Dreams and disputations about “modernization” vs. “the land,” of what free labor did and could entail, were profuse in mid-1930s America. Alive in the minds and actions of the displaced worker and cloistered idealist alike. Director King Vidor had long been using moving images to think along the same lines, but in 1934 these ideas collided with real world events, and his own aspirations for independence within his trade, and produced a sui generis film. Born as a reaction to the widespread suffering of the Great Depression, and from reading a Reader’s Digest article advocating for co-operative farming as a solution to unemployment, Our Daily Bread was developed by Vidor and his then wife and close-collaborator Florence Hill, as a semi-sequel to his 1928 film The Crowd, which followed the tribulations of an ambitious “everyman.” Like The Crowd, Our Daily Bread features the Sims couple, John and Mary, this time...
- 8/16/2021
- MUBI
Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
Ramon Novarro and Greta Garbo in ‘Mata Hari’: The wrath of the censors (See previous post: "Ramon Novarro in One of the Best Silent Movies.") George Fitzmaurice’s romantic spy melodrama Mata Hari (1931) was well received by critics and enthusiastically embraced by moviegoers. The Greta Garbo / Ramon Novarro combo — the first time Novarro took second billing since becoming a star — turned Mata Hari into a major worldwide blockbuster, with $2.22 million in worldwide rentals. The film became Garbo’s biggest international success to date, and Novarro’s highest-grossing picture after Ben-Hur. (Photo: Ramon Novarro and Greta Garbo in Mata Hari.) Among MGM’s 1932 releases — Mata Hari opened on December 31, 1931 — only W.S. Van Dyke’s Tarzan, the Ape Man, featuring Johnny Weissmuller and Maureen O’Sullivan, and Edmund Goulding’s all-star Best Picture Academy Award winner Grand Hotel (also with Garbo, in addition to Joan Crawford, John Barrymore, Wallace Beery, and...
- 8/9/2013
- by Andre Soares
- Alt Film Guide
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