monsters All-Out Attack,” and Hideaki Anno and Shinji Higuchi's “Shin Godzilla.” After closing out the 36th Tokyo International Film Festival, the film opened strong for its theatrical release, becoming a financial and critical success.
Word War II closes, and traumatized kamikaze pilot Koichi Shikishima returns to a devastated Japan under American occupation and is further met with tragedy. Koichi is plagued with survivor's guilt while suffering Ptsd from a horrific encounter he experienced on Odo Island. Yet he finds comfort in...
Word War II closes, and traumatized kamikaze pilot Koichi Shikishima returns to a devastated Japan under American occupation and is further met with tragedy. Koichi is plagued with survivor's guilt while suffering Ptsd from a horrific encounter he experienced on Odo Island. Yet he finds comfort in...
- 11/15/2023
- by Sean Barry
- AsianMoviePulse
Takashi Yamazaki's "Godzilla Minus One" comes out just prior to the 70th anniversary of Ishiro Honda's 1954 original "Gojira," and audiences have been on quite a journey throughout those decades.
By the lore of Honda's film, Godzilla was a massive amphibious animal created by nuclear bomb test radiation. He was more than a dinosaur that could be defeated by weapons. He was a physical manifestation of post-war nuclear devastation, a monstrous legacy of what weapons of mass destruction have wrought. Mass destruction only leads to more mass destruction. The 1954 film's scientists ultimately have to invent an even more devastating weapon, the Oxygen Destroyer, to defeat the beast. It is a somber, sad movie about how Japan -- about how humanity -- is unable to break a cycle of wartime annihilation. It wouldn't be until 1995's "Godzilla vs. Destoroyah," however, that a monster would rise from the remnants of the Oxygen Destroyer.
By the lore of Honda's film, Godzilla was a massive amphibious animal created by nuclear bomb test radiation. He was more than a dinosaur that could be defeated by weapons. He was a physical manifestation of post-war nuclear devastation, a monstrous legacy of what weapons of mass destruction have wrought. Mass destruction only leads to more mass destruction. The 1954 film's scientists ultimately have to invent an even more devastating weapon, the Oxygen Destroyer, to defeat the beast. It is a somber, sad movie about how Japan -- about how humanity -- is unable to break a cycle of wartime annihilation. It wouldn't be until 1995's "Godzilla vs. Destoroyah," however, that a monster would rise from the remnants of the Oxygen Destroyer.
- 11/11/2023
- by Witney Seibold
- Slash Film
Legendary’s MonsterVerse Godzilla TV series Monarch: Legacy of Monsters is set to premiere on Apple TV+ with the first two episodes on Friday, November 17, followed by one episode every Friday through January 12. (You can read our own Alex Maidy’s review of the first batch of episodes Here.) In anticipation of the show’s premiere, we’re taking a look back at several of Godzilla’s previous adventures to see how they stack up against each other. For the sake of keeping it as lean as possible, we’re focusing on his earliest days, going all the way back to the original Showa era, consisting of his very first outing in 1954, his first clashes with the likes of Mothra, Rodan, King Ghidorah and his cyborg counterpart, Mechagodzilla, before concluding its run in 1975. To add more familiarity to the pot, we’re also including his string of American blockbusters, from...
- 11/7/2023
- by JoBlo
- JoBlo.com
Last year, legendary genre filmmaker John Carpenter teamed up with Shout! Factory TV, TokuSHOUTsu, Scream Factory TV, and Shout! Cult to host Masters of Monsters, a marathon of kaiju movies. The marathon played out on Shout! Factory TV over the course of three days in the first week of November last year. This year, the Masters of Monsters marathon is going to play out on one day, November 3rd – which also happens to be Godzilla Day, the anniversary of the release of the original Godzilla film.
Here’s the information on the marathon: John Carpenter, director of films released by Shout! Factory/Scream Factory such as Halloween, Escape from NY/Escape from LA, Body Bags, Big Trouble in Little China, The Fog, The Thing, and many more; is a huge Godzilla fan. He sits down to present his 4 favorite monster films directed by Ishiro Honda: Godzilla, The Uncut Japanese Original (Gojira), Rodan,...
Here’s the information on the marathon: John Carpenter, director of films released by Shout! Factory/Scream Factory such as Halloween, Escape from NY/Escape from LA, Body Bags, Big Trouble in Little China, The Fog, The Thing, and many more; is a huge Godzilla fan. He sits down to present his 4 favorite monster films directed by Ishiro Honda: Godzilla, The Uncut Japanese Original (Gojira), Rodan,...
- 10/27/2023
- by Cody Hamman
- JoBlo.com
U.S. audiences tend to accept Toho's earlier Godzilla movies as being high camp, usually thanks to Gen-x's half-remembered airings of late-'60s kaiju flicks broadcast on Uhf TV channels back in the 1980s. While there are some absurd and terrible Godzilla films from the Showa era (1954-1975), and many of them contained surreal, kitschy plot elements like invading aliens, one might also find several movies -- "Gojira," "Destroy All Monsters" -- that focus on Japanese national pride, the role of destructive weapons in the world, and a barely-simmering resentment lingering after a massive attack on the country. If modern superhero movies sprung from the U.S. subconscious as a fantastical revenge/preventative measure against 9/11, so too did Godzilla spring fully formed from the trauma left behind by the U.S.' atomic bomb attacks.
In the original "Gojira," that is literal. The titular creature, a stories-high amphibious animal,...
In the original "Gojira," that is literal. The titular creature, a stories-high amphibious animal,...
- 10/23/2023
- by Witney Seibold
- Slash Film
Japan’s most iconic giant monster is set for a big screen return in Takashi Yamazaki’s upcoming film “Godzilla Minus One.” Until that day, it’s a perfect time to reflect on the long-lasting legacy of “Godzilla.” Originally conceived as a metaphor for the horrors of nuclear warfare, the kaiju has seen its fair share of unique variations. Yet, the beauty of why this character remains solidified in cinema history is for the ideas that come with its creation and existence, along with many unique interpretations. Like many movie series, the franchise’s quality frequently fluctuates, yet plenty of these movies are good, some even fantastic. Here is an exploration of the King of the Monsters’ finest hits throughout the years.
Buy This Title
on Amazon 1. Godzilla (1954)
The original film that started it all. “Godzilla” remains a masterpiece all these years later. Ishiro Honda weaves together a simplistic yet...
Buy This Title
on Amazon 1. Godzilla (1954)
The original film that started it all. “Godzilla” remains a masterpiece all these years later. Ishiro Honda weaves together a simplistic yet...
- 10/8/2023
- by Sean Barry
- AsianMoviePulse
Nearly 70 years ago, monster movies changed forever with the introduction of Godzilla. The Japanese prehistoric monster awoke from its slumber in 1954 to terrorize villagers from Odo Island, announcing its presence with loud, lumbering footsteps and a bone-chilling roar. Since the original "Godzilla," kaiju movies have become a subgenre all their own, populated by epic monsters like Mothra and Ghidorah, with regular installments that range from corny to incredible.
In recent years, Hollywood has gotten in on the Godzilla game with Legendary Pictures' own spin on the world of giant monsters. But as exciting as it is to watch Kyle Chandler, Brian Tyree Henry, and Millie Bobby Brown face off against Godzilla, Japanese studio Toho (home to the vast majority of Godzilla flicks ever made) has something even more thrilling up its sleeve: a movie that looks poised to recapture the post-war terror of the beloved original. "Godzilla Minus One" is still a few months away,...
In recent years, Hollywood has gotten in on the Godzilla game with Legendary Pictures' own spin on the world of giant monsters. But as exciting as it is to watch Kyle Chandler, Brian Tyree Henry, and Millie Bobby Brown face off against Godzilla, Japanese studio Toho (home to the vast majority of Godzilla flicks ever made) has something even more thrilling up its sleeve: a movie that looks poised to recapture the post-war terror of the beloved original. "Godzilla Minus One" is still a few months away,...
- 10/5/2023
- by Valerie Ettenhofer
- Slash Film
The King of Monsters is set to unleash havoc on a postwar Japan in Toho’s anticipated Godzilla live action feature film, “Godzilla Minus One” — and the feature’s new trailer showcases some of the most impressive visuals we’ve seen from the iconic beast yet.
Marking the first domestic Japanese film of the Godzilla franchise since “Shin Godzilla” in 2016, “Godzilla Minus One” is the story of an already devastated postwar Japan as it faces a new threat. “Will the devastated people be able to survive… let alone fight back?” the trailer teases.
The film was written and directed by Takashi Yamazaki.
Toho also released new key art for the film, which you can view below.
Godzilla made its first appearance in the 1954 film “Gojira,” directed by Ishirō Honda. Godzilla has since been in 29 films produced by the famed Japanese studio, Toho. At the peak of his popularity, Toho released...
Marking the first domestic Japanese film of the Godzilla franchise since “Shin Godzilla” in 2016, “Godzilla Minus One” is the story of an already devastated postwar Japan as it faces a new threat. “Will the devastated people be able to survive… let alone fight back?” the trailer teases.
The film was written and directed by Takashi Yamazaki.
Toho also released new key art for the film, which you can view below.
Godzilla made its first appearance in the 1954 film “Gojira,” directed by Ishirō Honda. Godzilla has since been in 29 films produced by the famed Japanese studio, Toho. At the peak of his popularity, Toho released...
- 9/4/2023
- by Umberto Gonzalez
- The Wrap
You didn't have to be a horror aficionado to appreciate the enormity of "Freddy vs. Jason" in 2003. This was two of the titans of the slasher genre finally going head-to-head in a bloody free-for-all. Freddy Krueger and Jason Voorhees had slashed, stabbed, and otherwise punctured our collective pop cultural consciousness for years by then. As a young kid who had yet to see any of the "A Nightmare on Elm Street" or "Friday the 13th" films, even I knew exactly what was being referenced the first time I saw the scene in "Christmas Vacation" where Clark Griswold (Chevy Chase) dons a hockey mask while taking a chainsaw to his gigantic Christmas tree.
Crossover films of this ilk have largely gone the way of the dodo since "Freddy vs. Jason" came out. We're now 80 years removed from Frankenstein's monster meeting the Wolf Man for the first time in Universal's Og Dark Universe,...
Crossover films of this ilk have largely gone the way of the dodo since "Freddy vs. Jason" came out. We're now 80 years removed from Frankenstein's monster meeting the Wolf Man for the first time in Universal's Og Dark Universe,...
- 8/15/2023
- by Sandy Schaefer
- Slash Film
Linda Haynes, who notably appeared in films including “Coffy,” “Rolling Thunder,” “The Drowning Pool” and “Brubaker,” died July 17 in South Carolina — the news had not spread widely until Friday. She was 75.
“It is with great sadness that I report that my mother, Linda Haynes Sylvander has passed away, peacefully at home,” her son Greg Sylvander wrote on Facebook on Friday. She had moved to South Carolina three years ago to live with Greg. “As an only child, I have dreaded these times my entire life. I find peace in the knowing that my mother was at peace and had the most beautiful life these final years together with her grandchildren, Courtney Sylvander and I. We are going to miss my mom immensely.”
Haynes’ first film was 1969’s “Latitude Zero,” an international co-production directed by legendary Japanese filmmaker Ishirō Honda. The movie co-starred Joseph Cotton and Cesar Romero, among others. It was in the 1970s,...
“It is with great sadness that I report that my mother, Linda Haynes Sylvander has passed away, peacefully at home,” her son Greg Sylvander wrote on Facebook on Friday. She had moved to South Carolina three years ago to live with Greg. “As an only child, I have dreaded these times my entire life. I find peace in the knowing that my mother was at peace and had the most beautiful life these final years together with her grandchildren, Courtney Sylvander and I. We are going to miss my mom immensely.”
Haynes’ first film was 1969’s “Latitude Zero,” an international co-production directed by legendary Japanese filmmaker Ishirō Honda. The movie co-starred Joseph Cotton and Cesar Romero, among others. It was in the 1970s,...
- 8/11/2023
- by Drew Taylor
- The Wrap
Linda Haynes, who appeared in films including “Rolling Thunder,” “Drowning Pool” and “Brubaker,” died July 17 in South Carolina. She was 75.
Her son Greg Sylvander reported her death on Facebook.
“As an only child, I have dreaded these times my entire life. I find peace in the knowing that my mother was at peace and had the most beautiful life these final years together with her grandchildren, Courtney Sylvander and I. We are going to miss my mom immensely,” he wrote.
In 1977, Haynes co-starred in John Flynn’s psychological thriller “Rolling Thunder,” written by Paul Schrader and starring William Devane, Tommy Lee Jones and James Best. The film follows former Vietnam prisoner of war Charles Rane who, after surviving a violent home invasion and losing a hand, sets out on a crusade to get revenge with help from a friend. Haynes played Linda Forchet, a Southern belle who welcomes Rane back...
Her son Greg Sylvander reported her death on Facebook.
“As an only child, I have dreaded these times my entire life. I find peace in the knowing that my mother was at peace and had the most beautiful life these final years together with her grandchildren, Courtney Sylvander and I. We are going to miss my mom immensely,” he wrote.
In 1977, Haynes co-starred in John Flynn’s psychological thriller “Rolling Thunder,” written by Paul Schrader and starring William Devane, Tommy Lee Jones and James Best. The film follows former Vietnam prisoner of war Charles Rane who, after surviving a violent home invasion and losing a hand, sets out on a crusade to get revenge with help from a friend. Haynes played Linda Forchet, a Southern belle who welcomes Rane back...
- 8/11/2023
- by Sophia Scorziello
- Variety Film + TV
When the original Godzilla movie was being developed, producer Tomoyuki Tanaka hired author Shigeru Kayama to write the treatment that was then fleshed out into a screenplay by Takeo Murata and Ishirō Honda. And when the first sequel, Godzilla Raids Again, was in the works, it was again Kayama that provided the initial story. Kayama then wrote novelizations for both Godzilla and Godzilla Raids Again – but while those books were first published in 1955, they never received an English translation. Until now. On October 3rd, the University of Minnesota Press will be publishing a book that contains English translations of the Godzilla and Godzilla Raids Again! Copies can be pre-ordered at This Link.
The translations of Kayama’s text were handled by Jeffrey Angles, professor of Japanese at Western Michigan University, who also wrote a new afterword for the book.
Here’s the description of the Godzilla and Godzilla Raids Again...
The translations of Kayama’s text were handled by Jeffrey Angles, professor of Japanese at Western Michigan University, who also wrote a new afterword for the book.
Here’s the description of the Godzilla and Godzilla Raids Again...
- 8/4/2023
- by Cody Hamman
- JoBlo.com
Originally published almost 70 years ago, the original Japanese novelization of both Godzilla and Godzilla Raids Again will be available in the English language this October!
University of Minnesota Press will be releasing the English-language versions of both novels that were originally penned by Shigeru Kayama, newly translated by Jeffrey Angles.
This is the first time these two classic Godzilla novels have Ever been available in English. Both books will be unleashed here in the United States on October 3, 2023.
“At long last, the pathbreaking novellas by Shigeru Kayama that launched the Godzilla franchise are finally available in English. It was well worth the wait: Jeffrey Angles’s lively translation captures all the action, emotion, and political edge of the original Japanese texts. This engaging volume will be a revelation for Godzilla fans, a rich resource for students of Japan, and a rewarding read for anyone who enjoys classic tales of science fiction and adventure,...
University of Minnesota Press will be releasing the English-language versions of both novels that were originally penned by Shigeru Kayama, newly translated by Jeffrey Angles.
This is the first time these two classic Godzilla novels have Ever been available in English. Both books will be unleashed here in the United States on October 3, 2023.
“At long last, the pathbreaking novellas by Shigeru Kayama that launched the Godzilla franchise are finally available in English. It was well worth the wait: Jeffrey Angles’s lively translation captures all the action, emotion, and political edge of the original Japanese texts. This engaging volume will be a revelation for Godzilla fans, a rich resource for students of Japan, and a rewarding read for anyone who enjoys classic tales of science fiction and adventure,...
- 8/4/2023
- by John Squires
- bloody-disgusting.com
Long before I discovered the joys of horror movies, Teenage Mutant Ninja Turtles was a formative obsession of mine. I often wonder if Tmnt and its variety of imaginative creatures served as a gateway to the genre of sorts. Living up to its title, Teenage Mutant Ninja Turtles: Mutant Mayhem has the potential to do the same for a new generation.
Whether you’re a genre veteran interested in revisiting thematically similar offerings or a newcomer looking to branch out into some of Tmnt’s inspirations, here are six horror movies to watch after you see Mutant Mayhem.
1. The Fly
Mutant Mayhem villain Superfly is a fresh spin on the classic Tmnt character Baxter Stockman, who debuted in the original Mirage comics and has appeared in many other iterations since, from animated to live action. As a brilliant but mad scientist turned mutant human-fly hybrid, the character was clearly inspired by The Fly.
Whether you’re a genre veteran interested in revisiting thematically similar offerings or a newcomer looking to branch out into some of Tmnt’s inspirations, here are six horror movies to watch after you see Mutant Mayhem.
1. The Fly
Mutant Mayhem villain Superfly is a fresh spin on the classic Tmnt character Baxter Stockman, who debuted in the original Mirage comics and has appeared in many other iterations since, from animated to live action. As a brilliant but mad scientist turned mutant human-fly hybrid, the character was clearly inspired by The Fly.
- 8/4/2023
- by Alex DiVincenzo
- bloody-disgusting.com
Giant monster movies come with an inherent promise of spectacle on a massive scale. Killer monster designs, epic set pieces, destructive chaos, and a giant-sized sense of fun that has audiences returning to this subgenre. With Meg 2: The Trench releasing this week, which will see Jason Statham take on not one but multiple megalodon sharks and a slew of Mariana Trench creatures, this week’s streaming picks are dedicated to giant monster movies.
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Destroy All Monsters – Crackle, Criterion Channel, Fandor, freevee, Max, Pluto TV, Shout TV, Tubi
Toho’s kaiju mashup movie parties like it’s 1999. The Ishirō Honda-directed monster movie sees all the iconic Toho monsters gathered together to cohabitate in peace on Monster Island. Thanks to some pesky aliens that take control, the monsters split up to attack various cities,...
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Destroy All Monsters – Crackle, Criterion Channel, Fandor, freevee, Max, Pluto TV, Shout TV, Tubi
Toho’s kaiju mashup movie parties like it’s 1999. The Ishirō Honda-directed monster movie sees all the iconic Toho monsters gathered together to cohabitate in peace on Monster Island. Thanks to some pesky aliens that take control, the monsters split up to attack various cities,...
- 7/31/2023
- by Meagan Navarro
- bloody-disgusting.com
When Steven Speilberg's ultra-slick pulp film "Raiders of the Lost Ark" was released in 1981, it was a massive success. Spielberg, following the template laid out by George Lucas a few years earlier on "Star Wars," made an old-world 1930s adventure serial with modern filmmaking techniques and storytelling tropes, transforming the simple, low-budget glories of the past into the marvels of the present. In many ways, "Raiders of the Lost Ark" is a better sequel to "Star Wars" than "The Empire Strikes Back." I can imagine a world wherein "Star Wars," rather than direct sequels, spawned an anthology series wherein each chapter was a modern filmmaker doing their take on the pulp adventures of the past.
But that's not the way Hollywood works, as sequels are a more natural outcropping of a single success. As such, just as "Raiders" was raking in fistfuls of money, Lucas, the film's producer and story writer,...
But that's not the way Hollywood works, as sequels are a more natural outcropping of a single success. As such, just as "Raiders" was raking in fistfuls of money, Lucas, the film's producer and story writer,...
- 7/31/2023
- by Witney Seibold
- Slash Film
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