Under the subtle veneer of comedy, made all the more preposterous by an all too typical awkward and fumbling Englishman, Edoardo Ulivelli’s Lo Sguardo (The Look) reverberates with pangs of loneliness and regret. Ulivelli’s graduate short, all filmed around the lush verdant Tuscan countryside, is not carried by dialogue but instead longing glances, wordless coquettish smiles and heady flirtations. Lo Sguardo follows a shy young man on his Italian holiday as he navigates a potential lustful encounter. Ulivelli pulls from personal experience as he was drawn to explore those big ‘What if?’ moments through our unversed protagonist’s refusal or perhaps inability to grab the proverbial bull by the horns. As Lo Sguardo premieres on Dn’s pages today, we speak to Ulivelli about writing this film as a way to process his own worries and preoccupations, his meticulous planning before a shoot, and why he wanted to...
- 1/10/2024
- by Sarah Smith
- Directors Notes
There’s something about gambling that makes us want to see it on the big screen. Whether it’s a comedy, crime drama, or romance, there’s something special about watching our favourite actors and actresses play around with cards and dice. In honour of this topic being quite popular lately (and because we just love movies and casino royale film locations), we’ve compiled a list of popular casino film titles in New Zealand. If you need a recommendation for your next movie night, take a look!
Nr 1 Casino Movie: The Hangover
Playing at casinos has always been a popular form of entertainment for many, and The Hangover is a classic comedy film that captures the fun and excitement of a trip to Las Vegas. Whether you’re a fan of online casinos or prefer the real-life experience of playing at a brick-and-mortar establishment, this movie is sure to resonate with you.
Nr 1 Casino Movie: The Hangover
Playing at casinos has always been a popular form of entertainment for many, and The Hangover is a classic comedy film that captures the fun and excitement of a trip to Las Vegas. Whether you’re a fan of online casinos or prefer the real-life experience of playing at a brick-and-mortar establishment, this movie is sure to resonate with you.
- 5/11/2023
- by Martin Cid Magazine
- Martin Cid Magazine - Movies
Ben Gibson, the departing Director of the London Film School, has been appointed to a new senior role at Aftrs, the Australian Film Television & Radio School, as Director, Degree Programs. He will start work in Sydney in September.
Gibson will play a key leadership role in ensuring the successful delivery and development of a new three-year Aftrs Bachelor of Arts (Screen) degree and Aftrs Screen and Screen Business Masters degrees, which are being restructured and relaunched for 2015.
“Ben is eminently qualified for this pivotal new role at Aftrs, and I’m thrilled that he could be persuaded to bring his considerable skills, experience and academic rigor to Australia. His 14 years as Director of the very successful London Film School are notable for his work in building up the school’s reputation in the UK and abroad and expanding and accrediting its prestigious postgraduate degrees. Ben has also been a very successful and original independent producer and production executive, and has previously worked in distribution and exhibition, so he comes with a deep knowledge of the international screen industry at all levels,” said Sandra Levy, CEO of the Aftrs.
Prior to joining the London Film School in 2001, Gibson worked as a film distributor and independent producer, and as Head of Production at the British Film Institute from 1988 to 1998. His production and executive production credits include Terence Davies' " The Long Day Closes," Derek Jarman's "Wittgenstein," John Maybury's "Love is the Devil," Carine Adler's "Under the Skin"and Jasmin Dizdar's "Beautiful People," as well as 20 other low budget features and many shorts by UK directors including Patrick Keiller, Gurinder Chadha, Lynne Ramsay, Richard Kwietniowski and Andrew Kotting. As a partner in distributors The Other Cinema/Metro Pictures he acquired and promoted films by Pedro Almodovar, Chris Marker, Chantal Akerman and Jean-Luc Godard as well as opening the West End’s Metro Cinema in 1986. He has also been a theater director, a repertory film programmer and a film critic and journalist. He leaves Lfs at the end of July.
Ben Gibson said: “I am thrilled to have the opportunity to contribute to Sandra Levy’s vision of Aftrs as a complete screen school -- and to get the chance to work in the Australian film industry, one I’ve hugely admired and followed -- so far from a great distance. Aftrs offers a special combination of good things: self-confidence, an extraordinary heritage, great creative ambition, exceptional resources, a wide educational scope and a central mission in a dynamic and productive screen industry. It’s rightly considered to be one of the great film schools of the world. I can’t wait to join the team and get started there.”
Gibson’s final year at Lfs has been attended by great creative success. The school won 35 festival prizes and mentions in 2013-14, including a BAFTA nomination. Ms Levy pointed out that this year’s Palme d'Or for Best Short Film at the Cannes Film Festival was won by Leidi, the Lfs graduation film of Simón Mesa Soto. Also at Cannes, amongst seven graduates featured in the 2014 selection, "The Salt of the Earth," co-directed by Lfs graduate Juliano Ribeiro Salgado with Wim Wenders, was awarded the Un Certain Regard’s Special Jury Prize.
Director Mike Leigh, Chair of Governors at the London Film School, in announcing Ben’s departure earlier this year, said: “Ben Gibson has led Lfs from strength to strength over his fourteen years of outstanding service, and we will be sad to see him go.”
Aftrs is Australia’s national screen arts and broadcasting school and has been named as one of the Top 20 film schools in the world by industry journal, The Hollywood Reporter. As an elite specialist institution, Aftrs provides excellence in education through its practice based model, and aspires to deliver a dynamic educational offering that prepares the most talented and creative students – novice, experienced, fully fledged professional specialists – to be platform agnostic, creative and resilient in an industry subject to constant changes in knowledge and technology. The new BA Screen is a 3-year program offering a strong base in the understanding of story and screen history alongside a comprehensive introduction to the skills of screen production.
Gibson will play a key leadership role in ensuring the successful delivery and development of a new three-year Aftrs Bachelor of Arts (Screen) degree and Aftrs Screen and Screen Business Masters degrees, which are being restructured and relaunched for 2015.
“Ben is eminently qualified for this pivotal new role at Aftrs, and I’m thrilled that he could be persuaded to bring his considerable skills, experience and academic rigor to Australia. His 14 years as Director of the very successful London Film School are notable for his work in building up the school’s reputation in the UK and abroad and expanding and accrediting its prestigious postgraduate degrees. Ben has also been a very successful and original independent producer and production executive, and has previously worked in distribution and exhibition, so he comes with a deep knowledge of the international screen industry at all levels,” said Sandra Levy, CEO of the Aftrs.
Prior to joining the London Film School in 2001, Gibson worked as a film distributor and independent producer, and as Head of Production at the British Film Institute from 1988 to 1998. His production and executive production credits include Terence Davies' " The Long Day Closes," Derek Jarman's "Wittgenstein," John Maybury's "Love is the Devil," Carine Adler's "Under the Skin"and Jasmin Dizdar's "Beautiful People," as well as 20 other low budget features and many shorts by UK directors including Patrick Keiller, Gurinder Chadha, Lynne Ramsay, Richard Kwietniowski and Andrew Kotting. As a partner in distributors The Other Cinema/Metro Pictures he acquired and promoted films by Pedro Almodovar, Chris Marker, Chantal Akerman and Jean-Luc Godard as well as opening the West End’s Metro Cinema in 1986. He has also been a theater director, a repertory film programmer and a film critic and journalist. He leaves Lfs at the end of July.
Ben Gibson said: “I am thrilled to have the opportunity to contribute to Sandra Levy’s vision of Aftrs as a complete screen school -- and to get the chance to work in the Australian film industry, one I’ve hugely admired and followed -- so far from a great distance. Aftrs offers a special combination of good things: self-confidence, an extraordinary heritage, great creative ambition, exceptional resources, a wide educational scope and a central mission in a dynamic and productive screen industry. It’s rightly considered to be one of the great film schools of the world. I can’t wait to join the team and get started there.”
Gibson’s final year at Lfs has been attended by great creative success. The school won 35 festival prizes and mentions in 2013-14, including a BAFTA nomination. Ms Levy pointed out that this year’s Palme d'Or for Best Short Film at the Cannes Film Festival was won by Leidi, the Lfs graduation film of Simón Mesa Soto. Also at Cannes, amongst seven graduates featured in the 2014 selection, "The Salt of the Earth," co-directed by Lfs graduate Juliano Ribeiro Salgado with Wim Wenders, was awarded the Un Certain Regard’s Special Jury Prize.
Director Mike Leigh, Chair of Governors at the London Film School, in announcing Ben’s departure earlier this year, said: “Ben Gibson has led Lfs from strength to strength over his fourteen years of outstanding service, and we will be sad to see him go.”
Aftrs is Australia’s national screen arts and broadcasting school and has been named as one of the Top 20 film schools in the world by industry journal, The Hollywood Reporter. As an elite specialist institution, Aftrs provides excellence in education through its practice based model, and aspires to deliver a dynamic educational offering that prepares the most talented and creative students – novice, experienced, fully fledged professional specialists – to be platform agnostic, creative and resilient in an industry subject to constant changes in knowledge and technology. The new BA Screen is a 3-year program offering a strong base in the understanding of story and screen history alongside a comprehensive introduction to the skills of screen production.
- 7/15/2014
- by Sydney Levine
- Sydney's Buzz
Outgoing director of the London Film School to join Australian Film School.
Ben Gibson, the departing director of the London Film School, has been appointed to a new senior role at Aftrs, the Australian Film Television & Radio School, as director, degree programs. He will start work in Sydney in September.
Gibson will play a key leadership role in ensuring the successful delivery and development of a new three-year Aftrs Bachelor of Arts (Screen) degree and Aftrs Screen and Screen Business Masters degrees, which are being restructured and relaunched for 2015.
Prior to joining the Lfs in 2001, Gibson worked as a film distributor and independent producer, and as head of production at the British Film Institute (BFI) from 1988 to 1998.
His production and executive production credits include Terence Davies’ The Long Day Closes, Derek Jarman’s Wittgenstein, John Maybury’s Love is the Devil, Carine Adler’s Under the Skin and Jasmin Dizdar’s Beautiful People, as well as...
Ben Gibson, the departing director of the London Film School, has been appointed to a new senior role at Aftrs, the Australian Film Television & Radio School, as director, degree programs. He will start work in Sydney in September.
Gibson will play a key leadership role in ensuring the successful delivery and development of a new three-year Aftrs Bachelor of Arts (Screen) degree and Aftrs Screen and Screen Business Masters degrees, which are being restructured and relaunched for 2015.
Prior to joining the Lfs in 2001, Gibson worked as a film distributor and independent producer, and as head of production at the British Film Institute (BFI) from 1988 to 1998.
His production and executive production credits include Terence Davies’ The Long Day Closes, Derek Jarman’s Wittgenstein, John Maybury’s Love is the Devil, Carine Adler’s Under the Skin and Jasmin Dizdar’s Beautiful People, as well as...
- 7/3/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The Berlin International Film Festival has added special screenings to commemorate the deaths of actors Philip Seymour Hoffman and Maximilian Schell. The festival will present a special screening of "Capote" at the CinemaxX 6 on Tuesday, February 11, 2014 at 9.00 pm. "Capote" had screened in competition at the festival in 2006. Hoffman also made his way to the festival for Richard Kwietniowski’s "Owning Mahowny," Spike Lee’s "25th Hour," Anthony Minghella’s "The Talented Mr. Ripley" and Paul Thomas Anderson’s "Magnolia," which won the Golden Bear. In honor of Maximilian Schell, the festival will present his film "Meine Schwester Maria" (My Sister Maria). This screening will be showing at the Urania Filmbühne Berlin on February 9, 2014 at 3.00 pm. In the film, Schell reflects on his relationship with his sister. Schell's documentary "Marlene," about Marlene Dietrich, was screened in the Competition in 1984. He returned to the Competition as an actor in Jeroen Krabbé’s.
- 2/6/2014
- by Peter Knegt
- Indiewire
Berlin film festival schedules special screenings in memory of Philip Seymour Hoffman and Maximilian Schell.
The 64th Berlin International Film Festival will pay tribute to Us actor Philip Seymour Hoffman, who died suddenly on Sunday, with a special screening of Capote.
The biopic, for which Hoffman won the Golden Globe and Oscar for Best Actor, will be screened at the CinemaxX 6 on Feb 11 at 9pm.
The Berlinale screened Bennett Miller’s Capote in Competition in 2006.
Hoffman also appeared in other films that screened at the Berlinale, such as Richard Kwietniowski’s Owning Mahowny (Panorama 2003); Spike Lee’s 25th Hour (Competition 2003); Anthony Minghella’s The Talented Mr. Ripley; and Paul Thomas Anderson’s Magnolia, winner of the Golden Bear in 2000.
In memory of actor and director Maximilian Schell, who died on Feb 1, producers Margit Chuchra (mm-production), Dieter Pochlatko (Epo) and Werner Schweizer (Dschoint Ventschr) are presenting his film Meine Schwester Maria (My Sister Maria) in collaboration with the...
The 64th Berlin International Film Festival will pay tribute to Us actor Philip Seymour Hoffman, who died suddenly on Sunday, with a special screening of Capote.
The biopic, for which Hoffman won the Golden Globe and Oscar for Best Actor, will be screened at the CinemaxX 6 on Feb 11 at 9pm.
The Berlinale screened Bennett Miller’s Capote in Competition in 2006.
Hoffman also appeared in other films that screened at the Berlinale, such as Richard Kwietniowski’s Owning Mahowny (Panorama 2003); Spike Lee’s 25th Hour (Competition 2003); Anthony Minghella’s The Talented Mr. Ripley; and Paul Thomas Anderson’s Magnolia, winner of the Golden Bear in 2000.
In memory of actor and director Maximilian Schell, who died on Feb 1, producers Margit Chuchra (mm-production), Dieter Pochlatko (Epo) and Werner Schweizer (Dschoint Ventschr) are presenting his film Meine Schwester Maria (My Sister Maria) in collaboration with the...
- 2/6/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
"Gilbert Adair, the acclaimed critic who had some of his own novels turned into successful films, has died aged 66," reports Catherine Shoard in the Guardian. "Adair won the respect of cineastes with volumes such as A Night at the Pictures (1985), Myths & Memories (1986), Hollywood's Vietnam (1981), Flickers (1995), Surfing the Zeitgeist (1997) and with his translation of the letters of François Truffaut (published in 1990). He was a prolific journalist, writing a regular column for the Sunday Times in the 1990s, as well as for this paper — last year he interviewed the French filmmaker Alain Resnais."
As a screenwriter, Adair will be remembered for his collaborations with Raúl Ruiz (The Territory in 1981, Klimt in 2006, Blind Revenge in 2010) and Bernardo Bertolucci (The Dreamers in 2003, based on his own novel, The Holy Innocents). Richard Kwietniowski's Love and Death on Long Island (1997) is based on Adair's novel.
In January 2010, Adair wrote in the Guardian, "I yield to...
As a screenwriter, Adair will be remembered for his collaborations with Raúl Ruiz (The Territory in 1981, Klimt in 2006, Blind Revenge in 2010) and Bernardo Bertolucci (The Dreamers in 2003, based on his own novel, The Holy Innocents). Richard Kwietniowski's Love and Death on Long Island (1997) is based on Adair's novel.
In January 2010, Adair wrote in the Guardian, "I yield to...
- 12/11/2011
- MUBI
In another era, Gilbert Adair would have written on Herodotus. As it was he focused his energies on an exciting young medium
Gilbert Adair was a unique and wonderful writer: a critic of elegance, brilliance, and unquenchable intellectual energy and curiosity. He combined the roles of cinephile and man of letters in a unique way, as well being a novelist, screenwriter, translator and pasticheur. His final works were a series of detective story spoofs, satirical and wittily observed variants on Agatha Christie entitled The Act of Roger Murgatroyd, A Mysterious Affair of Style and And Then There Was No One. These contrivances were treasured and eagerly awaited by his fans, and they demonstrated both a storyteller's gusto and a theorist's interest in narrator reliability and point of view. His 1992 novel The Death of the Author, a droll twist on Roland Barthes, is another example.
I personally met Adair just a...
Gilbert Adair was a unique and wonderful writer: a critic of elegance, brilliance, and unquenchable intellectual energy and curiosity. He combined the roles of cinephile and man of letters in a unique way, as well being a novelist, screenwriter, translator and pasticheur. His final works were a series of detective story spoofs, satirical and wittily observed variants on Agatha Christie entitled The Act of Roger Murgatroyd, A Mysterious Affair of Style and And Then There Was No One. These contrivances were treasured and eagerly awaited by his fans, and they demonstrated both a storyteller's gusto and a theorist's interest in narrator reliability and point of view. His 1992 novel The Death of the Author, a droll twist on Roland Barthes, is another example.
I personally met Adair just a...
- 12/9/2011
- by Peter Bradshaw
- The Guardian - Film News
Actor who was at his best in shadowy roles
The actor Maury Chaykin, who has died aged 61 after a heart-valve infection, was an American and a Canadian citizen, and his career reflected his dual nationality. In the Us, he was a familiar face, if not a recognisable name, playing small but telling roles in major films. His breakthrough came in Dances With Wolves (1990), playing Major Fambrough, who sends Kevin Costner on his frontier assignment and then kills himself. Chaykin's only leading role was in the cable TV series A Nero Wolfe Mystery (2001), as the titular detective who refuses to leave his house, delegating that to his assistant (Timothy Hutton).
In Canada, Chaykin was something of a national treasure. He won a Genie award for best actor for his performance as a Brian Wilson-like burned-out rock star in Whale Music (1994), gave remarkable performances in three films directed by Atom Egoyan...
The actor Maury Chaykin, who has died aged 61 after a heart-valve infection, was an American and a Canadian citizen, and his career reflected his dual nationality. In the Us, he was a familiar face, if not a recognisable name, playing small but telling roles in major films. His breakthrough came in Dances With Wolves (1990), playing Major Fambrough, who sends Kevin Costner on his frontier assignment and then kills himself. Chaykin's only leading role was in the cable TV series A Nero Wolfe Mystery (2001), as the titular detective who refuses to leave his house, delegating that to his assistant (Timothy Hutton).
In Canada, Chaykin was something of a national treasure. He won a Genie award for best actor for his performance as a Brian Wilson-like burned-out rock star in Whale Music (1994), gave remarkable performances in three films directed by Atom Egoyan...
- 8/19/2010
- by Michael Carlson
- The Guardian - Film News
BERLIN -- Australia's Beyond Films snapped up a brace of titles during the weekend, taking on sales duties to No One Gets Off in This Town, from director Richard Kwietniowski (Owning Mahowny), and Gillies MacKinnon's Flesh and Blood. Gets Off has lined up a cast including Brenda Blethyn, Jane Horrocks, John Hurt, Amira Casar and Rupert Evans, Beyond said. It will be produced by Jason Newmark, through U.K. production banner Dan Films. MacKinnon will direct Gary Lewis in the lead role of Flesh and Blood, which will be executive produced by Sally Hibbin and produced by Jane Robertson. Beyond also announced that Marc Evans has been tapped to direct its South African war story The Dead Wait, which headlines Colin Firth and is being produced by Sheryl Crown.
- 2/15/2005
- The Hollywood Reporter - Movie News
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