"The best music and the best whiskey come from the same part of the country." Gather 'round and revisit this classic country music documentary film Heartworn Highways. Rarely screened, the beloved 1976 documentary portrait of the outlaw country movement will be re-released nationwide in virtual cinemas on February 5th this winter. In the mid-'70s, filmmaker James Szalapski documented the then-nascent country music movement that would soon become known as "outlaw country." Inspired, in part, by newly-long-haired Willie Nelson's embrace of hippie attitudes and audiences, a younger generation of artists including Townes Van Zandt, David Alan Coe, Steve Earle and Guy Clark popularized and developed the outlaw sound. This kind of seems like the anti-country music film about country music, which means it might be worth a watch even if you don't care much for country music. As usual, this is the best time to catch up with the film.
- 1/22/2021
- by Alex Billington
- firstshowing.net
I was very happy to read Laura Barton’s lovely piece on the dual 40th anniversaries of The Last Waltz and Jim Szalapski’s Heartworn Highways (G2, 16 September). However, when I came to the paragraphs devoted to my old friend and producer Jonathan Taplin, I could feel my eyebrows furrowing: slightly, but furrowing nonetheless. I owe Jonathan a great deal: if it weren’t for him, I would never have been able to make either Mean Streets or The Last Waltz. Yet, it seems our recollections of the shoot on the latter film differ on one important point.
Related: The Last Waltz and Heartworn Highways: two 40-year-old films at the birth of Americana
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Related: The Last Waltz and Heartworn Highways: two 40-year-old films at the birth of Americana
Continue reading...
- 9/30/2016
- by Letters
- The Guardian - Film News
In today's roundup on events and screenings from coast to coast: Sundance's Next Fest in Los Angeles, Tadanobu Asano in San Francisco, samurai movies in Austin and, in New York, James Szalapski's Heartworn Highways, Michael Powell and Emeric Pressburger's The Red Shoes, Bernardo Bertolucci's Last Tango in Paris, Chang Cheh's Five Deadly Venoms and Bruce Weber's Let’s Get Lost. Back in San Francisco: Robert Montgomery's Ride the Pink Horse, Joseph H. Lewis's So Dark the Night, Seymour Friedman's Chinatown at Midnight, Leigh Jason's Dangerous Blondes and William Castle's Mysterious Intruder. » - David Hudson...
- 8/6/2015
- Fandor: Keyframe
In today's roundup on events and screenings from coast to coast: Sundance's Next Fest in Los Angeles, Tadanobu Asano in San Francisco, samurai movies in Austin and, in New York, James Szalapski's Heartworn Highways, Michael Powell and Emeric Pressburger's The Red Shoes, Bernardo Bertolucci's Last Tango in Paris, Chang Cheh's Five Deadly Venoms and Bruce Weber's Let’s Get Lost. Back in San Francisco: Robert Montgomery's Ride the Pink Horse, Joseph H. Lewis's So Dark the Night, Seymour Friedman's Chinatown at Midnight, Leigh Jason's Dangerous Blondes and William Castle's Mysterious Intruder. » - David Hudson...
- 8/6/2015
- Keyframe
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