AMC has released the final trailer for the second part of the sixth season of “Better Call Saul,” the critically acclaimed “Breaking Bad” prequel series starring Bob Odenkirk.
The trailer continues AMC’s trend of advertising the final episodes with cryptic black-and-white footage, leaving fans few images to grasp onto in their predictions of how the story will conclude. Fred Neil’s “Little Bit of Rain” sets the mood of a farewell.
“Let justice be done till the heavens fall,” Odenkirk’s Saul Goodman aka Jimmy McGill utters at the conclusion of the trailer.
The first part of Season 6, which aired this spring, saw Jimmy and his wife and fellow lawyer Kim Wexler (Rhea Seehorn) successfully execute an elaborate scheme to sabotage the career of their former boss Howard Hamlin (Patrick Fabian). The two only had a brief moment to celebrate the win, however, before Lalo Salamanca (Tony Dalton), a...
The trailer continues AMC’s trend of advertising the final episodes with cryptic black-and-white footage, leaving fans few images to grasp onto in their predictions of how the story will conclude. Fred Neil’s “Little Bit of Rain” sets the mood of a farewell.
“Let justice be done till the heavens fall,” Odenkirk’s Saul Goodman aka Jimmy McGill utters at the conclusion of the trailer.
The first part of Season 6, which aired this spring, saw Jimmy and his wife and fellow lawyer Kim Wexler (Rhea Seehorn) successfully execute an elaborate scheme to sabotage the career of their former boss Howard Hamlin (Patrick Fabian). The two only had a brief moment to celebrate the win, however, before Lalo Salamanca (Tony Dalton), a...
- 7/7/2022
- by Wilson Chapman
- Variety Film + TV
AMC is giving viewers a new peek at the final round of Better Call Saul episodes with a fresh trailer that teases at the Saul (Bob Odenkirk) viewers knew during Breaking Bad. Set to return beginning Monday, July 11, Better Call Saul‘s sixth and final season has six more episodes to unveil before wrapping up the prequel. The new minute-long teaser set to the tune of Fred Neil’s “A Little Bit of Rain,” sets a sentimental and melancholic tone as fans prepare for the big goodbye. Concluding on Monday, August 15 with the series finale installment, Better Call Saul is quickly approaching the timeline from Breaking Bad, hinting at the incoming collision of Jimmy’s world and the one that centered around Walter White (Bryan Cranston) and Jesse Pinkman (Aaron Paul). (Credit: AMC) The last set of episodes will wrap up the complicated journey and transformation of Jimmy McGill into the criminal lawyer Saul Goodman,...
- 7/7/2022
- TV Insider
Melvins will reinterpret their own catalog and showcase some new covers on the grunge giant’s massive new Five Legged Dog, a 36-track LP that doubles as the group’s first-ever acoustic album.
“I knew I wanted to do something ridiculously big. Thirty-six songs reimagined by us acoustically is certainly ridiculous but it works! The magic of the songs is still there regardless of it being acoustic,” Buzz Osbourne said in a statement of the pandemic-recorded album.
“Since we weren’t touring we had the time to do something of this size.
“I knew I wanted to do something ridiculously big. Thirty-six songs reimagined by us acoustically is certainly ridiculous but it works! The magic of the songs is still there regardless of it being acoustic,” Buzz Osbourne said in a statement of the pandemic-recorded album.
“Since we weren’t touring we had the time to do something of this size.
- 7/21/2021
- by Daniel Kreps
- Rollingstone.com
Way back when, Dylan and the Beatles demonstrated how musicians could evolve dramatically, overhauling their sound on record once or even twice a year. They were hardly alone, but few others shape-shifted during than era like Tim Buckley. By 1968, the L.A.-via-Orange-Country troubadour was moving beyond the keening-balladeer mode of his early work — a mere two years before — and gravitating toward jazz and improvisational music. That exhilarating shift, a key period in his career, is documented in this newly unearthed live tape, recorded that year at the Carousel Ballroom...
- 6/11/2021
- by David Browne
- Rollingstone.com
You’re never alone with an alien symbiote. Just ask Eddie Brock (Tom Hardy), whose body-roomie Venom is almost helpful in the kitchen in the new Venom: Let There Be Carnage trailer. But his counterpart Cletus Kasady (Woody Harrelson) only sees red, and is on a mission to wreak carnage. Meanwhile, he writer of the song in the Venom 2 trailer only wanted to bring some bittersweet pandemonium.
Harry Nilsson’s song “One” appeared on his 1968 album Aerial Ballet. The album title was a tribute to his grandparents, who were highwire circus act performers. It was the follow-up to his Pandemonium Shadow Show album, which got everybody talkin’ about the singer-songwriter from Brooklyn. When John Lennon and Paul McCartney were asked to name their favorite American group during their highly-covered 1968 press conference to announce the formation of The Beatles’ Apple Corps, each of the songwriting duo independently answered “Nilsson.”
You might think,...
Harry Nilsson’s song “One” appeared on his 1968 album Aerial Ballet. The album title was a tribute to his grandparents, who were highwire circus act performers. It was the follow-up to his Pandemonium Shadow Show album, which got everybody talkin’ about the singer-songwriter from Brooklyn. When John Lennon and Paul McCartney were asked to name their favorite American group during their highly-covered 1968 press conference to announce the formation of The Beatles’ Apple Corps, each of the songwriting duo independently answered “Nilsson.”
You might think,...
- 5/10/2021
- by John Saavedra
- Den of Geek
There have been times throughout Bruce Springsteen’s career when California has called. He named a song for the state after his parents moved there in 1971, and he’d return to it, in life and writing, repeatedly, chasing his dreams like Steinbeck’s Tom Joad. Western Stars (out June 14th) is the latest visit: a lushly orchestrated set of throwback, country-tinged folk pop that, despite some resemblance to previous works like Nebraska and The Ghost of Tom Joad, sounds like little else in his catalog. Frankly, its sheen is off-putting at first.
- 5/30/2019
- by Will Hermes
- Rollingstone.com
This first taste of the “recording projects” Springsteen teased last year after concluding his Bruce On Broadway stint is another E Street Band-less endeavor (though his crew, among them Nils Lofgren, have been busy with their own extracurricular projects). The first track off a forthcoming solo LP, “Hello Sunshine” is Springsteen’s precisely-calibrated throwback to a particular style of late 1960s/early-1970s anti-anxiety radio balladry, perhaps epitomized by Glen Campbell’s magnificent 1968 version of Jimmy Webb’s “Wichita Lineman.” “Hello Sunshine” would also fit nicely on a playlist including...
- 4/29/2019
- by Will Hermes
- Rollingstone.com
In April 1969, Bob Dylan went to Nashville to record his ninth studio album. It would be his third time recording there with local session pros and producer Bob Johnston, but this time it would be different: Unlike the “thin, wild mercury sound” of 1966’s Blonde on Blonde and the ominous acoustic folk of 1967’s John Wesley Harding, his next LP would be a traditional country record. He called it Nashville Skyline.
While experimental bands like New York’s Velvet Underground and San Francisco’s Grateful Dead were pushing boundaries in music,...
While experimental bands like New York’s Velvet Underground and San Francisco’s Grateful Dead were pushing boundaries in music,...
- 4/9/2019
- by Angie Martoccio
- Rollingstone.com
Stars: Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver, Georgann Johnson | Written by Waldo Salt | Directed by John Schlesinger
“Where’s that Joe Buck?” the Texan locals ask. Here he is: it’s Jon Voight, a New Yorker playing a Deep Southern wannabe gigolo in flamboyant cowboy getup. Voight looks as pretty as his daughter playing the doe-eyed Joe, who ditches his grimy cafe job and sets off for the Big Apple to make a living sleeping with wealthy older women, while Fred Neil’s insufferably catchy “Everybody’s Talkin’” hums on the soundtrack.
Joe is confident and fearless, simple and childlike, but NYC isn’t all he hoped. Nothing of what he hoped. He’s a fish out of water. Shot from low angles, Manhattan appears more vertical and dwarfing than ever (Joe was the tallest structure back in Texas). This is Manhattan from a much scuzzier era: all neon vice and deviancy,...
“Where’s that Joe Buck?” the Texan locals ask. Here he is: it’s Jon Voight, a New Yorker playing a Deep Southern wannabe gigolo in flamboyant cowboy getup. Voight looks as pretty as his daughter playing the doe-eyed Joe, who ditches his grimy cafe job and sets off for the Big Apple to make a living sleeping with wealthy older women, while Fred Neil’s insufferably catchy “Everybody’s Talkin’” hums on the soundtrack.
Joe is confident and fearless, simple and childlike, but NYC isn’t all he hoped. Nothing of what he hoped. He’s a fish out of water. Shot from low angles, Manhattan appears more vertical and dwarfing than ever (Joe was the tallest structure back in Texas). This is Manhattan from a much scuzzier era: all neon vice and deviancy,...
- 5/25/2018
- by Rupert Harvey
- Nerdly
Glen Campbell has died. The country legend was 81.
Campbell died Tuesday in Nashville, his family confirmed in a statement posted to his website.
“It is with the heaviest of hearts that we announce the passing of our beloved husband, father, grandfather, and legendary singer and guitarist, Glen Travis Campbell, at the age of 81, following his long and courageous battle with Alzheimer’s disease … In lieu of flowers, donations can be made to the Glen Campbell Memorial Fund at BrightFocus Foundation through the CareLiving.org donation page.”
The family adds, “A personal statement from Kim Campbell will follow. The family appreciates...
Campbell died Tuesday in Nashville, his family confirmed in a statement posted to his website.
“It is with the heaviest of hearts that we announce the passing of our beloved husband, father, grandfather, and legendary singer and guitarist, Glen Travis Campbell, at the age of 81, following his long and courageous battle with Alzheimer’s disease … In lieu of flowers, donations can be made to the Glen Campbell Memorial Fund at BrightFocus Foundation through the CareLiving.org donation page.”
The family adds, “A personal statement from Kim Campbell will follow. The family appreciates...
- 8/8/2017
- by Karen Mizoguchi
- PEOPLE.com
Lynn Castle Rose Colored Corner Light (Light In The Attic)
Coming across visually as a prototype Nancy Sinatra about to enter The Valley Of The Dolls, Lynn Castle in the 1960s was an entrancing and beguiling entity. Her debut album finally appears a few years shy of her turning eighty, and it is a tremendous affair, an index of splendid and unrealized possibilities, as stark as it is haunting.
Vocally she sounds like a female Leonard Cohen who's been listening to too much Nina Simone, whose smoke-laced croak she frequently echoes. Her look though uber-girlie doesn't match her sound, and simply serves to enhance the appeal of her beauty and big, big hair. Think Warhol's Candy Darling doing an arch Barbie doll look and you are nearly there. Add Jackie O shades and you have quite simply arrived. Her sole single 'The Lady Barber' is a wonderful piece of...
Coming across visually as a prototype Nancy Sinatra about to enter The Valley Of The Dolls, Lynn Castle in the 1960s was an entrancing and beguiling entity. Her debut album finally appears a few years shy of her turning eighty, and it is a tremendous affair, an index of splendid and unrealized possibilities, as stark as it is haunting.
Vocally she sounds like a female Leonard Cohen who's been listening to too much Nina Simone, whose smoke-laced croak she frequently echoes. Her look though uber-girlie doesn't match her sound, and simply serves to enhance the appeal of her beauty and big, big hair. Think Warhol's Candy Darling doing an arch Barbie doll look and you are nearly there. Add Jackie O shades and you have quite simply arrived. Her sole single 'The Lady Barber' is a wonderful piece of...
- 6/20/2017
- by robert cochrane
- www.culturecatch.com
It's a shock to go back and watch "Midnight Cowboy" 45 years after its debut (on May 25, 1969) and see how raw and otherworldly it looks. After all, the X-rated Best Picture Oscar-winner has been so thoroughly assimilated into American pop culture that even kiddie entertainments like the Muppets have copied from it.
The tale of the unlikely friendship between naïve Texas gigolo Joe Buck (Jon Voight) and frail Bronx con man Enrico "Ratso" Rizzo (Dustin Hoffman), "Midnight Cowboy" was initially considered so risqué that it's the only X-rated movie ever to win the Academy's top prize (though after it won, the ratings board reconsidered and gave the film an R). Still, the film featured two lead performances and a few individual scenes that were so iconic that homages (and parodies) have popped up virtually everywhere. (Most often imitated is the scene where Ratso, limping across a busy Manhattan street, is nearly...
The tale of the unlikely friendship between naïve Texas gigolo Joe Buck (Jon Voight) and frail Bronx con man Enrico "Ratso" Rizzo (Dustin Hoffman), "Midnight Cowboy" was initially considered so risqué that it's the only X-rated movie ever to win the Academy's top prize (though after it won, the ratings board reconsidered and gave the film an R). Still, the film featured two lead performances and a few individual scenes that were so iconic that homages (and parodies) have popped up virtually everywhere. (Most often imitated is the scene where Ratso, limping across a busy Manhattan street, is nearly...
- 5/23/2014
- by Gary Susman
- Moviefone
Ten has revealed the first look of its new ‘all singing all dancing’ competition, I Will Survive.
The show aims to find Australia’s next Broadway performer for the Adventures of Priscilla: Queen of the Desert stage show, which has been axed.
Contestants compete in the seven Outback locations across Australia where the original Priscilla bus stopped in the film, before moving on to New York for the finale.
However, despite finishing the seven-stop Outback shoot, first prize has not yet been confirmed.
Initially first prize, along with $250,000, was to include a spot in the cast of the Broadway version of the show, the Palace Theater show closed on 24 June.
A spokesperson for FremantleMedia said: “We’re now working on something equally fabulous to showcase their talents in New York.”
The sneak peak shows a number of men in drag including 23 year-old Adrian who works at his dad’s truck...
The show aims to find Australia’s next Broadway performer for the Adventures of Priscilla: Queen of the Desert stage show, which has been axed.
Contestants compete in the seven Outback locations across Australia where the original Priscilla bus stopped in the film, before moving on to New York for the finale.
However, despite finishing the seven-stop Outback shoot, first prize has not yet been confirmed.
Initially first prize, along with $250,000, was to include a spot in the cast of the Broadway version of the show, the Palace Theater show closed on 24 June.
A spokesperson for FremantleMedia said: “We’re now working on something equally fabulous to showcase their talents in New York.”
The sneak peak shows a number of men in drag including 23 year-old Adrian who works at his dad’s truck...
- 7/16/2012
- by Colin Delaney
- Encore Magazine
Our detailed look back over the non-Bond scores of John Barry continues with a look at his work between the years 1968 to 1979…
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
- 8/8/2011
- Den of Geek
Our detailed look back over the non-Bond scores of John Barry continues with a look at his work between the years 1968 to 1979…
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
- 8/8/2011
- Den of Geek
Madeleine Peyroux is best known for her dusky, out-of-time croon, whose lustrous grain will never live down—or up to, for that matter—the Billie Holiday comparisons that have dogged her over the last 15 years. While her vocals have certainly earned her many fans, perhaps her truest gift is her impeccable taste in material. Largely eschewing the oversung classics of the American Songbook, Peyroux has lent her voice to an array of songs representing an adventurous diversity: from Fred Neil and Leonard Cohen to Elliott Smith and Serge Gainsbourg. Half the excitement over a new album is anticipating who she’ll cover...
- 6/8/2011
- Pastemagazine.com
As befits Bill Callahan’s well-established perversity, the new Apocalypse starts out dark and menacing, and ends up blissful and sleepy. Throughout the album’s seven songs, Callahan does more than embrace oblivion; he already cornered that market on the Geiger-counter tape hiss of his early Smog recordings through the corpselike pop of 2007’s Woke On A Whaleheart. On Apocalypse, he loops his Fred Neil-meets-Michael Gira folk into circular meditations on, aptly enough, endings and beginnings. “The real people went away,” Callahan intones at the start of the album’s minor-key opener, “Drover,” before embarking on an exhausting ...
- 4/5/2011
- avclub.com
Director: John Scheinfeld Writer(s): John Scheinfeld Harry Nilsson is not a household name. Originally released in 2006, Who is Harry Nilsson documents the rise and fall of a singer/songwriter who reached the apex of stardom in the 70s. While many aren’t familiar with Nilsson, his songwriting abilities are on display in hits recorded by other artists, such as Three Dog Night and The Monkeys. Nilsson himself found success singing “Without You” and “Coconut” as well as Fred Neil’s song for the film Midnight Cowboy, “Everybody’s Talking,” for which Nilsson would win an Oscar for Best Pop Male Vocal Performance. Scheinfeld’s documentary does Nilsson justice, documenting his impact on the music industry and the influential power his work had on artists such as The Beatles. Harry would become an undeniable influence among many artists of his time, but with substance abuse issues looming large, Nilsson...
- 9/5/2010
- by Dirk Sonniksen
- SmellsLikeScreenSpirit
It's a little surprising that until now, no one has put together the definitive tribute album to folk's fertile days in New York's Greenwich Village. 429 Records' new collection titled The Village--a Celebration Of The Music Of Greenwich Village spotlights the historical significance of the neighborhood's folk music scene with passionate contributions by thirteen artists including Rickie Lee Jones, Los Lobos, Bruce Hornsby, Amos Lee, Shelby Lynne, Cowboy Junkies, John Oates, Lucinda Williams, Mary Chapin Carpenter, Rachael Yamagata, and others. In her glowing liner notes, Suze Rotolo (featured on The Freewheelin' Bob Dylan album cover) accurately states, "The songs on The Village aren't confined to any particular era any more than the musicians performing them are...every tune is something transformed from something I knew into something I didn't." The music of Tim Buckley, Judy Collins, Joan Baez, Fred Neil, John...
- 10/31/2009
- by Mike Ragogna
- Huffington Post
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