“To be deceived is a woman’s crime.”
When you listen to the magnificent soundtrack to Quentin Tarantino’s “Kill Bill, Vol.1” you will notice that one track called “The Flower of Carnage” sung by Meiko Kaji. Even though you might not understand the lyrics the voice of the singer, the bittersweet melody hints at the character being deeply emotional, full of tenderness, but at the same time carrying something with her, something dark and vicious. It seems to conjure a certain image, feeling or memory of a past and a present of a certain somebody who is addressed in this film, so strong is the voice it wants you to almost take a mental picture of the person, see her pain but also her beauty. To Tarantino this was the perfect sound for The Bride, a character played by Uma Thurman, a woman who has been continuously betrayed and declared dead,...
When you listen to the magnificent soundtrack to Quentin Tarantino’s “Kill Bill, Vol.1” you will notice that one track called “The Flower of Carnage” sung by Meiko Kaji. Even though you might not understand the lyrics the voice of the singer, the bittersweet melody hints at the character being deeply emotional, full of tenderness, but at the same time carrying something with her, something dark and vicious. It seems to conjure a certain image, feeling or memory of a past and a present of a certain somebody who is addressed in this film, so strong is the voice it wants you to almost take a mental picture of the person, see her pain but also her beauty. To Tarantino this was the perfect sound for The Bride, a character played by Uma Thurman, a woman who has been continuously betrayed and declared dead,...
- 12/2/2019
- by Rouven Linnarz
- AsianMoviePulse
While the lesser-known Shohei Imamura and Susume Hani are important figures in Japan’s new wave cinema, the most influential filmmaker and pivotal figure of this movement remains Nagisa Oshima. The Japanese new wave can in no way be compared to the French New wave or the British new wave, as each of this movement came into being in a specific societal constellation. In the case of the Japanese new wave, the movement was concerned with revealing the societal contradictions specific to Japan and, often, to underline the rise of materialistic values.
While much has already been written and said about the Japanese new wave cinema and Nagisa Oshima , there still remains more to be said about this movement. So, as a humble beginning, let’s take a closer look to one of Nagisa Oshima ’s most well-known narratives, “Diary of a Shinjuku Thief”.
One day, Birdie...
While much has already been written and said about the Japanese new wave cinema and Nagisa Oshima , there still remains more to be said about this movement. So, as a humble beginning, let’s take a closer look to one of Nagisa Oshima ’s most well-known narratives, “Diary of a Shinjuku Thief”.
One day, Birdie...
- 10/22/2018
- by Pieter-Jan Van Haecke
- AsianMoviePulse
“This is Ali Baba, town of mystery…”
As most of us know, the 1960s, especially the second half, were a time of upheaval, protests and general unrest in many areas of the world. Protests against the Vietnam War and the establishment resulted in a decade defined by violence on the one side, but also change on the other. Culturally, one could argue the late 1960s and early 1970s constitute one of the most interesting periods for the arts, a moment in time during which the possibility of change was a tangible shimmer on the horizon. And even though much of this hope was shattered by a re-affirmation of the ruling order – at least to some extent – the minds of people had been changed forever, as evident in the way culture has changed during that period.
Of course, times of change and upheaval often tend to give birth to fascinating and...
As most of us know, the 1960s, especially the second half, were a time of upheaval, protests and general unrest in many areas of the world. Protests against the Vietnam War and the establishment resulted in a decade defined by violence on the one side, but also change on the other. Culturally, one could argue the late 1960s and early 1970s constitute one of the most interesting periods for the arts, a moment in time during which the possibility of change was a tangible shimmer on the horizon. And even though much of this hope was shattered by a re-affirmation of the ruling order – at least to some extent – the minds of people had been changed forever, as evident in the way culture has changed during that period.
Of course, times of change and upheaval often tend to give birth to fascinating and...
- 9/23/2018
- by Rouven Linnarz
- AsianMoviePulse
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