“The film is astounding, but be sure to stay after the film for Jackson’s making-of short documentary, which reveals his production tricks and all the other amazing historical touches he added to make these long-gone soldiers spring back to life in the muddy trenches of France and Belgium. Even if you don’t think you are a Wwi buff, this remarkable film is an experience, one you do not want to miss.” Cate Marquis’s December 2018 review.
Between 1914 and 1918, a global conflict changed the course of history.
The people who experienced it did not live in a silent, black and white world.
Travel back in time to experience history with those who were actually there.
From Academy Award-winning filmmaker Peter Jackson comes the groundbreaking documentary “They Shall Not Grow Old,” presented on the centenary of the end of the First World War.
Applying state-of-the-art restoration, colorization and 3D technologies...
Between 1914 and 1918, a global conflict changed the course of history.
The people who experienced it did not live in a silent, black and white world.
Travel back in time to experience history with those who were actually there.
From Academy Award-winning filmmaker Peter Jackson comes the groundbreaking documentary “They Shall Not Grow Old,” presented on the centenary of the end of the First World War.
Applying state-of-the-art restoration, colorization and 3D technologies...
- 1/23/2019
- by Movie Geeks
- WeAreMovieGeeks.com
On the heels of its already record-breaking release, and in response to popular demand, a third Fathom Events date has been added for Warner Bros. Pictures’ much-heralded Wwi documentary “They Shall Not Grow Old,” from Oscar-winning filmmaker Peter Jackson. The film will be screened at more than 1,000 locations in the U.S. on Monday, January 21, 2019, taking advantage of the holiday weekend. The announcement was made today by Jeffrey Goldstein, President, Domestic Distribution, Warner Bros. Pictures, and Ray Nutt, CEO of Fathom Events.
“They Shall Not Grow Old” debuted in North America at 1,122 locations on December 17, 2018, taking in an impressive $2.327 million. As anticipation grew for the second Fathom Events release date, on December 27, several locations were sold out more than a week in advance. Playing on 1,007 screens, the film earned an astounding $3.375 million for a record-shattering two-day total of $5.702 million. It is the highest-grossing U.S. cinema event to date, for...
“They Shall Not Grow Old” debuted in North America at 1,122 locations on December 17, 2018, taking in an impressive $2.327 million. As anticipation grew for the second Fathom Events release date, on December 27, several locations were sold out more than a week in advance. Playing on 1,007 screens, the film earned an astounding $3.375 million for a record-shattering two-day total of $5.702 million. It is the highest-grossing U.S. cinema event to date, for...
- 1/4/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Feature Ivan Radford Dec 19, 2012
As The Hobbit: An Unexpected Journey dominates the box office, Ivan has a listen to Howard Shore's superb score...
Like a pair of old jeans that you hope still fit, returning to Middle-Earth after nine years was always going to be a daunting prospect. Thanks to its strange new 48fps appearance and a padded script that tried to turn it into a Lord Of The Rings prequel, The Hobbit: An Unexpected Journey didn't fit quite as comfortably as everyone hoped.
Not so for composer Howard Shore. Howard slips into those trousers with all the silky charm of Ian McKellen’s eyebrows, recapturing the mood of his original scores while also developing new themes; the characters are all new, but the backdrop feels the same.
And backdrops don't get much better than this. If Peter Jackson was bonkers to try and film Tolkien’s fantasy epic...
As The Hobbit: An Unexpected Journey dominates the box office, Ivan has a listen to Howard Shore's superb score...
Like a pair of old jeans that you hope still fit, returning to Middle-Earth after nine years was always going to be a daunting prospect. Thanks to its strange new 48fps appearance and a padded script that tried to turn it into a Lord Of The Rings prequel, The Hobbit: An Unexpected Journey didn't fit quite as comfortably as everyone hoped.
Not so for composer Howard Shore. Howard slips into those trousers with all the silky charm of Ian McKellen’s eyebrows, recapturing the mood of his original scores while also developing new themes; the characters are all new, but the backdrop feels the same.
And backdrops don't get much better than this. If Peter Jackson was bonkers to try and film Tolkien’s fantasy epic...
- 12/18/2012
- by ryanlambie
- Den of Geek
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.