How To Come Alive With Norman Mailer director Jeff Zimbalist: “I lament that in some ways the film is a nostalgia piece for that bygone era. But never saying that Mailer himself is a role model.”
In the second instalment with Jeff Zimbalist on How To Come Alive With Norman Mailer (co-written with Victoria Marquette and a highlight of the 14th edition of Doc NYC) we discuss a bygone era where opposite sides were coming together in debates, such as the infamous 1971 Town Hall event in New York City: A Dialogue on Women’s Liberation with Germaine Greer, Betty Friedan, Susan Sontag, Jill Johnston, Diana Trilling, Cynthia Ozick, Elizabeth Hardwick, and Jacqueline Ceballos, where Mailer was taught a lesson or two (seen from Chris Hegedus and Da Pennebaker’s Town Bloody Hall documentary), and the Gore Vidal Norman Mailer showdown on The Dick Cavett Show.
Jeff Zimbalist on Norman Mailer: “He’s incredibly prophetic.
In the second instalment with Jeff Zimbalist on How To Come Alive With Norman Mailer (co-written with Victoria Marquette and a highlight of the 14th edition of Doc NYC) we discuss a bygone era where opposite sides were coming together in debates, such as the infamous 1971 Town Hall event in New York City: A Dialogue on Women’s Liberation with Germaine Greer, Betty Friedan, Susan Sontag, Jill Johnston, Diana Trilling, Cynthia Ozick, Elizabeth Hardwick, and Jacqueline Ceballos, where Mailer was taught a lesson or two (seen from Chris Hegedus and Da Pennebaker’s Town Bloody Hall documentary), and the Gore Vidal Norman Mailer showdown on The Dick Cavett Show.
Jeff Zimbalist on Norman Mailer: “He’s incredibly prophetic.
- 12/1/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Town Bloody Hall
Blu ray
Criterion
1979 / 85 min.
Starring Norman Mailer, Germaine Greer, Jill Johnston
Cinematography by D.A. Pennebaker
Directed by D.A. Pennebaker, Chris Hegedus
No matter the subject, Norman Mailer was the star of whatever he produced—in Advertisements for Myself, a mix of self-criticism and self-congratulation—he could have been talking to himself. He took to using the third person in The Armies of the Night. He sometimes adopted a new name—in Of a Fire on the Moon he was “Aquarius.” He directed and acted in a handful of independently made films and plastered his mug on campaign posters that papered New York when he ran for mayor in 1969. His career was one big selfie. But what an ambitious self portrait it was—Hemingway, Faulkner, Dos Passos—he tried to top them all.
He worked hard to be a new kind of empathetic writer, sinking into the psyche of all creatures bright,...
Blu ray
Criterion
1979 / 85 min.
Starring Norman Mailer, Germaine Greer, Jill Johnston
Cinematography by D.A. Pennebaker
Directed by D.A. Pennebaker, Chris Hegedus
No matter the subject, Norman Mailer was the star of whatever he produced—in Advertisements for Myself, a mix of self-criticism and self-congratulation—he could have been talking to himself. He took to using the third person in The Armies of the Night. He sometimes adopted a new name—in Of a Fire on the Moon he was “Aquarius.” He directed and acted in a handful of independently made films and plastered his mug on campaign posters that papered New York when he ran for mayor in 1969. His career was one big selfie. But what an ambitious self portrait it was—Hemingway, Faulkner, Dos Passos—he tried to top them all.
He worked hard to be a new kind of empathetic writer, sinking into the psyche of all creatures bright,...
- 8/22/2020
- by Charlie Largent
- Trailers from Hell
Thom Powers with Anne-Katrin Titze on Doc NYC Lifetime Achievement Visionary Tribute honourees Michael Apted and Martin Scorsese: “We feel very blessed in our tenth year to have two filmmakers who are working at the peak of their craft and the peak of this industry.” Photo: Doc NYC
2019 marks the tenth anniversary of Doc NYC and it is dedicated to the memory of the great Da Pennebaker. Barbara Kopple: “On August 1st 2019 I lost someone irreplaceable in my life, my friend and inspiration Da Pennebaker.” Andrew Rossi: “Da Pennebaker was such a monumental influence on so many filmmakers. It's not just because his films were so poetic and historically important, putting him on the Mt. Rushmore of documentarians like Maysles, Wiseman and Varda.”
Andrew Rossi puts Da Pennebaker, Albert Maysles, Frederick Wiseman and Agnès Varda on the Mt. Rushmore of documentarians Photo: Anne-Katrin Titze
Chris Hegedus and...
2019 marks the tenth anniversary of Doc NYC and it is dedicated to the memory of the great Da Pennebaker. Barbara Kopple: “On August 1st 2019 I lost someone irreplaceable in my life, my friend and inspiration Da Pennebaker.” Andrew Rossi: “Da Pennebaker was such a monumental influence on so many filmmakers. It's not just because his films were so poetic and historically important, putting him on the Mt. Rushmore of documentarians like Maysles, Wiseman and Varda.”
Andrew Rossi puts Da Pennebaker, Albert Maysles, Frederick Wiseman and Agnès Varda on the Mt. Rushmore of documentarians Photo: Anne-Katrin Titze
Chris Hegedus and...
- 11/8/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Cannes film festival kicks off next week, and this shot of Marilyn Monroe will feature on all its official posters. Does it matter that she never went?
She is a perennially fascinating screen actress, the incidental subject of new TV drama Smash – and from next week she will be pouting down at us from every street corner in Cannes, the face of the official film festival poster. The photograph shows the beautiful, beguiling, funny leading lady of such pictures as Gentlemen Prefer Blondes and Some Like It Hot blowing out the candle on her 30th birthday cake, giving a seductive air-kiss to the lens. In a press release, the festival organisers explain: "The poster captures Marilyn by surprise in an intimate moment where myth meets reality – a moving tribute to the anniversary of her passing, which coincides with the festival anniversary [Cannes turns 65 this year] … Their coming together symbolises the ideal of simplicity and elegance.
She is a perennially fascinating screen actress, the incidental subject of new TV drama Smash – and from next week she will be pouting down at us from every street corner in Cannes, the face of the official film festival poster. The photograph shows the beautiful, beguiling, funny leading lady of such pictures as Gentlemen Prefer Blondes and Some Like It Hot blowing out the candle on her 30th birthday cake, giving a seductive air-kiss to the lens. In a press release, the festival organisers explain: "The poster captures Marilyn by surprise in an intimate moment where myth meets reality – a moving tribute to the anniversary of her passing, which coincides with the festival anniversary [Cannes turns 65 this year] … Their coming together symbolises the ideal of simplicity and elegance.
- 5/9/2012
- by Peter Bradshaw
- The Guardian - Film News
My Week with Marilyn envelops the star in a chaste aura. This desire to desexualise goes back to Arthur Miller
It is not entirely the fault of the recent movie My Week with Marilyn – about Monroe's disastrous attempt to make The Prince and the Showgirl with Laurence Olivier – that it is devoid of sex, which is something like depicting the life of Napoleon without mentioning that he was French. Monroe might have been one of the most sexual beings who ever lived, but the portrayals of her, even by disillusioned observers, sooner or later descend into a sanitised ideal.
The sex is overtaken by sentimental treacle, or heroic fantasy, or defensive over-analysis. In his book on Monroe, Norman Mailer, for all his worldly candour, concluded that "she was our angel, the sweet angel of sex, and the sugar of sex came up from her like a resonance of sound in...
It is not entirely the fault of the recent movie My Week with Marilyn – about Monroe's disastrous attempt to make The Prince and the Showgirl with Laurence Olivier – that it is devoid of sex, which is something like depicting the life of Napoleon without mentioning that he was French. Monroe might have been one of the most sexual beings who ever lived, but the portrayals of her, even by disillusioned observers, sooner or later descend into a sanitised ideal.
The sex is overtaken by sentimental treacle, or heroic fantasy, or defensive over-analysis. In his book on Monroe, Norman Mailer, for all his worldly candour, concluded that "she was our angel, the sweet angel of sex, and the sugar of sex came up from her like a resonance of sound in...
- 1/7/2012
- The Guardian - Film News
An ambitious attempt to write a 'personal' history of cinema is sometimes intelligent but rarely convincing
Maxim Gorky, the first major writer to record his impressions of the cinema, wrote in his local newspaper the day after seeing the first Lumière brothers show in Nizhny Novgorod in 1896: "Last night I was in the Kingdom of Shadows. If you only knew how strange it is to be there … I was at Aumont's and saw Lumière's cinématographe – moving photography. The extraordinary impression it creates is so unique and complex that I doubt my ability to describe it with all its nuances." A few years later Rudyard Kipling wrote Mrs Bathurst, the first significant work of fiction inspired by the movies, a mysteriously haunting tale of a sailor driven to his death by a brief newsreel he obsessively views in Cape Town. The new medium had the power to disturb, to fascinate,...
Maxim Gorky, the first major writer to record his impressions of the cinema, wrote in his local newspaper the day after seeing the first Lumière brothers show in Nizhny Novgorod in 1896: "Last night I was in the Kingdom of Shadows. If you only knew how strange it is to be there … I was at Aumont's and saw Lumière's cinématographe – moving photography. The extraordinary impression it creates is so unique and complex that I doubt my ability to describe it with all its nuances." A few years later Rudyard Kipling wrote Mrs Bathurst, the first significant work of fiction inspired by the movies, a mysteriously haunting tale of a sailor driven to his death by a brief newsreel he obsessively views in Cape Town. The new medium had the power to disturb, to fascinate,...
- 10/15/2011
- by Philip French
- The Guardian - Film News
Three entertaining novels: an epic, wry account of Brits in the Balkans during WWII, a gripping murder mystery in a Southern town, and what Marilyn Monroe's dog, Maf, saw.
The Balkan TrilogyBy Olivia Manning
Related story on The Daily Beast: This Week's Hot Reads
No young man dreams of growing up to be a lecturer for the British Council. But when I first stumbled across Olivia Manning's Balkan Trilogy in graduate school, I was ready to be signed up. At nearly a thousand pages, Manning's three novels are a sweeping story of marital love, English manners, and Balkan intrigues, set against Europe's descent into the Second World War. Harriet Pringle, bright and self-confident, joins her husband, Guy, in Bucharest, Romania, where he teaches English at the local university as part of a British cultural program. "Anything can happen now," Harriet thinks as her train chugs eastward, somewhere beyond Venice.
The Balkan TrilogyBy Olivia Manning
Related story on The Daily Beast: This Week's Hot Reads
No young man dreams of growing up to be a lecturer for the British Council. But when I first stumbled across Olivia Manning's Balkan Trilogy in graduate school, I was ready to be signed up. At nearly a thousand pages, Manning's three novels are a sweeping story of marital love, English manners, and Balkan intrigues, set against Europe's descent into the Second World War. Harriet Pringle, bright and self-confident, joins her husband, Guy, in Bucharest, Romania, where he teaches English at the local university as part of a British cultural program. "Anything can happen now," Harriet thinks as her train chugs eastward, somewhere beyond Venice.
- 12/19/2010
- by The Daily Beast
- The Daily Beast
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