From his impoverished alter ego to the many silenced women in his life, the real Chaplin continues to prove elusive – even in his own words – in this inventive documentary
Opening the Gotham hotel press conference for Monsieur Verdoux in 1947, Charlie Chaplin (1889-1977) told journalists to “proceed with the butchery”. I’d read that comment before, but in this expansive documentary the original audiotape is dramatised in the verbatim theatre style of Clio Barnard’s The Arbor, enabling us to see and hear it – sort of. As with their wonderful previous work Notes on Blindness (2016), co-directors James Spinney and Peter Middleton make adventurous use of lip-synced recreations, bringing old audio recordings to new cinematic life as they wrestle with the contradictory spectre of one of cinema’s true pioneers.
It’s a technique that proves particularly powerful when applied to the tape-recorded recollections of Effie Wisdom, a childhood friend of Chaplin...
Opening the Gotham hotel press conference for Monsieur Verdoux in 1947, Charlie Chaplin (1889-1977) told journalists to “proceed with the butchery”. I’d read that comment before, but in this expansive documentary the original audiotape is dramatised in the verbatim theatre style of Clio Barnard’s The Arbor, enabling us to see and hear it – sort of. As with their wonderful previous work Notes on Blindness (2016), co-directors James Spinney and Peter Middleton make adventurous use of lip-synced recreations, bringing old audio recordings to new cinematic life as they wrestle with the contradictory spectre of one of cinema’s true pioneers.
It’s a technique that proves particularly powerful when applied to the tape-recorded recollections of Effie Wisdom, a childhood friend of Chaplin...
- 2/20/2022
- by Mark Kermode, Observer film critic
- The Guardian - Film News
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