Christopher Steele is the man behind the recent dossier prepared on Donald Trump that suggests he is tied to activities with Russia. Who Is MI6 Officer Christopher Steele? The file was prepared by Steele, 52, who was shared as the author of the piece by the Wall Street Journal. He has since left his home in Surrey, […]
Source: uInterview
The post Who Is Christopher Steele, Ex MI6 Officer Who Wrote Donald Trump Dossier? appeared first on uInterview.
Source: uInterview
The post Who Is Christopher Steele, Ex MI6 Officer Who Wrote Donald Trump Dossier? appeared first on uInterview.
- 1/12/2017
- by Hillary Luehring-Jones
- Uinterview
The author of the unverified, now infamous “golden showers” memo alleging Russia has plenty of blackmail material on Donald Trump has gone into hiding and is “terrified,” the U.K.’s Telegraph newspaper reports. Trump has derided the memo as “fake news” and a political hit job, and belittled BuzzFeed for publishing it earlier this week. Christopher Steele, 52, the former officer of the British intelligence unit M16, has disappeared himself for fear of retribution from Russia, the Telegraph said. The newspaper said that when Steele, the co-founder of London-based Orbis Business Intelligence Ltd, realized his name was going to become public,...
- 1/12/2017
- by Tim Molloy
- The Wrap
Team games and the performing arts could not survive without them and nor could aspiring young talents
It is in the nature of being an understudy that yours is not a place in the spotlight. Yet team games and the performing arts could not survive without them and nor could aspiring young talents. Mostly, being an understudy is unrewarding work, learning a big role or keeping match fit in case the star drops out unexpectedly, which generally they don't. Patience and an acceptance of audience disappointment have always been essential attributes. Occasionally, fate summons the understudy to the frontline with lasting consequences – Geoff Hurst standing in for Jimmy Greaves in the 1966 World Cup, Anthony Hopkins taking over at the National Theatre when Laurence Olivier went down with appendicitis. For such understudies, the rest is history and knighthoods beckoned. For the others, the majority, being an understudy is simply about dreams of what might have been.
It is in the nature of being an understudy that yours is not a place in the spotlight. Yet team games and the performing arts could not survive without them and nor could aspiring young talents. Mostly, being an understudy is unrewarding work, learning a big role or keeping match fit in case the star drops out unexpectedly, which generally they don't. Patience and an acceptance of audience disappointment have always been essential attributes. Occasionally, fate summons the understudy to the frontline with lasting consequences – Geoff Hurst standing in for Jimmy Greaves in the 1966 World Cup, Anthony Hopkins taking over at the National Theatre when Laurence Olivier went down with appendicitis. For such understudies, the rest is history and knighthoods beckoned. For the others, the majority, being an understudy is simply about dreams of what might have been.
- 6/16/2010
- The Guardian - Film News
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