New Delhi, April 14 (Ians) Her influence persists in Bollywood even after her name has faded from public memory, althrough remixes of her rollicking hits from the 1950s continue to be in circulation. Another, and not that well-known, legacy of Shamshad Begum, though, was initiating what later became “item numbers”, though her contributions were more perky than provocative, saucy than raunchy, and racy without being ribald.
And then, they were delivered in a robust voice, whose clarity was compared to a temple bell by composer O.P. Nayyar, with a full-blown gusto and sense of abandon.
“Udan khatole pe udh jaaun”, “Mere piya gaye Rangoon”, “Kabhi aar kabhi paar”, “Bisvi sadi hai ye bisvii sadi”, “Leke pehla pehla pyar”, “Kahin pe nigahen kahin pe nishana”, and “Boojh mera kya naam re” are prime examples.
And then, nearly forty years before Madhuri Dixit in “Tezaab” (1988), Shamshad Begum, who was born on this day...
And then, they were delivered in a robust voice, whose clarity was compared to a temple bell by composer O.P. Nayyar, with a full-blown gusto and sense of abandon.
“Udan khatole pe udh jaaun”, “Mere piya gaye Rangoon”, “Kabhi aar kabhi paar”, “Bisvi sadi hai ye bisvii sadi”, “Leke pehla pehla pyar”, “Kahin pe nigahen kahin pe nishana”, and “Boojh mera kya naam re” are prime examples.
And then, nearly forty years before Madhuri Dixit in “Tezaab” (1988), Shamshad Begum, who was born on this day...
- 4/14/2024
- by Agency News Desk
- GlamSham
Madhubala Started Her Career As A Child Actor But Jumped To An Unimaginable Paycheck Later ( Photo Credit – Shemaroo Filmi Gaane / YouTube )
Plans for Madhubala’s biopic have been taking rounds in the industry, with names of Alia Bhatt and Kareena Kapoor Khan being dropped as the main leads of the film. Now it has been announced that the film is indeed rolling; however, no names have been finalized yet for the lead actress of the film who will play the legendary beauty.
Better known as Mughal-e-Azam‘s Anarkali, the actress was originally named Mumtaaz. In fact, she was credited by the same name when she made her film debut as a child actress in the film Basant in 1942. She was a revelation on screen and was hired on a salary of Rs 300 per month.
So, at a very young age, she was earning more than his father, who earned only Rs 150 per month.
Plans for Madhubala’s biopic have been taking rounds in the industry, with names of Alia Bhatt and Kareena Kapoor Khan being dropped as the main leads of the film. Now it has been announced that the film is indeed rolling; however, no names have been finalized yet for the lead actress of the film who will play the legendary beauty.
Better known as Mughal-e-Azam‘s Anarkali, the actress was originally named Mumtaaz. In fact, she was credited by the same name when she made her film debut as a child actress in the film Basant in 1942. She was a revelation on screen and was hired on a salary of Rs 300 per month.
So, at a very young age, she was earning more than his father, who earned only Rs 150 per month.
- 3/16/2024
- by Trisha Gaur
- KoiMoi
New Delhi, Dec 29 (Ians) Megastar Amitabh Bachchan shared an anecdote about the veteran actress Helen, and talked about how she had escaped from the Japanese occupation of Burma in 1943, during the World War 2, and came to India.
Helen is a well known dancer and is known for her character roles. Born in Rangoon, Burma (now known as Myanmar),
Helen’s family trekked to Dibrugarh, Assam in 1943 in order to escape from the Japanese occupation of Burma.
Later on, Helen got her major break at the age of 19 in 1958, when she performed on the song ‘Mera Naam Chin Chin Chu’ in the movie ‘Howrah Bridge’.
With legendary actor Shammi Kapoor, she did many hit dance numbers like ‘Suku Suku’ in ‘Junglee’, ‘Yamma Yamma’ in ‘China Town’, and ‘O Haseena Zulfonwali’ in ‘Teesri Manzil’.
Amitabh, who is currently hosting the quiz based reality show ‘Kaun Banega Crorepati 15’ welcomed the roll over contestant...
Helen is a well known dancer and is known for her character roles. Born in Rangoon, Burma (now known as Myanmar),
Helen’s family trekked to Dibrugarh, Assam in 1943 in order to escape from the Japanese occupation of Burma.
Later on, Helen got her major break at the age of 19 in 1958, when she performed on the song ‘Mera Naam Chin Chin Chu’ in the movie ‘Howrah Bridge’.
With legendary actor Shammi Kapoor, she did many hit dance numbers like ‘Suku Suku’ in ‘Junglee’, ‘Yamma Yamma’ in ‘China Town’, and ‘O Haseena Zulfonwali’ in ‘Teesri Manzil’.
Amitabh, who is currently hosting the quiz based reality show ‘Kaun Banega Crorepati 15’ welcomed the roll over contestant...
- 12/29/2023
- by Agency News Desk
- GlamSham
He is the only actor who has played the roles of Rama (twice) – and of Raja Dashrath, Arjuna – and Karna, Vikramaditya, Harishchandra, Emperors Akbar and Shah Jahan, Alexander the Great – and a quarter-century later, his determined Indian opponent, Raja Porus, and for good measure, Persian strongman Rustom, and Hannibal of Carthage.
With his chiselled looks, strapping figure and emoting abilities, which made him consummate performer on stage, screen, and in his own life, Prithviraj Kapoor was a patriarch in all senses, be it with a range of regal roles in a career spanning silent films to the technicolour era, and in bequeathing Indian filmdom its most famous family, whose fourth generation is still flourishing.
As part of the latter, he is possibly the only Indian actor who has appeared in two films featuring three generations of a family – with his father and sons in “Awaara” (1951) and his son and grandson...
With his chiselled looks, strapping figure and emoting abilities, which made him consummate performer on stage, screen, and in his own life, Prithviraj Kapoor was a patriarch in all senses, be it with a range of regal roles in a career spanning silent films to the technicolour era, and in bequeathing Indian filmdom its most famous family, whose fourth generation is still flourishing.
As part of the latter, he is possibly the only Indian actor who has appeared in two films featuring three generations of a family – with his father and sons in “Awaara” (1951) and his son and grandson...
- 11/3/2023
- by Agency News Desk
He is the only actor who has played the roles of Rama (twice) – and of Raja Dashrath, Arjuna – and Karna, Vikramaditya, Harishchandra, Emperors Akbar and Shah Jahan, Alexander the Great – and a quarter-century later, his determined Indian opponent, Raja Porus, and for good measure, Persian strongman Rustom, and Hannibal of Carthage.
With his chiselled looks, strapping figure and emoting abilities, which made him consummate performer on stage, screen, and in his own life, Prithviraj Kapoor was a patriarch in all senses, be it with a range of regal roles in a career spanning silent films to the technicolour era, and in bequeathing Indian filmdom its most famous family, whose fourth generation is still flourishing.
As part of the latter, he is possibly the only Indian actor who has appeared in two films featuring three generations of a family – with his father and sons in “Awaara” (1951) and his son and grandson...
With his chiselled looks, strapping figure and emoting abilities, which made him consummate performer on stage, screen, and in his own life, Prithviraj Kapoor was a patriarch in all senses, be it with a range of regal roles in a career spanning silent films to the technicolour era, and in bequeathing Indian filmdom its most famous family, whose fourth generation is still flourishing.
As part of the latter, he is possibly the only Indian actor who has appeared in two films featuring three generations of a family – with his father and sons in “Awaara” (1951) and his son and grandson...
- 11/3/2023
- by Agency News Desk
- GlamSham
Among the titans of the Indian film industry, his forte was the grand epic that brought various phases of the subcontinent’s history – ancient, medieval, and early modern – to vivid life and enabled him to use his booming baritone, which even drew blind people to cinema theatres just to hear his grandiloquence.
Be it as the Rajput nobleman Sangram Singh in “Pukar” (1931) set in the times of Mughal Emperor Jahangir, Raja Porus in “Sikandar” (1941), in the title role of the Parmar king in “Prithvi Vallabh” (1943), as the Rajguru of Rani Lakkshmibai in “Jhansi ki Rani” (1952), or the bitter persecuted Jew Ezra in “Yahudi” (1958), Sohrab Modi strode the silver screen with his imposing presence, boundless histrionic abilities, and thunderous voice.
He delivered a trailblasing performance as a kind and rational man turned domestic tyrant – and twice over- in “Jailor”, made first in 1938 and remade in 1958, with totally different casts save him in the title role.
Be it as the Rajput nobleman Sangram Singh in “Pukar” (1931) set in the times of Mughal Emperor Jahangir, Raja Porus in “Sikandar” (1941), in the title role of the Parmar king in “Prithvi Vallabh” (1943), as the Rajguru of Rani Lakkshmibai in “Jhansi ki Rani” (1952), or the bitter persecuted Jew Ezra in “Yahudi” (1958), Sohrab Modi strode the silver screen with his imposing presence, boundless histrionic abilities, and thunderous voice.
He delivered a trailblasing performance as a kind and rational man turned domestic tyrant – and twice over- in “Jailor”, made first in 1938 and remade in 1958, with totally different casts save him in the title role.
- 11/2/2023
- by Agency News Desk
Among the titans of the Indian film industry, his forte was the grand epic that brought various phases of the subcontinent’s history – ancient, medieval, and early modern – to vivid life and enabled him to use his booming baritone, which even drew blind people to cinema theatres just to hear his grandiloquence.
Be it as the Rajput nobleman Sangram Singh in “Pukar” (1931) set in the times of Mughal Emperor Jahangir, Raja Porus in “Sikandar” (1941), in the title role of the Parmar king in “Prithvi Vallabh” (1943), as the Rajguru of Rani Lakkshmibai in “Jhansi ki Rani” (1952), or the bitter persecuted Jew Ezra in “Yahudi” (1958), Sohrab Modi strode the silver screen with his imposing presence, boundless histrionic abilities, and thunderous voice.
He delivered a trailblasing performance as a kind and rational man turned domestic tyrant – and twice over- in “Jailor”, made first in 1938 and remade in 1958, with totally different casts save him in the title role.
Be it as the Rajput nobleman Sangram Singh in “Pukar” (1931) set in the times of Mughal Emperor Jahangir, Raja Porus in “Sikandar” (1941), in the title role of the Parmar king in “Prithvi Vallabh” (1943), as the Rajguru of Rani Lakkshmibai in “Jhansi ki Rani” (1952), or the bitter persecuted Jew Ezra in “Yahudi” (1958), Sohrab Modi strode the silver screen with his imposing presence, boundless histrionic abilities, and thunderous voice.
He delivered a trailblasing performance as a kind and rational man turned domestic tyrant – and twice over- in “Jailor”, made first in 1938 and remade in 1958, with totally different casts save him in the title role.
- 11/2/2023
- by Agency News Desk
- GlamSham
After the recently-concluded ‘Bachchanalia’ where Amitabh Bachchan memorabilia went under the hammer, the auction house DeRivaz & Ives has announced a similar tribute to ‘feminine icons’ of Indian cinema.
Vintage souvenirs of Bollywood actresses that will also celebrate a saga of beauty and their acting prowess will be auctioned in Mumbai.
The auction will celebrate actresses like Nadia, Jayashree, Devika Rani, Noor Jahan, Suraiya, Nargis, Geeta Bali, Bina Rai, Madhubala, Madhabi Mukherjee, Mala Sinha, Suchitra Sen, Shashikala, Sharmila Tagore, Meena Kumari, Jaya Bhaduri, Hema Malini, Zeenat Aman, Rekha, Sridevi, Madhuri Dixit and many more.
Titled ‘Feminine Icons of Indian Cinema’, the auction will be held on November 23-25, and a variety of iconic photographs, film posters, lobby cards and other original artworks will be on offer for film buffs.
Among them will be a rare ‘The Light of Asia’ original publicity still in silver gelatin, of the classic 1925 Indian silent film...
Vintage souvenirs of Bollywood actresses that will also celebrate a saga of beauty and their acting prowess will be auctioned in Mumbai.
The auction will celebrate actresses like Nadia, Jayashree, Devika Rani, Noor Jahan, Suraiya, Nargis, Geeta Bali, Bina Rai, Madhubala, Madhabi Mukherjee, Mala Sinha, Suchitra Sen, Shashikala, Sharmila Tagore, Meena Kumari, Jaya Bhaduri, Hema Malini, Zeenat Aman, Rekha, Sridevi, Madhuri Dixit and many more.
Titled ‘Feminine Icons of Indian Cinema’, the auction will be held on November 23-25, and a variety of iconic photographs, film posters, lobby cards and other original artworks will be on offer for film buffs.
Among them will be a rare ‘The Light of Asia’ original publicity still in silver gelatin, of the classic 1925 Indian silent film...
- 11/1/2023
- by Agency News Desk
- GlamSham
After the recently-concluded ‘Bachchanalia’ where Amitabh Bachchan memorabilia went under the hammer, the auction house DeRivaz & Ives has announced a similar tribute to ‘feminine icons’ of Indian cinema.
Vintage souvenirs of Bollywood actresses that will also celebrate a saga of beauty and their acting prowess will be auctioned in Mumbai.
The auction will celebrate actresses like Nadia, Jayashree, Devika Rani, Noor Jahan, Suraiya, Nargis, Geeta Bali, Bina Rai, Madhubala, Madhabi Mukherjee, Mala Sinha, Suchitra Sen, Shashikala, Sharmila Tagore, Meena Kumari, Jaya Bhaduri, Hema Malini, Zeenat Aman, Rekha, Sridevi, Madhuri Dixit and many more.
Titled ‘Feminine Icons of Indian Cinema’, the auction will be held on November 23-25, and a variety of iconic photographs, film posters, lobby cards and other original artworks will be on offer for film buffs.
Among them will be a rare ‘The Light of Asia’ original publicity still in silver gelatin, of the classic 1925 Indian silent film...
Vintage souvenirs of Bollywood actresses that will also celebrate a saga of beauty and their acting prowess will be auctioned in Mumbai.
The auction will celebrate actresses like Nadia, Jayashree, Devika Rani, Noor Jahan, Suraiya, Nargis, Geeta Bali, Bina Rai, Madhubala, Madhabi Mukherjee, Mala Sinha, Suchitra Sen, Shashikala, Sharmila Tagore, Meena Kumari, Jaya Bhaduri, Hema Malini, Zeenat Aman, Rekha, Sridevi, Madhuri Dixit and many more.
Titled ‘Feminine Icons of Indian Cinema’, the auction will be held on November 23-25, and a variety of iconic photographs, film posters, lobby cards and other original artworks will be on offer for film buffs.
Among them will be a rare ‘The Light of Asia’ original publicity still in silver gelatin, of the classic 1925 Indian silent film...
- 11/1/2023
- by Agency News Desk
Like many other starstruck youths, he came to Bombay with dreams of becoming a hero, banking on his imposing stature, rough-hewn looks, and a baritone voice. He did succeed in his aim, but only partially, for most of his films sank without a trace, and playing second leads was no consolation.
It was only by crossing the moral line – onscreen – didAjit make his name in Hindi films – of a larger than life, deep-dyed, but suave and sophisticated villain. He was always clad in the height of fashion – with accessories like outsized sunglasses, accompanied by glamorous molls, and scorned to do the dirty work himself, relying on a cohort of henchmen.
He complemented the entire package by lowering his trademark voice to a beguilingly softer, yet with sinister undertones, conveying both menace and mockery.
Be it the nasal languid drawl call out to moll “Mona Darling” or henchman “Raabatt” (Robert), telling...
It was only by crossing the moral line – onscreen – didAjit make his name in Hindi films – of a larger than life, deep-dyed, but suave and sophisticated villain. He was always clad in the height of fashion – with accessories like outsized sunglasses, accompanied by glamorous molls, and scorned to do the dirty work himself, relying on a cohort of henchmen.
He complemented the entire package by lowering his trademark voice to a beguilingly softer, yet with sinister undertones, conveying both menace and mockery.
Be it the nasal languid drawl call out to moll “Mona Darling” or henchman “Raabatt” (Robert), telling...
- 10/22/2023
- by Agency News Desk
- GlamSham
Like many other starstruck youths, he came to Bombay with dreams of becoming a hero, banking on his imposing stature, rough-hewn looks, and a baritone voice. He did succeed in his aim, but only partially, for most of his films sank without a trace, and playing second leads was no consolation.
It was only by crossing the moral line – onscreen – didAjit make his name in Hindi films – of a larger than life, deep-dyed, but suave and sophisticated villain. He was always clad in the height of fashion – with accessories like outsized sunglasses, accompanied by glamorous molls, and scorned to do the dirty work himself, relying on a cohort of henchmen.
He complemented the entire package by lowering his trademark voice to a beguilingly softer, yet with sinister undertones, conveying both menace and mockery.
Be it the nasal languid drawl call out to moll “Mona Darling” or henchman “Raabatt” (Robert), telling...
It was only by crossing the moral line – onscreen – didAjit make his name in Hindi films – of a larger than life, deep-dyed, but suave and sophisticated villain. He was always clad in the height of fashion – with accessories like outsized sunglasses, accompanied by glamorous molls, and scorned to do the dirty work himself, relying on a cohort of henchmen.
He complemented the entire package by lowering his trademark voice to a beguilingly softer, yet with sinister undertones, conveying both menace and mockery.
Be it the nasal languid drawl call out to moll “Mona Darling” or henchman “Raabatt” (Robert), telling...
- 10/22/2023
- by Agency News Desk
Three-fourth of his 88-year-long life was spent in acting and of these, six and a half decades, over half, had Dev Anand playing the lead (romantic) role, even as his peers and even several of his leading ladies had moved on or out. In the process, Dev Anand ended up being paired against at least three generations of heroines, if not four, as he transitioned from his early days where his female co-lead was the bigger star to a time when most actresses were keen on working with him as he sauntered from success to success with that charming demeanour and the winning smile.
While most of his early heroines, say, Kamla Kotnis, who was cast against him in his debut “Hum Ek Hai” (1946), Kamini Kaushal, the heroine of his first hit “Ziddi” (1948), Khursheed Bano or Nimmi or Shakila will only be familiar to hardcore film buffs or movie historians,...
While most of his early heroines, say, Kamla Kotnis, who was cast against him in his debut “Hum Ek Hai” (1946), Kamini Kaushal, the heroine of his first hit “Ziddi” (1948), Khursheed Bano or Nimmi or Shakila will only be familiar to hardcore film buffs or movie historians,...
- 9/24/2023
- by Agency News Desk
- GlamSham
Three-fourth of his 88-year-long life was spent in acting and of these, six and a half decades, over half, had Dev Anand playing the lead (romantic) role, even as his peers and even several of his leading ladies had moved on or out. In the process, Dev Anand ended up being paired against at least three generations of heroines, if not four, as he transitioned from his early days where his female co-lead was the bigger star to a time when most actresses were keen on working with him as he sauntered from success to success with that charming demeanour and the winning smile.
While most of his early heroines, say, Kamla Kotnis, who was cast against him in his debut “Hum Ek Hai” (1946), Kamini Kaushal, the heroine of his first hit “Ziddi” (1948), Khursheed Bano or Nimmi or Shakila will only be familiar to hardcore film buffs or movie historians,...
While most of his early heroines, say, Kamla Kotnis, who was cast against him in his debut “Hum Ek Hai” (1946), Kamini Kaushal, the heroine of his first hit “Ziddi” (1948), Khursheed Bano or Nimmi or Shakila will only be familiar to hardcore film buffs or movie historians,...
- 9/24/2023
- by Agency News Desk
Dev Anand was forever on our TV screens. My mother and aunts were huge fans. But my mother also had bundles of Filmfare magazines, and large black discs of gramophones with beautiful covers of Indian actors and actresses.
Her favourite was Dilip Kumar and a close second was Dev Anand. Dev Anand lit up the screen with his perfect groomed hair, perfectly fitted clothes and the aura he gave off of wealth and sophistication other stars of his time lacked. Dev Anand could be playing an alcoholic and he would have not a single hair out of place like in “Sharabi” (1964).
When I went to Government College University Lahore for my MPhil, my mother’s response was: “Dev Anand went to Government College.” How cool was I!
Dev Anand did his BA in English from the college – and fell in love with a classmate too, according to his autobiography, but...
Her favourite was Dilip Kumar and a close second was Dev Anand. Dev Anand lit up the screen with his perfect groomed hair, perfectly fitted clothes and the aura he gave off of wealth and sophistication other stars of his time lacked. Dev Anand could be playing an alcoholic and he would have not a single hair out of place like in “Sharabi” (1964).
When I went to Government College University Lahore for my MPhil, my mother’s response was: “Dev Anand went to Government College.” How cool was I!
Dev Anand did his BA in English from the college – and fell in love with a classmate too, according to his autobiography, but...
- 9/24/2023
- by Agency News Desk
- GlamSham
Dev Anand was forever on our TV screens. My mother and aunts were huge fans. But my mother also had bundles of Filmfare magazines, and large black discs of gramophones with beautiful covers of Indian actors and actresses.
Her favourite was Dilip Kumar and a close second was Dev Anand. Dev Anand lit up the screen with his perfect groomed hair, perfectly fitted clothes and the aura he gave off of wealth and sophistication other stars of his time lacked. Dev Anand could be playing an alcoholic and he would have not a single hair out of place like in “Sharabi” (1964).
When I went to Government College University Lahore for my MPhil, my mother’s response was: “Dev Anand went to Government College.” How cool was I!
Dev Anand did his BA in English from the college – and fell in love with a classmate too, according to his autobiography, but...
Her favourite was Dilip Kumar and a close second was Dev Anand. Dev Anand lit up the screen with his perfect groomed hair, perfectly fitted clothes and the aura he gave off of wealth and sophistication other stars of his time lacked. Dev Anand could be playing an alcoholic and he would have not a single hair out of place like in “Sharabi” (1964).
When I went to Government College University Lahore for my MPhil, my mother’s response was: “Dev Anand went to Government College.” How cool was I!
Dev Anand did his BA in English from the college – and fell in love with a classmate too, according to his autobiography, but...
- 9/24/2023
- by Agency News Desk
In his youth, he had gone from his home in Gurdaspur to Amritsar to get medicines for his ailing mother. To quench his thirst, he ordered a glass of sugarcane juice from a stall near the Golden Temple. When the vendor took a closer look at him, he exclaimed that Dev Anand had the sun on his forehead, foretelling greatness.
The prediction did come true Dev Anand did become a star that burnt bright across an over six-decade-long career.
With his undeniable charm, fast diction, the slight lopsided gait, trademark nodding to add emphasis, the winning winsome smile, and the flamboyant sartorial style, Dev Anand sparkled in a career that began before Independence and lasted into the second decade of the 21st century.
Included in the pantheon of the top three heroes of Hindi cinema in the 1950s, he not only outpaced his peers Dilip Kumar and Raj Kapoor, who did around 70-odd films each,...
The prediction did come true Dev Anand did become a star that burnt bright across an over six-decade-long career.
With his undeniable charm, fast diction, the slight lopsided gait, trademark nodding to add emphasis, the winning winsome smile, and the flamboyant sartorial style, Dev Anand sparkled in a career that began before Independence and lasted into the second decade of the 21st century.
Included in the pantheon of the top three heroes of Hindi cinema in the 1950s, he not only outpaced his peers Dilip Kumar and Raj Kapoor, who did around 70-odd films each,...
- 9/24/2023
- by Agency News Desk
- GlamSham
In his youth, he had gone from his home in Gurdaspur to Amritsar to get medicines for his ailing mother. To quench his thirst, he ordered a glass of sugarcane juice from a stall near the Golden Temple. When the vendor took a closer look at him, he exclaimed that Dev Anand had the sun on his forehead, foretelling greatness.
The prediction did come true Dev Anand did become a star that burnt bright across an over six-decade-long career.
With his undeniable charm, fast diction, the slight lopsided gait, trademark nodding to add emphasis, the winning winsome smile, and the flamboyant sartorial style, Dev Anand sparkled in a career that began before Independence and lasted into the second decade of the 21st century.
Included in the pantheon of the top three heroes of Hindi cinema in the 1950s, he not only outpaced his peers Dilip Kumar and Raj Kapoor, who did around 70-odd films each,...
The prediction did come true Dev Anand did become a star that burnt bright across an over six-decade-long career.
With his undeniable charm, fast diction, the slight lopsided gait, trademark nodding to add emphasis, the winning winsome smile, and the flamboyant sartorial style, Dev Anand sparkled in a career that began before Independence and lasted into the second decade of the 21st century.
Included in the pantheon of the top three heroes of Hindi cinema in the 1950s, he not only outpaced his peers Dilip Kumar and Raj Kapoor, who did around 70-odd films each,...
- 9/24/2023
- by Agency News Desk
If India ever had a star, it was Dev Anand. He was the mould in which subsequent generations of stars were cast. Dev Anand was born Dharamdev on September 26, 1923, in the Shakargarh tehsil of Gurdaspur district of Punjab. His father Pishori Lal Anand was a successful advocate and a follower of Mahatma Gandhi. Dev, the third of four brothers, graduated with English Honours from Government College, Lahore. He moved over to Bombay to join his older brother Chetan, who was trying to get a break in films.
Both brothers got involved in the progressive Indian People’s Theatre Association (Ipta). Chetan made ‘Neecha Nagar’ in 1946 and went on to win the Grand Prix at the inaugural Cannes film festival.
Dev told me that when he heard that Babu Rao Pai of Prabhat Film Studios was casting for a new film, he literally gatecrashed into his office and got the lead...
Both brothers got involved in the progressive Indian People’s Theatre Association (Ipta). Chetan made ‘Neecha Nagar’ in 1946 and went on to win the Grand Prix at the inaugural Cannes film festival.
Dev told me that when he heard that Babu Rao Pai of Prabhat Film Studios was casting for a new film, he literally gatecrashed into his office and got the lead...
- 9/24/2023
- by Agency News Desk
- GlamSham
If India ever had a star, it was Dev Anand. He was the mould in which subsequent generations of stars were cast. Dev Anand was born Dharamdev on September 26, 1923, in the Shakargarh tehsil of Gurdaspur district of Punjab. His father Pishori Lal Anand was a successful advocate and a follower of Mahatma Gandhi. Dev, the third of four brothers, graduated with English Honours from Government College, Lahore. He moved over to Bombay to join his older brother Chetan, who was trying to get a break in films.
Both brothers got involved in the progressive Indian People’s Theatre Association (Ipta). Chetan made ‘Neecha Nagar’ in 1946 and went on to win the Grand Prix at the inaugural Cannes film festival.
Dev told me that when he heard that Babu Rao Pai of Prabhat Film Studios was casting for a new film, he literally gatecrashed into his office and got the lead...
Both brothers got involved in the progressive Indian People’s Theatre Association (Ipta). Chetan made ‘Neecha Nagar’ in 1946 and went on to win the Grand Prix at the inaugural Cannes film festival.
Dev told me that when he heard that Babu Rao Pai of Prabhat Film Studios was casting for a new film, he literally gatecrashed into his office and got the lead...
- 9/24/2023
- by Agency News Desk
She is last of the Mohicans, belonging to a golden era of music, and is the only flag bearer left perhaps in whole of the world who has seen music evolve from basic instruments, to melodies, to synthetic instruments, to club music and what not! You name any new adaptation in music, and Asha Bhonsle’s association with that genre will immediately pop up.
But whatever be the genre in which she is going to render her vocal prowess, one thing is for sure, her voice will not falter to a node. This is perhaps one of the reasons why when Naushad, who had a wonderful sojourn with Asha Bhonsle in the black and white era and till the sixties, when he came back to give music in Dharamkanta (1982) chose Asha Bhonsle to give voice over to his Tawaif song. Naushad who hailed from Lucknow, had said that his choice...
But whatever be the genre in which she is going to render her vocal prowess, one thing is for sure, her voice will not falter to a node. This is perhaps one of the reasons why when Naushad, who had a wonderful sojourn with Asha Bhonsle in the black and white era and till the sixties, when he came back to give music in Dharamkanta (1982) chose Asha Bhonsle to give voice over to his Tawaif song. Naushad who hailed from Lucknow, had said that his choice...
- 9/8/2023
- by Nalin Rai
- GlamSham
Singer Asha Bhosle, who carved out her own independent niche and ruled the roost over the world of music, turns a ripe old 90 on Friday, and notwithstanding a long and eventful musical journey of eight decades, neither her vocal cords are tired nor has she retired…
It was back way, some 80 years ago, when a petite 10-year-old girl Asha Mangeshkar earnestly stood before a studio microphone and recorded her first playback song for composer Datta S. Davjekar, ‘Chala Chala Nav Bal…’ for a Marathi film (‘Majha Bal’ – 1943).
Though it came just a year after her father Pt. Deenanath Mangeshkar’s passing (1942), Asha’s maiden number did not exactly set the film industry on fire but she continued to get humdrum singing assignments, and like her older sibling Lata Mangeshkar, continued the uphill musical sojourn.
After many Marathi songs, she finally landed a Hind film song assignment for ‘Chunariya’ (1948), and then...
It was back way, some 80 years ago, when a petite 10-year-old girl Asha Mangeshkar earnestly stood before a studio microphone and recorded her first playback song for composer Datta S. Davjekar, ‘Chala Chala Nav Bal…’ for a Marathi film (‘Majha Bal’ – 1943).
Though it came just a year after her father Pt. Deenanath Mangeshkar’s passing (1942), Asha’s maiden number did not exactly set the film industry on fire but she continued to get humdrum singing assignments, and like her older sibling Lata Mangeshkar, continued the uphill musical sojourn.
After many Marathi songs, she finally landed a Hind film song assignment for ‘Chunariya’ (1948), and then...
- 9/8/2023
- by Agency News Desk
- GlamSham
Projects by Rima Das and Emma Kawawada also among 30 titles set to be pitched.
South Korea’s Busan International Film Festival (Biff) has unveiled the 30 titles selected for the 2023 Asian Project Market (Apm), including new works by Makbul Mubarak, Koji Fukada, Rima Das and Emma Kawawada.
The film financing event, which runs as part of Biff’s Asian Contents and Film Market, will take place from October 7-10 and comprises projects by directors who have made at least one short or full-length feature as well as producers who have been involved with at least one feature. They will conduct four...
South Korea’s Busan International Film Festival (Biff) has unveiled the 30 titles selected for the 2023 Asian Project Market (Apm), including new works by Makbul Mubarak, Koji Fukada, Rima Das and Emma Kawawada.
The film financing event, which runs as part of Biff’s Asian Contents and Film Market, will take place from October 7-10 and comprises projects by directors who have made at least one short or full-length feature as well as producers who have been involved with at least one feature. They will conduct four...
- 8/3/2023
- by Michael Rosser
- ScreenDaily
Busan International Film Festival has announced the 30 projects selected for this year’s Asian Project Market (Apm), including new works from leading Asian filmmakers such as Japan’s Koji Fukada, Indonesia’s Makbul Mubarak and India’s Rima Das.
Fukada, whose previous films have premiered at Cannes and Venice (Love Life), will present Japan-France co-production Nagi Notes, produced by Osanai Terutaro.
Mubarak, whose Autobiography premiered at last year’s Venice before embarking on an awards haul across Asia, is bringing Watch It Burn, produced by Indonesia’s Yulia Evina Bhara, one of the producers on this year’s Cannes Critics Week winner Tiger Stripes.
Das is a Busan regular who has also had films play in Toronto and Berlin (Bulbul Can Sing). She will present Malti My Love, which the self-taught filmmaker will also produce, just as she has produced, written,...
Fukada, whose previous films have premiered at Cannes and Venice (Love Life), will present Japan-France co-production Nagi Notes, produced by Osanai Terutaro.
Mubarak, whose Autobiography premiered at last year’s Venice before embarking on an awards haul across Asia, is bringing Watch It Burn, produced by Indonesia’s Yulia Evina Bhara, one of the producers on this year’s Cannes Critics Week winner Tiger Stripes.
Das is a Busan regular who has also had films play in Toronto and Berlin (Bulbul Can Sing). She will present Malti My Love, which the self-taught filmmaker will also produce, just as she has produced, written,...
- 8/3/2023
- by Liz Shackleton
- Deadline Film + TV
Veteran Bollywood actress Tabassum, who hosted the iconic television (talk show) series, “Phool Khile Hain, Gulshan Gulshan” on Doordarshan for two decades, passed away following a massive cardiac arrest, her son Hoshang said here on Saturday. She was 78.
Rushed to a private hospital after she suffered chest pain, Tabassum breathed her last around 8.40 p.m. on Friday, he said. She is survived by her son, and other relatives including her brother-in-law and actor Arun Govil (Ram of Ramayan).
“Her funeral rites were also completed late last night itself,” Hoshang informed. He described her as being totally healthy and her sudden departure has left the family in a state of shock.
Tabassum was married to Vijay Govil, the elder brother of the films and television actor Arun Govil – who portrayed the character of Lord Rama in the epic serial “Ramayana” (1987) and previously as King Vikramaditya in another cult serial, “Vikram Aur...
Rushed to a private hospital after she suffered chest pain, Tabassum breathed her last around 8.40 p.m. on Friday, he said. She is survived by her son, and other relatives including her brother-in-law and actor Arun Govil (Ram of Ramayan).
“Her funeral rites were also completed late last night itself,” Hoshang informed. He described her as being totally healthy and her sudden departure has left the family in a state of shock.
Tabassum was married to Vijay Govil, the elder brother of the films and television actor Arun Govil – who portrayed the character of Lord Rama in the epic serial “Ramayana” (1987) and previously as King Vikramaditya in another cult serial, “Vikram Aur...
- 11/19/2022
- by Glamsham Bureau
- GlamSham
At the start of her singing career, she needed to stand on a stool to be able to reach the microphone but then she went on in her comparatively short career to become the last of Bollywood’s three singing superstars. In her heyday, Suraiya was so popular that she had to stop attending her film […]...
- 6/15/2022
- by Glamsham Bureau
- GlamSham
Committed to championing and propagating content that highlights social issues through its characters, Colors’ Barrister Babu is making waves across the nation.
With its unorthodox approach towards all matters concerning patriarchy, women’s rights and other social stigmas, Barrister Babu continues to make a strong mark on viewers. Currently in the show, Anirudh (Pravisht Mishra) gets to know that Bondita (Aura Bhatnagar) is trapped in a brothel and he immediately goes to rescue her.
As he is just about to meet Bondita, Tarabai calls her goons to fight with Anirudh. Later Tarabai asks Suraiya to bring Bondita to make her dance.
Bondita dressed up in a red and white saree with Durga Maa's chunnar on her head comes and announces that she will go back to her husband’s home
Commenting on the same Aura Bhatnaagr said, “I am a true believer of Maa Durga. Ever since I started learning about scriptures from my mom,...
With its unorthodox approach towards all matters concerning patriarchy, women’s rights and other social stigmas, Barrister Babu continues to make a strong mark on viewers. Currently in the show, Anirudh (Pravisht Mishra) gets to know that Bondita (Aura Bhatnagar) is trapped in a brothel and he immediately goes to rescue her.
As he is just about to meet Bondita, Tarabai calls her goons to fight with Anirudh. Later Tarabai asks Suraiya to bring Bondita to make her dance.
Bondita dressed up in a red and white saree with Durga Maa's chunnar on her head comes and announces that she will go back to her husband’s home
Commenting on the same Aura Bhatnaagr said, “I am a true believer of Maa Durga. Ever since I started learning about scriptures from my mom,...
- 10/21/2020
- by Pooja Tiwari
- GlamSham
With music by Sajjad Hussain, Rustom Sohrab had some memorable songs, including Yeh Kaisi Ajab Daastaan Ho Gayi by Suraiya. Directed by Vishram Bedekar, the 1963 film starred Prithviraj Kapoor and Suraiya...
- 8/18/2017
- Film Companion
The former Olympian Milkha Singh hasn't been to a theatre in the past 53 years. The last movie Milkha saw a black and white classic Anmol Ghadi (1946) starring Suraiya and Noor Jehan. Ever since he has stayed away from movies. After years he will be finally watch a movie that too based on his own life. It would be indeed a special experience for him to watch Bhaag Milkha Bhaag on 70 mm after so many years. "He (Singh) is very excited about watching the film when it releases this July. He wants to catch it with his family and close friends. Although his wife, son and daughter are movie buffs, Singh has been the complete opposite all his life. In over five decades, he hasn't watched a film even on television," says a source close to the former athlete. Ask Singh about it and he says, "I loved watching films from Raj Kapoor's days.
- 4/23/2013
- by Bollywood Hungama News Network
- BollywoodHungama
The former Olympian Milkha Singh hasn't been to a theatre in the past 53 years. The last movie Milkha saw was a black and white classic Anmol Ghadi (1946), starring Suraiya and Noor Jehan. Since then he has stayed away from movies. After years he will be finally watching a movie that too based on his own life. It would be indeed a special experience for him to watch Bhaag Milkha Bhaag on 70 mm after so many years."He (Singh) is very excited about watching the film...
- 4/23/2013
- GlamSham
Popular Bollywood matinee idol, producer and film-maker
The Indian actor, producer and film-maker Dev Anand, who has died aged 88, was the first and longest serving matinee idol of Bollywood cinema. The pinnacle of his career came with Guide (1965), a film based on Rk Narayan's novel, in which Dev played the male lead opposite the classical Indian dancer turned actor Waheeda Rehman. Dev's talented younger brother Vijay directed it. During the golden age of Indian cinema, in the 1950s and 1960s, Dev, along with Raj Kapoor and Dilip Kumar, formed the trio of stars who dominated the silver screen. Dev's urbanity and quirky mannerisms made him especially popular among the young and women.
He was born in undivided India at Gurdaspur, in the Punjab region. His father, Pishorimal Anand, was a leading lawyer. After graduating from the prestigious Government College, in Lahore, Dev tried and failed to enter the Royal Indian Navy.
The Indian actor, producer and film-maker Dev Anand, who has died aged 88, was the first and longest serving matinee idol of Bollywood cinema. The pinnacle of his career came with Guide (1965), a film based on Rk Narayan's novel, in which Dev played the male lead opposite the classical Indian dancer turned actor Waheeda Rehman. Dev's talented younger brother Vijay directed it. During the golden age of Indian cinema, in the 1950s and 1960s, Dev, along with Raj Kapoor and Dilip Kumar, formed the trio of stars who dominated the silver screen. Dev's urbanity and quirky mannerisms made him especially popular among the young and women.
He was born in undivided India at Gurdaspur, in the Punjab region. His father, Pishorimal Anand, was a leading lawyer. After graduating from the prestigious Government College, in Lahore, Dev tried and failed to enter the Royal Indian Navy.
- 12/6/2011
- by Lalit Mohan Joshi
- The Guardian - Film News
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