Inspired by the annual “Manga We Want To See Animated” ranking in Japan, a Twitter user conducted a similar poll to find the most desired manga adaptations among Western audiences.
The poll, conducted over a two-week period in February, invited fans to cast their votes for manga series yet to receive an animated adaptation.
Notably, titles already slated for anime production or those with existing adaptations were excluded from consideration.
Here are top 25 manga western fans are most eager to see animated:
25. Kaoru Hana Wa Rin To Saku by Saka Mikami 24. Gokurakugai by Yuto Sano 23. I Am A Hero by Kengo Hanazawa 22. Chi No Wadachi by Shuzo Oshimi 21. Omniscient Reader’s Viewpoint by Sing Shong, Umi, and Sleepy-C 20. Ruri Dragon by Masaoki Shindo 19. My Hero Academia: Vigilantes by Hideyuki Furuhashi 18. I Sold My Life For Ten Thousand Yen Per Year by Shoichi Taguchi 17. Jagaaan by Muneyuki Kaneshiro and Kensuke Nishida...
The poll, conducted over a two-week period in February, invited fans to cast their votes for manga series yet to receive an animated adaptation.
Notably, titles already slated for anime production or those with existing adaptations were excluded from consideration.
Here are top 25 manga western fans are most eager to see animated:
25. Kaoru Hana Wa Rin To Saku by Saka Mikami 24. Gokurakugai by Yuto Sano 23. I Am A Hero by Kengo Hanazawa 22. Chi No Wadachi by Shuzo Oshimi 21. Omniscient Reader’s Viewpoint by Sing Shong, Umi, and Sleepy-C 20. Ruri Dragon by Masaoki Shindo 19. My Hero Academia: Vigilantes by Hideyuki Furuhashi 18. I Sold My Life For Ten Thousand Yen Per Year by Shoichi Taguchi 17. Jagaaan by Muneyuki Kaneshiro and Kensuke Nishida...
- 5/6/2024
- by Ami Nazru
- AnimeHunch
For many cinephiles, especially those with a keen interest in Asian cinema, one of their first encounters with Japanese cinema comes in the shape of Takashi Miike’s works. Given the sheer number of features he has made ever since he got started at the beginning of the 1990s, this comes as no surprise. Movies such as “Ichi – The Killer”, “Dead or Alive” and “Audition” have cemented the reputation of Miike internationally and introduced many to his cinematic style, which has proven to very influential among his colleagues as well. However, with over 100 films directed, there are obviously a number of them which are either simply bad (“Salaryman Kintaro”) or have gone under the radar as Miike’s more popular works cast a shadow over them. One of these examples is “Blues Harp”, which is not only an overlooked gem in his filmography, but also, in my opinion, one...
- 9/25/2023
- by Rouven Linnarz
- AsianMoviePulse
Japanese filmmaker Koji Fukada is back with another middle-class (melo)drama about common people in uncommon life situations. “Love Life” premiered at Venice and after that went on the tour of festivals.
“Love Life” is screening at the Museum of the Moving Image, as part of the First Look 2023 program
Taeko and her husband Jiro live a peaceful life. At the beginning, their mood could be seen as celebratory, since they are throwing a party for his stern father's 65th birthday, and also celebrating her son Keita's local Othello championship title. However, Jiro's father has a hard time accepting the fact that his son married a divorcee with a child from her previous marriage.
A sudden tragedy resulting in Keita's accidental death starts the spiral of events. Firstly, Keita's biological father Park (Atom Sunada) suddenly appears at the funeral and Taeko has the urge to do her best to...
“Love Life” is screening at the Museum of the Moving Image, as part of the First Look 2023 program
Taeko and her husband Jiro live a peaceful life. At the beginning, their mood could be seen as celebratory, since they are throwing a party for his stern father's 65th birthday, and also celebrating her son Keita's local Othello championship title. However, Jiro's father has a hard time accepting the fact that his son married a divorcee with a child from her previous marriage.
A sudden tragedy resulting in Keita's accidental death starts the spiral of events. Firstly, Keita's biological father Park (Atom Sunada) suddenly appears at the funeral and Taeko has the urge to do her best to...
- 3/13/2023
- by Marko Stojiljković
- AsianMoviePulse
Japanese filmmaker Koji Fukada is back with another middle-class (melo)drama about common people in uncommon life situations. “Love Life” premiered at Venice and after that went on the tour of festivals. We caught it at a special screening at Zagreb Film Festival.
Taeko and her husband Jiro live a peaceful life. At the beginning, their mood could be seen as celebratory, since they are throwing a party for his stern father’s 65th birthday, and also celebrating her son Keita’s local Othello championship title. However, Jiro’s father has a hard time accepting the fact that his son married a divorcee with a child from her previous marriage.
A sudden tragedy resulting in Keita’s accidental death starts the spiral of events. Firstly, Keita’s biological father Park (Atom Sunada) suddenly appears at the funeral and Taeko has the urge to do her best to help this troubled deaf homeless Korean man.
Taeko and her husband Jiro live a peaceful life. At the beginning, their mood could be seen as celebratory, since they are throwing a party for his stern father’s 65th birthday, and also celebrating her son Keita’s local Othello championship title. However, Jiro’s father has a hard time accepting the fact that his son married a divorcee with a child from her previous marriage.
A sudden tragedy resulting in Keita’s accidental death starts the spiral of events. Firstly, Keita’s biological father Park (Atom Sunada) suddenly appears at the funeral and Taeko has the urge to do her best to help this troubled deaf homeless Korean man.
- 11/5/2022
- by Marko Stojiljković
- AsianMoviePulse
Love Life is one of those films that really wears its screenplay. The plot follows a mother’s attempts to come to terms with the death of a child, but it’s more about unusual paths the journey takes for her to get there. The director is Kôji Fukada, a filmmaker who studied under Kiyoshi Kurosawa and cites Rohmer as a key influence. The first of Fukada’s films to complete for one of the grand festival awards, it premiered this week in what has been if not the best, then at least the glitziest Venice lineup in recent memory. Amongst the stars, Love Life (named for an Akiko Yano song of the same name) is jarringly everyday in color palette and setting, but has just the right amount of scope, filmmaking nous, and unusual choices to hold its own and even stand out.
A neat film of knotty ideas,...
A neat film of knotty ideas,...
- 9/6/2022
- by Rory O'Connor
- The Film Stage
“I can’t put my finger on it but there’s something wrong with her.”
When writer Tony Rayns met Japanese director for one of the first times in the 1990s, he spoke to him about his incredible output per year, which sometimes ranged somewhere between six to seven movies. According to Miike, the answer was obvious for he liked to keep himself busy with his films through the year. Additionally, rejecting a producer’s proposal, especially for an interesting idea, was something Miike could (and probably still can) not do, and in the end the people involved would find the right time and right place in his busy schedule to work everything out.
“Audition” is screening at Udine Far East Film Festival
Interestingly, the year this encounter took place marks a significant milestone in Miike’s career. The Rotterdam Film Festival not only showed three of his movies – “Audition...
When writer Tony Rayns met Japanese director for one of the first times in the 1990s, he spoke to him about his incredible output per year, which sometimes ranged somewhere between six to seven movies. According to Miike, the answer was obvious for he liked to keep himself busy with his films through the year. Additionally, rejecting a producer’s proposal, especially for an interesting idea, was something Miike could (and probably still can) not do, and in the end the people involved would find the right time and right place in his busy schedule to work everything out.
“Audition” is screening at Udine Far East Film Festival
Interestingly, the year this encounter took place marks a significant milestone in Miike’s career. The Rotterdam Film Festival not only showed three of his movies – “Audition...
- 4/25/2022
- by Rouven Linnarz
- AsianMoviePulse
“I can’t put my finger on it but there’s something wrong with her.”
When writer Tony Rayns met Japanese director for one of the first times in the 1990s, he spoke to him about his incredible output per year, which sometimes ranged somewhere between six to seven movies. According to Miike, the answer was obvious for he liked to keep himself busy with his films through the year. Additionally, rejecting a producer’s proposal, especially for an interesting idea, was something Miike could (and probably still can) not do, and in the end the people involved would find the right time and right place in his busy schedule to work everything out.
“Audition” is streaming on Mubi
Interestingly, the year this encounter took place marks a significant milestone in Miike’s career. The Rotterdam Film Festival not only showed three of his movies – “Audition”, “Dead or Alive” and...
When writer Tony Rayns met Japanese director for one of the first times in the 1990s, he spoke to him about his incredible output per year, which sometimes ranged somewhere between six to seven movies. According to Miike, the answer was obvious for he liked to keep himself busy with his films through the year. Additionally, rejecting a producer’s proposal, especially for an interesting idea, was something Miike could (and probably still can) not do, and in the end the people involved would find the right time and right place in his busy schedule to work everything out.
“Audition” is streaming on Mubi
Interestingly, the year this encounter took place marks a significant milestone in Miike’s career. The Rotterdam Film Festival not only showed three of his movies – “Audition”, “Dead or Alive” and...
- 2/21/2021
- by Rouven Linnarz
- AsianMoviePulse
The horror genre within manga, and by extension Japanese art, has had a long history dating back to the early 17th century with the release of the Tokiwa Scrolls, believed to be painted by Iwasa Matabei. The twelve part collection depicted graphic violence, murder and nudity. However, the art style of ukiyo-e embracing more graphic content did not really become common until the 19th century. Regardless, it can be said that these early depictions were used to both educate and entertain and ingrained a deep fascination with the macabre that is spirited in today’s mangakas who thrive in the horror genre.
This list includes 15 modern titles to offer insight into a world rich with narrative diversity and style for the reader to explore. It is by no means a comprehensive or definitive list of the genre, but reflections of the author’s own personal experiences and love of horror manga.
This list includes 15 modern titles to offer insight into a world rich with narrative diversity and style for the reader to explore. It is by no means a comprehensive or definitive list of the genre, but reflections of the author’s own personal experiences and love of horror manga.
- 7/24/2020
- by Adam Symchuk
- AsianMoviePulse
No one enjoys being forced to get along with strangers, let alone come to terms with having to live with them. The foundation of a new family, much like a funeral, collides people together with little regard for their desires but, no matter how much resistance is fought or how falsified the pleasantries, we have to accept it as a situation out of our hands and learn to make do. Much can be said about Shiro Tokiwa’s feature length debut “The First Supper”, which features both scenarios in two narrative timelines joined in spirit by the homely presence of food; while both timelines could have made for interesting viewing as separate films, this hodgepodge of a movie forces its audience through a menu of workable ingredients clumsily orchestrated into a buffet of nothingness.
“The First Supper” is screening at New York Asian Film Festival Winter Showcase 2020
Returning to their...
“The First Supper” is screening at New York Asian Film Festival Winter Showcase 2020
Returning to their...
- 2/21/2020
- by James Cansdale-Cook
- AsianMoviePulse
With the number of adaptations Miike has dealt with in his filmography, it would be a surprise if he did not deal with a video game one. “Yakuza”, a 2005 Playstation 2 game provided a great opportunity considering its theme and aesthetics, and Miike did the most of it, coming up with one of the best video game adaptations I have ever seen on screen, even managing to tame his own absurdness, to a degree at least.
The story unfolds during a single, very hot night in Kamurocho (the video game’s version of Kabukicho) and revolves around five different axes that eventually collide. Imanichi and Nakanishi try to rob a bank but their ways are more of a comedy duo than of robbers and thus they end up taking the clerks and the customers of the bank as hostages despite their initial plan. In a building next door,...
The story unfolds during a single, very hot night in Kamurocho (the video game’s version of Kabukicho) and revolves around five different axes that eventually collide. Imanichi and Nakanishi try to rob a bank but their ways are more of a comedy duo than of robbers and thus they end up taking the clerks and the customers of the bank as hostages despite their initial plan. In a building next door,...
- 1/8/2020
- by Panos Kotzathanasis
- AsianMoviePulse
Released in 2000 and celebrated by international-horror nerds via videotapes passed around like viruses, Takashi Shimizu’s Ju-on helped usher in a wave of modern Japanese creepfests that slowly made their way west. The title translated as something like “The Curse”; it would eventually be better known as The Grudge. Along with 1998’s The Ring, the film (and the numerous related series, sequels, quasi-remakes, and brand-name bastardizations) was the most recognizable ambassador for a genre folks dubbed J-Horror. By the time Sam Raimi and producer Roy Lee enlisted Shimizu and noted...
- 1/3/2020
- by David Fear
- Rollingstone.com
Hideki Takeuchi seems to be making a career out of people jumping into the real world from another “dimension”, and after the two “Thermae Romae” and the Roman in contemporary Japan, he directs a story of a movie character coming to life in Japan in the 60’s. Let us take things from the beginning, though.
Tonight, at the Movies is part of the 2019 Japan Foundation Touring Film Programme
Kenji is a struggling assistant director during the 60’s, when the industry in Japan experienced a significant decline due to popularity of TV, who tries to make it happen but is, in essence, just an errand boy. Furthermore, he is a workaholic, whose long-hours occasionally lead him into making blunders, just like when he spills paint all over the costume of the company’s star, Ryonosuke Shundo. In his quite hard life, the only source of true enjoyment comes from a theatre...
Tonight, at the Movies is part of the 2019 Japan Foundation Touring Film Programme
Kenji is a struggling assistant director during the 60’s, when the industry in Japan experienced a significant decline due to popularity of TV, who tries to make it happen but is, in essence, just an errand boy. Furthermore, he is a workaholic, whose long-hours occasionally lead him into making blunders, just like when he spills paint all over the costume of the company’s star, Ryonosuke Shundo. In his quite hard life, the only source of true enjoyment comes from a theatre...
- 1/11/2019
- by Panos Kotzathanasis
- AsianMoviePulse
In Takashi Miike’s vast filmography, there are some films that could be considered as trademarks of his ever-changing style, like “Ichi the Killer”, “Visitor Q”, “Audition” and many others. I feel though, that if one would like to present a title that is the embodiment of his style, the “Dead or Alive” trilogy is the perfect choice. Today, we are going to deal with the first part.
After an 8-minute sequence filled with punk music, sex, and violence that largely sets the tone of the film, the narrative cools a bit down, in order to present the story. Jojima is a competent police officer who happens to retain connections with the local Yakuza and their leader, Satake. Jojima is about to ask for a loan to pay for his daughter’s medical expenses. Around that point, Ryuichi, another outlaw, this time of Chinese ancestry, and his...
After an 8-minute sequence filled with punk music, sex, and violence that largely sets the tone of the film, the narrative cools a bit down, in order to present the story. Jojima is a competent police officer who happens to retain connections with the local Yakuza and their leader, Satake. Jojima is about to ask for a loan to pay for his daughter’s medical expenses. Around that point, Ryuichi, another outlaw, this time of Chinese ancestry, and his...
- 9/29/2018
- by Panos Kotzathanasis
- AsianMoviePulse
Considered by many Takeshi Kitano’s magnum opus, “Fireworks” is also his most critically acclaimed work, as it netted him the Golden Lion in Venice Film Festival and a plethora of other awards, both in Japan and all around the world, despite the fact that the Japanese Academy chose to ignore him again, solely awarding Joe Hisaishi for Best Musical Score, among 10 other nominations. The international success of both “Fireworks” and “Sonatine” established Kitano as the most prominent Japanese filmmaker of his era, thus resulting in the end of his awful psychological condition that had been ongoing for years, even before shooting the latter.
Buy This Film
Kitano plays one among his favorite roles as Nishi, a violent police detective, who quits the force due to guilt ensuing from the terrible outcome of an effort to arrest a violent criminal, that left his best friend and partner Horibe crippled and...
Buy This Film
Kitano plays one among his favorite roles as Nishi, a violent police detective, who quits the force due to guilt ensuing from the terrible outcome of an effort to arrest a violent criminal, that left his best friend and partner Horibe crippled and...
- 8/30/2018
- by Panos Kotzathanasis
- AsianMoviePulse
If one believes one of the leading experts on Asian, especially Japanese cinema, Blues Harp by Takashi Miike is “the film that will shed much-needed light on the hidden sides of that genuine filmmaker Takashi Miike”. In a year which can be regarded as one of the quieter years in the career of the director in terms of the film made, “Blues Harp”, together with “The Bird People in China” and “Young Thugs: Nostalgia”, defines indeed an emotional, even melancholic side of Miike, a name many film-goers and critics rather associate with excess, violence and and the ludicrous.
Buy This Title
As with his “Black Society Trilogy”, especially “Rainy Dog” and “Ley Lines”, Miike has proven himself to be a director of many facets, even though his themes – the outsider, masculinity, violence and family units – have stayed at the core of most of his films. It is interesting that a...
Buy This Title
As with his “Black Society Trilogy”, especially “Rainy Dog” and “Ley Lines”, Miike has proven himself to be a director of many facets, even though his themes – the outsider, masculinity, violence and family units – have stayed at the core of most of his films. It is interesting that a...
- 4/30/2018
- by Rouven Linnarz
- AsianMoviePulse
In his 100-film career, Japanese director Takashi Miike has very nearly single-handedly defined mainstream extreme cinema. Violent underground exploitation films may lurk in the ether, but most of those are gore for gore’s sake. Miike, who burst onto the international scene with 1999’s chilling Audition, however, always had something to say with his singular brand of bloody mayhem. And when he brought Hideo Yamamoto’s popular, ultraviolent manga Koroshiya-1 to screens in 2001, Miike effectively changed the game for comic book movies, for horror and for his own work.
After beginning his career with straight-to-video actioners and yakuza thrillers (Dead or Alive), Miike...
After beginning his career with straight-to-video actioners and yakuza thrillers (Dead or Alive), Miike...
- 3/20/2018
- by Elizabeth Kerr
- The Hollywood Reporter - Movie News
March 20th’s horror and sci-fi home media releases are an eclectic bunch, Shout Select’s Collector’s Edition of The ’Burbs and the new Blu-ray of Michele Soavi's The Church leading the pack. Arrow Video has put together a stunning release of Robert Altman’s Images that fans will definitely want to pick up, and for those of you who enjoy the work of Takashi Miike, Well Go USA has put together a remastered edition of Ichi the Killer that you’ll want to nab as well.
Kino Lorber has resurrected Offerings on Blu-ray, and Scream Factory has a pair of cult classics—Rockula and Nightmare at Noon—that are also enjoying a brand new HD overhaul as well. Other notable releases for March 20th include Delirium, Caged, Still/Born and Jumanji: Welcome to the Jungle (which I’d call something of a family fantasy/adventure hybrid, so...
Kino Lorber has resurrected Offerings on Blu-ray, and Scream Factory has a pair of cult classics—Rockula and Nightmare at Noon—that are also enjoying a brand new HD overhaul as well. Other notable releases for March 20th include Delirium, Caged, Still/Born and Jumanji: Welcome to the Jungle (which I’d call something of a family fantasy/adventure hybrid, so...
- 3/20/2018
- by Heather Wixson
- DailyDead
Takashi Miike took the homonymous, overly violent manga series by Hideo Yamamoto and created one of the most controversial films of all time, which shocked the censorship committees to a point where they allowed only extensively censored versions of it, while Norway still forbids showing, distributing and even owning it.
Buy This Title
The leader of a Yakuza family disappears without leaving a trace and the rest of the gang members believe that he has been murdered. Kakihara, his second in command and a schizophrenic, sadomasochistic misanthrope who is additionally in love with his boss, sets on a trip to exact revenge, which entails torturing other gangs’ members, an act he enjoys to the fullest. However, the killer is not a Yakuza, but a disturbed individual, whose underlying, extreme violent nature is exploited by a mysterious persona, who eventually orders him to eradicate Kakihara’s gang.
Takashi Miike has largely...
Buy This Title
The leader of a Yakuza family disappears without leaving a trace and the rest of the gang members believe that he has been murdered. Kakihara, his second in command and a schizophrenic, sadomasochistic misanthrope who is additionally in love with his boss, sets on a trip to exact revenge, which entails torturing other gangs’ members, an act he enjoys to the fullest. However, the killer is not a Yakuza, but a disturbed individual, whose underlying, extreme violent nature is exploited by a mysterious persona, who eventually orders him to eradicate Kakihara’s gang.
Takashi Miike has largely...
- 3/1/2018
- by Panos Kotzathanasis
- AsianMoviePulse
Takashi Miike’s Ichi The Killer has endured as one of the most influential pieces of genre filmmaking of the last two decades, and now it returns in a stunning all-new digitally restored special edition debuting on Blu-ray™ March 20 from Well Go USA Entertainment. Based on Hideo Yamamoto’s manga series of the same name, the controversial and graphic tale of feuding yakuza gangs is seen primarily through the actions of a scarred and psychologically damaged man, who is manipulated into killing rival faction members. Digitally remastered in 4k and approved by director Takashi Miike (13 Assassins), Ichi The Killer stars Tadanobu Asano, Nao Omori, Shinya Tsukamoto, Alien Sun and Sabu. Bonus content includes Audio Commentary with Director Takashi Miike & Manga Artist/Writer Hideo Yamamoto and a still gallery.
Ichi The Killer will also be on big screens in select cities across the country. Visit http://wellgousa.com/theatrical/ichi-the-killer for...
Ichi The Killer will also be on big screens in select cities across the country. Visit http://wellgousa.com/theatrical/ichi-the-killer for...
- 1/20/2018
- by Panos Kotzathanasis
- AsianMoviePulse
Takashi Miike’s Ichi The Killer has endured as one of the most influential pieces of genre filmmaking of the last two decades, and now it returns in a stunning all-new digitally restored special edition debuting on Blu-ray™ March 20 from Well Go USA Entertainment. Based on Hideo Yamamoto’s manga series of the same name, the controversial and graphic tale of feuding yakuza gangs is seen primarily through the actions of a scarred and psychologically damaged man, who is manipulated into killing rival faction members. Digitally remastered in 4k and approved by director Takashi Miike (13 Assassins), Ichi The Killer stars Tadanobu Asano, Nao Omori, Shinya Tsukamoto, Alien Sun and Sabu. Bonus content includes Audio Commentary with Director Takashi Miike & Manga Artist/Writer Hideo Yamamoto and a still gallery.
Ichi The Killer will also be on big screens in select cities across the country. Visit http://wellgousa.com/theatrical/ichi-the-killer for...
Ichi The Killer will also be on big screens in select cities across the country. Visit http://wellgousa.com/theatrical/ichi-the-killer for...
- 1/20/2018
- by Panos Kotzathanasis
- AsianMoviePulse
Sion Sono had one of his most prolific years in 2015, eventually managing to shoot six films, including this particular one that stands apart due to its minimalism, a concept almost unknown to one of the most maximalist filmmakers of the world.
An original concept
80% of the universe is populated by androids. The few humans left have chosen to live in silence, enforcing a law that forbids any sound over 30db.
A female humanoid robot named Yoko lives in a spaceship shaped like a traditional Japanese house, while delivering packages to humans all over the galaxy. In the vast intervals between the deliveries, Yoko cleans and makes tea, in one of Sono’s favorite practices, who seems to relish shooting his real-life wife (Megumi Kagurazaka who plays Yoko) doing domestic chores. Her sole company is a robot attached to the spaceship’s control panel, who seems to have a character of its own.
An original concept
80% of the universe is populated by androids. The few humans left have chosen to live in silence, enforcing a law that forbids any sound over 30db.
A female humanoid robot named Yoko lives in a spaceship shaped like a traditional Japanese house, while delivering packages to humans all over the galaxy. In the vast intervals between the deliveries, Yoko cleans and makes tea, in one of Sono’s favorite practices, who seems to relish shooting his real-life wife (Megumi Kagurazaka who plays Yoko) doing domestic chores. Her sole company is a robot attached to the spaceship’s control panel, who seems to have a character of its own.
- 11/19/2016
- by Panos Kotzathanasis
- AsianMoviePulse
Today sees the American DVD and Blu-ray release of the samurai flick 13 Assassins. While dyed-in-the-wool Takashi Miike fans probably already have the thing on preorder, the rest of you may find yourselves wondering why you should give a hoot about the controversial Japanese director.
Miike got his start in the early 1990s directing a television series as well as releases for V-Cinema, Japan’s direct-to-video industry. While they share the smaller budgets and heavy focus on genre releases of their American counterparts, V-Cinema isn’t burdened with the same low-quality stigma we have on this side of the Pacific.
Early on in his career, Miike displayed an affinity for outsider characters, especially characters with Yakuza connections and sexually perverse leanings. By the end of the decade, there was an increased level of controversy surrounding many of his releases. This fueled international interest in the filmmaker’s output, but Miike’s...
Miike got his start in the early 1990s directing a television series as well as releases for V-Cinema, Japan’s direct-to-video industry. While they share the smaller budgets and heavy focus on genre releases of their American counterparts, V-Cinema isn’t burdened with the same low-quality stigma we have on this side of the Pacific.
Early on in his career, Miike displayed an affinity for outsider characters, especially characters with Yakuza connections and sexually perverse leanings. By the end of the decade, there was an increased level of controversy surrounding many of his releases. This fueled international interest in the filmmaker’s output, but Miike’s...
- 7/5/2011
- UGO Movies
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