The SAG-AFTRA local in Atlanta is offering its members an election do-over: If they’ve already cast their ballots for board candidates, they can vote again for different candidates.
The unusual move comes after the local’s ruling faction, Union Strong Atlanta (USA), received an unfair and potentially illegal advantage from a local talent agency and from an acting workshop, which had posted campaign materials and promoted the Union Strong slate on their Facebook pages.
Prior to ballots being mailed last month, SAG-aftra’s national election committee informed employers and agents that “federal law prohibits any employer, including employers who are agents, managers, casting directors or producers, from contributing anything of value to candidates for any SAG-aftra elected office. If there is a Department of Labor investigation, the Dol may seek to take statements from candidates and any employers who contributed to them. Further, any such contributions may...
The unusual move comes after the local’s ruling faction, Union Strong Atlanta (USA), received an unfair and potentially illegal advantage from a local talent agency and from an acting workshop, which had posted campaign materials and promoted the Union Strong slate on their Facebook pages.
Prior to ballots being mailed last month, SAG-aftra’s national election committee informed employers and agents that “federal law prohibits any employer, including employers who are agents, managers, casting directors or producers, from contributing anything of value to candidates for any SAG-aftra elected office. If there is a Department of Labor investigation, the Dol may seek to take statements from candidates and any employers who contributed to them. Further, any such contributions may...
- 8/7/2019
- by David Robb
- Deadline Film + TV
With Jason Bourne arriving this week, we’re looking back on the career of director Paul Greengrass. As the person who single-handedly popularized the technique of “shaky cam” for the new millennium, Greengrass has seen his signature style emulated in action films as wide-ranging as Quantum of Solace and Taken 2. While so many of these pictures exploit the visual chaos of handheld camerawork to mask lazy fight choreography, Greengrass has always wielded the aesthetic with visionary purpose, whether that purpose be visceral, political, or both.
Indeed, shaky cam may be Greengrass’ most recognizable trademark, but it is the filmmaker’s purposefulness in confronting social and political issues that most fully unites his work past and present. Prior to making feature films, Greengrass worked for ten years at World in Action, a British investigative current events program known for its forceful and unorthodox journalistic style. Leaving a trail of controversy in its wake,...
Indeed, shaky cam may be Greengrass’ most recognizable trademark, but it is the filmmaker’s purposefulness in confronting social and political issues that most fully unites his work past and present. Prior to making feature films, Greengrass worked for ten years at World in Action, a British investigative current events program known for its forceful and unorthodox journalistic style. Leaving a trail of controversy in its wake,...
- 7/28/2016
- by The Film Stage
- The Film Stage
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