Exclusive: Discovery+ is ramping up its feature doc slate with a range of new titles including a documentary about Michael Brody Jr., a hippie-millionaire and heir to a margarine fortune who publicly offered his $25-million inheritance to anyone in need in 1970.
The streamer has acquired the rights to Dear Mr. Brody, which is directed by Keith Maitland (Tower) and was an official selection at the Telluride Film Festival, as well as screening at SXSW and Tribeca Festival.
It has also picked up feature docs Set!, Dead Man’s Switch and Keep Sweet.
Dear Mr. Brody, which will be released theatrically by Greenwich Entertainment ahead of its streaming bow, will launch in winter 2022. It follows the complex story of Brody, who announced that he would be giving away his fortune in 1970. He and his wife became instant celebrities and they were mobbed by the public, scrutinized by the press, and overwhelmed...
The streamer has acquired the rights to Dear Mr. Brody, which is directed by Keith Maitland (Tower) and was an official selection at the Telluride Film Festival, as well as screening at SXSW and Tribeca Festival.
It has also picked up feature docs Set!, Dead Man’s Switch and Keep Sweet.
Dear Mr. Brody, which will be released theatrically by Greenwich Entertainment ahead of its streaming bow, will launch in winter 2022. It follows the complex story of Brody, who announced that he would be giving away his fortune in 1970. He and his wife became instant celebrities and they were mobbed by the public, scrutinized by the press, and overwhelmed...
- 10/1/2021
- by Peter White
- Deadline Film + TV
Programming director talks online version, why docs matter more than ever.
Hot Docs returns for its second year as a purely virtual event from April 29-May 9 as Toronto’s stay-at-home order remains in effect during a third lockdown. However programming head Shane Smith is ebullient about an “incredible range of stories and quality of films”.
While the pandemic resulted in some 10% fewer submissions this year, the fact that festivals and markets have been online for more than a year helped programmers track projects and filmmakers.
The result is that 219 films from 66 countries in fact marks an increase on the number of selections from last year,...
Hot Docs returns for its second year as a purely virtual event from April 29-May 9 as Toronto’s stay-at-home order remains in effect during a third lockdown. However programming head Shane Smith is ebullient about an “incredible range of stories and quality of films”.
While the pandemic resulted in some 10% fewer submissions this year, the fact that festivals and markets have been online for more than a year helped programmers track projects and filmmakers.
The result is that 219 films from 66 countries in fact marks an increase on the number of selections from last year,...
- 4/29/2021
- by Jeremy Kay
- ScreenDaily
Programming director talks online version, why docs matter more than ever
Hot Docs returns for its second year as a purely virtual event from April 29-May 9 as Toronto’s stay-at-home order remains in effect during a third lockdown. However programming head Shane Smith is ebullient about an “incredible range of stories and quality of films”.
While the pandemic resulted in some 10% fewer submissions this year, the fact that festivals and markets have been online for more than a year helped programmers track projects and filmmakers.
The result is that 219 films from 66 countries in fact marks an increase on the number of selections from last year,...
Hot Docs returns for its second year as a purely virtual event from April 29-May 9 as Toronto’s stay-at-home order remains in effect during a third lockdown. However programming head Shane Smith is ebullient about an “incredible range of stories and quality of films”.
While the pandemic resulted in some 10% fewer submissions this year, the fact that festivals and markets have been online for more than a year helped programmers track projects and filmmakers.
The result is that 219 films from 66 countries in fact marks an increase on the number of selections from last year,...
- 4/29/2021
- by Jeremy Kay
- ScreenDaily
On the heels of Telefilm Canada’s pledge on November 11 that half of its projects will be directed or written by women in a move to close the industry gender gap by 2020, the Whistler Film Festival (Nov 30 — Dec 4) was proud to present an unprecedented number of female focused films, talent, events and awards throughout its 2016 programs.
The festival featured a record 31 (36%) films all directed by women (including 15 feature films out of 50 and 16 short films out of 36). Wff also has 38 (58%) female filmmakers out of the 66 Canadian artists confirmed to date participating in 11 talent programs — including 22 directors, 6 producers, 3 screenwriters, 2 actors, and 5 musicians/bands in the Music Showcase. Add this to the talent confirmed to attend the festival in support of their films and projects, including award winning director and screenwriter Deepa Mehta (An Anatomy Of Violence), director Ingrid Veninger (Hockey Night), director Kirsten Carthew (The Sun At Midnight) and director Martine Blue...
The festival featured a record 31 (36%) films all directed by women (including 15 feature films out of 50 and 16 short films out of 36). Wff also has 38 (58%) female filmmakers out of the 66 Canadian artists confirmed to date participating in 11 talent programs — including 22 directors, 6 producers, 3 screenwriters, 2 actors, and 5 musicians/bands in the Music Showcase. Add this to the talent confirmed to attend the festival in support of their films and projects, including award winning director and screenwriter Deepa Mehta (An Anatomy Of Violence), director Ingrid Veninger (Hockey Night), director Kirsten Carthew (The Sun At Midnight) and director Martine Blue...
- 12/7/2016
- by Sydney Levine
- Sydney's Buzz
By Sean O’Connell
Hollywoodnews.com: A handful of stellar titles with Oscar aspirations have been programmed into this year’s Austin Film Festival schedule, which begins on Oct. 20 with an as-yet-unnamed Opening Night selection.
In between, Aff audiences will get their first looks at Alexander Payne’s “The Descendants,” Steve McQueen’s “Shame,” Lynne Ramsay’s “We Need to Talk About Kevin,” Rodrigo Garcia’s “Albert Nobbs” and Sean Durkin’s “Martha Marcy May Marlene” – all films with awards hopes that will screen as part of the festival’s Marquee category.
“We’re proud to be taking our program in some exciting new directions while maintaining our focus on strong writing and engaging stories,” said new Film Programmers Stephen Jannise and Stephen Belyeu.
In addition, the fest has set up special screenings of “Toy Story” (presented by John Lasseter), an “Edward Scissorhands” screening, and a tribute to Polly Platt...
Hollywoodnews.com: A handful of stellar titles with Oscar aspirations have been programmed into this year’s Austin Film Festival schedule, which begins on Oct. 20 with an as-yet-unnamed Opening Night selection.
In between, Aff audiences will get their first looks at Alexander Payne’s “The Descendants,” Steve McQueen’s “Shame,” Lynne Ramsay’s “We Need to Talk About Kevin,” Rodrigo Garcia’s “Albert Nobbs” and Sean Durkin’s “Martha Marcy May Marlene” – all films with awards hopes that will screen as part of the festival’s Marquee category.
“We’re proud to be taking our program in some exciting new directions while maintaining our focus on strong writing and engaging stories,” said new Film Programmers Stephen Jannise and Stephen Belyeu.
In addition, the fest has set up special screenings of “Toy Story” (presented by John Lasseter), an “Edward Scissorhands” screening, and a tribute to Polly Platt...
- 9/20/2011
- by Sean O'Connell
- Hollywoodnews.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.