- As of 2018, holds the record (along with Saul Zaentz) of winning the Academy Award for Best Picture three times, for producing On the Waterfront (1954), The Bridge on the River Kwai (1957) and Lawrence of Arabia (1962).
- According to his biographer Natasha Fraser-Cavassoni, Spiegel used the casting couch quite liberally to dole out roles to actresses in his production of The Chase (1966). He had not been able to behave that way during the production of his two earlier Oscar-winning productions, The Bridge on the River Kwai (1957) and Lawrence of Arabia (1962), as they had had virtually all-male casts.
- Owned a large yacht in his later years. The yacht was based on the French Riviera.
- Was the epitome of the short, squat, tough, cigar-chewing producer. A ceaseless perfectionist and micro manager with a choleric temperament to match, he often clashed violently with writers and directors, including David Lean and Irwin Shaw.
- He has produced four films have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: The African Queen (1951), On the Waterfront (1954), The Bridge on the River Kwai (1957) and Lawrence of Arabia (1962).
- Was quite fond of Marlon Brando, who won his first Best Actor Oscar in the Spiegel-produced Best Picture winner On the Waterfront (1954). When casting Brando in The Chase (1966), Spiegel was worried that motorcycle enthusiast Brando would kill himself like James Dean had, in an accident. (Brando had had lacerated his knee while biking before filming began.) Spiegel constantly queried "Chase" director Arthur Penn as to whether Brando had brought his motorbike with him to the filming. When Brando got wind of this, he had his motorcycle brought over to the set to play a joke on Spiegel, who quickly arrived at the shooting to see that Brando didn't drive it. When Spiegel found out it was all a joke, the normally taciturn producer laughed heartily.
- Son of a successful tobacco merchant.
- Walking along a Paris street, Spiegel was once kicked hard in the backside; without breaking his stride or turning round to identify his assailant, he exclaimed: "The check's in the post!".
- Considered On the Waterfront (1954) director Elia Kazan one of his closest friends.
- His relationship with playwright/screenwriter Harold Pinter was rooted in a father-son dynamic, according to biographer Natasha Fraser-Cavassoni. Spiegel was quite taken with Pinter's genius, so much so it hurt the film adaptation of The Last Tycoon (1976), wrote "Tycoon" director Elia Kazan in his own autobiography, as Spiegel treated the screenplay as sacrosanct and wouldn't let Kazan change it to create more dramatic tension.
- Garson Kanin wrote that for a while, he was known as S.P. Eagle, and that in temperament, mien, method and looks, he certainly resembled a predatory bird.
- Gottfried Reinhardt referred to Spiegel as a "congenital crook." He was jailed for bouncing checks and deported in 1930. He had also been convicted of crimes in Britain and Mexico. Gottfried Reinhardt referred to him as a "congenital crook.".
- Fled Berlin upon the rise to power of Adolf Hitler.
- Studied at the University of Vienna. Fluent in at least six languages. Started in Hollywood as a story translator in 1947.
- Member of the jury at the Cannes Film Festival in 1969
- Biography in: "The Scribner Encyclopedia of American Lives". Volume One, 1981-1985, pages 752-753. New York: Charles Scribner's Sons, 1998.
- Originally worked in films using the pseudonym "S.P. Eagle".
- Lived in Palestine as a young man in the 1920s. After marrying his first wife in Vienna, they lived in Jersusalem,
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