Hammer’s Dracula goes out with a whimper in this final Chris Lee-Peter Cushing vampire opus, which posits the Prince of Darkness as a super-mogul super-villain (with insufficient infrastructure). He’s battling Scotland Yard, MI5 and his old nemesis Van Helsing, while still arranging ritual sacrifices. And don’t forget the quartet of vampire babes he keeps in the cellar.
The Satanic Rites of Dracula
Blu-ray
Warner Archive Collection
1973 / Color / 1:75 widescreen / 88 min. / Street Date November 13, 2018 / available through the WBshop / 21.99
Starring: Christopher Lee, Peter Cushing, Michael Coles, William Franklyn, Freddie Jones, Joanna Lumley.
Cinematography: Brian Probyn
Film Editor: Chris Barnes
Original Music: John Cacavas
Written by Don Houghton
Produced by Roy Skeggs
Directed by Alan Gibson
The final Hammer horror Dracula opus with Christopher Lee is The Satanic Rites of Dracula, a direct sequel to Dracula A.D. 1972, which is frequently named as the worst film of the series. A.
The Satanic Rites of Dracula
Blu-ray
Warner Archive Collection
1973 / Color / 1:75 widescreen / 88 min. / Street Date November 13, 2018 / available through the WBshop / 21.99
Starring: Christopher Lee, Peter Cushing, Michael Coles, William Franklyn, Freddie Jones, Joanna Lumley.
Cinematography: Brian Probyn
Film Editor: Chris Barnes
Original Music: John Cacavas
Written by Don Houghton
Produced by Roy Skeggs
Directed by Alan Gibson
The final Hammer horror Dracula opus with Christopher Lee is The Satanic Rites of Dracula, a direct sequel to Dracula A.D. 1972, which is frequently named as the worst film of the series. A.
- 10/30/2018
- by Glenn Erickson
- Trailers from Hell
Loach’s 1967 drama is vividly evocative of its time and place, with superb performances and an effortless scene-by-scene swing
Ken Loach’s Poor Cow from 1967 – his debut film, in fact – now looks more than ever like his key early masterpiece. It has an extraordinary freshness and openness, and an effortless scene-by-scene swing in the story that hardly seems like a story at all. To see it rereleased on the cinema screen after 50 years is a vividly detailed time-capsule experience. Its artistry is only augmented by its archival interest, and it was all I could do not to stand up and try to walk forward into the screen, like Alice through a kind of looking glass, and enter a London not so very different from Dickens’s – especially the staggering tenement scenes – or even Henry Fielding’s. Every shot shows how Loach and his cinematographer Bryan Probyn had an extraordinary eye for ambient period detail.
Ken Loach’s Poor Cow from 1967 – his debut film, in fact – now looks more than ever like his key early masterpiece. It has an extraordinary freshness and openness, and an effortless scene-by-scene swing in the story that hardly seems like a story at all. To see it rereleased on the cinema screen after 50 years is a vividly detailed time-capsule experience. Its artistry is only augmented by its archival interest, and it was all I could do not to stand up and try to walk forward into the screen, like Alice through a kind of looking glass, and enter a London not so very different from Dickens’s – especially the staggering tenement scenes – or even Henry Fielding’s. Every shot shows how Loach and his cinematographer Bryan Probyn had an extraordinary eye for ambient period detail.
- 6/23/2016
- by Peter Bradshaw
- The Guardian - Film News
The stylistics of documentary filmmaking helped wipe out the old Hollywood way of doing things, and this sharp look at Olympic skiing is a prime example. Michael Ritchie became a director to be watched filming a killer competitor (Robert Redford), a blaze on the ski slopes and an Sob in every other aspect of his life. The style still looks fresh, 36 years later. Downhill Racer Blu-ray The Criterion Collection 494 1969 / Color / 1:85 widescreen / 101 min. / available through The Criterion Collection / Street Date December 1, 2015 / 39.95 Starring Robert Redford, Gene Hackman, Camilla Sparv, Dabney Coleman, Karl Michael Vogler, Jim McMullan, Kathleen Crowley, Carole Carle. Cinematography Brian Probyn Film Editor Richard A. Harris Original Music Kenyon Hopkins Written by James Salter from a book by Oakley Hall Produced by Richard Gregson Directed by Michael Ritchie
Reviewed by Glenn Erickson
In the late 1960s, when the standard Hollywood way of making movies began to fall apart,...
Reviewed by Glenn Erickson
In the late 1960s, when the standard Hollywood way of making movies began to fall apart,...
- 12/8/2015
- by Glenn Erickson
- Trailers from Hell
The Hollywood sports drama has long been an indubitable cinematic staple, albeit a genre trapped in its own particular movements and formulaic flourishes. Tendencies for melodramatic exaggerations are often utilized to enhance and manipulate our emotional investment in these depictions of physical glory, where everyman underdogs are transformed into American heroes due to the very nature of their conquests. But while these dramas prime our tear ducts for a rinse, they inadvertently miss out on the realistic human characteristics which assisted in its subject’s ability to beat all the odds. During Hollywood’s golden era of studio financed auteur projects, a short-lived movement credited to a number of classic titles ranging from the late 60s to the late 70s, director Michael Ritchie inducted two iconic titles into the sports subgenre canon, beginning with his 1969 directorial debut, Downhill Racer (the other being The Bad News Bears in 1976). Written by acclaimed...
- 12/1/2015
- by Nicholas Bell
- IONCINEMA.com
All great debut features come from a place of true inspiration. For Diego Quemada-Diez, those places are dotted all over; with his knockout first film, The Golden Dream, which follows the lives of a group of teenagers as they embark on a mission from Guatemala to the U.S., the elements of his work can be traced back to the director’s influences (of which there are many) while also standing entirely on their own.
He sat down with HeyUGuys for a lengthy chat about the movie, and the political, social and deeply personal aspects that came to shape not only The Golden Dream, but his life.
Warning: this interview contains spoilers.
I found the film to be very powerful, but very sad as well. Did you have any inspirations? Were you thinking of other films while you were making this one?
I’ve been a cinephile all my life,...
He sat down with HeyUGuys for a lengthy chat about the movie, and the political, social and deeply personal aspects that came to shape not only The Golden Dream, but his life.
Warning: this interview contains spoilers.
I found the film to be very powerful, but very sad as well. Did you have any inspirations? Were you thinking of other films while you were making this one?
I’ve been a cinephile all my life,...
- 6/27/2014
- by Gary Green
- HeyUGuys.co.uk
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.