The relationship between art and audience has always been in a state of flux, a constantly morphing organism impossible to navigate with a standard moral compass; who among us hasn’t cast a glance at a filmmaker and wondered if their fantasies bleed into reality? Well, us horror fans usually don’t; we know our creators tend to be the more stable examples of the species, a topic that the fascinating and contemplative Deadline (1984) decides to turn on its head by pointing a few fingers back at us.
The “us” being the horror community that is - the fans who easily separate the light on the screen from the sun soaked shadows of the real world. Is this a generalization? Oh, without a doubt. Like any hive mind, horror fandom has a few bees that wander off the path of common sensibility and commit atrocities in the name of their darkened idols.
The “us” being the horror community that is - the fans who easily separate the light on the screen from the sun soaked shadows of the real world. Is this a generalization? Oh, without a doubt. Like any hive mind, horror fandom has a few bees that wander off the path of common sensibility and commit atrocities in the name of their darkened idols.
- 1/12/2019
- by Scott Drebit
- DailyDead
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